From marc.garrett at furtherfield.org Mon Nov 1 10:21:54 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 01 Nov 2010 09:21:54 +0000 Subject: [NetBehaviour] The Telekommunist Manifesto from Dmytri Kleiner is out now! In-Reply-To: <4CCD9A0B.4010502@robmyers.org> References: <4CC40EB9.5030306@furtherfield.org> <4CC4178A.8090308@robmyers.org> <1287921544.2571.0.camel@marc-laptop> <4CC4245D.5000007@robmyers.org> <4CC4306D.7090002@robmyers.org> <4CC459BC.30702@furtherfield.org> <232E359C-F884-4E97-AD0E-6CB351124544@xs4all.nl> <4CC4A0D6.7020601@furtherfield.org> <04C0AA6F-21F7-40D3-94E5-91B76768C06F@xs4all.nl> <4CCD85E6.3050006@furtherfield.org> <4CCD9A0B.4010502@robmyers.org> Message-ID: <4CCE86B2.6090406@furtherfield.org> Hi ROB, > I do wonder how much of their criticism of the amateur can be attributed > to the knowledge that their position of privilege is no more secure > against amateurism than any other creative field. I think you make a strong point here... The other thing in regard to Geert's reference to professional journalists being threatened by amateurs; is that, when one looks at British journalism at the moment it seems it is perhaps not, necessarily just amateurism & the Internet challenging more traditional forms of journalism, but the institutions themselves. The drive to sensationalise information and ignoring the (really) essential and important questions about what's happening in our world, is now being asked elsewhere... >One of the more frustrating aspects of Lovink's apparent criticism of Lessig >(http://blogs.fu-berlin.de/fcrc/2010/10/08/geert-lovink-keynote-after-the- >critique-of-free-and-open-alternative-platforms-and-revenue-models/ >) is that it isn't. He *agrees* with Lessig's more recent writing on the >idea that amateurs should be protected from professional economic >exploitation by reducing everyone else's freedom to use their work. >On the one hand I recognise that the problem from the point of view of >an economic critique of amateur production is that unlike the complete >Marxist individual who can "hunt in the morning..." they don't receive >the full economic benefit of the exploitation of the products of their >labour. On the other hand I don't recall Marxists and Theorists burning >down the copy shop, the photo booth or the art materials store because >they made far more money from the work of amateurs than the amateurs >ever did. If Geert is being critical about the precarious nature of amateurs not being recognised for their own efforts in contributing to a wider culture, I think he should be clearer about it. He touches upon it in a paragraph taken from the site you linked... "Instead of making demands on the current system, we must look for the implications of the alternatives. Lovink proposed that we move away from the emphasis on amateur as a victim, and towards the empowerment of young professionals, because in Lovink's view, amateurs are emerging, starting professionals. What should we demand of our new technologies?" Yet the text of his discussion on the P2P Foundation site declares a contradiction. Although, this may also be due to the complexities of it all in relation to how one observes amateurism clearly and its multifarious nature. When he suggests looking for alternatives for the acceptance or inclusion of amateurism, in creating alternative systems where it can thrive. This puts forward the notion that it is not thriving, it's just that amateurism has found its own culture, its own voice. He proposes such actions in reflection to his own context, position and professional peers. Just like when theorists try to give something a name so it is easier to get access. As we all know, some people are not always amateurs because they wish to be. One problem Geert has if he is actually serious about connecting with amateurs, is that he has been part of a culture that has thrived on dividing professionals from amateurs systemically. Using the term 'victim' is not a true representation or useful image when discussing about amateurs, unfortunately - it serves to redefine amateurs as complainers when in reality many have successfully built alternative processes of sharing their own contexts on their own terms. One other thing which also needs be to considered here is, whether professionalism will kill the spirit of amateurism and its independent voice, or it will all level out somehow? I am suspicious of what he really means by professional. Relationally it could mean many different things and if we look at all the independent hack-labs cropping up everywhere, it is not hard to imagine that there is a lot of talent out there ready to farm. Many of these new self-built communities are there for various reasons, but one thing we can be sure about, is that professionalism is not at the forefront of their minds when collaborating and sharing skills, technology and mutually respected ideas - they have come about because there is a need for it and because there is a lack in the more 'official' forms of society. Wishing you well. marc > Thanks Marc. > > A few comments... > >> there those who feel they know or have a particular perspective of >> the bigger picture because of their positions in relation to their >> privilege, > > I do wonder how much of their criticism of the amateur can be attributed > to the knowledge that their position of privilege is no more secure > against amateurism than any other creative field. > >> I disagree with the idea that amateurs are the enemy. > > One of the more frustrating aspects of Lovink's apparent criticism of > Lessig > (http://blogs.fu-berlin.de/fcrc/2010/10/08/geert-lovink-keynote-after-the-critique-of-free-and-open-alternative-platforms-and-revenue-models/ > ) is that it isn't. He *agrees* with Lessig's more recent writing on the > idea that amateurs should be protected from professional economic > exploitation by reducing everyone else's freedom to use their work. > > On the one hand I recognise that the problem from the point of view of > an economic critique of amateur production is that unlike the complete > Marxist individual who can "hunt in the morning..." they don't receive > the full economic benefit of the exploitation of the products of their > labour. On the other hand I don't recall Marxists and Theorists burning > down the copy shop, the photo booth or the art materials store because > they made far more money from the work of amateurs than the amateurs > ever did. > >> What he proposes may not necessarily sit right, but they address >> important questions around how and why things 'should' always be >> free. > > IMO individuals should be free to participate in cultural life and their > freedom to do so not held hostage either by evil corporations or by well > meaning anti-corporatists. > >> It's a bit like accepting democracy without knowing why its there in >> the first place - perhaps we just need to remind ourselves why we >> have it. > > Yes I certainly need to get back in touch with the positive basis for my > involvement in free culture. This thread has been a great help for that. > > Thank you. > > - Rob. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Mon Nov 1 10:31:52 2010 From: info at furtherfield.org (info) Date: Mon, 01 Nov 2010 09:31:52 +0000 Subject: [NetBehaviour] Inter-face Message-ID: <4CCE8908.5050901@furtherfield.org> Inter-face Eight Grand 1013 Grand Street, 2nd Floor Brooklyn, New York http://eightgrand.wordpress.com/ Saturday, November 13, 2010 6-9 pm Eight Grand is pleased to present its inaugural exhibition Inter-face, curated by Coral Silverman, a group show exploring the ways in which our lives are being shaped by technology, at 1013 Grand Street in East Williamsburg. The exhibition features Emma Andrea, Jonathan Nissenbaum, Coral Silverman, Felisia Tandiono, Vitor Teixeira, and Ventiko. Working in a diverse set of media, including painting, photography, sculpture, and installation, the artists present new work addressing themes of communication, technology, and the virtual world. The title of the exhibition Inter-face asks the viewer to consider the many definitions of the term, as the point of interconnection between two entities, both between a person and a machine and between two people. As it becomes increasing simple and efficient to communicate with others, does the value of that communication decrease? As people spend more and more time engaged with their computers, cell phones, and other machines does human face-to-face interaction remain important and relevant? Eight Grand is a shared studio space containing a small gallery in a converted factory building housing hundreds of artists?EUR^(TM) studios as well as the International Studio & Curatorial Program. Inter-face is the first show of planned monthly exhibitions. Each show will be open for one night only. -------------- next part -------------- An HTML attachment was scrubbed... URL: From rob at robmyers.org Mon Nov 1 11:02:54 2010 From: rob at robmyers.org (Rob Myers) Date: Mon, 01 Nov 2010 10:02:54 +0000 Subject: [NetBehaviour] The Nightmare Of Participation Message-ID: <4CCE904E.5080700@robmyers.org> http://turbulence.org/blog/2010/10/31/the-nightmare-of-participation-by-markus-miessen/ "Welcome to Harmonistan! Over the last decade, the term ?participation? has become increasingly overused. When everyone has been turned into a participant, the often uncritical, innocent, and romantic use of the term has become frightening. Supported by a repeatedly nostalgic veneer of worthiness, phony solidarity, and political correctness, participation has become the default of politicians withdrawing from responsibility." From marc.garrett at furtherfield.org Mon Nov 1 11:38:47 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 01 Nov 2010 10:38:47 +0000 Subject: [NetBehaviour] newly (re)born heliozoa.com In-Reply-To: References: Message-ID: <4CCE98B7.4080305@furtherfield.org> Hi Jason, here is the start of the interview :-) I will add all the bio & info bits another time... Marc Garrett: You have been making artworks for many years now and one of my early experiences with your work was with Frostbite2 (http://www.furtherfield.org/jnelson/frostbite2.html). A net art piece featured on Furtherfield in 2001. I recently revisited the work and found it strangley hypnotic, the soundwork seemed equally important. "Jason Nelson makes claims that he isn't a musician. I am deprived of the physical ability to play an instrument, he says: I only manipulate preexisting sound. And yet, one of the most striking things about his new work [...] is the spacious use of sound." Lewis LaCook. If we can put aside what type of art you are making, genre-wise for the moment. I would first of all, like to discuss about your use of and combination of three strong elements - poetry, image and sound. To me, they all significant and contributing factors in making a whole work. I am wondering whether your creation of sound in your art and your relationship with it, has changed since LaCook's article way back in 2003? ..........I will discuss poetry and image with you once you have answered this question, if that's ok. Wishing you well. marc > All an announcement, > > To spread the alarmingly grand world of digital poetry, I?m > (re)launching my digital poetry portal Heliozoa. It contains dozens of > artworks, with descriptions, videos and all manner of giganticness. > http://www.heliozoa.com > > And before you pass out from superhappyitis, please do share these > oddities everywhere, everywhere. > more cheers than cheers allow, Jason Nelson > > -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Mon Nov 1 12:45:07 2010 From: info at furtherfield.org (info) Date: Mon, 01 Nov 2010 11:45:07 +0000 Subject: [NetBehaviour] / / / / / / / / A daily source of pixels on monochrom / / / / / / / / Message-ID: <4CCEA843.8090005@furtherfield.org> / / / / / / / / A daily source of pixels on monochrom / / / / / / / / http://monochrom.at/mrif/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From owen.bowden at gmail.com Mon Nov 1 13:40:26 2010 From: owen.bowden at gmail.com (Owen Bowden) Date: Mon, 1 Nov 2010 12:40:26 +0000 Subject: [NetBehaviour] The Telekommunist Manifesto from Dmytri Kleiner is out now! In-Reply-To: <4CCE86B2.6090406@furtherfield.org> References: <4CC40EB9.5030306@furtherfield.org> <4CC4178A.8090308@robmyers.org> <1287921544.2571.0.camel@marc-laptop> <4CC4245D.5000007@robmyers.org> <4CC4306D.7090002@robmyers.org> <4CC459BC.30702@furtherfield.org> <232E359C-F884-4E97-AD0E-6CB351124544@xs4all.nl> <4CC4A0D6.7020601@furtherfield.org> <04C0AA6F-21F7-40D3-94E5-91B76768C06F@xs4all.nl> <4CCD85E6.3050006@furtherfield.org> <4CCD9A0B.4010502@robmyers.org> <4CCE86B2.6090406@furtherfield.org> Message-ID: Even more so in non-industrialized cultures than in modern Western societies, music is and was part of the fabric of everyday life. Only relatively recently in our own culture five hundred years or so ago, did a distinction arise that cut society in two, forming separate classes of music performers and music listeners. Throughout most of the world and for most of human history, music making was as natural an activity as breathing and walking, and everyone participated. Concert balls, dedicated to the performance of music. arose only in the last several centuries. Daniel Letvin from his book This is Your Brain on Music: Understanding a Human Obsession On Mon, Nov 1, 2010 at 9:21 AM, marc garrett wrote: > > Hi ROB, > > > I do wonder how much of their criticism of the amateur can be attributed > > to the knowledge that their position of privilege is no more secure > > against amateurism than any other creative field. > > I think you make a strong point here... > > The other thing in regard to Geert's reference to professional journalists being threatened by amateurs; is that, when one looks at British journalism at the moment it seems it is perhaps not, necessarily just amateurism & the Internet challenging more traditional forms of journalism, but the institutions themselves. The drive to sensationalise information and ignoring the (really) essential and important questions about what's happening in our world, is now being asked elsewhere... > > >One of the more frustrating aspects of Lovink's apparent criticism of Lessig > >(http://blogs.fu-berlin.de/fcrc/2010/10/08/geert-lovink-keynote-after-the- > >critique-of-free-and-open-alternative-platforms-and-revenue-models/ > >) is that it isn't. He *agrees* with Lessig's more recent writing on the > >idea that amateurs should be protected from professional economic > >exploitation by reducing everyone else's freedom to use their work. > > >On the one hand I recognise that the problem from the point of view of > >an economic critique of amateur production is that unlike the complete > >Marxist individual who can "hunt in the morning..." they don't receive > >the full economic benefit of the exploitation of the products of their > >labour. On the other hand I don't recall Marxists and Theorists burning > >down the copy shop, the photo booth or the art materials store because > >they made far more money from the work of amateurs than the amateurs > >ever did. > > If Geert is being critical about the precarious nature of amateurs not being recognised for their own efforts in contributing to a wider culture, I think he should be clearer about it. > > He touches upon it in a paragraph taken from the site you linked... > "Instead of making demands on the current system, we must look for the implications of the alternatives. Lovink proposed that we move away from the emphasis on amateur as a victim, and towards the empowerment of young professionals, because in Lovink?s view, amateurs are emerging, starting professionals. What should we demand of our new technologies?" > > Yet the text of his discussion on the P2P Foundation site declares a contradiction. Although, this may also be due to the complexities of it all in relation to how one observes amateurism clearly and its multifarious nature. When he suggests looking for alternatives for the acceptance or inclusion of amateurism, in creating alternative systems where it can thrive. This puts forward the notion that it is not thriving, it's just that amateurism has found its own culture, its own voice. > > He proposes such actions in reflection to his own context, position and professional peers. Just like when theorists try to give something a name so it is easier to get access. > > As we all know, some people are not always amateurs because they wish to be. One problem Geert has if he is actually serious about connecting with amateurs, is that he has been part of a culture that has thrived on dividing professionals from amateurs systemically. Using the term 'victim' is not a true representation or useful image when discussing about amateurs, unfortunately - it serves to redefine amateurs as complainers when in reality many have successfully built alternative processes of sharing their own contexts on their own terms. > > One other thing which also needs be to considered here is, whether professionalism will kill the spirit of amateurism and its independent voice, or it will all level out somehow? I am suspicious of what he really means by professional. Relationally it could mean many different things and if we look at all the independent hack-labs cropping up everywhere, it is not hard to imagine that there is a lot of talent out there ready to farm. Many of these new self-built communities are there for various reasons, but one thing we can be sure about, is that professionalism is not at the forefront of their minds when collaborating and sharing skills, technology and mutually respected ideas - they have come about because there is a need for it and because there is a lack in the more 'official' forms of society. > > Wishing you well. > > marc > > > Thanks Marc. > > > > A few comments... > > > >> there those who feel they know or have a particular perspective of > >> the bigger picture because of their positions in relation to their > >> privilege, > > > > I do wonder how much of their criticism of the amateur can be attributed > > to the knowledge that their position of privilege is no more secure > > against amateurism than any other creative field. > > > >> I disagree with the idea that amateurs are the enemy. > > > > One of the more frustrating aspects of Lovink's apparent criticism of > > Lessig > > (http://blogs.fu-berlin.de/fcrc/2010/10/08/geert-lovink-keynote-after-the-critique-of-free-and-open-alternative-platforms-and-revenue-models/ > > ) is that it isn't. He *agrees* with Lessig's more recent writing on the > > idea that amateurs should be protected from professional economic > > exploitation by reducing everyone else's freedom to use their work. > > > > On the one hand I recognise that the problem from the point of view of > > an economic critique of amateur production is that unlike the complete > > Marxist individual who can "hunt in the morning..." they don't receive > > the full economic benefit of the exploitation of the products of their > > labour. On the other hand I don't recall Marxists and Theorists burning > > down the copy shop, the photo booth or the art materials store because > > they made far more money from the work of amateurs than the amateurs > > ever did. > > > >> What he proposes may not necessarily sit right, but they address > >> important questions around how and why things 'should' always be > >> free. > > > > IMO individuals should be free to participate in cultural life and their > > freedom to do so not held hostage either by evil corporations or by well > > meaning anti-corporatists. > > > >> It's a bit like accepting democracy without knowing why its there in > >> the first place - perhaps we just need to remind ourselves why we > >> have it. > > > > Yes I certainly need to get back in touch with the positive basis for my > > involvement in free culture. This thread has been a great help for that. > > > > Thank you. > > > > - Rob. > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From marc.garrett at furtherfield.org Mon Nov 1 17:50:15 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 01 Nov 2010 16:50:15 +0000 Subject: [NetBehaviour] The Telekommunist Manifesto from Dmytri Kleiner is out now! In-Reply-To: References: <4CC40EB9.5030306@furtherfield.org> <4CC4178A.8090308@robmyers.org> <1287921544.2571.0.camel@marc-laptop> <4CC4245D.5000007@robmyers.org> <4CC4306D.7090002@robmyers.org> <4CC459BC.30702@furtherfield.org> <232E359C-F884-4E97-AD0E-6CB351124544@xs4all.nl> <4CC4A0D6.7020601@furtherfield.org> <04C0AA6F-21F7-40D3-94E5-91B76768C06F@xs4all.nl> <4CCD85E6.3050006@furtherfield.org> <4CCD9A0B.4010502@robmyers.org> <4CCE86B2.6090406@furtherfield.org> Message-ID: <4CCEEFC7.2040905@furtherfield.org> Thanks Owen, Another good point :-) marc > Even more so in non-industrialized cultures than in modern Western > societies, music is and was part of the fabric of everyday life. Only > relatively recently in our own culture five hundred years or so ago, > did a distinction arise that cut society in two, forming separate > classes of music performers and music listeners. Throughout most of > the world and for most of human history, music making was as natural > an activity as breathing and walking, and everyone participated. > Concert balls, dedicated to the performance of music. arose only in > the last several centuries. > > Daniel Letvin from his book This is Your Brain on Music: Understanding > a Human Obsession > > On Mon, Nov 1, 2010 at 9:21 AM, marc garrett > wrote: >> Hi ROB, >> >>> I do wonder how much of their criticism of the amateur can be attributed >>> to the knowledge that their position of privilege is no more secure >>> against amateurism than any other creative field. >> I think you make a strong point here... >> >> The other thing in regard to Geert's reference to professional journalists being threatened by amateurs; is that, when one looks at British journalism at the moment it seems it is perhaps not, necessarily just amateurism& the Internet challenging more traditional forms of journalism, but the institutions themselves. The drive to sensationalise information and ignoring the (really) essential and important questions about what's happening in our world, is now being asked elsewhere... >> >>> One of the more frustrating aspects of Lovink's apparent criticism of Lessig >>> (http://blogs.fu-berlin.de/fcrc/2010/10/08/geert-lovink-keynote-after-the- >>> critique-of-free-and-open-alternative-platforms-and-revenue-models/ >>> ) is that it isn't. He *agrees* with Lessig's more recent writing on the >>> idea that amateurs should be protected