[NetBehaviour] Unsuscribe!
Tam
tamara.lai at skynet.be
Thu May 24 13:45:28 CEST 2007
Le 24/05/07 13:00, « netbehaviour-request at netbehaviour.org »
<netbehaviour-request at netbehaviour.org> a écrit :
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> Today's Topics:
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> 1. Re: new music-ish sound (james jwm-art net)
> 2. nznl.com digest, May 17, 2007 - May 23, 2007 (Geert Dekkers)
> 3. [Nettime-nl] nznl.com digest, May 17, 2007 - May 23, 2007
> (Geert Dekkers)
> 4. pourinfos Newsletter / 23-05 to 30-05-2007 (xavier cahen)
> 5. pourinfos Newsletter / 23-05 to 30-05-2007 (xavier cahen)
> 6. The Visible Man: An FBI Target Puts His Whole Life Online. (marc)
> 7. Persuasive Games: Why We Need More Boring Games. (marc)
> 8. LX 2.0 new comission: Young-Hae Chang Heavy Industries -
> TODAY (Luis Silva)
> 9. LX 2.0 new comission: Young-Hae Chang Heavy Industries -
> TODAY (Luis Silva)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Wed, 23 May 2007 18:22:33 +0100
> From: "james jwm-art net" <james at jwm-art.net>
> Subject: Re: [NetBehaviour] new music-ish sound
> To: "NetBehaviour for networked distributed"
> <netbehaviour at netbehaviour.org>
> Message-ID: <xukQGtFL.1179940953.8078170.james at jwm-art.net>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Hi Patrick,
>
> It's not about anything specific or definite, imagined things/dreams, i
> dunno. Some sounds are inspired by 'rave' sounds of '90 - '92, organ
> sound influenced by one or two tracks by aphex twin around that period
> (icarebecauseyoudo), while some of the structure influenced by
> autechre's untilted album.
>
> started with trying to bash out a rhythm on a keyboard, a softsynth with
> a two stage sound: pink noise attack and bass release. tried to utilise
> the fact i can never keep the rhythm together and odd things happen.
> Nothing is sequenced, it's all played on a keyboard, although some
> minor adjustments, and slicing were made to the audio. It was originally
> quite raw, as-is, very few fx, until it started to get on my nerves, and
> so steps were taken to make it sound less irritatingly obvious.
>
> I'll look at what can be found about Bruce Gilbert, thanks.
>
> James.
>
> On 23/5/2007, "patrick simons" <patricksimons1 at googlemail.com> wrote:
>
>> Hi James
>> I Like this a lot, could you tell me more about it....
>> I saw Rambert ballet dance to some music recently, one of the bits was a
>> bruce Gilbert (Wire) track called DO YOU ME? and yours reminds me of that a
>> bit.
>> best wishes
>> patrick
>> G9
>>
>> PS
>> I have recently started to put up some sonic bits I recorded a while back.
>>
>> http://www.gloriousninth.net/audio/concrete_audio.html
>>
>>
>>
>>
>> On 5/23/07, james jwm-art net <james at jwm-art.net> wrote:
>>>
>>> hi
>>>
>>> here's a new piece of music-ish sound to :
>>>
>>> http://www.jwm-art.net/art/audio/gna-gna.mp3
>>>
>>> Gee En Ay Gee N/A - Gnah Gnah
>>>
>>> be sure to play it at 33RPM, don't be tempted
>>> to speed it up to 45RPM - it's meant to be slow.
>>>
>>> also don't forget to play it on speakers which
>>> can reproduce plenty of bass.
