[NetBehaviour] Nine: The Album
clemos
cl3mos at gmail.com
Fri Jul 22 19:15:42 CEST 2005
hi
well, it's really a nice album alan :)
one more major piece of networked rock n roll to add to our Why Rock webshow.
then, as everybody's giving his current favorite tracks, I must say
I'm currently a big big fan of the following song, which, in my
thoughts, is to become an internet cult tune :
http://www.jetlagtravel.com/molvania/eurovision_2004.html
++++++++
clemos
On 7/22/05, brian at netart.org.uy <brian at netart.org.uy> wrote:
> hola,
>
> nice! downloaded them all. tks!
> loved pieces number 1 && 4. sounds like frank zappa with hiccups, sometimes
> like paco delucia with huge hangover.
>
> :-)
>
>
> talking about 'vintage' music:
> here愀 a sample from the 80愀 (2 guitars on tape)
> improvising summertime. (uruguayan creole guitar)
> http://netart.org.uy/music/summertime.mp3
>
> other (live free style trio, used a 1973 G3 Gibson bass with baseballs
> electroharmonix and harmonics/saturation hendrix's 'front speaker' style)
> many speakers burnt at that time!
> http://netart.org.uy/music/kundalini4.mp3
>
>
> bring the beers!
>
> :-)
>
>
> _bri
> .endOfMessage
>
> \|/ 畔�虜.毀畔�虜.毀秤`溢
> |
> |
> __+__netart.org.uy__________
> ----- Original Message -----
>
>
>
>
>
> ----- Original Message -----
> From: "Alan Sondheim" <sondheim at panix.com>
> To: <netbehaviour at netbehaviour.org>
> Sent: Friday, July 22, 2005 3:08 AM
> Subject: [NetBehaviour] Nine: The Album
>
>
> >
> >
> >
> > Nine: The Album
> >
> >
> > Please download! Go to:
> >
> > http://www.asondheim.org/nine/
> >
> > There are nine guitarworks here, a full lp album's worth.
> > These were recorded absolutely flat in a silent recording studio, one
> > microphone, no equalization or effects.
> >
> > The guitar is the old unlabeled Larson (?) parlor guitar, from around
> > 1910. It's tuned to D, more or less.
> >
> > I'm happy with these pieces - all mp3s - they represent my stumbling or
> > stuttering in relation to the scales/soundwork/chords I'm using. The labor
> > comes through, which is important to me. (It represents literally 40 years
> > of work.)
> >
> > The pieces were recorded first take, within an hour and a half.
> >
> >
> >
> > -
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> >
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