from professional economic >>> exploitation by reducing everyone else's freedom to use their work. >>> On the one hand I recognise that the problem from the point of view of >>> an economic critique of amateur production is that unlike the complete >>> Marxist individual who can "hunt in the morning..." they don't receive >>> the full economic benefit of the exploitation of the products of their >>> labour. On the other hand I don't recall Marxists and Theorists burning >>> down the copy shop, the photo booth or the art materials store because >>> they made far more money from the work of amateurs than the amateurs >>> ever did. >> If Geert is being critical about the precarious nature of amateurs not being recognised for their own efforts in contributing to a wider culture, I think he should be clearer about it. >> >> He touches upon it in a paragraph taken from the site you linked... >> "Instead of making demands on the current system, we must look for the implications of the alternatives. Lovink proposed that we move away from the emphasis on amateur as a victim, and towards the empowerment of young professionals, because in Lovink?s view, amateurs are emerging, starting professionals. What should we demand of our new technologies?" >> >> Yet the text of his discussion on the P2P Foundation site declares a contradiction. Although, this may also be due to the complexities of it all in relation to how one observes amateurism clearly and its multifarious nature. When he suggests looking for alternatives for the acceptance or inclusion of amateurism, in creating alternative systems where it can thrive. This puts forward the notion that it is not thriving, it's just that amateurism has found its own culture, its own voice. >> >> He proposes such actions in reflection to his own context, position and professional peers. Just like when theorists try to give something a name so it is easier to get access. >> >> As we all know, some people are not always amateurs because they wish to be. One problem Geert has if he is actually serious about connecting with amateurs, is that he has been part of a culture that has thrived on dividing professionals from amateurs systemically. Using the term 'victim' is not a true representation or useful image when discussing about amateurs, unfortunately - it serves to redefine amateurs as complainers when in reality many have successfully built alternative processes of sharing their own contexts on their own terms. >> >> One other thing which also needs be to considered here is, whether professionalism will kill the spirit of amateurism and its independent voice, or it will all level out somehow? I am suspicious of what he really means by professional. Relationally it could mean many different things and if we look at all the independent hack-labs cropping up everywhere, it is not hard to imagine that there is a lot of talent out there ready to farm. Many of these new self-built communities are there for various reasons, but one thing we can be sure about, is that professionalism is not at the forefront of their minds when collaborating and sharing skills, technology and mutually respected ideas - they have come about because there is a need for it and because there is a lack in the more 'official' forms of society. >> >> Wishing you well. >> >> marc >> >>> Thanks Marc. >>> >>> A few comments... >>> >>>> there those who feel they know or have a particular perspective of >>>> the bigger picture because of their positions in relation to their >>>> privilege, >>> I do wonder how much of their criticism of the amateur can be attributed >>> to the knowledge that their position of privilege is no more secure >>> against amateurism than any other creative field. >>> >>>> I disagree with the idea that amateurs are the enemy. >>> One of the more frustrating aspects of Lovink's apparent criticism of >>> Lessig >>> (http://blogs.fu-berlin.de/fcrc/2010/10/08/geert-lovink-keynote-after-the-critique-of-free-and-open-alternative-platforms-and-revenue-models/ >>> ) is that it isn't. He *agrees* with Lessig's more recent writing on the >>> idea that amateurs should be protected from professional economic >>> exploitation by reducing everyone else's freedom to use their work. >>> >>> On the one hand I recognise that the problem from the point of view of >>> an economic critique of amateur production is that unlike the complete >>> Marxist individual who can "hunt in the morning..." they don't receive >>> the full economic benefit of the exploitation of the products of their >>> labour. On the other hand I don't recall Marxists and Theorists burning >>> down the copy shop, the photo booth or the art materials store because >>> they made far more money from the work of amateurs than the amateurs >>> ever did. >>> >>>> What he proposes may not necessarily sit right, but they address >>>> important questions around how and why things 'should' always be >>>> free. >>> IMO individuals should be free to participate in cultural life and their >>> freedom to do so not held hostage either by evil corporations or by well >>> meaning anti-corporatists. >>> >>>> It's a bit like accepting democracy without knowing why its there in >>>> the first place - perhaps we just need to remind ourselves why we >>>> have it. >>> Yes I certainly need to get back in touch with the positive basis for my >>> involvement in free culture. This thread has been a great help for that. >>> >>> Thank you. >>> >>> - Rob. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Tue Nov 2 06:22:43 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 2 Nov 2010 01:22:43 -0400 (EDT) Subject: [NetBehaviour] NEW OLD CZECH VIOLIN AND AZURE'S NEW SONG Message-ID: NEW OLD CZECH VIOLIN AND AZURE'S NEW SONG new old Czech violin: we don't have heat here at the moment, playing in the cold: carpal tunnel raises its nervous fingers: playing through cold and pain just as the spy comes in: truly ugly or beautiful i can't tell anymore: but cold yes, freezing in here, not really freezing: using what, the viola bow on the violin: vertical and tuned GDgd as always: i can only imagine what musicians do without heat: without lodging and the threat of slaughter: privileged here but still cold and still in pain: i'm a coward and trivial, i'd never die for this: it talks back, it talks to me: it says, truly ugly or not, you can't tell anymore: you can't even look in a mirror: wracked with privileged misery, just listen to the music: play it, then listen, then play it then listen: think you'll learn, you'll learn nothing, you never have: new old Czech violin, as above: http://espdisk.com/alansondheim/czechcold1.mp3 http://espdisk.com/alansondheim/czechcold2.mp3 Azure's new song taken quickly before it disappears: short and peppy sure-fired cure i think!: http://espdisk.com/alansondheim/ladida.mp3 From marc.garrett at furtherfield.org Tue Nov 2 11:35:32 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Tue, 02 Nov 2010 10:35:32 +0000 Subject: [NetBehaviour] Play Zork on an Arduino-controlled typewriter. Message-ID: <4CCFE974.1000004@furtherfield.org> Play Zork on an Arduino-controlled typewriter. Introducing the Automatypewriter, a new way to experience interactive fiction! It's still a little rough around the edges (in particular, you can see that the spacebar sticks a little, and the whole thing needs to be tidied up), but you get the idea: the Automatypewriter is a typewriter that can type on its own, as well as detect what you type on it. By reading what it types to you and responding, it can be used interactively to play a game or participate in a story (in this case, Zork). http://blog.makezine.com/archive/2010/10/play_zork_on_an_arduino-controlled.html -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Tue Nov 2 12:35:47 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Tue, 02 Nov 2010 11:35:47 +0000 Subject: [NetBehaviour] Cyberpunk Computer Games. Message-ID: <4CCFF793.3060808@furtherfield.org> Cyberpunk Computer Games. http://cyberpunk.thegentlemanloser.com/cpunk101/cpgames/cppc/index.html -------------- next part -------------- An HTML attachment was scrubbed... URL: From neil at netpraxis.net Tue Nov 2 12:35:58 2010 From: neil at netpraxis.net (Neil Jenkins) Date: Tue, 2 Nov 2010 22:35:58 +1100 Subject: [NetBehaviour] Play Zork on an Arduino-controlled typewriter. In-Reply-To: <4CCFE974.1000004@furtherfield.org> References: <4CCFE974.1000004@furtherfield.org> Message-ID: <4AC4AD27-E7D5-4137-92F2-D3F39B33BA40@netpraxis.net> brilliant, just utterly brilliant On 02/11/2010, at 9:35 PM, marc garrett wrote: > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Tue Nov 2 12:59:44 2010 From: info at furtherfield.org (info) Date: Tue, 02 Nov 2010 11:59:44 +0000 Subject: [NetBehaviour] Media art practice collection of Museum of Contemporary Art Vojvodina. Message-ID: <4CCFFD30.1050007@furtherfield.org> Media art practice collection of Museum of Contemporary Art Vojvodina. 02/11/2010 -- 02/12/2010 Museum of Contemporary Art Vojvodina Dunavska 37, Novi Sad Opening Tuesday, 2nd of November at 19:00h Artists: Asocijacija Apsolutno, Heath Bunting, Vuk Cosic, Vladan Joler, Stevan Kojic, Bogdanka Poznanovic, PP Group (Katarina Sevic, Zita Majoros), Pedja Sidjanin, Andrej Tisma, Vladimir Todorovic, Vacuum Pack Info zone: Department of New media, Academy of Arts in Novi Sad Institute for New Culture Technologies/t0 Kingdom of Piracy New Media Center_kuda.org The Media Practice Collection of the Museum of Contemporary Art Vojvodina is established with a view to locating and contextualising the artistic practice referred to under the common designation of media practice, usually connected with digital media and with art created as a result of the logic of digital media, information, communication and network technologies. The art works and the artistic practices featured in the collection represent a historical cross-section of artistic production operating within a broad spectrum ranging from computer art, through web art, net.art and installations, to computer games and modes. Curators: Kristian Lukic, New Media Center_kuda.org http://kuda.org/en/kristian-lukic-media-practice-collection-mocav CONFERENCE: ARTWORK. ACCUMULATION. AVAILABILITY 1st of December, 2010 The conference and discussion proceeds from the idea that today the traditional mechanisms of accumulating and collecting art works face the test of finding new models of using artistic creations, which inevitably follows the transformation of the role of cultural institutions. Proceeding from this starting point, the conference gathers theorists, artists and cultural workers who will analyse various models that exist today when it comes to dealing with, documenting, archiving and disseminating media and broader artistic practice, the status of art collections and their social and economic implications. Conference editors: Kristian Lukic and Gordana Nikolic Media art practice collection of Museum of Contemporary Art Vojvodina is supported by: European Commission, Culture Programme 2007-2013 Ministry of Culture of Republic of Serbia Ministry of Culture of Province Vojvodina City of Novi Sad Halogen, Novi Sad http://www.msuv.org/exhibitions/2010/medijska_praksa/medijska_praksa.html -- to unsubscribe from this list, reply with subject: unsubscribe< -- New Media Center_kuda.org Brace Mogin 2 PO BOX 22 21113 Novi Sad, Serbia tel/fax +381 21 512 227 http://kuda.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Tue Nov 2 14:16:28 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 2 Nov 2010 09:16:28 -0400 (EDT) Subject: [NetBehaviour] please vote - (for us voters, not that there' s much u in us) Message-ID: Hi - Please vote this election; it's one of the most important ones in our lifetime (or at least mine). Some of my friends are sitting it out, and it's disconcerting, given what's at stake, no matter side you're on. - Alan, coming back from the polls - we walked past a breadline to get there. == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From sondheim at panix.com Tue Nov 2 18:16:20 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 2 Nov 2010 13:16:20 -0400 (EDT) Subject: [NetBehaviour] yet Message-ID: yet beyond these three letters lies the range of possibilities hanging, from the slimmest thread, from the aegis of classical causality. the patois of patios an n-dimensional plane with its language of particles and particle exchange. yet lives in a cloud of probabilities, near the expression as-if. as-if something happened instead of something else happening. where yet appears: in spite of something else happening, in spite of the possibility of something else happening. but not exactly in spite - something with less fervor, or something against which the scale of fervor is meaningless. nearby is might as well, as if it might happen. distinctions - yet, it might happen no matter what - yet, it might happen as a result of - . as a result of - causal in appearance, the germ of cultural origination. yet ... From info at furtherfield.org Tue Nov 2 22:21:26 2010 From: info at furtherfield.org (info) Date: Tue, 02 Nov 2010 21:21:26 +0000 Subject: [NetBehaviour] MAKING REALITY REALLY REAL! Message-ID: <4CD080D6.408@furtherfield.org> In conjunction with the biennial for art and technology, Meta.Morf 2010, TEKS - Trondheim Electronic Arts Centre, presents MAKING REALITY REALLY REAL! http://teks.no/?p=4443&lang=no November 4 -- 6, 2010, Trondheim. The 11th Consciousness Reframed International Research Conference. 3 days -- 20 nations -- 60 speakers! CLICK HERE TO GO DIRECTLY TO THE CONFERENCE PAGES! http://realities.no/ In cooperation with the Planetary Collegium, at the University of Plymouth, England, TEKS -- Trondheim Electronic Arts Centre, is hosting the 11th Consciousness Reframed International Research Conference, with the title of 'MAKING REALITY REALLY REAL'. The Consciousness Reframed conference series was founded by Roy Ascott at the University of Wales in 1997. Consciousness Reframed is a forum for trans-disciplinary inquiry into art, science, technology, design and consciousness, drawing upon the expertise and insights of artists, designers, architects, performers, musicians, writers, scientists, and scholars, usually from at least 20 countries. From November 4 -- 6, 2010, the conference is being held in Trondheim, Norway, in conjunction with the new biennial for arts and technology 'Meta.Morf 2010 -- New.Brave.World!' As part of the conference a call for papers were published, and as a result more than 35 speakers were accepted in addition to speakers involved in the Planetary Collegium doctoral research programme at CAiiA - Centre for Advanced Inquiry in the Interactive Arts. Invited guest speakers are: PETER ANDERS | ELIF AYITER | MARCO BISHOF | JAMES K. GIMZEWSKI | MARGARETE JAHRMANN | LUIS EDUARDO LUNA | ROGER MALINA | RYOHEI NAKATSU | DIANA REED SLATTERY | VICTORIA VESNA Full program here! All speakers: # Julietta Aguilera # In?s Albuquerque and Rosa Oliveira # Hava Aldouby # Peter Anders # Ke;stutis Andras(iunas # Kathrine Anker # Artifist # Elif Ayiter # Laura Beloff # Marco Bischof # Pier Luigi Capucci # Claudia Cardoso-Fleck # Aleksander C'etkovic' # Jacques Chueke # Geoff Cox # Blanka Earhart # Maria Luiza Fragoso # Martha Gabriel # Luis Gustavo Bueno Geraldo # James K. Gimzewski # Luis Gir?o # Jane Grant # Dew Harrison # Falk Heinrich # Jung A Huh # Salvatore Iaconesi and Luca Simeone # Eiko Ikegami and Edward Colin Ruggero # Margarete Jahrmann # Katerina Karoussos # Max Kazemzadeh # Rachel Kessler and Matthew Fielder # Linus Lancaster # Renata La Rocca # Z(iva Ljubec # Luis Eduardo Luna # Roger Malina # Nadia C. Meinhardt # Ryohei Nakatsu # Enrico Nardelli # Simeon Nelson # Jennifer Kanary Nikolov(a) # Glauce Rocha de Oliveira # Mary Oliver # Luisa Paraguai # Pam Payne # Mike Phillips # Clemens M. Plank # Barbara Rauch and Michael Page # Julian Rennie # Clarissa Ribeiro # Paulo Rodrigues # Emily Schleiner # Ellen Sebring # Paul Sermon and Charlotte Gould # Diana Reed Slattery # Simona Sofronie # Marko Suvajdzic # Victoria Vesna and Siddharth Ramakrishnan # Claudia Westermann # Xiaoying Yuan WELCOME! --- \ T E K S\ Trondheim Electronic Arts Centre\ www.teks.no\ \ Meta.Morf 2010 - New.Brave.World!\ biennial for art and technology\ www.metamorf.no\ \ The 11th Consciousness Reframed International Research Conference 'Making Reality Really Real'\ www.realities.no\ -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Tue Nov 2 22:33:34 2010 From: info at furtherfield.org (info) Date: Tue, 02 Nov 2010 21:33:34 +0000 Subject: [NetBehaviour] Sanctioned Array Message-ID: <4CD083AE.2070309@furtherfield.org> Sanctioned Array An online database of video art conceived in response to the restrictions of artists' submissions to The Guggenheim Museum's and YouTube's video biennial, Play. November 2nd 2010, 6 - 10 pm and November 3rd 2010, 11 - 7 pm At WHITE BOX, 329 Broome Street, New York City Opening: November 2nd 2010, 6 - 10 pm Roundtable discussion at 7 pm with Wafaa Bilal, artist; Hamid Dabashi, author and professor, Columbia University; Shayana Kadidal, attorney, Center for Constitutional Rights; and Ricardo Miranda Z??iga, artist; moderated by SpecifyOthers SanctionedArray www.sanctionedarray.specifyothers.com Contact: sanctionedarray at specifyothers.com Screening of Others2Specify, a selection of 52 videos from SanctionedArray entries curated bySpecifyOthers Including works by: Hamdi Attia, Maneli Aygani, Fay?al Baghriche, Haaris Baig, Ben Baker-Smith, Perry Bard, Paul Beck, Negar Behbahani, Bahar Behbahani, Wafaa Bilal, Nisrine Boukhari, Thorne Brandt, Mark Brogan, Brit Bunkley, Maurizio Chiantone, Eun Woo Cho, CHOKRA, Osvaldo Cibils, Yosef Joseph Dadoune, DETEXT, Meera Devidayal, dev01ded n/a, Emilie Duval, Ahmed El Shaer, Shahram Entekhabi, Samira Eskandarfar, Eckhard Etzold, Kathryn Garcia, Go! Push Pops Collective, Warra Hugh, Kyoung Eun Kang, Khosro Khosravi, Selin Kocagoncu, Basim Magdy, Marina Naprushkina, Nassrin Nasser, Eva Nikolova, Damir Niksic, Mani Nilchiani, Sam Nosratian, Sharon Paz, Zoran Poposki, Hamed Sahihi, Marinella Senatore, Guli Silberstein, Sam Smith, Naho Taruishi, Eva Teppe, Hong-An Truong, Charlotte Turton, Katayoun Vaziri, and James Woodward. Interactive screening of 100 jury-selected videos Including works by: Esther Achaerandio, Sarah Ahmad, Marina Albu, Juan Arata, Hamdi Attia, Maneli Aygani, Perry Bard, Michele Beck, Paul Beck, Bahar Behbahani, Melanie Beisswenger, Neno Belchev, Mary Billyou, Juliana Borinski, Thorne Brandt, Mark Brogan, Elle Burchill, Valentina Caniglia, Maurizio Chiantone, CHOKRA, Sandra Crisp, Yosef Joseph Dadoune, Alexia de Ville de Goyet, Cat Del Buono, Lindsay Denniberg, Carole Desbois, Ana Devora, DETEXT, Alfred Dong Dong, Melissa Doran, Christoph Draeger, Roberto Duarte, Emilie Duval, Santiago Echeverry, Eckhard Etzold, Navid Fash?mi, Arash Fayez, Charley Friedman, Kathryn Garcia, Joaquin Gasgonia Palencia, Bo Gehring, Henry Gwiazda, Jeremy Haik, Felice Hapetzeder, Fermin Jimenez Landa, Christophe Katrib, Wago Kreider, Ulf Kristiansen, Jacqui Kuraj, Yuliya Lanina, JW Lee, Vivian Lee, Brett Leigh, Dan Levenson, Eliane Lima, Basim Magdy, Lucy McKenna, Tamar Meir, Andrea Monti, Marina Naprushkina, Nassrin Nasser, Eva Nikolova, Damir Niksic, Mani Nilchiani, Romy & Maxim Northover, Glexis Novoa, Kean Obrien, Freya Olafson, Min Kim Park, Sharon Paz, Ramiken Crucible, Carolina Redondo, Chris Revelle, Mauricio Rodriguez, Timo Ryh?nen, Carol Saft, Hamed Sahihi, Kiyomitsu Saito, Ursula Scherrer, Marinella Senatore, Gregory Sholette, Guli Silberstein, Nyugen E. Smith, Sam Smith, Megan Smith, Terese Svoboda, Naho Taruishi, Alyssa Taylor Wendt, Eva Teppe, Katharine Tolladay, Hong-An Truong, May Tveit, Jelle van Hulle, Paul Wiersbinski, Owen Eric Wood, Michiko Yao, Carlo Zanni, Latham Zearfoss, Biying Zhang and Moyi Zhang. November 2nd 2010, 6 - 10 pm and November 3rd 2010, 11 - 7 pm At WHITE BOX, 329 Broome Street, New York City Opening: November 2nd 2010, 6 - 10 pm Roundtable discussion at 7 pm with Wafaa Bilal, artist; Hamid Dabashi, author and professor, Columbia University; Shayana Kadidal, attorney, Center for Constitutional Rights; and Ricardo Miranda Z??iga, artist; moderated by SpecifyOthers Conceived and organized by SpecifyOthers, New York City & United Arab Emirates (www.specifyothers.com) in collaboration withWHITE BOX, New York (www.whiteboxny.org) and co-presented by ArteEast (www.arteeast.org). http://www.ursulascherrer.