>>>
>>> * * * thanks to mediaidea for the sample * * *
>>>
>>> james
>>>
>>> any comments welcome
>>>
>>> _______________________________________________
>>> NetBehaviour mailing list
>>> NetBehaviour at netbehaviour.org
>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>
>>
>>
>
>
>
> ------------------------------
>
> Message: 2
> Date: Wed, 23 May 2007 19:11:22 +0200
> From: Geert Dekkers <geert at nznl.com>
> Subject: [NetBehaviour] nznl.com digest, May 17, 2007 - May 23, 2007
> To: Rhizome <list at rhizome.org>
> Cc: webartery <webartery at yahoogroups.com>, nettime-ann at nettime.org,
> NetBehaviour for networked distributed creativity
> <netbehaviour at netbehaviour.org>, nettime-nl at nettime.org, Theory and
> Writing <WRYTING-L at LISTSERV.WVU.EDU>
> Message-ID: <2D136FE6-135C-4EE3-9B93-A8EDD076A7D4 at nznl.com>
> Content-Type: text/plain; charset="us-ascii"
>
> nznl.com digest
> May 17, 2007 - May 23, 2007
> Posts 1804 - 1810
>
> http://nznl.com
> rss http://nznl.com/geert/nznl.xml
> macosx only screensaver at http://graphics.nznl.org/
> nznl_com_screensaver.dmg (>90MB)
>
> 1804. May 17, 2007
> SKIN, 2011, SKIN (BERLIN 1961)
> found image captioned
> http://nznl.com/index.php?dag=20070517
>
> 1805. May 18, 2007
> SKIN, 2011, SKIN (CYPRUS 2007)
> found image captioned
> http://nznl.com/index.php?dag=20070518
>
> 1806. May 19, 2007
> SKIN, 2011, SKIN (CHRISTCHURCH 1961)
> http://nznl.com/index.php?dag=20070519
>
> 1807. May 20, 2007
> PLAN FOR SOMETHING COMPLETE, 2011, PLASTER OF PARIS, PLYWOOD,
> ACRYLICS, STAGE LIGHTING
> fireworks file, text
> http://nznl.com/index.php?dag=20070520
>
> 1808. May 21, 2007
> EVERTHING IS COMPLETE, 2011, RECLAIMED PINE
> found image captioned and laden
> http://nznl.com/index.php?dag=20070521
>
> 1809. May 22, 2007
> COMPLETE, 2011, RECLAIMED
> found image recaptioned
> http://nznl.com/index.php?dag=20070522
>
> 1810. May 23, 2007
> STUDY FOR A SMALL TALK, 2011, PERFORMANCE FOR A WALKER
> flash movie
> http://nznl.com/index.php?dag=20070523
>
>
>
>
> Geert Dekkers---------------------------
> http://nznl.com | http://nznl.org | http://nznl.net
> ---------------------------------------
>
>
>
> -------------- next part --------------
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>
> ------------------------------
>
> Message: 3
> Date: Wed, 23 May 2007 19:30:33 +0200
> From: "Geert Dekkers" <geert at nznl.com>
> Subject: [NetBehaviour] [Nettime-nl] nznl.com digest, May 17, 2007 -
> May 23, 2007
> To: <Noor at mail-deliver.box.nl>
> Cc: webartery <webartery at yahoogroups.com>, Theory and Writing
> <WRYTING-L at LISTSERV.WVU.EDU>, NetBehaviour for networked distributed
> creativity <netbehaviour at netbehaviour.org>, nettime-nl at nettime.org,
> nettime-ann at nettime.org
> Message-ID: <000101c79d60$114def90$0100000a at hoogt.local>
> Content-Type: text/plain; charset="us-ascii"
>
> nznl.com digest
> May 17, 2007 - May 23, 2007
> Posts 1804 - 1810
>
> http://nznl.com
> rss http://nznl.com/geert/nznl.xml
> macosx only screensaver at http://graphics.nznl.org/
> nznl_com_screensaver.dmg (>90MB)
>
> 1804. May 17, 2007
> SKIN, 2011, SKIN (BERLIN 1961)
> found image captioned
> http://nznl.com/index.php?dag=20070517
>
> 1805. May 18, 2007
> SKIN, 2011, SKIN (CYPRUS 2007)
> found image captioned
> http://nznl.com/index.php?dag=20070518
>
> 1806. May 19, 2007
> SKIN, 2011, SKIN (CHRISTCHURCH 1961)
> http://nznl.com/index.php?dag=20070519
>
> 1807. May 20, 2007
> PLAN FOR SOMETHING COMPLETE, 2011, PLASTER OF PARIS, PLYWOOD,
> ACRYLICS, STAGE LIGHTING
> fireworks file, text
> http://nznl.com/index.php?dag=20070520
>
> 1808. May 21, 2007
> EVERTHING IS COMPLETE, 2011, RECLAIMED PINE
> found image captioned and laden
> http://nznl.com/index.php?dag=20070521
>
> 1809. May 22, 2007
> COMPLETE, 2011, RECLAIMED
> found image recaptioned
> http://nznl.com/index.php?dag=20070522
>
> 1810. May 23, 2007
> STUDY FOR A SMALL TALK, 2011, PERFORMANCE FOR A WALKER
> flash movie
> http://nznl.com/index.php?dag=20070523
>
>
>
>
> Geert Dekkers---------------------------
> http://nznl.com | http://nznl.org | http://nznl.net
> ---------------------------------------
>
>
>
> -------------- next part --------------
> ______________________________________________________
> * Verspreid via nettime-nl. Commercieel gebruik niet
> * toegestaan zonder toestemming. <nettime-nl> is een
> * open en ongemodereerde mailinglist over net-kritiek.
> * Meer info, archief & anderstalige edities:
> * http://www.nettime.org/.
> * Contact: Menno Grootveld (rabotnik at xs4all.nl).
