[NetBehaviour] periodic notice on my work after three years

Alan Sondheim sondheim at panix.com
Fri Nov 23 14:05:36 CET 2007




[This hasn't been sent out in over three years but might still provide an
introduction to the Internet Text project.]

==========================================================================

(periodic notice on my work)


Internet Text: Philosophy and Psychology -             11/07
                                                        (last was 10/04)

Recent work is related to human modeling, analog/digital distinction,
ontological/epistemological issues.

Older recent work:

"Recent work has been building on hardware software wetware outware
issues, especially the phenomenology of the virtual, motion capture, the
current political state of the nation; I have been moving into new realms
of representation in which body and substructure are mutually
problematized. I am also working on extending some theoretical work
dealing with cybernetics and (non) aristotelian logics."

===

This is a somewhat periodic notice describing my Internet Text, available
on the Net, and sent in the form of texts to various lists. Some URLs:
recent http://www.alansondheim.org/
http://www.alansondheim.org/portal/.nikuko NO LONGER VALID
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
partial mirror at http://www.anu.edu.au/english/internet_txt

The changing nature of the email lists, Cybermind and Wryting, to which
almost all of the texts are sent individually, hides the full body of the
work; readers may not be aware of the continuity among them. The writing
may appear fragmented, created piecemeal, splintered from a non-existent
whole. On my end, the whole is evident, the texts extended into the lists,
partial or transitional objects.

So this (periodic) notice is an attempt to recuperate the work as total-
ity, restrain its diaphanous existence. Below is an updated introduction.

===

The "Internet Text" currently constitutes around 150 files, or 20,000
printed pages. It began in 1/1994, and has continued as an extended
meditation on cyberspace, expanding into 'wild theory' and literatures,
symptomologies of the edge.

Almost all of the text is in the form of short- or long-waves. The former
are the individual sections, written in a variety of styles, at times
referencing other writers/theorists. The sections are interrelated; on
occasion emanations are used, avatars of philosophical or psychological
import. These also create and problematize narrative substructures within
the work as a whole. Such are Susan Graham, Julu, Alan, Jennifer, Azure,
and Nikuko in particular. Most recently, texts are created which are
aligned with still or video images, texts which surround them as uneasy
allies, texts which speak for the silence of representation itself.

The long-waves are fuzzy thematics bearing on such issues as death,
sexuality, virtual embodiment, the "granularity of the real," physical
reality, computer languages, and protocols. The waves weave throughout the
text; the resulting splits and convergences owe something to dance,
phenomenology, programming, deconstruction, linguistics, philosophy and
prehistory, as well as the domains of online worlds in relation to
everyday realities.

Overall, I'm concerned with virtual-real subjectivity and its manifesta-
tions. I continue working on cdroms and dvd+s of my work, creating
samplers and live performances.
RECENTLY CDs HAVE BEEN ISSUED BY FIREMUSEUM, AN LP BY QBICO
FOR DVDs PLEASE SEND REQUEST
CHECK OUT WORK ON FACEBOOK, NING, http://nikuko.blogspot.com

I have used MUDS, MOOS, talkers, perl, d/html, qbasic, linux, emacs, vi,
CuSeeMe, etc., my work tending towards embodied writing, texts which act
and engage beyond traditional reading practices. Some of these emerge out
of performative language - soft-tech such as computer programs which _do_
things; some emerge out of interferences with these programs, or conversa-
tions using internet applications that are activated one way or another.
And some of the work stems from collaboration, particularly video, sound,
and flash pieces. Recent software used has included Blender, Gimp, Poser,
motion capture, Audacity, Cooledit, perl and awk programs, Calculon and
other Zaurus (linux) pda applications, and audio/video input from a
variety of cameras and other devices.

I have been working in collaboration at times, most notably with Azure
Carter, my partner, and Foofwa d'Imobilite, perhaps the artist/dancer I
feel closest to, in terms of concerns about exhaustion, injury, speed,
flight, politics, history of the body, human-avatar intersections.

There is no binarism in the texts, no series of definitive statements.
Virtuality is considered beyond the text- and web-scapes prevalent now.
The various issues of embodiment that will arrive with full-real VR are
already in embryonic existence, permitting the theorizing of present and
future sites, "spaces," nodes, and modalities of body/speech/community.

The texts are roughly in the order written; the last-entered at the moment
is ns. They may be read in any order, and distributed in any medium;
please credit me. I would appreciate in return any comments you may
have.
THE LAST ENTERED IS pi.txt

DVD+ Sampler available: close to five gigabytes of texts, images, video.
$25.00 which includes shipping. Please write me.
SAMPLER NO LONGER AVAILABLE BUT MAY BE PRODUCED AS NEEDED

Other books etc include:

The Wayward, Salt
Vel, Blazevox
Sophia, published by Writers Forum, 2004
.echo, published by Alt-X, e-book and publish-on-demand, 2002
Being on Line, Net Subjectivity (anthology), Lusitania, 1997
Jennifer, Nominative Press Collective, 1997

Alan Sondheim 718-857-3671 or 718-813-3285 (US)
432 Dean Street, Brooklyn, NY, 11217, USA
sondheim at panix.com, sondheim at gmail.com

===




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