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Tue Nov 2 22:41:49 2010 From: info at furtherfield.org (info) Date: Tue, 02 Nov 2010 21:41:49 +0000 Subject: [NetBehaviour] The Root of The Root. Devotion Gallery, NYC. Message-ID: <4CD0859D.70607@furtherfield.org> The Root of The Root. Devotion Gallery, NYC. Generative Art by Marius Watz, Paul Prudence and Aaron Meyers Opening 6pm on Friday, October 22nd. On view until Sunday November 21st 2010. Marius Watz will be teaching a special workshop on Processing at Devotion Mon Oct 18th -- Tues Oct 26th. http://www.areyoudevoted.com/exhibitions/month/october-2010 This exhibition showcases three artists working with generative code to create abstract and reactive works. Marius Watz and Paul Prudence have been contributing to the dialogue for computational art since 2005 with seminal essays, some of the foremost blogs and ground-breaking software. As a seminal member of the processing community, Marius Watz has, in many ways, defined part of the aesthetic associated with code-based art. Paul Prudence works with VVVV and with visual feedback systems to create audio-visual performances. Aaron Meyers is an artist and programmer using generative strategies in the creation of software and moving image. He is currently a fellow at the Eyebeam Art & Technology center where he recently led the Visual Music Collaborative workshop in collaboration with Ghostly International. In generative art, works are created at least in part by some process that is not under the artist's direct control. Generative processes have been applied to music, dance, and all forms of visual art over thousands of years. With the advent of computers, complex digital generative art has become one of the defining art forms of the twenty-first century. While this art may harnesses the power of computation to create work enacted via machine, the human originator is ever present, even if acting by proxy. The works in this show amalgamate the organic and the methodical, seducing with pattern, texture and beauty. BIOS: Marius Watz Works: Blocker, sound-reactive software piece Images: http://www.box.net/shared/7uxsnych5i Materials: Realtime software, PC speakers or headphones Size: Variable (32" screen) Price: $5800 Artist Statement: Marius Watz is an artist using software processes to explore visual abstraction. His work is known for its bold colors and hard-edged geometries. Biography: Watz (NO) has lectured and exhibited his work internationally at venues that include K?nstlerhaus (Vienna), Fondation Vasarely (Provence), Victoria & Albert Museum (London), Itau Cultural (Sao Paulo) and Club Transmediale (Berlin). He is a lecturer at the Oslo School of Architecture and Design. Aaron Meyers Works: 5 generative laser-etched wood pieces Images: http://www.flickr.com/photos/admurder/4252091173/in/set-72157623158008618/ http://www.flickr.com/photos/admurder/4252182538/in/set-72157623158008618/ http://www.flickr.com/photos/admurder/4778254758/in/set-72157623158008618/ Materials: Laser-etched birch plywood Size: 3 x 30"x16", 2 x 16"x16" Price: Please Inquire Artist Statement: Often interactive, Aaron's work playfully forges rich perceptual experience through the manipulation of generative systems, physical simulation, data and media. Using a laser cutter and custom software written in Processing, Aaron's work on plywood pulls into sharp focus the interaction of complex line work with the organic burning process. Biography: Currently a fellow at the Eyebeam Art & Technology Center, Aaron's work has been shown at Ars Electronica (Linz), the Performa Biennial (New York), Fondation Cartier (Paris), Eyebeam MIXER (New York), Wired NextFest (New York), and Where 2.0 (San Francisco). As a teacher, Aaron has taught at UCLA Design|Media Arts and led the Visual Music Collaborative workshop at Eyebeam in creative partnership with Ghostly International. Paul Prudence Works: Autotroph series 4 x b/w prints & Bioacoustic Study [Video,10mins] Video: http://www.vimeo.com/14903121 Images: http://www.flickr.com/photos/transphormetic/sets/72157612289168910/ Materials: Prints: Archival Ink Jet. Video: HD mp4 Size: 25" x 25" including frame. Price: Inquire Artist Statement: Paul Prudence is an artist and real-time visual performer working with generative and computational systems. He is particularly interested in the ways in which sound, space and form can be synthaesthetically amalgamated. Biography: Paul has performed and lectured at various international shows, festivals and conferences globally including: The International Symposium for Electronic Arts, Dortmund; Quartz Electronic Music Festival, Paris; Sonic Acts XIII, Amsterdam; Artware 5, Lima; Hacktronic, Boston; Art.ficial Emotion, Sao Paulo and Decibelio, Madrid. -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Wed Nov 3 04:25:52 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 2 Nov 2010 23:25:52 -0400 (EDT) Subject: [NetBehaviour] Pipa, New York Message-ID: Pipa, New York both of these pieces interest me, moving in new directions and after listening to Wu Man ( http://wumanpipa.org ) http://espdisk.com/alansondheim/newyork1.mp3 notes: traffic as accompaniment, traffic as interference pipa as interference, pipa as accompaniment finally giving traffic, city-sounds a voice, almost a holler sound transformations: reverberation, hiss reduction, normalization http://espdisk.com/alansondheim/almost.mp3 notes: almost a tune, struggling to find a tune minor seconds separated by major seconds, minor thirds i think of the tune as asymptotic, almost arriving for some reason Simmel's stranger in the city comes to mind sound transformations: reverberation, normalization thanks to Stephen Dydo From jwm.art.net at gmail.com Wed Nov 3 10:58:04 2010 From: jwm.art.net at gmail.com (James Morris) Date: Wed, 3 Nov 2010 09:58:04 +0000 Subject: [NetBehaviour] creativity error: "i can't be bothered" Message-ID: hi, i need help with my creativity, i keep getting error messages like "i can't be bothered", "it's all worthless" etc. i've tried different flags and switches and settings but nothing helps. i'm wondering if i've overloaded it or something. the log files are full of nonsense like this: with regard to true human it concern, wit regard two truth man it converse, wick re garden true, to whom it may convert with regal to, to hummus mace ontology. there's snapped the typical dragon back, flutter blink, spin swindle. corporate punishment flag spot rust wing... the god of creativity is no more god than i the glob of creativity is more no gob tan(-i) the gob of creativity SHOUTS DIE DIE DIE society 1 - self 0 any ideas? thanks, james. -- _ : http://jwm-art.net/ -audio/image/text/code/ From dave.miller.uk at gmail.com Tue Nov 2 19:11:59 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 2 Nov 2010 18:11:59 +0000 Subject: [NetBehaviour] angry collage generator Message-ID: I've been fiddling around with my collage generator: http://davemiller.org/tools/collage_generator/ and today it produced this drawing Please feel free to have a go with it. The things you can alter are a bit limited at present Sorry I didn't follow up on people's kind suggestions/ improvements for this - it was a while back, but will start to add upload picture features and overall things to try to make it more handy. It's a useful way of expressing anger already, I need to make it more open, and would be great if others want to work with me on taking it further, I'm not the best coder in the world (by a long chalk) cheers, dave -------------- next part -------------- A non-text attachment was scrubbed... Name: we_are_all_in-this_together.png Type: image/png Size: 356102 bytes Desc: not available URL: From info at furtherfield.org Wed Nov 3 12:10:23 2010 From: info at furtherfield.org (info) Date: Wed, 03 Nov 2010 11:10:23 +0000 Subject: [NetBehaviour] monochrom's Hackbus Community Kickstarter at Mozilla Drumbeat Festival (Barcelona). Message-ID: <4CD1431F.7000702@furtherfield.org> monochrom is organizing a community site for the evergrowing armada of hackbusses. We need a root movement of doing strange things with hardware which was not intended (aka "hacking") because only when we use things in ways other than they were planned can something new arise. Hackbusses (or mobile hacklabs or hack vehicles) are a low-threshold way of bringing the culture of hacking to the people. They are migratory learning and teaching units, taking the talented hackers and their ideas out of urban centers and bringing them to people who might not otherwise be aware of the possibilities available to them. We follow a long tradition of this nomadic approach to bring self-empowerment to the people. These units can be everywhere. And they should be everywhere. Start one yourself! Check out http://hackbus.info ( http://www.monochrom.at/english ) -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Wed Nov 3 12:20:19 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Wed, 03 Nov 2010 11:20:19 +0000 Subject: [NetBehaviour] Neural.it gives our book Artists Re: Thinking Games :-) Message-ID: <4CD14573.3010506@furtherfield.org> Neural.it gives our book Artists Re: Thinking Games :-) Artists Re: Thinking Games.? "Ruth Catlow and Marc Garrett, the two founders of Furtherfield (a collaborative artist-led community and organization dealing with art, technology and social change since 1996) are joined by artist and curator Corrado Morgana in editing this nice compendium of texts about game art. In the Furtherfield tradition the book is centered on artistic practice and is engaged with re-thinking games and their set of expected rules and stereotypes..." On Neural.it http://www.neural.it/art/2010/11/ruth_catlow_marc_garrett_corra.phtml Read more here... http://www.furtherfield.org/artistsrethinkinggames_booklaunch.php And buy it here... http://www.amazon.co.uk/gp/offer-listing/1846312477 -------------- next part -------------- An HTML attachment was scrubbed... URL: From s.biggs at eca.ac.uk Wed Nov 3 12:31:33 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Wed, 03 Nov 2010 11:31:33 +0000 Subject: [NetBehaviour] creativity error: "i can't be bothered" In-Reply-To: Message-ID: Do you think any of us can be bothered with your lack of botheredness. Sounds normal... ;) Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: James Morris > Reply-To: NetBehaviour for networked distributed creativity > > Date: Wed, 3 Nov 2010 09:58:04 +0000 > To: "Netbehaviour.org" > Subject: [NetBehaviour] creativity error: "i can't be bothered" > > hi, > > i need help with my creativity, i keep getting error messages like "i > can't be bothered", "it's all worthless" etc. i've tried different > flags and switches and settings but nothing helps. i'm wondering if > i've overloaded it or something. the log files are full of nonsense > like this: > > with regard to > true human it concern, > wit regard two > truth man it converse, > wick re garden true, > to whom it may convert > with regal to, > to hummus mace ontology. > > there's snapped the typical dragon back, flutter blink, spin swindle. > corporate punishment flag spot rust wing... > > the god of creativity is no more god than i > the glob of creativity is more no gob tan(-i) > the gob of creativity SHOUTS DIE DIE DIE > > society 1 - self 0 > > > any ideas? > > thanks, > james. > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From szpako at yahoo.com Wed Nov 3 12:33:09 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Wed, 3 Nov 2010 04:33:09 -0700 (PDT) Subject: [NetBehaviour] Neural.it gives our book Artists Re: Thinking Games :-) In-Reply-To: <4CD14573.3010506@furtherfield.org> Message-ID: <148957.93998.qm@web114503.mail.gq1.yahoo.com> Gets a nice notice in the current AN magazine too! --- On Wed, 11/3/10, marc garrett wrote: From: marc garrett Subject: [NetBehaviour] Neural.it gives our book Artists Re: Thinking Games :-) To: "NetBehaviour for networked distributed creativity" Date: Wednesday, November 3, 2010, 11:20 AM Neural.it gives our book Artists Re: Thinking Games :-) Artists Re: Thinking Games. "Ruth Catlow and Marc Garrett, the two founders of Furtherfield (a collaborative artist-led community and organization dealing with art, technology and social change since 1996) are joined by artist and curator Corrado Morgana in editing this nice compendium of texts about game art. In the Furtherfield tradition the book is centered on artistic practice and is engaged with re-thinking games and their set of expected rules and stereotypes..." On Neural.it http://www.neural.it/art/2010/11/ruth_catlow_marc_garrett_corra.phtml Read more here... http://www.furtherfield.org/artistsrethinkinggames_booklaunch.php And buy it here... http://www.amazon.co.uk/gp/offer-listing/1846312477 -----Inline Attachment Follows----- _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Wed Nov 3 12:36:40 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Wed, 03 Nov 2010 11:36:40 +0000 Subject: [NetBehaviour] Neural.it gives our book Artists Re: Thinking Games :-) In-Reply-To: <148957.93998.qm@web114503.mail.gq1.yahoo.com> References: <148957.93998.qm@web114503.mail.gq1.yahoo.com> Message-ID: <4CD14948.40906@furtherfield.org> Really? Will have a look! Thanks Michael... marc > Gets a nice notice in the current AN magazine too! > > --- On *Wed, 11/3/10, marc garrett //* > wrote: > > > From: marc garrett > Subject: [NetBehaviour] Neural.it gives our book Artists Re: > Thinking Games :-) > To: "NetBehaviour for networked distributed creativity" > > Date: Wednesday, November 3, 2010, 11:20 AM > > Neural.it gives our book Artists Re: Thinking Games :-) > > Artists Re: Thinking Games. > > "Ruth Catlow and Marc Garrett, the two founders of Furtherfield (a > collaborative artist-led community and organization dealing with > art, technology and social change since 1996) are joined by artist > and curator Corrado Morgana in editing this nice compendium of > texts about game art. In the Furtherfield tradition the book is > centered on artistic practice and is engaged with re-thinking > games and their set of expected rules and stereotypes..." > > On Neural.it > http://www.neural.it/art/2010/11/ruth_catlow_marc_garrett_corra.phtml > > Read more here... > http://www.furtherfield.org/artistsrethinkinggames_booklaunch.php > > And buy it here... > http://www.amazon.co.uk/gp/offer-listing/1846312477 > > -----Inline Attachment Follows----- > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From pallthay at gmail.com Wed Nov 3 13:42:48 2010 From: pallthay at gmail.com (Pall Thayer) Date: Wed, 3 Nov 2010 08:42:48 -0400 Subject: [NetBehaviour] creativity error: "i can't be bothered" In-Reply-To: References: Message-ID: ./configure --enable-nonsense make different make install On 11/3/10, James Morris wrote: > hi, > > i need help with my creativity, i keep getting error messages like "i > can't be bothered", "it's all worthless" etc. i've tried different > flags and switches and settings but nothing helps. i'm wondering if > i've overloaded it or something. the log files are full of nonsense > like this: > > with regard to > true human it concern, > wit regard two > truth man it converse, > wick re garden true, > to whom it may convert > with regal to, > to hummus mace ontology. > > there's snapped the typical dragon back, flutter blink, spin swindle. > corporate punishment flag spot rust wing... > > the god of creativity is no more god than i > the glob of creativity is more no gob tan(-i) > the gob of creativity SHOUTS DIE DIE DIE > > society 1 - self 0 > > > any ideas? > > thanks, > james. > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- Sent from my mobile device ***************************** Pall Thayer artist http://www.this.is/pallit ***************************** From sondheim at panix.com Wed Nov 3 15:06:10 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 3 Nov 2010 10:06:10 -0400 (EDT) Subject: [NetBehaviour] creativity error: "i can't be bothered" In-Reply-To: References: Message-ID: keep going. your work's great. tan(-i) is imaginary anyway. don't expect anything. you do a lot; so do i. pretty much there's silence and no feedback. don't expect payment. you're work's not commercial. the people i know who do 'well' - which isn't well - spend all their time tuning the artworld, their work, openings, applications. that doesn't mean their stuff's interesting. they'll make the history books- they already have - but the stuff feels - most of the time - like a straightjacket. someone told me once if i kept pushing boundaries i shouldn't expect anything from the public - that's the nature of the work i do. but they liked the fact i was 'uncompromising.' your jobs sound miserable and if i were a grant agency you'd get one. are you applying for things? this doesn't help, but it's the best i can do. i like your work of course - that goes without saying - and i'm not alone in this by far. finally the world's just fucked up. and after these elections more so. we're all in a hard winter. - alan On Wed, 3 Nov 2010, James Morris wrote: > hi, > > i need help with my creativity, i keep getting error messages like "i > can't be bothered", "it's all worthless" etc. i've tried different > flags and switches and settings but nothing helps. i'm wondering if > i've overloaded it or something. the log files are full of nonsense > like this: > > with regard to > true human it concern, > wit regard two > truth man it converse, > wick re garden true, > to whom it may convert > with regal to, > to hummus mace ontology. > > there's snapped the typical dragon back, flutter blink, spin swindle. > corporate punishment flag spot rust wing... > > the god of creativity is no more god than i > the glob of creativity is more no gob tan(-i) > the gob of creativity SHOUTS DIE DIE DIE > > society 1 - self 0 > > > any ideas? > > thanks, > james. > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From azdelslade at gmail.com Wed Nov 3 20:43:49 2010 From: azdelslade at gmail.com (=?ISO-8859-1?Q?micha_c=E1rdenas?=) Date: Wed, 3 Nov 2010 12:43:49 -0700 Subject: [NetBehaviour] Becoming Transreal today at 4pm PST/SLT! Message-ID: Performance by Micha C?rdenas and Elle Mehrmand in collaboration Chris Head UCLA Freud Playhouse November 3rd, 4pm Co-sponsored by The Center for Performance Studies, the UCLA Department of Theater and CRCA Panel after the performance at 5pm with Sandy Stone, Amy Sara Carroll and Ricardo Dominguez Go here in Second Life to see Becoming Transreal! http://maps.secondlife.com/secondlife/Odyssey/232/31/601 In "Real life" come see the full mixed reality event with 3D stereoscopic projection and motion capture at the UCLA Freud Playhouse. Directions here What if you could become anything? What happens after species change surgery becomes a reality? *becoming transreal* speculates on a future in which the promises of bionanotechnology have become realized, and yet as capitalism has continued to fail, both the interiors of our bodies and the virtual world have become totally commodified. you can become anything, but to finance your whims of identity transformation, the same nanohormones that transform your body are also producing drugs for others. *becoming transreal * looks at transgender experience through a lens of slipstream science fiction poetry. The performance uses motion capture to interface with Second Life avatars and 3D stereoscopic imagery to immerse the audience in this transreal world. Inspired in part by *Tales from the Matter Market* and a continuation of *Becoming Dragon* , this performance asks what our lives are like when we have become both the factory and the product, asks how we can resist capitalism when neoliberalism?s collapse has wound itself into the perfection of a single atom, into the fabric of beauty and into our most intimate emotions. In *becoming transreal,* C?rdenas and Mehrmand will use devices sold both for quasi-medical purposes and for sexual pleasure, part of the economies of medicalized sexuality, the grey area of ?elective? medical products and medical play sex toys, to make visible the pain of transition. Co-sponsored by the Department of Theater, the School of Theater, Film, and Television, LGBT Studies, the Center for the Study of Women and The Center for Research in Engineering, Media and Performance. Additional support provided by San Diego State University?s Second Life Initiative, Aztlan Island . This event is free and open to the general public. thanks, micha -- micha c?rdenas Co-Author, Trans Desire / Affective Cyborgs, Atropos Press, http://is.gd/daO00 Lecturer, Visual Arts Department, University of California, San Diego Lecturer, Critical Gender Studies Program, University of California, San Diego Artist/Researcher, UCSD School of Medicine Artist/Theorist, bang.lab, http://bang.calit2.net blog: http://transreal.org gpg: http://is.gd/ebWx9 -- micha c?rdenas Co-Author, Trans Desire / Affective Cyborgs, Atropos Press, http://is.gd/daO00 Lecturer, Visual Arts Department, University of California, San Diego Lecturer, Critical Gender Studies Program, University of California, San Diego Artist/Researcher, UCSD School of Medicine Artist/Theorist, bang.lab, http://bang.calit2.net blog: http://transreal.org gpg: http://is.gd/ebWx9 -------------- next part -------------- An HTML attachment was scrubbed... URL: From l.parisi at gold.ac.uk Wed Nov 3 21:22:52 2010 From: l.parisi at gold.ac.uk (luciana parisi) Date: Wed, 3 Nov 2010 20:22:52 -0000 (GMT) Subject: [NetBehaviour] MA Interactive Media, CentreforCulturalStudies Goldsmiths Message-ID: <49279.91.106.195.107.1288815772.squirrel@secure2.gold.ac.uk> Dear All, apologies for this invite, but we wish to let the list know that we are now accepting applications for the MA in Interactive Media: critical theory and practice, 2011-12, Centre for Cultural Studies, Goldsmiths University of London. For futher information about the course, please visit our website http://www.gold.ac.uk/pg/ma-interactive-media-critical-theory-practice/ or contact me directly. thank you. best Luciana Parisi and Graham Harwood (mediashed; mongrel; http://mediashed.org/) -- Dr Luciana Parisi MA Interactive Media Convenor Centre for Cultural Studies Goldsmiths University of London l.parisi at gold.ac.uk From sondheim at panix.com Wed Nov 3 23:07:20 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 3 Nov 2010 18:07:20 -0400 (EDT) Subject: [NetBehaviour] Three Alan Sondheim Songs Message-ID: Three Alan Sondheim Songs Three songs by Alan Sondheim sung by Alan sondheim Alan Sondheim on Alan Sondheim's violin and Alan Sondheim on Alan Sondheim's viola http://espdisk.com/alansondheim/jonstewart.mp3 http://espdisk.com/alansondheim/roofandfood.mp3 http://espdisk.com/alansondheim/ontology.mp3 From paulorcbarros at uol.com.br Thu Nov 4 00:56:35 2010 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Wed, 3 Nov 2010 21:56:35 -0200 Subject: [NetBehaviour] 23rd Instants Video Message-ID: <021101cb7bb2$c0043f10$36a3fea9@user7c0fd6f73e> Hi, My video "Recycle" was selected for screening in the 23rd Instants Video, at Prague, Czech Republic, on 4th November. This is the catalogue: http://www.instantsvideo.com/instantsvideo2010.pdf Videos Selected: (1) Angelus Septentrio de Hanton Hecht (Grande-Bretagne, 2008) 5? (2)Killing de Herv? Constant (Grande-Bretagne, 2007) 4? (3) Strangler in the night de Alain Bourges (France, 2009) 3?30 (4) ?Qui?n puede matar a un hombre? de Enrique Pi?uel (Espagne, 2009) 4? (5) Cheval Bl?me de Philippe Rouy (France, 2009) 3?50 (6) Sale Sang (Dirty blood) de Beatriz Ciliberto (Venezuela, 2009) 2?15 (7) Num?ro 1765 de Cyrus Neshvad (Luxembourg, 2008) 3?30 (8) Virtual waltz de Hanton Hecht (Grande-Bretagne, 2009) 3? (9) A woman is a woman de Milica Rakic (Serbie, 2010) 4?43 (10) Les Muses Brennoux de Ga?l comeau (Canada, 2009) 16?10 (11) Continuum de Manon Le Roy (France, 2009)11? (12) Dog Duet de Pascal Li?vre (France, 2009) 3? (13) Les sons, les bruits et les silences Sweet de Paolo Pennuti et Mirko Fabbri (Italie/Canada, 2010) 11?37 (14) Plastic and glass de Tessa Jousse (France, 2009) 9? (15) And this is Belgrade de Corina Schwingruber (Suisse, 2009) 10?20 (16) Opticalicity de Hugeaux Aka Hugo R. Miller (USA, 2009) 3? (17) Recycle de Paulo R. C. Barros (Br?sil, 2010) 3? (18) Unforgettable Memory de Liu Wei (Chine, 2009) 12?45 (19) To the Sun de Eugenia Gortchakova (Russie, 2009) 3?14 (20) Safety Instructions de Caterina Pecchioli (Italie, 2009) 2?44 (21) Fao de Aitor Echeverria and Carolina Alejos (Espagne, 2010) 7? All the best, Paulo -------------- next part -------------- An HTML attachment was scrubbed... URL: From carolina.redondo at gmx.de Thu Nov 4 01:46:30 2010 From: carolina.redondo at gmx.de (carolina redondo) Date: Wed, 3 Nov 2010 20:46:30 -0400 Subject: [NetBehaviour] please put me out of the mailing list, thanks Message-ID: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Carolina Redondo Flux Factory Residency 39-31 29th St Long Island City, NY 11101 Handy: +1 917 975 8286 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Carolina Redondo Vogelsangerstr. 