>
> ------------------------------
>
> Message: 4
> Date: Thu, 24 May 2007 00:30:08 +0200
> From: xavier cahen <cahen.x at levels9.com>
> Subject: [NetBehaviour] pourinfos Newsletter / 23-05 to 30-05-2007
> To: "liste netbehaviour.org" <netbehaviour at netbehaviour.org>
> Message-ID: <4654C070.2030709 at levels9.com>
> Content-Type: text/plain; charset=windows-1252; format=flowed
>
> pourinfos.org
> l'actualité du monde de l'art / daily Art news
> -----------------------------------------------------------------------
>
> From Wenesday May 23, 2007 to Wenesday May 30 2007 (included)
> -------------------------------------------------------------------
> (mostly in french)
>
>
> @ 001 (23/05/2007)
> Meetings: presentation of the Biennial 's catalogue of XVe of Paris,
> Wednesday May 23, 2007, national Institute of history of art, Paris, France.
> http://pourinfos.org/art-34880-tit--Presentation-du-catalogue-de-la-XVe
> --------------------------------------------------------------------
>
> @ 002 (23/05/2007)
> Meetings: Day of studies Eclair, Thursday June 14, 2007, La Cinémathèque
> Française, Paris, France.
> http://pourinfos.org/art-34881-tit--Journee-d-etudes-Eclair-Jeudi-14-juin
> --------------------------------------------------------------------
>
> @ 003 (23/05/2007)
> Residencies : The Nordic Artists‚ Centre in Dale , residencies in 2008,
> Dale, Norway.
> http://pourinfos.org/art-34909-tit--The-Nordic-Artists-Centre-in-Dale-
> --------------------------------------------------------------------
>
> @ 004 (23/05/2007)
> Residencies : call for Triangle France, Marseille, France.
> http://pourinfos.org/art-34910-tit-Residence-Triangle-France-Marseille-
> --------------------------------------------------------------------
>
> @ 005 (23/05/2007)
> Publication : Politiques de la photographie du corps (Policies of the
> photography of the body), the team of research AIAC, Collection L‚image
> & les images, editions Klincksieck, Paris, France.
> http://pourinfos.org/art-34922-tit--Politiques-de-la-photographie-du-corps-
> --------------------------------------------------------------------
>
> @ 006 (23/05/2007)
> Publication : ART VIF, Association canal libre, Nice, France.
> http://pourinfos.org/art-34923-tit--ART-VIF-Association-canal-libre-Nice-
> --------------------------------------------------------------------
>
> @ 007 (23/05/2007)
> Exhibition : Rideau ! (curtain !) Jason Karaïndros, La Maréchalerie
> contemporary art center, Versailles, France.
> http://pourinfos.org/art-34926-tit--Rideau-Jason-Karaindros-La
> --------------------------------------------------------------------
>
> @ 008 (23/05/2007)
> Job: Le Réseau 50° Nord, Maubeuge, France.
> http://pourinfos.org/art-34929-tit--Charge-e-de-Mission-Le-Reseau-50-
> --------------------------------------------------------------------
>
> @ 009 (23/05/2007)
> Various: WRO 07 Competition Results, WRO Center for Media Art, Wroclaw,
> Poland.
> http://pourinfos.org/art-34930-tit-Divers-WRO-07-Competition-Results-WRO
> --------------------------------------------------------------------
>
> @ 010 (23/05/2007)
> Call: 00130Gallery video project, Helsinki, Finland.
> http://pourinfos.org/art-34932-tit-Appel-a-participaton-00130Gallery-video
> --------------------------------------------------------------------
>
> @ 011 (23/05/2007)
> Call: Subone - Video game on line of the Web Flash Festival in the
> Center Pompidou, Paris, France.
> http://pourinfos.org/art-34933-tit--Subone-Jeu-video-en-direct-du-Web-Flash
> --------------------------------------------------------------------
>
> @ 012 (23/05/2007)
> Call: 14th Chicago Underground Film Festival, Chicago, Usa.
> http://pourinfos.org/art-34934-tit--14th-Chicago-Underground-Film-Festival-
> --------------------------------------------------------------------
>
> @ 013 (23/05/2007)
> Call: INTERSCULPT 2007, biennial of the numerical sculpture, Ars
> Mathematica, France.
> http://pourinfos.org/art-34935-tit--INTERSCULPT-2007-biennale-mondiale-de-la
> --------------------------------------------------------------------
>
> @ 014 (23/05/2007)
> Call: Dispatx Art Collective, Barcelone, Spain.
> http://pourinfos.org/art-34936-tit--Dispatx-Art-Collective-Barcelone-
> --------------------------------------------------------------------
>
> @ 015 (23/05/2007)
> Call: Competition of Graphic design, Cité internationale universitaire
> de Paris, Paris, France.
> http://pourinfos.org/art-34937-tit-Appel-a-candiature-Concours-de-creation
> --------------------------------------------------------------------
>
> @ 016 (24/05/2007)
> Workshop: Dorkbot Paris #4: Thursday May 24 + Workshops 24-25- May 26,
> Ars Longa, Paris, France.
