[NetBehaviour] Art/work space

Jason Nelson newmediapoet at yahoo.com
Fri Jul 1 09:23:32 CEST 2005


Maria,

Thanks so much for posting a view of your world. I
wish more folks were keen on running with this. But I
imagine more direct questioning would the best route
to gathering bits of scenery. 

By the way are you going to dLux? I just got my nicely
worded rejection letter for this:
http://www.heliozoa.com/gene/bomargene.htm
but am thinking about going anyway to check out the
scene.

cheers, Jason

--- maria miranda <maria at out-of-sync.com> wrote:

> 
> I love this idea... it also reminds me of Sue
> Thomas's Quilt project, 
> from a few years back, where people described the
> view from their 
> window at sunset or was it noon ( certain time of
> day, can't remember 
> exactly). It was also publlished as a book.
> 
> I've really enjoyed jason's  networked flash
> remixes... as a Flash user 
> it's great to see Flash used in such a spontaneous
> way, making it raw 
> and unpolished. I like Flash cuz you can think about
> content without 
> blowing yr brains out about the code. also felt
> v.happy to part of 
> Jason's privileged 24...
> 
> Here's my work space description
> I work from home, a ground floor flat on Coogee
> Beach in Sydney. I 
> hijacked the dining room table and turned it into a
> work station. As 
> the dining room opens into the kitchen, there's
> always kitchen stuff 
> happening. Someone making a cup of tea, Nellie our
> cat sleeping/snoring 
> (it's bad) in a box near the heater. Actually
> everything happens in the 
> kitchen, including washing machine and dryer... it's
> machine heaven.
> 
> But the window overlooks the beach, and on a clear
> winter day like 
> today, it's magic...
> maria
> 
> 
> >
> > Based on Ryan and Marc's prompting, and birthed by
> my
> > little missives from my recent residency, I
> thought we
> > should all play a game.
> >
> > So.....SEND A MESSAGE GIVING A PHYSICAL
> DESCRIPTION OF
> > THE MAIN PLACES YOU WORK OR WRITE OR WATCH YOUR
> ART.
> >
> > I will start...and name them in the e-mail subject
> > line   (Something like art/work space: Nelson
> (with
> > your last name obviously)) and we will convince
> Marc
> > and Ruth to publish the results...
> >
> > Most of my work happens in three places:
> >
> > 1. At my home: a high set queenslander: supposedly
> > three bedrooms, but really just a bunch of open
> > spaces: the house has a mango tree in the backyard
> > that attracts bats and bat shit, they keep me
> company
> > with their caterwauling and purring wings.  Within
> the
> > house I find myself sitting on the bed in the
> front
> > room, hard wood floors, ornate moldings, drafty
> dial
> > out windows with these peppered panes that
> indicate
> > age and small scale manufacturing. To my left is a
> > small subdivision made by a large stand up cabinet
> > that was made in England, bought in Bethany
> Oklahoma
> > and shipped to Australia. An suitcase I stole from
> the
> > trash bin of a thrift store holds various bottles
> of
> > water and papers, and I have a DSL wireless
> network
> > that I fear the neighbors leach off.
> >
> > My girlfriend likes lots of pillows, so there are
> > u-shapes, long fluffies, short firms and pretty
> > stiffs. above me is a makeshift romantic netting,
> that
> > seems as of late to act as catchment for any kind
> of
> > small object and pens. this being an old house,
> there
> > are few outlets, so we've grown used to walking
> over
> > extension cords and exchanging lamps for laptop
> power.
> >
> > 2. In my office at Griffith University, I share my
> > space with spiders and ants. The spiders stir up
> > trouble by dropping to the desk and hiding around
> the
> > mouse. I keep my office closed and speakers loud,
> > ignoring knocks and keeping the room as cold as
> > possible. They put two filing desks and filing
> > cabinets in the room, which I use as display cases
> for
> > old science, sewing machines and heaps of maps and
> > comic books. And for every old book sale I buy
> tech
> > aged tech manuals and medical texts, having gone
> > through two scanners and an additional hard drive
> just
> > to capture what I see as the lost art of combining
> the
> > mystic with the tangible. On the door of my office
> are
> > intelligence testing cards, all shapes and
> sequences.
> > On the billboard next to my office, I tear down
> credit
> > card ads and religious flyers every other day.The
> room
> > 2-04 is in an ugly building built in the late 90s.
> It
> > feels weak and temporary. So I feel at home.
> >
> > 3. Four years ago when I started creating, I was
> > largely computerless. So I became used to creating
> > where ever I could find some technology. I created
> an
> > old work called cube during a friends house party
> and
> > another work called color at the library (using a
> > trial version of flash (reloading it each time).
> >
> > Ummm of course there is more, but I am sleepy and
> have
> > to visit the dentist in the morning. You will be
> > seeing a work about death soon.
> >
> > SO NEXT PERSON PLEASE!!!
> >
> > Jason
> >
> >
> >
> >
> 
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