150 50823 K?ln-Deutschland Tel: +49 (0) 221 16861198 Mob: +49 (0) 177 96 063 32 www.carolinaredondo.com :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: -------------- next part -------------- An HTML attachment was scrubbed... URL: From dave.miller.uk at gmail.com Thu Nov 4 10:24:22 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Thu, 4 Nov 2010 09:24:22 +0000 Subject: [NetBehaviour] MA Interactive Media, CentreforCulturalStudies Goldsmiths In-Reply-To: <49279.91.106.195.107.1288815772.squirrel@secure2.gold.ac.uk> References: <49279.91.106.195.107.1288815772.squirrel@secure2.gold.ac.uk> Message-ID: this sounds a great course dave On 3 November 2010 20:22, luciana parisi wrote: > Dear All, > > apologies for this invite, but we wish to let the list know that we are > now accepting applications for the MA in Interactive Media: critical > theory and practice, 2011-12, Centre for Cultural Studies, Goldsmiths > University of London. > > For futher information about the course, please visit our website > > http://www.gold.ac.uk/pg/ma-interactive-media-critical-theory-practice/ > > or contact me directly. > > thank you. > > best > > Luciana Parisi and Graham Harwood (mediashed; mongrel; http://mediashed.org/) > > > > > -- > Dr Luciana Parisi > MA Interactive Media Convenor > Centre for Cultural Studies > Goldsmiths University of London > l.parisi at gold.ac.uk > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From info at furtherfield.org Thu Nov 4 17:39:45 2010 From: info at furtherfield.org (info) Date: Thu, 04 Nov 2010 16:39:45 +0000 Subject: [NetBehaviour] WalkSpace for the iPhone Message-ID: <4CD2E1D1.6050005@furtherfield.org> WalkSpace for the iPhone WalkSpace is an alternative walking art app for the iPhone to let you navigate the city in a new and unexpected way. A selection of cultural and everyday routes are remapped to your current location, these routes range from cultural trails such as routes from James Joyce's Ulysses to individual daily walks. Walks can be shared with photos and route maps and users can add their own routes to the app. WalkSpace is designed to take you places you mightn't otherwise go, to see familiar places in a new light opening a window to chance encounters and experiences. The app is inspired by the Situationist derive and acts as a locative media version of the classic experimental technique for re-enchanting the city. WalkSpace is a locative media art project by Conor McGarrigle now available as a free download from the appstore. WalkSpace www.walkspace.org Available from the appstore http://is.gd/gIeCI Conor McGarrigle www.conormcgarrigle.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Thu Nov 4 17:42:54 2010 From: info at furtherfield.org (info) Date: Thu, 04 Nov 2010 16:42:54 +0000 Subject: [NetBehaviour] THURSDAY CLUB OPEN CALL ** THURSDAY CLUB OPEN CALL ** THURSDAY CLUB Message-ID: <4CD2E28E.2030102@furtherfield.org> Thursday Club Call for Projects from January to June 2011 is: ** 30th November ** 2010 OPEN CALL FOR PROJECTS& PROPOSALS The Thursday Club is an open forum discussion group for anyone interested in the theories and practices of cross-disciplinarity, interactivity, technologies and philosophies of the state-of-the-art in today's (and tomorrow's) cultural landscape(s). The Club is supported by the Goldsmith Digital Studios (GDS) and the Goldsmiths Graduate School. Originally set up in October 2005 by GDS as a more informal setting for research discussions, it has grown to include 300 members: artists, technologists, scientists -- in fact, a growing diversity of people from different communities worldwide, that are connected via a mailing list and online forum. Most importantly, there are regular meetings in 'real' space at the Ben Pimlott site of Goldsmiths, University of London. Anyone can attend these events. By keeping these meetings free, informal and open to all, we provide a platform for diverse and open ended discourse, for people who perhaps would not have the opportunity to discuss ideas outside of their chosen discipline. The Thursday Club brings together people from diverse fields and degrees of expertise, aiming to initiate discussion and debates among postgraduate students, researchers, academics, artists, theorists, and other cultural practitioners. Since it focuses on interdisciplinary practices, the Club is interested to experiment with innovative formats of presentation that are appropriate to the nature of the subject. We particularly welcome the proposal of round table discussions, panels, screenings, 'hearings', live gigs and performance lectures. We are also interested to platform experimental work-in-progress of both practical and theoretical nature. Submission Materials 1. A 1,000 word proposal that will substantiate your abstract as well as include information regarding issues of methodologies and format of presentation (including technical requirements); also, this should explain why you think that the Thursday Club is an appropriate forum for the presentation of your work. 2. Title and 200 word abstract of your proposal 3. A 200 word biog 4. Your contact details: name, address, email, telephone number 5. Any relevant web links to your work 6. A jpg of your work (if relevant) Please send any submissions by email to Prof. Janis Jefferies and Patrick Tresset writing 'Thursday Club Submission' as a Subject. The deadline for submission of proposals is 5pm 30th November 2010 The submissions will be reviewed by the Thursday Club Advisory Board and you will hear back from us in early January 2011. If we are unable to take your proposal it may have to do with technical issues or travel costs. Apologies to those who applied for this Autumn season and have not had a reply. The board has had some delays so you will receive notification before November 30th. Apologies. -------------- next part -------------- An HTML attachment was scrubbed... URL: From emmanuel.guez at chartreuse.org Thu Nov 4 17:55:30 2010 From: emmanuel.guez at chartreuse.org (emmanuel guez) Date: Thu, 04 Nov 2010 17:55:30 +0100 Subject: [NetBehaviour] WalkSpace for the iPhone In-Reply-To: <4CD2E1D1.6050005@furtherfield.org> References: <4CD2E1D1.6050005@furtherfield.org> Message-ID: <4CD2E582.6050408@chartreuse.org> only for iPhone 4 :-( (and i don't want to upgrade my iPhone) emmanuel info a ?crit : > WalkSpace for the iPhone > > WalkSpace is an alternative walking art app for the iPhone to let you > navigate the city in a new and unexpected way. > > A selection of cultural and everyday routes are remapped to your > current location, these routes range from cultural trails such as > routes from James Joyce's Ulysses to individual daily walks. Walks can > be shared with photos and route maps and users can add their own > routes to the app. > > WalkSpace is designed to take you places you mightn't otherwise go, to > see familiar places in a new light opening a window to chance > encounters and experiences. The app is inspired by the Situationist > derive and acts as a locative media version of the classic > experimental technique for re-enchanting the city. > > WalkSpace is a locative media art project by Conor McGarrigle now > available as a free download from the appstore. > > > WalkSpace > www.walkspace.org > > Available from the appstore > http://is.gd/gIeCI > > Conor McGarrigle > www.conormcgarrigle.com > > ------------------------------------------------------------------------ > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From ancelfranck at gmail.com Thu Nov 4 17:59:59 2010 From: ancelfranck at gmail.com (Franck Ancel) Date: Thu, 04 Nov 2010 17:59:59 +0100 Subject: [NetBehaviour] WalkSpace for the iPhone In-Reply-To: <4CD2E582.6050408@chartreuse.org> References: <4CD2E1D1.6050005@furtherfield.org> <4CD2E582.6050408@chartreuse.org> Message-ID: <4CD2E68F.5070809@gmail.com> Start to upgrade your mind before! Le 04/11/10 17:55, emmanuel guez a ?crit : > > only for iPhone 4 :-( (and i don't want to upgrade my iPhone) > emmanuel > > info a ?crit : >> WalkSpace for the iPhone >> >> WalkSpace is an alternative walking art app for the iPhone to let you >> navigate the city in a new and unexpected way. >> >> A selection of cultural and everyday routes are remapped to your >> current location, these routes range from cultural trails such as >> routes from James Joyce's Ulysses to individual daily walks. Walks >> can be shared with photos and route maps and users can add their own >> routes to the app. >> >> WalkSpace is designed to take you places you mightn't otherwise go, >> to see familiar places in a new light opening a window to chance >> encounters and experiences. The app is inspired by the Situationist >> derive and acts as a locative media version of the classic >> experimental technique for re-enchanting the city. >> >> WalkSpace is a locative media art project by Conor McGarrigle now >> available as a free download from the appstore. >> >> >> WalkSpace >> www.walkspace.org >> >> Available from the appstore >> http://is.gd/gIeCI >> >> Conor McGarrigle >> www.conormcgarrigle.com >> >> ------------------------------------------------------------------------ >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From lists at stunned.org Thu Nov 4 18:50:16 2010 From: lists at stunned.org (Conor McGarrigle) Date: Thu, 04 Nov 2010 17:50:16 +0000 Subject: [NetBehaviour] WalkSpace for the iPhone In-Reply-To: <4CD2E582.6050408@chartreuse.org> References: <4CD2E1D1.6050005@furtherfield.org> <4CD2E582.6050408@chartreuse.org> Message-ID: <4CD2F258.7000005@stunned.org> No works on the 3GS but needs IOS4 On 04/11/10 16:55, emmanuel guez wrote: > > only for iPhone 4 :-( (and i don't want to upgrade my iPhone) > emmanuel > > info a ?crit : >> WalkSpace for the iPhone >> >> WalkSpace is an alternative walking art app for the iPhone to let you >> navigate the city in a new and unexpected way. >> >> A selection of cultural and everyday routes are remapped to your >> current location, these routes range from cultural trails such as >> routes from James Joyce's Ulysses to individual daily walks. Walks >> can be shared with photos and route maps and users can add their own >> routes to the app. >> >> WalkSpace is designed to take you places you mightn't otherwise go, >> to see familiar places in a new light opening a window to chance >> encounters and experiences. The app is inspired by the Situationist >> derive and acts as a locative media version of the classic >> experimental technique for re-enchanting the city. >> >> WalkSpace is a locative media art project by Conor McGarrigle now >> available as a free download from the appstore. >> >> >> WalkSpace >> www.walkspace.org >> >> Available from the appstore >> http://is.gd/gIeCI >> >> Conor McGarrigle >> www.conormcgarrigle.com >> >> ------------------------------------------------------------------------ >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From ancelfranck at gmail.com Thu Nov 4 19:20:41 2010 From: ancelfranck at gmail.com (Franck Ancel) Date: Thu, 04 Nov 2010 19:20:41 +0100 Subject: [NetBehaviour] WalkSpace for the iPhone In-Reply-To: <4CD2F258.7000005@stunned.org> References: <4CD2E1D1.6050005@furtherfield.org> <4CD2E582.6050408@chartreuse.org> <4CD2F258.7000005@stunned.org> Message-ID: <4CD2F979.1040103@gmail.com> emmanuel seems to have a problem with the code since a long time Le 04/11/10 18:50, Conor McGarrigle a ?crit : > No works on the 3GS but needs IOS4 > > > On 04/11/10 16:55, emmanuel guez wrote: >> >> only for iPhone 4 :-( (and i don't want to upgrade my iPhone) >> emmanuel >> >> info a ?crit : >>> WalkSpace for the iPhone >>> >>> WalkSpace is an alternative walking art app for the iPhone to let >>> you navigate the city in a new and unexpected way. >>> >>> A selection of cultural and everyday routes are remapped to your >>> current location, these routes range from cultural trails such as >>> routes from James Joyce's Ulysses to individual daily walks. Walks >>> can be shared with photos and route maps and users can add their own >>> routes to the app. >>> >>> WalkSpace is designed to take you places you mightn't otherwise go, >>> to see familiar places in a new light opening a window to chance >>> encounters and experiences. The app is inspired by the Situationist >>> derive and acts as a locative media version of the classic >>> experimental technique for re-enchanting the city. >>> >>> WalkSpace is a locative media art project by Conor McGarrigle now >>> available as a free download from the appstore. >>> >>> >>> WalkSpace >>> www.walkspace.org >>> >>> Available from the appstore >>> http://is.gd/gIeCI >>> >>> Conor McGarrigle >>> www.conormcgarrigle.com >>> >>> ------------------------------------------------------------------------ >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Thu Nov 4 21:12:13 2010 From: sondheim at panix.com (Alan Sondheim) Date: Thu, 4 Nov 2010 16:12:13 -0400 (EDT) Subject: [NetBehaviour] Guzheng Gluon Interactions Message-ID: Guzheng Gluon Interactions meditating on gluons produced the following guzheng solos - http://espdisk.com/alansondheim/gluon47.mp3 http://espdisk.com/alansondheim/gluon48.mp3 From l.parisi at gold.ac.uk Thu Nov 4 22:23:47 2010 From: l.parisi at gold.ac.uk (luciana parisi) Date: Thu, 4 Nov 2010 21:23:47 -0000 (GMT) Subject: [NetBehaviour] MA Interactive Media, CentreforCulturalStudies Goldsmiths In-Reply-To: References: <49279.91.106.195.107.1288815772.squirrel@secure2.gold.ac.uk> Message-ID: <50642.91.106.195.107.1288905827.squirrel@secure2.gold.ac.uk> thank you! we are workng to make it as exciting as possible as a research/practice field. We will really appreciate if you could please distribute the announcement to other lists or people interested in this field best l -- Dr Luciana Parisi MA Interactive Media Convenor Centre for Cultural Studies Goldsmiths University of London l.parisi at gold.ac.uk On Thu, November 4, 2010 9:24 am, dave miller wrote: > this sounds a great course > > dave > > On 3 November 2010 20:22, luciana parisi wrote: > >> Dear All, >> >> >> apologies for this invite, but we wish to let the list know that we are >> now accepting applications for the MA in Interactive Media: critical >> theory and practice, 2011-12, Centre for Cultural Studies, Goldsmiths >> University of London. >> >> >> For futher information about the course, please visit our website >> >> >> http://www.gold.ac.uk/pg/ma-interactive-media-critical-theory-practice/ >> >> >> or contact me directly. >> >> thank you. >> >> best >> >> Luciana Parisi and Graham Harwood (mediashed; mongrel; >> http://mediashed.org/) >> >> >> >> >> >> -- >> Dr Luciana Parisi >> MA Interactive Media Convenor >> Centre for Cultural Studies >> Goldsmiths University of London >> l.parisi at gold.ac.uk >> >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > From robots_have_no_fun at it-all.com Fri Nov 5 02:47:48 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Thu, 04 Nov 2010 21:47:48 -0400 Subject: [NetBehaviour] wordless in new haven Message-ID: <4CD36244.90809@it-all.com> hi, been working a bit on my site: http://www.it-all.com/index.php?seed=31&play and your a33 is cordially invited to check it out ;) G . R . e . g text24833 From robots_have_no_fun at it-all.com Fri Nov 5 02:50:50 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Thu, 04 Nov 2010 21:50:50 -0400 Subject: [NetBehaviour] take2andlikmeinthemorningchancesareyoullreadthisonefirstanyway Message-ID: <4CD362FA.7090609@it-all.com> hi, been working a bit on my site: http://www.it-all.com/index.php?seed=300&play and your a33 is cordially invited to check it out ;) G . R . e . g text24833 From sondheim at panix.com Fri Nov 5 07:33:42 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 5 Nov 2010 02:33:42 -0400 (EDT) Subject: [NetBehaviour] metropolis Message-ID: metropolis not much happening here but all those unison movements in close to darkness were this black and white and so many years ago cut into with bleak surgery unkind and again now elemental redistribution here as if regrets are drawn out and how can anyone not have remorse over everything in his or her life for none of this water have the power to wash away sins or misrecognitions or oversights r boorishness as if others were inconceivable in this world of guilt and slaughter or as if others wore the face of innocence themselves and no longer anyone be heard http://www.alansondheim.org/metropolis.mov From marc.garrett at furtherfield.org Fri Nov 5 09:30:45 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 05 Nov 2010 08:30:45 +0000 Subject: [NetBehaviour] Soviet Image Editing Tool From 1987 Message-ID: <4CD3C0B5.4000505@furtherfield.org> Soviet Image Editing Tool From 1987. "Three years before Photoshop 1.0 was released, computer engineers in the USSR were already retouching photographs (http://www.petapixel.com/2010/11/03/soviet-image-editing-tool-from-1987/) using some surprisingly advanced technology. A video shows how the Soviets went about restoring damaged images (http://www.youtube.com/watch?v=t2PsiJXswiM) with the help of rotary scanners, magnetic tape, and trackballs. No word on whether this technology was used to fake moon landings or put missiles in Cuba." Photo manipulation in the USSR (and elsewhere) had a pretty good jump on computers (http://en.wikipedia.org/wiki/Censorship_of_images_in_the_Soviet_Union), though." From Slashdot.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Fri Nov 5 09:58:51 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 05 Nov 2010 08:58:51 +0000 Subject: [NetBehaviour] IOCOSE Private view at HTTP gallery Tonight - of 'In The Long Run'. Message-ID: <4CD3C74B.4070000@furtherfield.org> Hi everyone, If you feel all washed out from the rain and want to go somewhere warm, friendly and are fed up with damp Bonfires this evening; come and share the evening with others at Furtherfield's HTTP Gallery. Private view tonight 6.30 pm - 9pm Friday Nov 5th Info below info: European activist group IOCOSE premiere their film 'In The Long Run' tonight. Although we live in a celebrity driven culture it is not widely known that major news networks such as the BBC, Fox and Sky prepare obituaries about famous people to put on air in the event of an unexpected death. Criticising the media's obsession with celebrity an art collective named IOCOSE will be screening their film In the Long Run (2010) at HTTP gallery north London, plus two other works not exhibited in the UK until now. The 20 minute film is a reconstruction of a possible future high profile media event. The death of pop star Madonna is described in a BBC News special edition, with a journalist and studio guest who go over the details of the fatal car accident, the statements of the VIPs and the reactions of fans around the world. Visit here for more information abut the show opening this evening: http://www.http.uk.net/exhibitions/IOCOSE/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 5 10:35:55 2010 From: info at furtherfield.org (info) Date: Fri, 05 Nov 2010 09:35:55 +0000 Subject: [NetBehaviour] Eyetopia. Message-ID: <4CD3CFFB.70809@furtherfield.org> Eyetopia. Victorian Dreams of Place and Vision http://showsoflondon.wordpress.com The Anatomy Museum, King's College London, Strand Campus, London. Friday November 5, 2010 1.30 -- 6.00pm How and what did the Victorians see? From blinking to staring, observing, voyeurism, to conjuring spectral visions of the dead, the Victorian imaginaire derived much of its power from the aqueous life of the eyeball. But to what worlds, both real and imagined, did their manifold forms of visualisation take them? SCHEDULE 1.00--1.30pm Coffee & tea 1.30pm Welcome & Opening remarks 1.45--3.30pm: Session 1 Panel Chair: Ian Henderson (KCL) Alison Wood (KCL): 'Image and Wonder: Stebbing, Gosse and the Miraculous Lens' Paul White (Cambridge): 'The Eye Observed' David Amigoni (Keele): '"The Picture is Quite Washed Out": Eye Power and Vision in Galton and Late Darwin' 3.30--4.00pm: Coffee & tea 4.00--5.30pm: Session 2 Panel Chair: Josephine McDonagh (KCL) Audrey Linkman (Independent): 'Taken from Life: Post-Mortem Portraits in the Victorian Family Album' Isobel Armstrong (Birkbeck): 'Victorian Poetry and the Poetics of the Photograph' 5.30-6.00pm: Wine Reception All welcome and entrance is free. For more details and speakers' biographies, please visit the Shows of London website http://showsoflondon.wordpress.com, or contact Tammy Ho (lai_ming.ho at kcl.ac.uk) or Dr Louise Lee (louise.lee at kcl.ac.uk). Nearest tube: District Line, Temple. ~~~~~ Tammy Ho Lai-Ming PhD Student Department of English King's College London The world's wide enough for all of us. -- Charles Dickens http://sighming.com http://asiancha.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 5 10:42:54 2010 From: info at furtherfield.org (info) Date: Fri, 05 Nov 2010 09:42:54 +0000 Subject: [NetBehaviour] The History of Financial Crises Message-ID: <4CD3D19E.4080904@furtherfield.org> The History of Financial Crises Ellie Harrison 7th - 28th November 2010 For this solo show in Market Gallery's new space I'm exhibiting two installations including The History of Financial Crises, in which the turbulent history of capitalism over the last century is re-enacted each day by a row of popcorn making machines. OPENING: Saturday 6th November, 19:00 - 21:00 ARTIST'S TALK: Saturday 6th November, 19:30 OPEN: Thursday - Sunday, 11:00 - 17:00 Market Gallery 334 Duke Street Glasgow G31 1QZ http://www.ellieharrison.com/index.php?pagecolor=3&pageId=project-fireworksdisplay http://www.vimeo.com/15801981 Art and the Economy Forum Event Saturday 6th November 2010 This FREE day-long event marks Market Gallery's 10th anniversary and aims to explore the relationship between art and the economy. It features presentations and discussion from Francis McKee, Mark Fisher, Mark Robinson, Peter McCaughey and Ellie Harrison. 