> http://pourinfos.org/art-34896-tit-Formation-Dorkbot-Paris-4-jeudi-24-mai
> --------------------------------------------------------------------
>
> @ 017 (24/05/2007)
> Meetings: "Du phalanstère de Charles Fourier aux architectures d'air de
> Hans Walter Müller"(from the phalanstery of Charles Fourier to the air's
> architectures of Hans Walter Müller), Alain Charre, Thursday May 24,
> 2007, Center of contemporary art of Brétigny, Brétigny-sur-Orge, France.
> http://pourinfos.org/art-34920-tit--Du-phalanstere-de-Charles-Fourier-aux
> --------------------------------------------------------------------
>
> @ 018 (24/05/2007)
> Screening: video "talks" and meets with Albert Clermont, Thursday May
> 24, 2007, Heure Exquise !, Mons en baroeul, France.
> http://pourinfos.org/art-34924-tit--Diffusion-des-Entretiens-video-et
> --------------------------------------------------------------------
>
> @ 019 (25/05/2007)
> Meetings: Robert Morris, Friday May 25 with 6.30 PM at l'auditorium du
> Louvre, Paris, France.
> http://pourinfos.org/art-34911-tit--Robert-Morris-vendredi-25-mai-a-18h30-a
> --------------------------------------------------------------------
>
> @ 020 (25/05/2007)
> Meetings: Christophe Dalecki, Friday May 25, Le coLLombier, Cunlhat, France.
> http://pourinfos.org/art-34915-tit--Christophe-Dalecki-vendredi-25-mai-Le
> --------------------------------------------------------------------
>
> @ 021 (25/05/2007)
> Meetings: « l'Ethique de l'Esthétique »(the Ethics of Esthetics), Michel
> Maffesoli et Edgar Morin, Rendez-Vous de l'Imaginaire, Fondation
> d‚entreprise Ricard, Paris, France.
> http://pourinfos.org/art-34917-tit--l-Ethique-de-l-Esthetique-Michel
> --------------------------------------------------------------------
>
> @ 022 (26/05/2007)
> Exhibition: L'Avant-rue receives the collective collectif sos-art,
> Saturday May 26 and Sunday 27 all the day 2007, Paris, France.
> http://pourinfos.org/art-34928-tit--L-Avant-rue-recoit-le-collectif-sos-art-
> --------------------------------------------------------------------
>
> @ 023 (29/05/2007)
> Meetings: « La prothéticité du transindividuel » (Protheticity of the
> transindividual), Bernard Stiegler, Tuesday May 29, 2007, MSH
> Paris-Nord, Saint-Denis, France.
> http://pourinfos.org/art-34918-tit--La-protheticite-du-transindividuel-
> --------------------------------------------------------------------
>
> @ 024 (30/05/2007)
> Meetingss : conference Hors limites : Qu‚est-ce que le contemporain
> ?(What the contemporary?) , 30 and May 31, 2007, Association of
> libraries in Seine-Saint-Denis, CND of Pantin, Pantin, France.
> http://pourinfos.org/art-34761-tit--Le-colloque-Hors-limites-Qu-est-ce-que
>
>
>
> ------------------------------
>
> Message: 5
> Date: Thu, 24 May 2007 00:30:34 +0200
> From: xavier cahen <cahen.x at levels9.com>
> Subject: [NetBehaviour] pourinfos Newsletter / 23-05 to 30-05-2007
> To: "liste netbehaviour.org" <netbehaviour at netbehaviour.org>
> Message-ID: <4654C08A.6010101 at levels9.com>
> Content-Type: text/plain; charset=windows-1252; format=flowed
>
> pourinfos.org
> l'actualité du monde de l'art / daily Art news
> -----------------------------------------------------------------------
>
> From Wenesday May 23, 2007 to Wenesday May 30 2007 (included)
> -------------------------------------------------------------------
> (mostly in french)
>
>
> @ 001 (23/05/2007)
> Meetings: presentation of the Biennial 's catalogue of XVe of Paris,
> Wednesday May 23, 2007, national Institute of history of art, Paris, France.
> http://pourinfos.org/art-34880-tit--Presentation-du-catalogue-de-la-XVe
> --------------------------------------------------------------------
>
> @ 002 (23/05/2007)
> Meetings: Day of studies Eclair, Thursday June 14, 2007, La Cinémathèque
> Française, Paris, France.
> http://pourinfos.org/art-34881-tit--Journee-d-etudes-Eclair-Jeudi-14-juin
> --------------------------------------------------------------------
>
> @ 003 (23/05/2007)
> Residencies : The Nordic Artists‚ Centre in Dale , residencies in 2008,
> Dale, Norway.
> http://pourinfos.org/art-34909-tit--The-Nordic-Artists-Centre-in-Dale-
> --------------------------------------------------------------------
>
> @ 004 (23/05/2007)
> Residencies : call for Triangle France, Marseille, France.