2nd Floor Barras Bargains London Road / Bain Street Glasgow G40 2ST www.marketgallery.org.uk RSVP to: market at marketgallery.org.uk Fireworks Display Ellie Harrison's Fireworks Display! Just in time for Guy Fawkes Night this Friday 5th November, I've finally got round to uploading a video clip of the Fireworks Display performance I staged earlier in the year at the Glue Factory, Glasgow. As the sister work to The History of Financial Crises, this performance spectacle is a one-woman attempt to re-enact a chronology of 'the history of revolution' over the course of the last 360 years via the medium of pyrotechnics. More information http://www.ellieharrison.com/index.php?pagecolor=3&pageId=project-fireworksdisplay Video documentation http://www.vimeo.com/15801981 Digital Media Labs Stuart Childs, Ross Dalziel, Michael Day, Ellie Harrison, Bob Levene, Victoria Lucas, Lawrence Molloy, John O'Shea, David Priestman and Eleanor Weir. A group exhibition of touch screen artworks and experiments created during the Digital Media Labs residency at Hull School of Art & Design from 24th - 30th October 2010, including my piece Scratch Cards and How clean is your mouse? made in collaboration with Bob Levene. OPENING: Thursday 4th November, 16:00 - 19:00 OPEN: Friday 5th November, 11:00 - 17:00 Eleven 11 Humber Street Hull HU1 1TG www.digitalmedialabs.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 5 10:44:19 2010 From: info at furtherfield.org (info) Date: Fri, 05 Nov 2010 09:44:19 +0000 Subject: [NetBehaviour] Call & Response Sonic Art Residency. Message-ID: <4CD3D1F3.9010800@furtherfield.org> Call & Response Sonic Art Residency. Call & Response is an independent sonic arts collective, serving as a focus for sound arts practice in London. Our aim is to provide an artist run space for the exhibition and performance of sonic artworks, reflecting the emerging interest in the use of the auditory in contemporary art. You are invited to a four-day sonic art residency at the James Taylor Gallery, Hackney. An immersive listening environment located in an expansive Victorian factory in East London. Free entry. --- 12-6pm, 4th-7th Nov ...We'll be presenting multi-channel works by Kaffe Matthews (Annette Works) Robert Van Heumen (STEIM) Jo Thomas (En'Tracte) Jacob Kirkegaard (Touch) Dawn Scarfe Ralph Steinbr?chel (12k) Eric La Casa (Room 40) Mick Grierson (EMS) Tom Slater John Levack Drever (EMS) Lawrence Upton Jeremy Keenan These will be on rotation from 12-6pm, 4th-7th November and entry is free throughout. For full details of the programme check our website. --- 7-11pm, 5th Nov An evening of international performers utilising our 8.1 surround sound system on the evening of Friday 5th November. A-R-A-R (UK) Homemade electronics duo Vasco Alvo and Louie Rice, on AM/FM Keyboard and Tone Generator. Andre Avelas (PT) Presenting a performless solo generated by musical automata. Brian Mckenna (CA) Performing an audiovisual work using feedback and harmonic distortion. Adam Asnan (UK) Presenting a 12 channel work utilising mobile cassette players. Kaffe Matthews (UK) Performing a live multi-channel piece. Tickets will be available on the door and in advance (?6/?4), check our website for details. --- 4:30-6pm, 6th Nov 'Sound is Promiscuous' In conjunction with the exhibition and performances, Call & Response is proud to present a talk around the act of listening, particularly locating sound as a spatial concern and contesting its power of representation in contemporary society. Joining us in the discussion are curator Cecilia Wee, and three of the exhibiting artists --- Lawrence Upton, Dawn Scarfe and Tom Slater. The title of the talk, Sound is Promiscuous, is taken from Brandon Labelle's analysis of auditory life and sound culture in Acoustic Territories. --- http://callandresponse.org.uk/ http://www.jtg.org.uk/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 5 10:51:53 2010 From: info at furtherfield.org (info) Date: Fri, 05 Nov 2010 09:51:53 +0000 Subject: [NetBehaviour] M | U | T | E | __ rrrrrread it! Message-ID: <4CD3D3B9.3090403@furtherfield.org> M | U | T | E | __ rrrrrread it! ________________________________________________4 November 2010_ Contain This! Leaks, Whistle-Blowers and the Networked News Ecology By Felix Stalder In the wake of WikiLeaks' recent headline-busting expos?s, a very different news and informational landscape is emerging. Whilst acknowledging the structural leakiness of networked organisations, Felix Stalder finds deeper lying reasons for the crisis of information security and the new distribution of investigative journalism http://linkme2.net/ny * *No Room to Move: Radical Art and the Regenerate City* http://linkme2.net/nz Edited by Josephine Berry Slater & Anthony Iles Featuring projects and interviews with: Alberto Duman, Freee, Nils Norman, Laura Oldfield Ford and Roman Vasseur As the Creative City model for urban regeneration founders on the rocks of the recession, and the New Labour public art commissioning frenzy it triggered recedes, Anthony Iles and Josephine Berry Slater take stock of an era of highly instrumentalised public art making. Focusing on artists and consultants who have engaged critically with the exclusionary politics of urban regeneration, their analysis locates such practice within a schematic history of urban development's neoliberal mode. Breaking down into a report and a collection of interviews, this investigation consistently focuses on the forms and, indeed, possibility of critical public art within a regime that fetishes 'creativity' whilst systematically destroying its preconditions in its pursuit of capital accumulation. How, they ask, is critical art shaped by its interaction with this aspect of biopolitical governance? For review copies or more information please contact Caroline Heron caroline at metamute.org / (+44) 20 3287 9005 Available in softback only ISBN 978 -- 1 -- 906496 -- 42 -- 5 Our mailing address is: Mute Publishing Ltd 46 Lexington Street London, London W1F 0LP E: mute at metamute.org www.metamute.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 5 11:09:09 2010 From: info at furtherfield.org (info) Date: Fri, 05 Nov 2010 10:09:09 +0000 Subject: [NetBehaviour] Enphonic Graphomania, the visual sound of mania. Message-ID: <4CD3D7C5.6000703@furtherfield.org> Enphonic Graphomania, the visual sound of mania. In the First Surrealist Manifesto (1924) surrealism was defined in terms of automatism: "pure psychic automatism, by which an attempt is made to express, either verbally, in writing or in any other manner, the true functioning of thought". One of the drawing techniques adopted to reveal the unconscious was Entopic Graphomania in which a dot is made at the site of each impurity or difference in colour in a blank sheet of paper, and then lines are drawn between the dots. In his latest work, Enphonic Graphomania (EG), Patrick Harrop has been inspired by this technique and has applied it to an interactive framework. EG is "an interactive drawing interface developed as a device for the co-structured development of drawing and sound pieces through the gestural and material actions of traditional drawing techniques". more on Neural.it http://www.neural.it/art/2010/10/enphonic_graphomania_the_visua.phtml -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 5 11:48:56 2010 From: info at furtherfield.org (info) Date: Fri, 05 Nov 2010 10:48:56 +0000 Subject: [NetBehaviour] Real-Time-Nomads Message-ID: <4CD3E118.9010907@furtherfield.org> Real-Time-Nomads starts with the observation that immigration is a vital and fascinating aspect of urban reality. Cities have always been places where people of various backgrounds converge. Yet Europe's cultural diversity is not necessarily seen as enriching, but some specific groups are perceived as "problematic fringe groups". The objective of the project is to analyze the multi- dimensional spaces in which we move and to explore the boundaries of intercultural communication. The results are reflected in a multimedia installation. Swiss artist Maja Weyermann has interviewed shopkeepers and food stand owners from different cultural backgrounds in Berlin and worked with them to reconstruct their memories of rooms and spaces from their childhoods in their countries of origin. The artist virtually simulated these reconstructed rooms in 3-D. The completed installation combines elements of the remembered rooms and the current workspaces of the interview partners. The medium of 3-D simulation allows for the creation of virtual space rooted in private memory. This process makes these realms, in which perception and imagination are merged, accessible to others. http://www.real-time-nomads.com/database -------------- next part -------------- An HTML attachment was scrubbed... URL: From dave.miller.uk at gmail.com Fri Nov 5 12:00:35 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Fri, 5 Nov 2010 11:00:35 +0000 Subject: [NetBehaviour] The History of Financial Crises In-Reply-To: <4CD3D19E.4080904@furtherfield.org> References: <4CD3D19E.4080904@furtherfield.org> Message-ID: Hi Ellie This all sounds brilliant - your installation interests me a lot - will you be doing it in London as well? cheers, dave On 5 November 2010 09:42, info wrote: > The History of Financial Crises > Ellie Harrison > > 7th - 28th November 2010 > > For this solo show in Market Gallery's new space I'm exhibiting two > installations including The History of Financial Crises, in which the > turbulent history of capitalism over the last century is re-enacted each day > by a row of popcorn making machines. > > OPENING: Saturday 6th November, 19:00 - 21:00 > ARTIST'S TALK: Saturday 6th November, 19:30 > OPEN: Thursday - Sunday, 11:00 - 17:00 > > Market Gallery > 334 Duke Street > Glasgow > G31 1QZ > > http://www.ellieharrison.com/index.php?pagecolor=3&pageId=project-fireworksdisplay > http://www.vimeo.com/15801981 > > > Art and the Economy > Forum Event > > Saturday 6th November 2010 > > This FREE day-long event marks Market Gallery's 10th anniversary and aims to > explore the relationship between art and the economy. It features > presentations and discussion from Francis McKee, Mark Fisher, Mark Robinson, > Peter McCaughey and Ellie Harrison. > > 2nd Floor > Barras Bargains > London Road / Bain Street > Glasgow > G40 2ST > > www.marketgallery.org.uk > RSVP to: market at marketgallery.org.uk > > > Fireworks Display > > Ellie Harrison's > Fireworks Display! > > Just in time for Guy Fawkes Night this Friday 5th November, I've finally got > round to uploading a video clip of the Fireworks Display performance I > staged earlier in the year at the Glue Factory, Glasgow. > > As the sister work to The History of Financial Crises, this performance > spectacle is a one-woman attempt to re-enact a chronology of 'the history of > revolution' over the course of the last 360 years via the medium of > pyrotechnics. > > More information > http://www.ellieharrison.com/index.php?pagecolor=3&pageId=project-fireworksdisplay > Video documentation > http://www.vimeo.com/15801981 > > > Digital Media Labs > > Stuart Childs, Ross Dalziel, Michael Day, Ellie Harrison, Bob Levene, > Victoria Lucas, Lawrence Molloy, John O?Shea, David Priestman and Eleanor > Weir. > > A group exhibition of touch screen artworks and experiments created during > the Digital Media Labs residency at Hull School of Art & Design from 24th - > 30th October 2010, including my piece Scratch Cards and How clean is your > mouse? made in collaboration with Bob Levene. > > OPENING: Thursday 4th November, 16:00 - 19:00 > OPEN: Friday 5th November, 11:00 - 17:00 > > Eleven > 11 Humber Street > Hull > HU1 1TG > > www.digitalmedialabs.org > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From jwm.art.net at gmail.com Fri Nov 5 21:50:22 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 5 Nov 2010 20:50:22 +0000 Subject: [NetBehaviour] diamond self portrait + hunting tip Message-ID: hi diamond self portrait ----> http://jwm-art.net/image/diamonds_are_forever1.png [ 7.7mb ] hunting tip --------------> http://jwm-art.net/image/tip.png [ 3.7mb ] ih -- _ : http://jwm-art.net/ -audio/image/text/code/ From play at ubermorgen.com Sat Nov 6 01:27:08 2010 From: play at ubermorgen.com (UBERMORGEN.COM) Date: Sat, 6 Nov 2010 01:27:08 +0100 Subject: [NetBehaviour] UM.Wire: FALL-WINTER 2010/11 Message-ID: <1362A1B2-B677-4AA1-831F-32D03C509D39@ubermorgen.com> http://ubermorgen.com/UM.Wire UM.Wire - FALL-WINTER 2010/11 Image: http://ubermorgen.com/UM.Wire/images/SHOOTING-BASEL-GUNSHOT-FASHION.jpg WOPPOW UBERMORGEN.COM feat. Annabe AFRICAN PIRATES ALWAYS WEAR FASHIONABLE BRIGHT COLORS AND THEY DO REAL SHOOTINGS, SO IT?S MORE FASHIONABLE http://www.woppow.net FIRST FASHION-STAFF ARRIVALS AT THE MATHARE JOINT WORK SITE On 15 October 2010 the first UM.staff began working at the Mathare Joint Work Site (MWS NAIROBI). Among the first arrivals are members of the Web, SMS and Gopher Group, who are charged to prepare the necessary license applications in close cooperation with THE HOST*. Other arrivals include members of the Social Media Technology Division and Style and Usability Group charged with the preparations for the initial "USERUNDFRIENDLY" design-process. A branch of the Textile Management Group, Design Integration Division, has also been installed at Mathare. The acting Head of the MWS is ANNA who was previously acting Head at PGI, where SANDRA has taken over the position. WITH THIS ROBIN HOOD ATTITUDE, WITH THIS PIRATEY, THE END PRODUCT IS VERY MODERN, BUT ALSO CONTEMPORARY, LIKE LITTLE CHILDREN SHOT BY PIRATES , BUT MORE INNOVATIVE AND POSITIVE, LIKE WHO WANTS TO MEET REAL PIRATES BECAUSE , THEY DON?T SPEAK FRENCH, WHO WOULD NOT WANT TO BE HELD HOSTAGE, BY SUCH SEXY AND DOMINANT BLACK AFRICAN ATTITUDE, YOU JUST WANT TO BE THE MODEL PENETRATED, BY THEIR BULLETS, TO PRODUCE OUR GARMENTS YOU HAVE TO BE MENTALLY, & SPIRITUALLY IN THE RIGHT STATE OF MIND, TO SHOOT COUTURE INTO AGRESSIVE COUTURE. OUR MODELS ARE RUDE, BUT IN A VERY POLITE WAY, IT?S LIKE SHOOTING WEAPONS IN A CREATIVE WAY, WE CAME UP USING THEM WITH GARMENTS, I WAS LIKE... BOOOM! THIS WAS SUCH A MOMENT.., LIKE IT?S A MAJOR BREAKTHROUGH IN FASHION, WE WANT TO USE THE BULLET FOR CHARITY, WE ARE SO INSPIRED BY THE VIOLENCE OF THIS WORLD, WE GOT REALLY INTERESTED IN POLITICAL STATEMENTS, BEING POLITICAL IS SUCH A HUGE TREND, IT?S NOT MILITARY STYLE ANYMORE, IT?S POLITICAL STYLE, BY USING THE BULLET, AFRICAN PIRATES ALWAYS WEAR FASHIONABLE BRIGHT COLORS, AND THEY DO REAL SHOOTINGS, SO IT?S MORE FASHIONABLE, IN THE BEGINNING WE WERE REALLY INSPIRED , BY ALL THOSE YOUNG PEOPLE. WE WANT TO SEE THE POP-PIRATE WALKING THE HIGH-STREETS SHOOTING BULLETS OF STYLE yours truly lizvlx & Hans Bernhard http://bit.ly/cO6TA2 UBERMORGEN.COM, VIENNA, AUSTRIA ISSN 1727?9852 http://on.fb.me/9Pgrba (Lola @ PCF Espace Niemeyer Paris) -- IF you happen to be around one of these places and would like to meet THEN ping us... New York 7-9.11.2010 Berlin 10-12.11.2010 Dresden 13-15.11.2010 Paris 24-29.11.2010 Nairobi 5-19.12.2010 Mauritius 20.12.2010-07.01.2011 Berlin 27.1.-7.2.2011 Singapore 10.3.-15.3.2011 CURRENTLY RUNNING -- GALERIJA GALCENIZA, VELIKA GORICA (HR) WHITE, YELLOW, BLUE, AND BLACK, ONE COINCIDENCE, AND ONE OBJECT. THE_WHITE_WEBSITE/THE_BLACK_WEBSITE http://cont3xt.net/blog/?p=3429 SOLO SHOW EKMRZ-TRILOGY Galerija V?igalica LJUBLJANA (SL) http://www.aksioma.org/ekmrz SPACE INVADERS NETHERLANDS MEDIA ART INSTITUTE (NL) CHINESE GOLD http://nimk.nl/eng/space-invaders SPILL >> FORWARD ONLINE EXHIBITION & MEDIANOCHE GALLERY NEW YORK (USA) DEEPHORIZON http://artcontext.net/spillForward/docs/works.php OBJECT NOT FOUND, MONTERREY (MX) DEEPHORIZON http://www.ubermorgen.com/DEEPHORIZON YOUNG ARTIST BIENNALE BUCAREST (RO) SUPERENHANCED INSTALLATION http://on.fb.me/ap5xK7 RECENT EVENTS -- SPEED SHOW 2 VOL 2, VIENNA (AT) ASYLABWEHRAMT AAbA/ASYLUM DEFENCE AGENCY http://fffff.at/speed-show-vol-2-in-vienna SPEED SHOW 3 VOL 3, AMSTERDAM (NL) TORTURE CLASSICS http://fffff.at/speed-show-vol-3-peace ARTICLE BIENNALE, STAVANGER (NO) DOTOILDOT/.OIL. & TALK ARTICLE CONFERENCE http://www.article.no/en WORKSHOP AND TALK, CELLSBUTTON HOUSE OF NATURAL FIBER, YOGYAKARTA/INDONESIA http://www.natural-fiber.com/cellsbutton SOLO SHOW FESTIVAL DE WERELD VAN WITTE DE WITH, ROTTERDAM (NL) ASYLABWEHRAMT AAbA/ASYLUM DEFENCE AGENCY http://www.festivalwww.nl/english#!english/home PUBLIC INTERFACE GESTURE SALON, VIENNA CURATED BY CONSTANT DULLAART ASYLABWEHRAMT AAbA / ASYLUM DEFENCE AGENCY http://bit.ly/97cm7Q DA FEST SOFIA PSYCH|OS, GROUP SHOW, WOPPOW, SCREENING http://2010.da-fest.bg PCF INCIDENT POLITIQUE ZERO/0, PARIS (FR) GROUP SHOW WITH VOTE-AUCTION, TALK & WORKSHOP http://incident.net/theupgrade/politique0 WORKSHOP SEAFAIR SKOPJE/EURO-BALKAN INSTITUTE (MK) UBERMORGEN.COM, MEDIA HACKING VS. CONCEPTUAL ART UPCOMING -- STUDIO VISIT & VIENNA ART WEEK MAGAZINE INTERVIEW, VIENNA (AT) http://www.viennaartweek.at/2010 http://www.kunstpresse.at/viennaartweek10/10studiovisits.html CYNETART FESTIVAL, LEIPZIG (DE) NOV 11-17 2011, UTOPIA-ATTRAKTOR WORKSHOP http://t-m-a.de/cynetart/festival2010 SOLOSHOW WOPPOW *GOETHE INSTITUT NAIROBI DEC 17 OPENING, EXHIBITION 18.12.2010- 15.01.2011 http://www.goethe.de/ins/ke/nai/de6699828v.htm KUNSTRADIO In 40 Min die Glorie der Kunst erleben: Ein Persilschein fuer dammisches Gew?sch JAN 2, 2011, 11:03PM - 11:45PM (CEST) http://www.kunstradio.at TRANSMEDIALE EXHIBITION & WORKSHOP WOPPOW FEB 1 - FEB 6, 2011 http://www.transmediale.de SOLO SHOW DAM GALERIE BERLIN BEING POLITICAL IS SUCH A HUGE TREND? OPENING JAN 28. 2011, EXHIBITION 29.1. - 16.3.2011 http://dam-berlin.de http://dam-berlin.de/mlExhibitions-pa-showpage-pid-3.html PRESS -- OE1 - RADIO Wie b?se ist Google? http://oe1.orf.at/artikel/257562 http://194.232.200.191/oe1/programm/0000BED1.MP3 INFORMATION.DK GUANTANAMOS GREATEST HITS http://www.information.dk/243205 ARTE TV YOUROPE ""Problemfall Freiheit" http://www.arte.tv/de/europa/Yourope/3013928.html DIE ZEIT Asylabwehramt AAbA / Asylum Defence Agency http://asylabwehramt.at/OEFFENTLICHKEIT/media/ZEIT.pdf FURTHERFIELD Spill >> Forward Review http://www.furtherfield.org/displayreview.php?review_id=409 34 MAGAZINE INTERVIEW UBERMORGEN.COM - HANS AND JAMES POWDERLY IN CLUJ http://www.ubermorgen.com/2010/pdfs/magazin_james_powderly_hans.pdf LA LIBERATION Torture ? pleins tubes http://www.liberation.fr/medias/0101654485-torture-a-pleins-tubes TRANSINDEX, ROMANIA BEERBOARDING & TORTURE MUSIC http://multikult.transindex.ro/?cikk=12512 ADRIA AIRWAYS IN-FLUGHT MAGAZINE EKMRZ Trilogy Exhibition Ljubljana http://www.ubermorgen.com/2010/pdfs/Adria_In_Flight_Mag.pdf MLADINA MAGAZINE EKMRZ Trilogy Exhibition Ljubljana http://www.mladina.si/tednik/201037/superjutri KUNSTFORUM INTERVIEW http://www.ubermorgen.com/2010/pdfs/UbermorgenKunstforum.pdf VICE MAGAZINE INTERVIEW http://www.viceland.com/germany/v6n2/htdocs/ubermorgen_com-327.php ART WORLD MAGAZINE SHANGHAI (CN) INTERVIEW, MEDIA HACKING http://www.yishushijie.com LEXUS MAGAZINE DEEPHORIZON FEATURE https://secure.drivers.lexus.com/lexusdrivers/magazine/home.do SPECIAL -- MIXTAPES by WENDY http://ubermorgen.com/2010/MXTPS_WENDY.html Image: http://ubermorgen.com/UM.Wire/images/TORTURE_CLASSICS_banana-position.jpg TORTURE CLASSICS UBERMORGEN.COM feat. James Powderly SOUTH KOREA PERFORMANCE, 2010 http://www.tortureclassics.com & BEERBOARDING PERFORMANCE, ARS ELECTRONICA LINZ (AT) http://datenform.de/teleinternet http://on.fb.me/c14D3C NA SERVUS! UBERMORGEN.COM officeR at ubermorgen.com Studio +4312361985 http://www.ubermorgen.com CURRENT PROJECTS http://dotoildot.com http://tortureclassics.com http://ubermorgen.com/DEEPHORIZON http://www.asylabwehramt.at http://woppow.net http://ugi-heal.me From sondheim at panix.com Sat Nov 6 07:32:38 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sat, 6 Nov 2010 02:32:38 -0400 (EDT) Subject: [NetBehaviour] yet another strange instrument Message-ID: yet another strange instrument this time a bass zither, probably american, maybe made by washburn/lyon and healy, has that sort of purfling. the fingerboard is troublesome, two of the five strings are shot. the bass strings really _are_ bass strings; the chord strings are also deep. the instrument is huge for a concert zither with a thick top and bottom. i'm still trying to get it to hold tune. http://www.alansondheim.org/bz1.mp3 and http://www.alansondheim.org/bz2.mp3 which sounds slightly like pipa. after i reset the action and it sounds duller, but that might be the result of the contact mic/amp combination; the mic is sandwiched between two pieces of cork beneath the instrument. there's no label. it's worth listening to these for the tone color, strangeness, something like five octaves to play around with, and strange fingering technique. lao tzu would say sounds leap out of sounds. that's how these pieces were intended (that's how they were meant to be). From dave.miller.uk at gmail.com Sat Nov 6 09:19:27 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sat, 6 Nov 2010 08:19:27 +0000 Subject: [NetBehaviour] diamond self portrait + hunting tip In-Reply-To: References: Message-ID: hi james these are beautiful - especially the hunting tip. They'd look good really big These look like really high resolution images - did you write code to generate them? dave On 5 November 2010 20:50, James Morris wrote: > hi > > diamond self portrait ----> > http://jwm-art.net/image/diamonds_are_forever1.png ?[ 7.7mb ] > hunting tip --------------> http://jwm-art.net/image/tip.png > ? ? ? ? [ 3.7mb ] > > ih > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From jwm.art.net at gmail.com Sat Nov 6 11:51:40 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sat, 6 Nov 2010 10:51:40 +0000 Subject: [NetBehaviour] diamond self portrait + hunting tip In-Reply-To: References: Message-ID: On 6 November 2010 08:19, dave miller wrote: > hi james > > these are beautiful - especially the hunting tip. They'd look good really big > > These look like really high resolution images - did you write code to > generate them? Thanks. No I didn't write the software. I forgot to save the settings of tip.png, but do have the settings of the diamond one. They're rendered using a program called mandelbulber (version 0.95). Both use the Mandelbox formula which has a mind-boggling set of parameters to endlessly explore. James. > dave > > On 5 November 2010 20:50, James Morris wrote: >> hi >> >> diamond self portrait ----> >> http://jwm-art.net/image/diamonds_are_forever1.png ?