> http://pourinfos.org/art-34910-tit-Residence-Triangle-France-Marseille-
> --------------------------------------------------------------------
>
> @ 005 (23/05/2007)
> Publication : Politiques de la photographie du corps (Policies of the
> photography of the body), the team of research AIAC, Collection L‚image
> & les images, editions Klincksieck, Paris, France.
> http://pourinfos.org/art-34922-tit--Politiques-de-la-photographie-du-corps-
> --------------------------------------------------------------------
>
> @ 006 (23/05/2007)
> Publication : ART VIF, Association canal libre, Nice, France.
> http://pourinfos.org/art-34923-tit--ART-VIF-Association-canal-libre-Nice-
> --------------------------------------------------------------------
>
> @ 007 (23/05/2007)
> Exhibition : Rideau ! (curtain !) Jason Karaïndros, La Maréchalerie
> contemporary art center, Versailles, France.
> http://pourinfos.org/art-34926-tit--Rideau-Jason-Karaindros-La
> --------------------------------------------------------------------
>
> @ 008 (23/05/2007)
> Job: Le Réseau 50° Nord, Maubeuge, France.
> http://pourinfos.org/art-34929-tit--Charge-e-de-Mission-Le-Reseau-50-
> --------------------------------------------------------------------
>
> @ 009 (23/05/2007)
> Various: WRO 07 Competition Results, WRO Center for Media Art, Wroclaw,
> Poland.
> http://pourinfos.org/art-34930-tit-Divers-WRO-07-Competition-Results-WRO
> --------------------------------------------------------------------
>
> @ 010 (23/05/2007)
> Call: 00130Gallery video project, Helsinki, Finland.
> http://pourinfos.org/art-34932-tit-Appel-a-participaton-00130Gallery-video
> --------------------------------------------------------------------
>
> @ 011 (23/05/2007)
> Call: Subone - Video game on line of the Web Flash Festival in the
> Center Pompidou, Paris, France.
> http://pourinfos.org/art-34933-tit--Subone-Jeu-video-en-direct-du-Web-Flash
> --------------------------------------------------------------------
>
> @ 012 (23/05/2007)
> Call: 14th Chicago Underground Film Festival, Chicago, Usa.
> http://pourinfos.org/art-34934-tit--14th-Chicago-Underground-Film-Festival-
> --------------------------------------------------------------------
>
> @ 013 (23/05/2007)
> Call: INTERSCULPT 2007, biennial of the numerical sculpture, Ars
> Mathematica, France.
> http://pourinfos.org/art-34935-tit--INTERSCULPT-2007-biennale-mondiale-de-la
> --------------------------------------------------------------------
>
> @ 014 (23/05/2007)
> Call: Dispatx Art Collective, Barcelone, Spain.
> http://pourinfos.org/art-34936-tit--Dispatx-Art-Collective-Barcelone-
> --------------------------------------------------------------------
>
> @ 015 (23/05/2007)
> Call: Competition of Graphic design, Cité internationale universitaire
> de Paris, Paris, France.
> http://pourinfos.org/art-34937-tit-Appel-a-candiature-Concours-de-creation
> --------------------------------------------------------------------
>
> @ 016 (24/05/2007)
> Workshop: Dorkbot Paris #4: Thursday May 24 + Workshops 24-25- May 26,
> Ars Longa, Paris, France.
> http://pourinfos.org/art-34896-tit-Formation-Dorkbot-Paris-4-jeudi-24-mai
> --------------------------------------------------------------------
>
> @ 017 (24/05/2007)
> Meetings: "Du phalanstère de Charles Fourier aux architectures d'air de
> Hans Walter Müller"(from the phalanstery of Charles Fourier to the air's
> architectures of Hans Walter Müller), Alain Charre, Thursday May 24,
> 2007, Center of contemporary art of Brétigny, Brétigny-sur-Orge, France.
> http://pourinfos.org/art-34920-tit--Du-phalanstere-de-Charles-Fourier-aux
> --------------------------------------------------------------------
>
> @ 018 (24/05/2007)
> Screening: video "talks" and meets with Albert Clermont, Thursday May
> 24, 2007, Heure Exquise !, Mons en baroeul, France.
> http://pourinfos.org/art-34924-tit--Diffusion-des-Entretiens-video-et
> --------------------------------------------------------------------
>
> @ 019 (25/05/2007)
> Meetings: Robert Morris, Friday May 25 with 6.30 PM at l'auditorium du
> Louvre, Paris, France.
> http://pourinfos.org/art-34911-tit--Robert-Morris-vendredi-25-mai-a-18h30-a
> --------------------------------------------------------------------
>
> @ 020 (25/05/2007)
> Meetings: Christophe Dalecki, Friday May 25, Le coLLombier, Cunlhat, France.