[ 7.7mb ] >> hunting tip --------------> http://jwm-art.net/image/tip.png >> ? ? ? ? [ 3.7mb ] >> >> ih >> >> -- >> _ >> : http://jwm-art.net/ >> -audio/image/text/code/ >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ -------------- next part -------------- A non-text attachment was scrubbed... Name: diamonds_are_forever1.fract Type: application/octet-stream Size: 7986 bytes Desc: not available URL: From info at furtherfield.org Sat Nov 6 13:46:46 2010 From: info at furtherfield.org (info) Date: Sat, 06 Nov 2010 12:46:46 +0000 Subject: [NetBehaviour] Call for entries: VIDA 13.0 Art and artificial life international awards Message-ID: <4CD54E36.9070009@furtherfield.org> Call for entries: VIDA 13.0 Art and artificial life international awards DEADLINE EXTENDED: 10th of November 2010 Fundaci?n Telefonica announces the VIDA 13.0 Art & Artificial Life International Competition, which for the last twelve years has awarded prizes for artistic projects using technological mediums offering innovative approaches to research into life and artificial life. At a time when the notion of life is once again located in an uncertain domain, a wide range of artistic initiatives come together to illustrate and investigate this phenomenon; they examine the impact on the collective conscience and the way it is manifested in cultural, technological and social thought. Over the last decade, in the same formal space, VIDA has been bringing together interdisciplinary projects that respond to this situation. By means of formal strategies that defy the boundaries between existing practices, these projects offer new ways of reflecting on what we understand by life and artificial life. There are two categories to the competition: FINISHED PROJECTS In this category VIDA 13.0 will award prizes to artistic ALife projects developed after 2008. The sum of 40,000 Euros will be shared between the projects selected by the jury: - First Prize: 18,000 Euros, - Second Prize: 14,000 Euros - Third Prize: 8,000 Euros. In addition seven honourable mentions will be awarded. PRODUCTION INCENTIVES In this category VIDA 13.0 helps to fund artistic ALife projects that have not yet been produced. This is aimed at citizens or residents of countries comprising Latin America, Spain and Portugal. The sum of 40,000 Euros will be shared between the selected projects. ----------- m?nica bello bugallo artistic director of VIDA art and artificial life international competition www.fundaciontelefonica.com/vida -------------- next part -------------- An HTML attachment was scrubbed... URL: From dave.miller.uk at gmail.com Sat Nov 6 19:14:59 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sat, 6 Nov 2010 18:14:59 +0000 Subject: [NetBehaviour] Taiwanese animation Message-ID: Explains the financial crisis far better than anything I've seen in the UK: http://www.nma.tv/2010/11/05/wall-street-gorges-on-record-bonuses/ From owen.bowden at gmail.com Sat Nov 6 20:56:26 2010 From: owen.bowden at gmail.com (Owen Bowden) Date: Sat, 6 Nov 2010 19:56:26 +0000 Subject: [NetBehaviour] Taiwanese animation In-Reply-To: References: Message-ID: This was interesting : CORRUPT LONDON: 'My Word is my Bond' - But can we really trust the City of London? The City liked to pride itself that it lived up to the Stock Exchange motto, ?My word is my bond?, but this claim has no credibility with the public following the banking crisis. There is nostalgic talk of the need to return to old values but did the City?s culture, ethics and business practices ever meet the ideal? Is it possible to establish a credible ethical code in the modern financial world and do today?s bankers deserve their reputation for sleaze and greed? Philip Augar led NatWest?s global securities business, and was a Group Managing Director at Schroders before turning to writing in 2000. His fifth book, Reckless: The Rise and Fall of the City, has just been released in paperback and he has completed a trilogy highly critical of the modern financial services industry. 'My Word is my Bond' - But can we really trust the City of London? [32 minutes] http://www.bishopsgate.org.uk/podcast/bishopsgate_podcast_my_word_is_my_bond.MP3 http://www.bishopsgate.org.uk/events_details.asp?EventsID=510 On Sat, Nov 6, 2010 at 6:14 PM, dave miller wrote: > Explains the financial crisis far better than anything I've seen in the UK: > > http://www.nma.tv/2010/11/05/wall-street-gorges-on-record-bonuses/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From paulorcbarros at uol.com.br Sun Nov 7 00:55:37 2010 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Sat, 6 Nov 2010 21:55:37 -0200 Subject: [NetBehaviour] David Ope Message-ID: <007801cb7e0e$1f407130$36a3fea9@user7c0fd6f73e> http://dvdp.tumblr.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Sun Nov 7 06:58:38 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 7 Nov 2010 01:58:38 -0400 (EDT) Subject: [NetBehaviour] more with bass zither Message-ID: more with bass zither http://espdisk.com/alansondheim/volcano1.mp3 http://espdisk.com/alansondheim/volcano2.mp3 things rise to the surface, or rather their glimmers, appearances, barely visible, as if clear delineation were muffled from world's origin. 1. clear definition is smeared across potentials and fields; 2. clear definition never existed in the first place - it's a chimera whose appearance is the result of a false extrapolation back from the surface. like the pipa, this zither is difficult to play; what struggles to emerge is often occluded by error, clumsiness, stings detuning, ignorance. but like the pipa, clearly this instrument is filled with ghost matrices, baryons of all sorts, uncanny jitters' memories. From dave.miller.uk at gmail.com Sun Nov 7 09:12:22 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sun, 7 Nov 2010 08:12:22 +0000 Subject: [NetBehaviour] Taiwanese animation In-Reply-To: References: Message-ID: thanks Owen, sounds very interesting, will listen to this dave On 6 November 2010 19:56, Owen Bowden wrote: > This was interesting : > > CORRUPT LONDON: 'My Word is my Bond' - But can we really trust the > City of London? > > The City liked to pride itself that it lived up to the Stock Exchange > motto, ?My word is my bond?, but this claim has no credibility with > the public following the banking crisis. There is nostalgic talk of > the need to return to old values but did the City?s culture, ethics > and business practices ever meet the ideal? Is it possible to > establish a credible ethical code in the modern financial world and do > today?s bankers deserve their reputation for sleaze and greed? > > Philip Augar led NatWest?s global securities business, and was a Group > Managing Director at Schroders before turning to writing in 2000. His > fifth book, Reckless: The Rise and Fall of the City, has just been > released in paperback and he has completed a trilogy highly critical > of the modern financial services industry. > > 'My Word is my Bond' - But can we really trust the City of London? [32 minutes] > > http://www.bishopsgate.org.uk/podcast/bishopsgate_podcast_my_word_is_my_bond.MP3 > > http://www.bishopsgate.org.uk/events_details.asp?EventsID=510 > > On Sat, Nov 6, 2010 at 6:14 PM, dave miller wrote: >> Explains the financial crisis far better than anything I've seen in the UK: >> >> http://www.nma.tv/2010/11/05/wall-street-gorges-on-record-bonuses/ >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From tom.flint2 at gmail.com Sun Nov 7 13:59:32 2010 From: tom.flint2 at gmail.com (tom flint) Date: Sun, 7 Nov 2010 14:59:32 +0200 Subject: [NetBehaviour] new 3D virtual art space Message-ID: *Dear Artist,* * * *We are happy to announce the arrival of 3dvas : contemporary art world and networking environment.* 3dVAS provides artists with a free 3D space in which to display their works and exhibitions. 3dVAS also acts as professional and independent representation point for artists worldwide. By using our *3D galleries* and other online marketing tools, you can now have better control your artistic career in order to achieve your goals within the art scene. *3dVAS Galleries* Inside 3dVAS three-dimensional environment, artists can present their own solo exhibitions displayed within their private 3D galleries. Being able to host visitors inside these virtual galleries at any given time is a useful tool for any artist wishing to promote his or her work online. *You* Our user-profile system provides an in-depth look at each and every artist including useful features such as the ability to download the artist?s C.V., an artwork feedback system that allows you to discuss your work with others, and many other social and business networking features. *Community* Inside 3dVAS every visitor comes to life via a 3D avatar that is capable of communicating with all of our special World Interactive features including: chat, ratings, private messages, upcoming community forums and more. *Promotion * You can attract visitors from any sector of the art world by creating an official virtual opening event for your exhibitions, you can upload a guided-tour exhibition video to YouTubein order to promote your work, and you can make new contacts with online users and visitors. * * *Technical * The Unity Web Player enables the user to view high-quality 3D content directly on supported browses. This light and secure component works much like a standard Flash player. For more info visit: http://unity3d.com/ *Open your own gallery at www.3dvas.com YouTube presentation http://www.youtube.com/watch?v=VX0OInHzFPg* -------------- next part -------------- An HTML attachment was scrubbed... URL: From cont3xt at cont3xt.net Sun Nov 7 17:15:34 2010 From: cont3xt at cont3xt.net (CONT3XT.NET) Date: Sun, 7 Nov 2010 17:15:34 +0100 Subject: [NetBehaviour] Lecture series: About Public Actions and Aesthetic Journeys | by CONT3XT.NET Message-ID: *ABOUT PUBLIC ACTIONS AND AESTHETIC JOURNEYS - PHOTOGRAPHY AND THE INTERNET A lecture series with contributions by Karin Bruns, Marc Ries, and Ruth Horak http://cont3xt.net/blog/?p=4099* Digital images can be transferred from one computer to the other in real-time, they are available anytime and anywhere* - *they are interconnective. Photos the existence of which is not yet founded on zeroes and ones will be digitalized with the utmost probability. One click is enough to (re)produce digital photos, to change their form of organisation, to make them available to a large audience and last but not least to make them readable for machines... The lecture series "About Public Actions and Aesthetic Journeys - Photography and the Internet" deals with the ongoing discourse about the impact of the Internet on digital forms of photography. *Location: * Museum auf Abruf, Felderstra?e 6-8, 1080 Vienna/Austria http://www.musa.at --- --- --- *Thursday, November 11, 2010, 7 pm *I Shot Myself" - Photography as Intimate Medium of Protocol Leture by Karin Bruns * Karin Bruns is a media and literature scholar. Since 2003 she works as professor of Media Theories at the University for Art and Industrial Design Linz, since 2004 she is head of the Media Department. Her research is mainly based on media theory, intermediality, gender and media, as well as the culture of rumors in the World Wide Web. --- --- --- *Thursday, November 18, 2010, 7 pm Becoming Aliquid - Portraiture and the Internet Lecture by Marc Ries * Marc Ries is a media philosopher, curator and professor of Sociology and Theory of Media at the Academy of Art and Design in Offenbach am Main. His research is mainly based on media and cultural theory with a special focus on photography, cinema, TV, digital media and architecture, as well as on the phenomenological and semiotic analysis of images. --- --- --- *Thursday, December 2, 2010, 7 pm Remarks on the Influence of the WWW on Photography Lecture by Ruth Horak * Ruth Horak is an art historian and curator. She lives near Vienna and works as author and lecturer in the fields of Contemporary Art and photography. She regularly contributes to magazines, catalogues and books. In 2003 her book "Rethinking Photography- Narration und neue Reduktion in der Fotografie" was published by Edition Fotohof Salzburg. --- --- --- This is a newsletter by CONT3XT.NET (ZVR: 999765999, Vienna/Austria). If you do not want to receive information anymore please reply with "NO newsletter". -------------- next part -------------- An HTML attachment was scrubbed... URL: From szpako at yahoo.com Sun Nov 7 17:12:30 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Sun, 7 Nov 2010 08:12:30 -0800 (PST) Subject: [NetBehaviour] DVblog programme this week in Nottingham Message-ID: <681379.53345.qm@web114506.mail.gq1.yahoo.com> Still from Borders by Liz Sterry ? Since the summer of 2005 DVblog ? http://www.dvblog.org ? has been an online resource for art & entertainment movies in QuickTime format. We interpret our mission widely - whilst we don?t turn up our noses at the trivial, popular & amusing we also try to post the best (and the most intriguing or challenging) in new video work, so daily posts are exclusively prepared by folk who are themselves involved in making video work. ? We?ve insisted on always having a QuickTime copy of each piece for our server and so we have built up a large historical archive of the explosive development of online art video over the last few years. ? This Thursday to Sunday 11th-14th Nov, 12-5 pm, will see the first offline manifestation of DVblog, where a 45 minute program of work first posted on the site will be continuously screened at The Wasp Room, part of Tether Studios in Nottingham ? www.tether.org.uk ? Artists featured: Kerry Baldry, Steven Ball, Robert Croma, Rupert Howe, JimPunk, Donna Kuhn, Morrisa Maltz, Millie Niss,? Giles Perkins, Sam Renseiw, Alan Sondheim, Nathaniel Stern, Liz Sterry, Eddie Whelan ? Tether Studios, 17a Huntingdon Street Nottingham NG1 3JH ? tel: 07729124336??????????????????????? ? mail at tether.org.uk ? If you are interested in screening this program please contact michael at dvblog.org ? -------------- next part -------------- An HTML attachment was scrubbed... URL: From ruth.catlow at furtherfield.org Sun Nov 7 18:20:31 2010 From: ruth.catlow at furtherfield.org (Ruth Catlow) Date: Sun, 07 Nov 2010 17:20:31 +0000 Subject: [NetBehaviour] Digital Art Commissions- Current: An Experiment in Collecting Digital Art Message-ID: <1289150431.1898.133.camel@marc-laptop> The Harris Museum in Preston- is a real gem of a museum and now they are working with Folly to produce a collection for Digital Art- great stuff: ) --------------- Current: An Experiment in Collecting Digital Art An exhibition, acquisition and debate, presented in partnership by the Harris Museum & Art Gallery and folly. http://current-experiment.org.uk/ Artist Call: Now open for submissions Deadline: 17th December ?1000 exhibition fee to short-listed artists; ?10,000 acquisition fee for final selection. The Project: Artists working in digital media are invited to propose work for a public display at, and acquisition by the Harris Museum & Art Gallery,Preston, as part of 'Current: an Experiment in Collecting Digital Art'. This project not only celebrates innovative and creative use of new media technology, but forms a pioneering practical case study for the collection and integration of digital artworks into existing permanent collections; furthering the Harris' mission to establish a nationally significant collection of new media art. An expert advisory panel will select 3 ? 5 artists to exhibit at the Harris from 25th March? 4th June 2011, from which one artwork will be selected by a secondary expert panel for acquisition into the Harris' permanent collection. A public debate will be held in Spring 2011 to analyse the experiment and share findings and best practice on collecting digital art. About Us: The Harris is a magnificent Neo-classical Grade I listed building which opened to the public in 1893 inPreston city centre, and houses the largest galleries inLancashire - including stunning contemporary gallery spaces. The museum holds strong collections of fine and decorative art and local history, including work by Lucien Freud, JMW Turner and video artist Robert Cahen. folly is a leading digital arts agency, based inLancaster and working acrossEngland?sNorth West. folly aims to lead, promote, maintain, improve and advance the field of cultural activities that embrace the creative interaction between arts and technology, by presenting an artistic programme that provides collaboration between artists and the wider public. Requirements: Applicants must: ? Demonstrate innovative use of new media technology (e.g. digital art, interactive art, net art, electronic art, multi and time-based media) in the making, display or distribution of their work. ? Be able to articulate how their work might be presented in a gallery environment ? Submit recent work, i.e. produced up to 2 years previous to the submissions deadline. ? Currently reside in the UK ? Have previous experience in distributing work publicly (online, in museums, galleries, etc) ? Hold the copyright for the submitted work ? If selected, be available for scheduled project dates: Gallery visits from: 17th January Installation dates: between 10th-24th March Exhibition opening and selected acquisition announcement: 25th March Fees: ? Short-listed artists will each receive an exhibition fee of ?1000 ? Final artwork will be acquired for an acquisition fee of ?10,000 For further information and free registration for submission, visit http://current-experiment.org.uk/ Follow the project on twitter @current2011 From dave.miller.uk at gmail.com Sun Nov 7 18:50:35 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sun, 7 Nov 2010 17:50:35 +0000 Subject: [NetBehaviour] Digital Art Commissions- Current: An Experiment in Collecting Digital Art In-Reply-To: <1289150431.1898.133.camel@marc-laptop> References: <1289150431.1898.133.camel@marc-laptop> Message-ID: will apply for this - sounds great - plus - I was born there! dave On 7 November 2010 17:20, Ruth Catlow wrote: > The Harris Museum in Preston- is a real gem of a museum and now they are > working with Folly to produce a collection for Digital Art- great > stuff: ) > > --------------- > > Current: An Experiment in Collecting Digital Art > > An exhibition, acquisition and debate, presented in partnership by the > Harris Museum & Art Gallery and folly. http://current-experiment.org.uk/ > > Artist Call: ?Now open for submissions > Deadline: 17th December > ?1000 exhibition fee to short-listed artists; ?10,000 acquisition fee > for final selection. > > The Project: > Artists working in digital media are invited to propose work for a > public display at, and acquisition by the Harris Museum & Art > Gallery,Preston, as part of 'Current: an Experiment in Collecting > Digital Art'. > > This project not only celebrates innovative and creative use of new > media technology, but forms a pioneering practical case study for the > collection and integration of digital artworks into existing permanent > collections; furthering the Harris' mission to establish a nationally > significant collection of new media art. > > An expert advisory panel will select 3 ? 5 artists to exhibit at the > Harris from 25th March? 4th June 2011, from which one artwork will be > selected by a secondary expert panel for acquisition into the Harris' > permanent collection. > > A public debate will be held in Spring 2011 to analyse the experiment > and share findings and best practice on collecting digital art. > > About Us: > The Harris is a magnificent Neo-classical Grade I listed building which > opened to the public in 1893 inPreston city centre, and houses the > largest galleries inLancashire - including stunning contemporary gallery > spaces. The museum holds strong collections of fine and decorative art > and local history, including work by Lucien Freud, JMW Turner and video > artist Robert Cahen. > > folly is a leading digital arts agency, based inLancaster and working > acrossEngland?sNorth West. folly aims to lead, promote, maintain, > improve and advance the field of cultural activities that embrace the > creative interaction between arts and technology, by presenting an > artistic programme that provides collaboration between artists and the > wider public. > > Requirements: > Applicants must: > > ? ? ? ? ? ? Demonstrate innovative use of new media technology (e.g. > digital art, interactive art, net art, electronic art, multi and > time-based media) in the making, display or distribution of their work. > ? ? ? ? ? ? Be able to articulate how their work might be presented in a > gallery environment > ? ? ? ? ? ? Submit recent work, i.e. produced up to 2 years previous to > the submissions deadline. > ? ? ? ? ? ? Currently reside in the UK > ? ? ? ? ? ? Have previous experience in distributing work publicly > (online, in museums, galleries, etc) > ? ? ? ? ? ? Hold the copyright for the submitted work > ? ? ? ? ? ? If selected, be available for scheduled project dates: > > > ? ? ? ? ? ?Gallery visits from: 17th January > ? ? ? ? ? ?Installation dates: between 10th-24th March > ? ? ? ? ? ?Exhibition opening and selected acquisition announcement: > 25th March > > Fees: > > ? ? ? ? ? ? Short-listed artists will each receive an exhibition fee of > ?1000 > ? ? ? ? ? ? Final artwork will be acquired for an acquisition fee of > ?10,000 > > For further information and free registration for submission, visit > http://current-experiment.org.uk/ > > Follow the project on twitter @current2011 > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From aart at eunet.rs Sun Nov 7 19:16:34 2010 From: aart at eunet.rs (Andrej Tisma) Date: Sun, 7 Nov 2010 19:16:34 +0100 Subject: [NetBehaviour] Aquisitions for the new media art collection of MOCAV at view Message-ID: <4BAB779DAA1347EA839FD0BF69532C0D@amd> My pleasure is to inform you that these days (Nov. 2nd) the Museum of Contemporary Arts of Vojvodina, Novi Sad, Serbia, opened the show of their acquisitions of new media art works which will be part of their permanent collection. Included are 12 artists and groups, among them Vuk Cosic, Heath Bunting, Bogdanka Poznanovic, Association Apsolutno, Predrag Sidjanin, Andrej Tisma... http://www.msuv.org/exhibitions/2010/medijska_praksa/medijska_praksa.html Cutaror of the show is Kristian Lukic. The show will last till Dec. 2nd. __________________________________ Andrej Tisma - artist, art critic and curator WEBSITE: http://www.atisma.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From weishaus at pdx.edu Sun Nov 7 20:11:48 2010 From: weishaus at pdx.edu (Joel Weishaus) Date: Sun, 7 Nov 2010 11:11:48 -0800 Subject: [NetBehaviour] Digital Art Commissions- Current: An Experiment in Collecting Digital Art References: <1289150431.1898.133.camel@marc-laptop> Message-ID: <009d01cb7eaf$a1334720$0300a8c0@joeladb72f44a8> It does seem to me that in the age of the internet to just acquire work from one's own country misses the spirit of what digital work is about. Of course most museums are always many years behind the curve. -Joel ----- Original Message ----- From: "Ruth Catlow" To: "NetBehaviour for networked distributed creativity" Sent: Sunday, November 07, 2010 9:20 AM Subject: [NetBehaviour] Digital Art Commissions- Current: An Experiment in Collecting Digital Art > The Harris Museum in Preston- is a real gem of a museum and now they are > working with Folly to produce a collection for Digital Art- great > stuff: ) > > --------------- > > Current: An Experiment in Collecting Digital Art > > An exhibition, acquisition and debate, presented in partnership by the > Harris Museum & Art Gallery and folly. http://current-experiment.org.uk/ > > Artist Call: Now open for submissions > Deadline: 17th December > ??1000 exhibition fee to short-listed artists; ??10,000 acquisition fee > for final selection. > > The Project: > Artists working in digital media are invited to propose work for a > public display at, and acquisition by the Harris Museum & Art > Gallery,Preston, as part of 'Current: an Experiment in Collecting > Digital Art'. > > This project not only celebrates innovative and creative use of new > media technology, but forms a pioneering practical case study for the > collection and integration of digital artworks into existing permanent > collections; furthering the Harris' mission to establish a nationally > significant collection of new media art. > > An expert advisory panel will select 3 ??? 5 artists to exhibit at the > Harris from 25th March??? 4th June 2011, from which one artwork will be > selected by a secondary expert panel for acquisition into the Harris' > permanent collection. > > A public debate will be held in Spring 2011 to analyse the experiment > and share findings and best practice on collecting digital art. > > About Us: > The Harris is a magnificent Neo-classical Grade I listed building which > opened to the public in 1893 inPreston city centre, and houses the > largest galleries inLancashire - including stunning contemporary gallery > spaces. The museum holds strong collections of fine and decorative art > and local history, including work by Lucien Freud, JMW Turner and video > artist Robert Cahen. > > folly is a leading digital arts agency, based inLancaster and working > acrossEngland???sNorth West. folly aims to lead, promote, maintain, > improve and advance the field of cultural activities that embrace the > creative interaction between arts and technology, by presenting an > artistic programme that provides collaboration between artists and the > wider public. > > Requirements: > Applicants must: > > ??? Demonstrate innovative use of new media technology (e.g. > digital art, interactive art, net art, electronic art, multi and > time-based media) in the making, display or distribution of their work. > ??? Be able to articulate how their work might be presented in a > gallery environment > ??? Submit recent work, i.e. produced up to 2 years previous to > the submissions deadline. > ??? Currently reside in the UK > ??? Have previous experience in distributing work publicly > (online, in museums, galleries, etc) > ??? Hold the copyright for the submitted work > ??? If selected, be available for scheduled project dates: > > > Gallery visits from: 17th January > Installation dates: between 10th-24th March > Exhibition opening and selected acquisition announcement: > 25th March > > Fees: > > ??? Short-listed artists will each receive an exhibition fee of > ??1000 > ??? Final artwork will be acquired for an acquisition fee of > ??10,000 > > For further information and free registration for submission, visit > http://current-experiment.org.uk/ > > Follow the project on twitter @current2011 > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From s.biggs at eca.ac.uk Sun Nov 7 21:37:49 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Sun, 07 Nov 2010 20:37:49 +0000 Subject: [NetBehaviour] Digital Art Commissions- Current: An Experiment in Collecting Digital Art In-Reply-To: Message-ID: I've shown in the Harris a couple of times. Nice Victorian museum, great staircase. The fa?ade is also nice (I did an interactive projection on it once). There will be a hundred or more applications for this one. It will be very competitive. Good luck to all. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: dave miller > Reply-To: NetBehaviour for networked distributed creativity > > Date: Sun, 7 Nov 2010 17:50:35 +0000 > To: , NetBehaviour for networked distributed > creativity > Subject: Re: [NetBehaviour] Digital Art Commissions- Current: An Experiment in > Collecting Digital Art > > will apply for this - sounds great - plus - I was born there! > > dave > > On 7 November 2010 17:20, Ruth Catlow wrote: >> The Harris Museum in Preston- is a real gem of a museum and now they are >> working with Folly to produce a collection for Digital Art- great >> stuff: ) >> >> --------------- >> >> Current: An Experiment in Collecting Digital Art >> >> An exhibition, acquisition and debate, presented in partnership by the >> Harris Museum & Art Gallery and folly. http://current-experiment.org.uk/ >> >> Artist Call: ?Now open for submissions >> Deadline: 17th December >> ?1000 exhibition fee to short-listed artists; ?10,000 acquisition fee >> for final selection. >> >> The Project: >> Artists working in digital media are invited to propose work for a >> public display at, and acquisition by the Harris Museum & Art >> Gallery,Preston, as part of 'Current: an Experiment in Collecting >> Digital Art'. >> >> This project not only celebrates innovative and creative use of new >> media technology, but forms a pioneering practical case study for the >> collection and integration of digital artworks into existing permanent >> collections; furthering the Harris' mission to establish a nationally >> significant collection of new media art. >> >> An expert advisory panel will select 3 ? 5 artists to exhibit at the >> Harris from 25th March? 4th June 2011, from which one artwork will be >> selected by a secondary expert panel for acquisition into the Harris' >> permanent collection. >> >> A public debate will be held in Spring 2011 to analyse the experiment >> and share findings and best practice on collecting digital art. >> >> About Us: >> The Harris is a magnificent Neo-classical Grade I listed building which >> opened to the public in 1893 inPreston city centre, and houses the >> largest galleries inLancashire - including stunning contemporary gallery >> spaces. The museum holds strong collections of fine and decorative art >> and local history, including work by Lucien Freud, JMW Turner and video >> artist Robert Cahen. >> >> folly is a leading digital arts agency, based inLancaster and working >> acrossEngland?sNorth West. folly aims to lead, promote, maintain, >> improve and advance the field of cultural activities that embrace the >> creative interaction between arts and technology, by presenting an >> artistic programme that provides collaboration between artists and the >> wider public. >> >> Requirements: >> Applicants must: >> >> ? ? ? ? ? ? Demonstrate innovative use of new media technology (e.g. >> digital art, interactive art, net art, electronic art, multi and >> time-based media) in the making, display or distribution of their work. >> ? ? ? ? ? ? Be able to articulate how their work might be presented in a >> gallery environment >> ? ? ? ? ? ? Submit recent work, i.e. produced up to 2 years previous to >> the submissions deadline. >> ? ? ? ? ? ? Currently reside in the UK >> ? ? ? ? ? ? Have previous experience in distributing work publicly >> (online, in museums, galleries, etc) >> ? ? ? ? ? ? Hold the copyright for the submitted work >> ? ? ? ? ? ? If selected, be available for scheduled project dates: >> >> >> ? ? ? ? ? ?Gallery visits from: 17th January >> ? ? ? ? ? ?Installation dates: between 10th-24th March >> ? ? ? ? ? ?Exhibition opening and selected acquisition announcement: >> 25th March >> >> Fees: >> >> ? ? ? ? ? ? Short-listed artists will each receive an exhibition fee of >> ?1000 >> ? ? ? ? ? ? Final artwork will be acquired for an acquisition fee of >> ?10,000 >> >> For further information and free registration for submission, visit >> http://current-experiment.org.uk/ >> >> Follow the project on twitter @current2011 >> >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From sondheim at panix.com Mon Nov 8 08:21:48 2010 From: sondheim at panix.com (Alan Sondheim) Date: Mon, 8 Nov 2010 02:21:48 -0500 (EST) Subject: [NetBehaviour] (nikuko) the ambassador is coming. you can't be naked enough. Message-ID: (nikuko) the ambassador is coming. you can't be naked enough. http://espdisk.com/alansondheim/basszither1.mp3 http://espdisk.com/alansondheim/basszither2.mp3 ~~~ (nikuko) the ambassador is coming. you can't be naked enough. (nikuko) i'm in your best form, the ambassador's waiting for me. he will take me with him. i'll have him naked before the ballet. ambassador will see that, he'll appreciate it, he's a man of taste. (julu, off stage) oh god, the ambassador's dead, the whole province is dreaming about the ambassador. (nikuko) i'm going now, alan, the ambassador's dead, only god can bring the ambassador back alive. (nikuko, dancing) dear god, please bring the ambassador back alive. oh god help me in this and i can look up your legs. bring back my ambassador, resurrect him, he'll save you, he has heard so much. (nikuko) oh god thank you, hello your ambassador, i'll do anything for you (continues dancing for the ambassador). (think naked Alan, naked Nikuko, dancing for ambassador.) (ambassador) alan's perfect, god's a help, all's right with the world. (applause) ambassador, everyone loves us, everyone wants us together. red slippers, i'll dance with god himself, you'll be my god, ambassador. (ambassador) i'll save you, nikuko, and i'll save you too, alan. (alan and nikuko) we thank you ambassador, and above all the whole world, almost as happy as the ambassador. "above my slippers, above the flooring and the eyes of the ambassador the ambassador would clothe me, take me from the boards of the stage and subject: Urgent message from The Ambassador" the ambassador says: Come back immediately. Stop fooling around. the aambassador says: I really mean it. We need you. Stop this nonsense. ~~~ dance with god himself, you'll be my god, ambassador, you with me and the whole world, almost as HAPPY as the ambassador. bass communication consonant hum stringy lubricous as mucous, garbage glop boulevardier bassus bilabial blessing blues bourdon singer, toward the bass end of abbreviated bandwidths, oozing language ~~~ From marc.garrett at furtherfield.org Mon Nov 8 09:24:33 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 08 Nov 2010 08:24:33 +0000 Subject: [NetBehaviour] Download Furtherfield's Recent Broadcasts on Resonance FM. Message-ID: <4CD7B3C1.8030604@furtherfield.org> Download Furtherfield's Recent Broadcasts on Resonance FM. Guests: Mary Flanagan, Anna Dimitriu, Tom Keene and Simon Park, Deena DeNaro, Joel Gethin Lewis & Pete Hellicar... broadcasts (mp3's) can be found here http://www.furtherfield.org/resonancefm.php - with more information about the programmes. Until December 15th (2010), Marc Garrett co-hosts with Irini Papadimitriou & Jonathin Munro. This critically acclaimed broadcast is every Wednesday evening at 7-8pm (GMT). A series of live interviews with people working at the edge of contemporary practices in art and technology; discussing events and controversies, exhibitions, artworks and their social contexts. Don't forget to view archive of past guests: Stewart Home, Richard Wright, jon Thomson & Alison Craighead, Corrado Morgana, Jim Prevett, Kasia Molga, Pete Gomes, Dr Nick Lambert, Lottie Child, Dougald Hine & Pete Gravell, Danja Vasiliev, James Wallbank & Steve Withington, Douglas Dodds, Sophie Macdonald & Sally Northmore. Also showcasing music and noise, providing a rolling lineup of experimental creative adventures for your amusement. http://www.furtherfield.org http://resonancefm.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From taylor at greenquarter.co.uk Mon Nov 8 12:33:43 2010 From: taylor at greenquarter.co.uk (Taylor Nuttall) Date: Mon, 08 Nov 2010 11:33:43 +0000 Subject: [NetBehaviour] Current: An Experiment in Collecting Digital Art Message-ID: <4CD7E017.9010604@greenquarter.co.uk> Apologies for cross posting. Current: An Experiment in Collecting Digital Art An exhibition, acquisition and debate, presented in partnership by the Harris Museum & Art Gallery and folly.http://current-experiment.org.uk/ Artist Call: Now open for submissions Deadline:17th December ?1000 exhibition fee to short-listed artists; ?10,000 acquisition fee for final selection. The Project: Artists working in digital media are invited to propose work for a public display at, and acquisition by the Harris Museum & Art Gallery,Preston, as part of 'Current: an Experiment in Collecting Digital Art'. This project not only celebrates innovative and creative use of new media technology, but forms a pioneering practical case study for the collection and integration of digital artworks into existing permanent collections; furthering the Harris' mission to establish a nationally significant collection of new media art. An expert advisory panel will select 3 -- 5 artists to exhibit at the Harris from25th March--4th June 2011, from which one artwork will be selected by a secondary expert panel for acquisition into the Harris' permanent collection. A public debate will be held in Spring 2011 to analyse the experiment and share findings and best practice on collecting digital art. About Us: The Harris is a magnificent Neo-classical Grade I listed building which opened to the public in 1893 inPrestoncity centre, and houses the largest galleries inLancashire- including stunning contemporary gallery spaces. The museum holds strong collections of fine and decorative art and local history, including work by Lucien Freud, JMW Turner and video artist Robert Cahen. folly is a leading digital arts agency, based inLancasterand working acrossEngland'sNorth West. folly aims to lead, promote, maintain, improve and advance the field of cultural activities that embrace the creative interaction between arts and technology, by presenting an artistic programme that provides collaboration between artists and the wider public. Requirements: Applicants must: . Demonstrate innovative use of new media technology (e.g. digital art, interactive art, net art, electronic art, multi and time-based media) in the making, display or distribution of their work. . Be able to articulate how their work might be presented in a gallery environment . Submit recent work, i.e. produced up to 2 years previous to the submissions deadline. . Currently reside in theUK . Have previous experience in distributing work publicly (online, in museums, galleries, etc) . Hold the copyright for the submitted work . If selected, be available for scheduled project dates: Gallery visits from:17th January Installation dates: between 10th-24th March Exhibition opening and selected acquisition announcement:25th March Fees: . Short-listed artists will each receive an exhibition fee of ?1000 . Final artwork will be acquired for an acquisition fee of ?10,000 For further information and free registration for submission, visithttp://current-experiment.org.uk/ Follow the project on twitter @current2011 **Lindsay Taylor** Exhibitions Officer HarrisMuseumandArtGallery Market Square Preston PR1 2PP T: 01772 9054 04 F: 01772 8867 64 E:l.taylor at preston.gov.uk W:www.harrismuseum.org.uk -------------- next part -------------- An HTML attachment was scrubbed... URL: From jwm.art.net at gmail.com Mon Nov 8 13:33:08 2010 From: jwm.art.net at gmail.com (James Morris) Date: Mon, 8 Nov 2010 12:33:08 +0000 Subject: [NetBehaviour] ornamental mathematical hellucidation Message-ID: http://jwm-art.net/image/ornamental-pp.png rotated negative mandelbox rendered in mandelbulber, post-processed in gimp. -- _ : http://jwm-art.net/ -audio/image/text/code/ -------------- next part -------------- A non-text attachment was scrubbed... Name: ornamental Type: application/octet-stream Size: 8025 bytes Desc: not available URL: From jennifer.stoddart at folly.co.uk Mon Nov 8 14:16:47 2010 From: jennifer.stoddart at folly.co.uk (Jennifer Stoddart) Date: Mon, 8 Nov 2010 13:16:47 +0000 (GMT) Subject: [NetBehaviour] New job opportunity for a young artist at folly, Lancaster In-Reply-To: <28127833.859.1289222044782.JavaMail.root@fermat.axiomtech.co.uk> Message-ID: <10964193.867.1289222207287.JavaMail.root@fermat.axiomtech.co.uk> Folly (www.folly.co.uk) is delighted to be able to offer the following opportunity to a young artist or creative practitioner in the North West of England, under the Cumbria Future Jobs Fund. The opportunity is open to young (aged 18-24), long-term unemployed people who are currently claiming Job Seekers Allowance. We are seeking to employ someone for 6 months to act as a lead artist, working with the folly staff team to develop and deliver an innovative digital arts project with digitally excluded older people in Cumbria. This position provides an excellent opportunity for a young artist interested in working with technology to develop their practice in a socially-engaged context, supported by the region's leading agency delivering participative arts activities that provide creative interaction and collaboration between artists and the wider public using technology. We expect the post holder to bring their own artistic identity to the project, but anticipate that the project will use one or more of the following forms of artistic activity or technology: mobile technologies, pervasive gaming, online communities, social media, interactivity, online broadcasting, or other related disciplines. Applicants will need to be able to work from our Lancaster base for a period of 6 months, and travel across Cumbria regularly. Deadline for applications has been extended to the 17th of November, so get in touch with your local Job Centre Advisor now! It is essential that applicants fitting the above criteria should contact Jobcentre Plus to find out further details of the Future Jobs Fund scheme and to confirm their eligibility to apply. Jobcentre Plus will provide further details on the posts and on how to make an application. Folly cannot accept applications from persons not fitting the eligibility criteria ? check with your advisor at your local Job Centre. From ajaco at xs4all.nl Mon Nov 8 14:24:12 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Mon, 8 Nov 2010 14:24:12 +0100 Subject: [NetBehaviour] ornamental mathematical hellucidation In-Reply-To: References: Message-ID: <5aff3fc8383a6ce641836291c580f5e2.squirrel@webmail.xs4all.nl> Beautiful!! Like a Gaudian sculpture Best Andreas Maria Jacobs > http://jwm-art.net/image/ornamental-pp.png > > rotated negative mandelbox rendered in mandelbulber, post-processed in > gimp. > > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From info at furtherfield.org Mon Nov 8 14:29:18 2010 From: info at furtherfield.org (info) Date: Mon, 08 Nov 2010 13:29:18 +0000 Subject: [NetBehaviour] The Janus Machine by Kyle McDonald. Message-ID: <4CD7FB2E.3080700@furtherfield.org> The Janus Machine by Kyle McDonald. While sitting at the chair in front of the scanner you are bathed in structured light, allowing the shape of your profile to be digitized and archived. This portrait, an attempt to capture your likeness in three dimensions, is compared to a library of other portraits captured in the same manner. From these comparisons emerges an outline of the captured form: a playful perspective on your relationship to others, built from light, inviting you to explore further. Janus is a god from Roman mythology, strongly associated with transitions and duality: young and old, coming and going, or the past and future. Janus is often depicted with two faces, each facing in opposite directions. "The Janus Machine" offers a modern corollary for this ancient metaphor and mythology. http://vimeo.com/16197436 -------------- next part -------------- An HTML attachment was scrubbed... URL: From devel at thesaddj.com Mon Nov 8 14:30:16 2010 From: devel at thesaddj.com (Marco Donnarumma) Date: Mon, 8 Nov 2010 13:30:16 +0000 Subject: [NetBehaviour] The Invisible Suns Project Message-ID: Dear all, I'd like to share some documentation regarding my latest work The invisible suns project. "Invisible Suns is an autonomous system that perform a permanent analysis of historical stock prices of a variable selection of major corporations, compresses in few minutes over 8 years of economic transactions and eventually produces a generative and self-organizing audiovisual datascape every 24 hours. The work does not focus on traditional visualization of data, but rather aims at exploring how this data ? and their implied meaning ? can be perceptually, emotionally experienced." Further information at http://marcodonnarumma.com/works/the-invisible-suns-project/ An audio visual real time recording of an earlier output of the system can be viewed on-line at http://vimeo.com/15050311. It is recommended to view the video in full HD, otherwise relevant details of the work would be lost. Developed in Pure Data, bash scripts, Linux OS, first stage of research. Work is currently being exhibited at Screengrab New Media Art Award, eMerge Gallery, Australia. Best, -- Marco Donnarumma aka TheSAD Independent New Media Arts Professional, Performer, Teacher Ongoing MSc by Research, University of Edinburgh, UK PORTFOLIO: http://marcodonnarumma.com LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net | http://www.flxer.net EVENT: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Mon Nov 8 14:37:29 2010 From: info at furtherfield.org (info) Date: Mon, 08 Nov 2010 13:37:29 +0000 Subject: [NetBehaviour] Autonomy and Control in the Era of Post-Privacy. Message-ID: <4CD7FD19.30701@furtherfield.org> Autonomy and Control in the Era of Post-Privacy. Researcher Felix Stalder analyses the loss of the key role of the concept of privacy. Privacy long secured the balance between the control of institutions and the autonomy of the citizen. Today, with institutions aiming more and more to provide customized services and the autonomy of both citizens and institutions changing, this role is disappearing, making the danger of an increase in control and power a realistic one. To turn the tide, Stalder argues for a greater transparency of the back-end protocols, algorithms and procedures of the new, flexible bureaucracies. http://remix.openflows.com/node/143 -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Mon Nov 8 14:50:33 2010 From: info at furtherfield.org (info) Date: Mon, 08 Nov 2010 13:50:33 +0000 Subject: [NetBehaviour] =?windows-1252?q?FUNWARE_EXHIBITION_12_Nov_2010=96?= =?windows-1252?q?16_Jan_2011_=26_FUNWARE_CONFERENCE_27_Nov_2010_in_Eindho?= =?windows-1252?q?ven?