> http://pourinfos.org/art-34915-tit--Christophe-Dalecki-vendredi-25-mai-Le
> --------------------------------------------------------------------
>
> @ 021 (25/05/2007)
> Meetings: « l'Ethique de l'Esthétique »(the Ethics of Esthetics), Michel
> Maffesoli et Edgar Morin, Rendez-Vous de l'Imaginaire, Fondation
> d‚entreprise Ricard, Paris, France.
> http://pourinfos.org/art-34917-tit--l-Ethique-de-l-Esthetique-Michel
> --------------------------------------------------------------------
>
> @ 022 (26/05/2007)
> Exhibition: L'Avant-rue receives the collective collectif sos-art,
> Saturday May 26 and Sunday 27 all the day 2007, Paris, France.
> http://pourinfos.org/art-34928-tit--L-Avant-rue-recoit-le-collectif-sos-art-
> --------------------------------------------------------------------
>
> @ 023 (29/05/2007)
> Meetings: « La prothéticité du transindividuel » (Protheticity of the
> transindividual), Bernard Stiegler, Tuesday May 29, 2007, MSH
> Paris-Nord, Saint-Denis, France.
> http://pourinfos.org/art-34918-tit--La-protheticite-du-transindividuel-
> --------------------------------------------------------------------
>
> @ 024 (30/05/2007)
> Meetingss : conference Hors limites : Qu‚est-ce que le contemporain
> ?(What the contemporary?) , 30 and May 31, 2007, Association of
> libraries in Seine-Saint-Denis, CND of Pantin, Pantin, France.
> http://pourinfos.org/art-34761-tit--Le-colloque-Hors-limites-Qu-est-ce-que
>
>
>
> ------------------------------
>
> Message: 6
> Date: Thu, 24 May 2007 10:01:08 +0100
> From: marc <marc.garrett at furtherfield.org>
> Subject: [NetBehaviour] The Visible Man: An FBI Target Puts His Whole
> Life Online.
> To: NetBehaviour for networked distributed creativity
> <netbehaviour at netbehaviour.org>
> Message-ID: <46555454.9010504 at furtherfield.org>
> Content-Type: text/plain; charset=windows-1252; format=flowed
>
> The Visible Man: An FBI Target Puts His Whole Life Online.
>
> Hasan Elahi whips out his Samsung Pocket PC phone and shows me how he's
> keeping himself out of Guantanamo. He swivels the camera lens around and
> snaps a picture of the Manhattan Starbucks where we're drinking coffee.
> Then he squints and pecks at the phone's touchscreen. "OK! It's
> uploading now," says the cheery, 35-year-old artist and Rutgers
> professor, whose bleached-blond hair complements his fluorescent-green
> pants. "It'll go public in a few seconds." Sure enough, a moment later
> the shot appears on the front page of his Web site, TrackingTransience.net.
>
> There are already tons of pictures there. Elahi will post about a
> hundred today ˜ the rooms he sat in, the food he ate, the coffees he
> ordered. Poke around his site and you'll find more than 20,000 images
> stretching back three years. Elahi has documented nearly every waking
> hour of his life during that time. He posts copies of every debit card
> transaction, so you can see what he bought, where, and when. A GPS
> device in his pocket reports his real-time physical location on a map.
>
> Elahi's site is the perfect alibi. Or an audacious art project. Or both.
> The Bangladeshi-born American says the US government mistakenly listed
> him on its terrorist watch list ˜ and once you're on, it's hard to get
> off. To convince the Feds of his innocence, Elahi has made his life an
> open book. Whenever they want, officials can go to his site and see
> where he is and what he's doing. Indeed, his server logs show hits from
> the Pentagon, the Secretary of Defense, and the Executive Office of the
> President, among others.
>
> http://www.wired.com/techbiz/people/magazine/15-06/ps_transparency
>
>
> ------------------------------
>
> Message: 7
> Date: Thu, 24 May 2007 10:13:26 +0100
> From: marc <marc.garrett at furtherfield.org>
> Subject: [NetBehaviour] Persuasive Games: Why We Need More Boring
> Games.
> To: NetBehaviour for networked distributed creativity
> <netbehaviour at netbehaviour.org>
> Message-ID: <46555736.5040607 at furtherfield.org>
> Content-Type: text/plain; charset=windows-1252; format=flowed
>
> Persuasive Games: Why We Need More Boring Games.
>
> But why is Brain Age a success of this kind? It‚s certainly a very
> different kind of game from Halo or even Miyamoto‚s own Zelda series,
> games that allow the player to inhabit complex fantasy worlds. Instead,
> much of Brain Age‚s success seems to come precisely from the
> ordinariness of its demands.
>
> It is a game of chores, really, not of challenges. Games like speed
> arithmetic and number tracing actually become maddeningly dull after
> only a short time, but many players persist because they want to have
> the sensation of keeping their minds sharp. We use Brain Age like we
> might use an exercise video, or a bathroom book of aphorisms, or a
> low-carb cookbook. Whether or not the game really contributes to
> long-term mental health is irrelevant; it makes people feel as though
> they are improving their long term mental health. It satisfies a mundane
> need for personal upkeep.
>
> As a medium becomes more familiar, it also becomes less edgy and
> exciting. This is what Marc Ecko means when he refers to movies as
> demystified. Over time, media becomes domesticated, and domestication is
> a mixed blessing.
>
> more...
> http://linkme2.net/bu
>
>
> ------------------------------
>
> Message: 8
> Date: Thu, 24 May 2007 08:52:18 +0100
> From: Luis Silva <silva.luis at netcabo.pt>
> Subject: [NetBehaviour] LX 2.0 new comission: Young-Hae Chang Heavy
> Industries - TODAY
> Message-ID: <884D9B1D-6F22-40CD-972E-4A34764C0EB6 at netcabo.pt>
> Content-Type: text/plain; charset="utf-8"
>
>
> Lisboa 20 Arte Contemporanea launches today, May 24th, LX 2.0
> Project's new comission: Manhã dos MongolÓides (Morning of the
> Mongoloids) by Young-Hae Chang Heavy Industries.
>
> For LX 2.0 (http://www.lisboa20.pt/lx20), Young-Hae Chang Heavy
> Industries created the Portuguese version of Morning of the
> Mongoloids, the laughable, yet tragic (and extremely ironic) story of
> a white men that wakes up after a night of ╲drunken partying╡ to
> find himself no longer who he used to be. Without any motive or
> underlying logic, the man wakes up and gradually realizes he is
> Korean. He looks Korean, he speaks Korean and he lives in Seoul, when
> just the night before he was a white man living in a western country.
> The piece is a delightful insight on the prejudiced views towards
> Asian cultures and specially, Korean culture. Not only are we faced
> with the main characterâ•˙s stereotypes of Asian people, as he
> gradually comes to terms with the improbable change, we, westerners,
> are confronted with our own biased views of the rest of the world. It
> is us, not ╲china men╡ who are being ironically portrayed. It is a
> mirror-like device and it is returning us our own prejudiced image of
> ourselves.
>
>
> Almost ten years ago, in 1999, in a net art workshop in Brisbane,
> Australia, Young-Hae Chang and Marc Voge, a Korean artist and an
> American poet, were learning how to work with Flash. Instead of fully
> mastering the digital tool, they concentrated in two of its basic
> operations, making text show up in the screen and setting an
> animation to music. These two features, which they came to master
> after a couple of days, would define Young-Hae Chang Heavy
> Industries' artistic practice in the years to come.
>
> Reacting against interactivity as a distinctive feature of new media
> art, and internet art in particular (the duo has openly stated their
> dislike for interactivity, comparing interactive art to a Skinner
> box, but without the reward given after the completion of the desired
> task), this Seoul-based duo has created fast paced Flash movies
> combining text and jazz music, drawing inspiration from concrete
> poetry and experimental film, and through which they have narrated
> stories in languages such as Korean, English, Spanish, German,
> Japanese or Portuguese.
>
> Their net art projects (if you are willing to compromise enough to
> call them that) are stripped of everything usually associated with
> the field: first of all, no interactivity whatsoever, no hidden
> buttons, no hipertextual aesthetics, the narrative is as linear and
> closed as a traditional novel; no graphics, no colours (black rules
> with a few exceptions of blue and red), no photos, no gadgets at all.
> It is a textual aesthetic that imposes itself through a web browser
> window and in which viewers are immersed in strong stories that
> everyone understands and can relate to.
>
> Luis Silva
>
>
> "It's essential to break rules and do things "wrong" in art. But it's
> seemingly necessary to follow rules and do things "right" in making
> Web art. This is the big problem confronting the Web artist, for the
> technique --and not the art -- of making Web art necessitates obeying
> strict rules the flouting of which is punished by absolute failure to
> create image and sound. One HTML misstep, and nothing works, nothing
> happens on the screen. With this in mind our Web art project tries to
> break as many rules as possible. In our work there is: no
> interactivity; no graphics or graphic design; no photos; no banners;
> no millions-of-colors; no playful fonts; no pyrotechnics. We have a
> special dislike for interactivity. To us it's a paltry, laughable
> thing, like getting a kick out of pulling the trigger of a gun:
> click: bang. We don't get it. When we click on interactive art, we
> get the feeling we're the rat in the Skinner box, except there's only
> the miserable reward, not the shock. Art isn't reward, it's shock, or
> something approaching it, something we would call beauty.
> Our Web art tries to express the essence of the Internet:
> information. Strip away the interactiviy, the graphics, the design,
> the photos, the banners, the colors, the fonts and the rest, and
> what's left?
>
> The text"
>
> Young-Hae Chang Heavy Industries
>
>
>
>
>
> LX 2.0
> (http://www.lisboa20.pt/lx20)
>
>
>
> ï¿π
>
>
>
>
>
>
> -------------- next part --------------
> Skipped content of type multipart/mixed
>
> ------------------------------
>
> Message: 9
> Date: Thu, 24 May 2007 08:56:03 +0100
> From: Luis Silva <silva.luis at netcabo.pt>
> Subject: [NetBehaviour] LX 2.0 new comission: Young-Hae Chang Heavy
> Industries - TODAY
> Message-ID: <F0E6B7A7-9213-4FB9-B28C-F322C493C7D0 at netcabo.pt>
> Content-Type: text/plain; charset="utf-8"
>
>
> Lisboa 20 Arte Contemporanea launches today, May 24th, LX 2.0
> Project's new comission: Manhã dos MongolÓides (Morning of the
> Mongoloids) by Young-Hae Chang Heavy Industries.
>
> For LX 2.0 (http://www.lisboa20.pt/lx20), Young-Hae Chang Heavy
> Industries created the Portuguese version of Morning of the
> Mongoloids, the laughable, yet tragic (and extremely ironic) story of
> a white men that wakes up after a night of ╲drunken partying╡ to
> find himself no longer who he used to be. Without any motive or
> underlying logic, the man wakes up and gradually realizes he is
> Korean. He looks Korean, he speaks Korean and he lives in Seoul, when
> just the night before he was a white man living in a western country.
> The piece is a delightful insight on the prejudiced views towards
> Asian cultures and specially, Korean culture. Not only are we faced
> with the main characterâ•˙s stereotypes of Asian people, as he
> gradually comes to terms with the improbable change, we, westerners,
> are confronted with our own biased views of the rest of the world. It
> is us, not ╲china men╡ who are being ironically portrayed. It is a
> mirror-like device and it is returning us our own prejudiced image of
> ourselves.
>
>
> Almost ten years ago, in 1999, in a net art workshop in Brisbane,
> Australia, Young-Hae Chang and Marc Voge, a Korean artist and an
> American poet, were learning how to work with Flash. Instead of fully
> mastering the digital tool, they concentrated in two of its basic
> operations, making text show up in the screen and setting an
> animation to music. These two features, which they came to master
> after a couple of days, would define Young-Hae Chang Heavy
> Industries' artistic practice in the years to come.
>
> Reacting against interactivity as a distinctive feature of new media
> art, and internet art in particular (the duo has openly stated their
> dislike for interactivity, comparing interactive art to a Skinner
> box, but without the reward given after the completion of the desired
> task), this Seoul-based duo has created fast paced Flash movies
> combining text and jazz music, drawing inspiration from concrete
> poetry and experimental film, and through which they have narrated
> stories in languages such as Korean, English, Spanish, German,
> Japanese or Portuguese.
>
> Their net art projects (if you are willing to compromise enough to
> call them that) are stripped of everything usually associated with
> the field: first of all, no interactivity whatsoever, no hidden
> buttons, no hipertextual aesthetics, the narrative is as linear and
> closed as a traditional novel; no graphics, no colours (black rules
> with a few exceptions of blue and red), no photos, no gadgets at all.
> It is a textual aesthetic that imposes itself through a web browser
> window and in which viewers are immersed in strong stories that
> everyone understands and can relate to.
>
> Luis Silva
>
>
> "It's essential to break rules and do things "wrong" in art. But it's
> seemingly necessary to follow rules and do things "right" in making
> Web art. This is the big problem confronting the Web artist, for the
> technique --and not the art -- of making Web art necessitates obeying
> strict rules the flouting of which is punished by absolute failure to
> create image and sound. One HTML misstep, and nothing works, nothing
> happens on the screen. With this in mind our Web art project tries to
> break as many rules as possible. In our work there is: no
> interactivity; no graphics or graphic design; no photos; no banners;
> no millions-of-colors; no playful fonts; no pyrotechnics. We have a
> special dislike for interactivity. To us it's a paltry, laughable
> thing, like getting a kick out of pulling the trigger of a gun:
> click: bang. We don't get it. When we click on interactive art, we
> get the feeling we're the rat in the Skinner box, except there's only
> the miserable reward, not the shock. Art isn't reward, it's shock, or
> something approaching it, something we would call beauty.
> Our Web art tries to express the essence of the Internet:
> information. Strip away the interactiviy, the graphics, the design,
> the photos, the banners, the colors, the fonts and the rest, and
> what's left?
>
> The text"
>
> Young-Hae Chang Heavy Industries
>
>
>
>
>
> LX 2.0
> (http://www.lisboa20.pt/lx20)
>
>
>
> ï¿π
>
>
>
>
>
>
> -------------- next part --------------
> Skipped content of type multipart/mixed
>
> ------------------------------
>
> _______________________________________________
> NetBehaviour mailing list
> NetBehaviour at netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
> End of NetBehaviour Digest, Vol 105, Issue 4
> ********************************************
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