= Message-ID: <4CD80029.8050307@furtherfield.org> FUNWARE EXHIBITION 12 Nov 2010?16 Jan 2011 & FUNWARE CONFERENCE 27 Nov 2010 in Eindhoven FUNWARE EXHIBITION 12 November 2010 ? 16 January 2011 & FUNWARE CONFERENCE 27 November 2010 Eindhoven (NL) --------------------------------------------------- FUNWARE _playing with software MU, Eindhoven (NL) 12 November 2010 ? 16 January 2011 --------------------------------------------------- OPENING: Friday, 12 November at 20:00 hrs with live performances by Alexei Shulgin, Jon Satrom / Ben Syverson and Amy Alexander. DJ Emile Zile. ARTISTS: Adrian Ward, Amy Alexander, Annina Ruest, Bob Zimbinski, Carmen Weisskopf / Domagoj Smoljo / Roger Wigger, Christoph Haag / Franziska Windisch / Ludwig Zeller / Martin Rumori, Colin Green / Matthew Fuller / Simon Pope, Dave Griffiths, Dave Griffiths / Aymeric Mansoux / Marloes de Valk, David Link, Electroboutique, Gazira Babeli, Joan Leandre, JODI, Jon Satrom / Ben Syverson, RTmark, Runme.org Making and using software can be experimental, humorous and aesthetically rich. Alongside today?s rather dull omnipresence of databases and content management systems, elements of fun have actually informed and guided the development of software from its beginnings. Fun is the energy of curiosity and inappropriateness, exploring what is not yet known in art, culture, computer science, design, math and the site of their encounter: software. Here, software art, a joke of a mathematical genius and amateur tinkering of software stand side by side. The exhibition Funware questions, tangles and experiments with the materiality of software, the backbone of contemporary society. Letting us deal with the glitchy nature of human-machine ensembles, it offers a way of understanding something that is normally hidden and serious. Fun is far from detaching software from political or social interrogability, it is rather a force and a method that works on complicating the normal, the serious and the dominant. http://www.mu.nl In 2011 the exhibition will travel to HartwareMedienKunstVerein in Dortmund! ---------------------------------------------------------------------------------- FUNWARE CONFERENCE 27 November 2010, 10:00-15:30 hrs (during STRP Festival) at Baltan Laboratories, Eindhoven ---------------------------------------------------------------------------------- SPEAKERS: Wendy Chun, Matthew Fuller, Andrew Goffey, Wilfried Hou Je Bek, Andrew Lison, Adrian Mackenzie, Michael Murtaugh and Simon Yuill. Introduction & moderation: Olga Goriunova Contrary to the belief that software is a very serious issue, a battlefield of big business interest and freedom fighters, and a field guided by rationality and formalisation, it is actually an area of practice and thinking that often advances through random acts, absurd use, jokes and curiosity. International speakers will argue that art, and in particular software art, can play a crucial role in the production of the world, undermining the seeming solidity of the infrastructural backbone of our society and opening it up for intervention and reinvention. The symposium will also explore the issue of fun and the potential of the humour in software art. What is humour after all? It is in fact an artistic and critical attitude to reality? http://www.baltanlaboratories.org/?p=2332 Curator: Olga Goriunova Executive producers: aaaan.net Co-organisers: BALTAN Laboratories & MU Supported by: VSBfonds, SNS Reaal, London Metropolitan University & STRP Festival -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Mon Nov 8 14:52:41 2010 From: info at furtherfield.org (info) Date: Mon, 08 Nov 2010 13:52:41 +0000 Subject: [NetBehaviour] THE 404 ERROR PAGE RING. Message-ID: <4CD800A9.5030309@furtherfield.org> THE 404 ERROR PAGE RING. Custom 404 pages are one of my favorite things about owning my own web domain. The ability to customize that part of a website is great- it allows the site owner to get very creative in how the visitor is notified of errors! And I thought it would be neat to link together all of the custom 404 pages on personal websites around the 'net- even the ones on 'well-kept' sites that we might not get to see very often ;) So if you have your own 404 page and would like to add your site to this webring, continue on to learn about the requirements. If you have your own website and don't know how to create your own 404 page, you can find that here as well. http://muted.com/404ring/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From paulorcbarros at uol.com.br Mon Nov 8 15:15:04 2010 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Mon, 8 Nov 2010 12:15:04 -0200 Subject: [NetBehaviour] espacegeneric Message-ID: <005701cb7f4f$599d3510$36a3fea9@user7c0fd6f73e> http://genericnotes.tumblr.com/post/1441839453 All the best, Paulo -------------- next part -------------- An HTML attachment was scrubbed... URL: From chillspike at gmail.com Mon Nov 8 15:26:06 2010 From: chillspike at gmail.com (chillspike) Date: Mon, 8 Nov 2010 06:26:06 -0800 Subject: [NetBehaviour] Current: An Experiment in Collecting Digital Art In-Reply-To: <4CD7E017.9010604@greenquarter.co.uk> References: <4CD7E017.9010604@greenquarter.co.uk> Message-ID: It's disappointing that you only accept applicants from the UK. I'm from the U.S. and I have a lot of personal thoughts and, I think, a unique approach to collecting digital art. How to store it. How a piece of digital art can become regarded as collectible and rare. How the transfer of ownership of a piece of digital art should be handled, etc. Good to see people are experimenting, though. :-) On Mon, Nov 8, 2010 at 3:33 AM, Taylor Nuttall wrote: > Apologies for cross posting. > > Current: An Experiment in Collecting Digital Art > > An exhibition, acquisition and debate, presented in partnership by the > Harris Museum & Art Gallery and folly. http://current-experiment.org.uk/ > > > > Artist Call: Now open for submissions > > Deadline: 17th December > > ?1000 exhibition fee to short-listed artists; ?10,000 acquisition fee for > final selection. > > > > The Project: > > > > Artists working in digital media are invited to propose work for a public > display at, and acquisition by the Harris Museum & Art Gallery, Preston, > as part of 'Current: an Experiment in Collecting Digital Art'. > > > > This project not only celebrates innovative and creative use of new media > technology, but forms a pioneering practical case study for the collection > and integration of digital artworks into existing permanent collections; > furthering the Harris' mission to establish a nationally significant > collection of new media art. > > > > An expert advisory panel will select 3 ? 5 artists to exhibit at the Harris > from 25th March ? 4th June 2011, from which one artwork will be selected > by a secondary expert panel for acquisition into the Harris' permanent > collection. > > > > A public debate will be held in Spring 2011 to analyse the experiment and > share findings and best practice on collecting digital art. > > > > About Us: > > > > The Harris is a magnificent Neo-classical Grade I listed building which > opened to the public in 1893 inPreston city centre, and houses the largest > galleries in Lancashire - including stunning contemporary gallery spaces. > The museum holds strong collections of fine and decorative art and local > history, including work by Lucien Freud, JMW Turner and video artist Robert > Cahen. > > > > folly is a leading digital arts agency, based in Lancaster and working > across England?s North West. folly aims to lead, promote, maintain, > improve and advance the field of cultural activities that embrace the > creative interaction between arts and technology, by presenting an artistic > programme that provides collaboration between artists and the wider public. > > > > Requirements: > > > > Applicants must: > > > > ? Demonstrate innovative use of new media technology (e.g. > digital art, interactive art, net art, electronic art, multi and time-based > media) in the making, display or distribution of their work. > > ? Be able to articulate how their work might be presented in a > gallery environment > > ? Submit recent work, i.e. produced up to 2 years previous to the > submissions deadline. > > ? Currently reside in the UK > > ? Have previous experience in distributing work publicly (online, > in museums, galleries, etc) > > ? Hold the copyright for the submitted work > > ? If selected, be available for scheduled project dates: > > > > Gallery visits from: 17th January > > Installation dates: between 10th-24th March > > Exhibition opening and selected acquisition announcement: 25th > March > > > > Fees: > > > > ? Short-listed artists will each receive an exhibition fee of > ?1000 > > ? Final artwork will be acquired for an acquisition fee of > ?10,000 > > > > For further information and free registration for submission, visit > http://current-experiment.org.uk/ > > > > Follow the project on twitter @current2011 > > > > > > *Lindsay Taylor* > > Exhibitions Officer > > > > Harris Museum and Art Gallery > > Market Square > > Preston > > PR1 2PP > > > > T: 01772 9054 04 > > F: 01772 8867 64 > > E: l.taylor at preston.gov.uk > > W: www.harrismuseum.org.uk > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -------------- next part -------------- An HTML attachment was scrubbed... URL: From julian.percy at gmx.de Mon Nov 8 18:25:37 2010 From: julian.percy at gmx.de (julian percy) Date: Mon, 08 Nov 2010 18:25:37 +0100 Subject: [NetBehaviour] (no subject) Message-ID: <20101108172537.44250@gmx.net> -- NK PROJEKT http://www.nkprojekt.de/ Elsenstr. 52/ 2.Hinterhaus Etage 2 12059 Berlin Neuk?lln 0049(0)17620626385 JULIAN PERCY http://www.myspace.com/ratbag_ http://www.myspace.com/lastdominionlost GMX DSL Doppel-Flat ab 19,99 €/mtl.! Jetzt auch mit gratis Notebook-Flat! http://portal.gmx.net/de/go/dsl From julian.percy at gmx.de Mon Nov 8 18:29:04 2010 From: julian.percy at gmx.de (julian percy) Date: Mon, 08 Nov 2010 18:29:04 +0100 Subject: [NetBehaviour] NK BERLIN Events NOVEMBER Message-ID: <20101108172904.44250@gmx.net> Friday 12/11/2010 Doors 21:00 Concerts 22:00 PAN presents: FRIEDER BUTZMANN ILIOS VALERIO TRICOLI DAS SYNTHETISCHE MISCHGEWEBE www.pan-act.com Saturday 13/11/2010 21:00 Door 22:00 Concert WEIRD WEAPONS Olaf Rupp acoustic guitar Tony Buck percussion Joe Williamson double bass http://www.emanemdisc.com/E4119.html www.audiosemantics.de ?I think the three of us in the trio try to achieve a kind of stillness through density and a certain degree of activity. Like the many complex colours and shadings in a pointillist painting that combine to form an impressionistic image, our playing is often very active and busy, while, in totality, creating a slowly shifting, almost three dimensional texture or soundscape. It could be seen as akin to the optical 3-D pictures that have been popular in the last few years, or the pixels in different resolution of digital photography. Another analogy might be the trio seen as a large quiet organism made up of millions of restless cells all working together to create the whole. I think in this way we achieve a kind of minimal/maximal contrast that I find unique to this trio, one which is certainly different to any other group playing I do.? Tony Buck Thursday 18/11/2010 Doors 21:00 Concert 22:00 Tochnit Aleph Presents: The RITA Oscillating Innards Unexamine The RITA (Canda) Lake Shark Harsh Noise http://bakurita.blogspot.com/ Oscillating Innards (USA) Harsh Noise Rituals Tape Collage Hell http://forcedbloom.com/ http://myspace.com/oxix Unexamine (USA) Brutal Distortion Worship Member of Sissy Spacek + Knelt Rote http://antropofagoateo.blogspot.com/ ALL CONCERTS @ NK Elsenstr. 52/ 2.Hinterhaus Etage 2 12059 Berlin Neuk?lln http://www.nkprojekt.de/ -- NK PROJEKT http://www.nkprojekt.de/ Elsenstr. 52/ 2.Hinterhaus Etage 2 12059 Berlin Neuk?lln 0049(0)17620626385 JULIAN PERCY http://www.myspace.com/ratbag_ http://www.myspace.com/lastdominionlost GMX DSL Doppel-Flat ab 19,99 €/mtl.! Jetzt auch mit gratis Notebook-Flat! http://portal.gmx.net/de/go/dsl From info at furtherfield.org Mon Nov 8 18:39:46 2010 From: info at furtherfield.org (info) Date: Mon, 08 Nov 2010 17:39:46 +0000 Subject: [NetBehaviour] New MFA in Art and Ecology at the University of New Mexico. Message-ID: <4CD835E2.4080507@furtherfield.org> New MFA in Art and Ecology at the University of New Mexico. The new MFA program in Art and Ecology at the University of New Mexico is an interdisciplinary, research-based program engaging contemporary art practices. Students develop ecological and cultural literacy with a conceptual foundation and a wide range of production skills, including sculpture, social practice, and digital media. Students in Art and Ecology have the opportunity to work on various collaborative and interdisciplinary projects with departments across UNM and on comprehensive thesis projects integrating community and ecological research. Coursework includes the Land Arts of the American West program, a semester-long travel and place-based arts pedagogy. PARTNERS Sustainability Studies at UNM Landscape Architecture at UNM SEV, Long Term Ecological Research at Sevilleta National Wildlife Refuge Centro Artistico y Cultural, El Paso, TX The Center for Land Use Interpretation, Wendover, UT Art + Environment Center, Nevada Art Museum, Reno, NV The UNM Center for Advanced Research Computing (CARC) Fodder Project: A Collaborative Research Farm The American Society for Acoustic Ecology CURRENT AND PAST PROJECTS Paseo del Bosque Ecological Restoration A design partnership with the Army Corps of Engineers on an ecologically-degraded section of the Rio Grande Bosque creating a design to engage art, access, and restoration of the bosque ecosystem. Open Source/Open Culture A learning community in collaboration with the Depatment of Theatre and Dance, the Department of Engineering, the Department of Art and Art History, and other programs at UNM, offering students and faculty an opportunity to develop virtual infrastructure and open source technologies. ISEA2012 Machine Wilderness: The International Symposium for Electronic Art A wide-ranging series of public events highlighting art, technology and environment in conjunction with the prestigious International ISEA Symposium (www.isea2012.org) and created in partnership with 516 ARTS, The Albuquerque Museum, The City of Albuquerque Public Art Program, Creative Albuquerque and others. USDA FoodShed Field Study A summer UNM field program involving Art and Ecology, Sustainability Studies, the Department of Communications and Journalism, the Department of Geography, and the Department of Civil Engineering. Barrio Buena Vista A long-term project in the Buena Vista neighborhood in El Paso, Texas, working with the Centro Artistico y Cultural and the City of El Paso on wetland restoration, a mural series, and an urban pocket park. Clean Livin' A collaboration with Simparch and the Center for Land Use Interpretation on an experimental sustainability project at an abandoned military Quonset in Wendover, UT. Bosque Environmental Monitoring Project Engagement in the monitoring of local bat species and the creation of habitat-promoting sculpture through a coordinated program of volunteer citizen and student groups who gather long-term data on the forest ecosystem located along the Middle Rio Grande. Albuquerque Metropolitan Area Flood Control Agency A series of proposals and implemented projects addressing flood control structures, including detention ponds and wetland trash settlement areas, through art intervention. For more information: http://ae.unm.edu/ To apply: http://art.unm.edu/academics/graduate_programs.html -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Tue Nov 9 00:54:14 2010 From: sondheim at panix.com (Alan Sondheim) Date: Mon, 8 Nov 2010 18:54:14 -0500 (EST) Subject: [NetBehaviour] Pictures of Instruments and Planets: Message-ID: Pictures of Instruments and Planets: For anyone who might be interested, (very rough but clear) photographs of the instruments I've been recording with recently - http://www.alansondheim.org/insts01.jpg - Guzheng, 16 strings with movable bridges. This is a folk instrument; apparently in 1961, the guzheng was changed - more strings were added, and the end block was set curved, not straight. It's really a beautiful instrument. http://www.alansondheim.org/insts02.jpg - Pipa, weighing 8+ pounds, most likely rosewood body with black oxhorn frets and pegs. Tuning is Adea. http://www.alansondheim.org/insts03.jpg, http://www.alansondheim.org/insts04.jpg - Violin, with a fairly wide (front to back) body. http://www.alansondheim.org/insts05.jpg http://www.alansondheim.org/insts06.jpg - Viola, John Juzek, formerly Czech, now German, sounds really good on the low strings (I think unusual for a viola). I play this and the violin vertically; this is tuned CGcg and the violin, GDgd. http://www.alansondheim.org/insts07.jpg http://www.alansondheim.org/insts08.jpg - Small Hausa raft zither, woven reed with seeds inside the back. http://www.alansondheim.org/insts09.jpg http://www.alansondheim.org/insts10.jpg - Larger Hausa raft zither, with a much deeper tone. Both instruments are plucked with both hands; both are somewhat old and delicate. I'll record with them, then put them aside. The weaving on both is amazing. http://www.alansondheim.org/insts11.jpg - 'Bass' zither, or elegie concert zither. This is an anomaly; it's not that well constructed and the frets are crude, as is the purfling around the upper soundhole and the overall shape. I'm not sure of the date; the purfling seems to be Washburn-style so I'm assuming it's American-made, but the ornate tuner cover (nickel or silver-plated) seems European. It might be English. There are 23 usable open strings and five playing strings; I'm using an odd tuning of my own devising, which also keeps the instrument from further cracking. It has a range of about five octaves. Planets: Plates of Mars and Venus from Elements of Astronomy, Illustrated with Plates, for the use of Schools and Academies, with Questions, by John Wilkins, Boston, 1832. Volumes could be written about visual interpre- tation (including the reading of 'canals' several decades later), about real and virtual phenomena in relation to optical technology, and so forth. Apparently this is the first American book to use 'Uranus' as the standard name for the planet, which had, until then, been known as 'Herschel.' http://www.alansondheim.org/planets1.jpg http://www.alansondheim.org/planets2.jpg From jwm.art.net at gmail.com Tue Nov 9 02:47:25 2010 From: jwm.art.net at gmail.com (James Morris) Date: Tue, 9 Nov 2010 01:47:25 +0000 Subject: [NetBehaviour] Negative Mandelbox Rotations Again Once More Message-ID: Hi \n \n title filesize url \n ------------------------------------------------------------------------------------- \n I Heart Fractals [ 2.5mb ] http://jwm-art.net/image/i_heart_fractals.png \n Tree Of Hearts [ 41mb ] http://jwm-art.net/image/tree_of_hearts.png \n Spike [ 4.4mb ] http://jwm-art.net/image/spike.png \n Mandrakesque [ 7.6mb ] http://jwm-art.net/image/mandrakesque.png \n \n \n \n \n bye \n james \n -- \n _ \n : http://jwm-art.net/ \n -audio/image/text/code/ \n \n \n \n \n From jwm.art.net at gmail.com Tue Nov 9 02:59:25 2010 From: jwm.art.net at gmail.com (James Morris) Date: Tue, 9 Nov 2010 01:59:25 +0000 Subject: [NetBehaviour] ornamental mathematical hellucidation In-Reply-To: <5aff3fc8383a6ce641836291c580f5e2.squirrel@webmail.xs4all.nl> References: <5aff3fc8383a6ce641836291c580f5e2.squirrel@webmail.xs4all.nl> Message-ID: Thanks.. Took me a while to work out the Guadi reference (and the english word gaudy). James. On 8 November 2010 13:24, ajaco c/o bid wrote: > Beautiful!! > > Like a Gaudian sculpture > > Best > > Andreas Maria Jacobs > > >> http://jwm-art.net/image/ornamental-pp.png >> >> rotated negative mandelbox rendered in mandelbulber, post-processed in >> gimp. >> >> >> -- >> _ >> : http://jwm-art.net/ >> -audio/image/text/code/ >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From sondheim at panix.com Tue Nov 9 06:28:50 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 9 Nov 2010 00:28:50 -0500 (EST) Subject: [NetBehaviour] pipa, supplant (please give this a listen, read) Message-ID: pipa, supplant (please give this a listen.) http://espdisk.com/alansondheim/supplant.mp3 (please give this a read.) < finally a pipa solo with some degree of distorted mastery. < all the techniques are new for me, borrowed from hegelung, saz, oud, guitar, cura cumbus. < the speed of the thing disguises the structures, which are - more often than not - only a few seconds long. < i'll do something that seems like a long chorus, find out later that it might be at best a tenth of a minute. < it's true time dilates, but never reverses. < still things are held back, almost to a crawl, i'm usually breathless at the end. < it's over, as if it were, before it began. < listening to this, i have difficulty following it, placing me within the lines which fragment like a particle fan. < each particle tending towards another, splitting, vertices and chains, tunnelings. < and imminent breakdown of energy conservation. < this way i forget where i was and think only of the next few seconds, as if there were an event horizon in permanent recession. < it's thinking in absence, spatial stretches replacing the fictitious linear parsing of time. < or replacing time by its derivatives. < requiring listening, until everything is forgotten. < until everything in the future is forgotten. < and as if the future were a tunneling and forgetting. From info at vitocampanelli.it Tue Nov 9 08:52:35 2010 From: info at vitocampanelli.it (Vito Campanelli) Date: Tue, 09 Nov 2010 08:52:35 +0100 Subject: [NetBehaviour] Interferenze Screenings: The Autumn Program Message-ID: <4CD8FDC3.9000306@vitocampanelli.it> An HTML attachment was scrubbed... URL: From dave.miller.uk at gmail.com Tue Nov 9 09:47:15 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 9 Nov 2010 08:47:15 +0000 Subject: [NetBehaviour] Negative Mandelbox Rotations Again Once More In-Reply-To: References: Message-ID: these are amazing images, and the detail is really sharp. they look real On 9 November 2010 01:47, James Morris wrote: > Hi \n > ?\n > title ? ? ? ? ? ? filesize ?url \n > ------------------------------------------------------------------------------------- > \n > I Heart Fractals ?[ 2.5mb ] http://jwm-art.net/image/i_heart_fractals.png \n > Tree Of Hearts ? ?[ 41mb ?] http://jwm-art.net/image/tree_of_hearts.png \n > Spike ? ? ? ? ? ? [ 4.4mb ] http://jwm-art.net/image/spike.png \n > Mandrakesque ? ? ?[ 7.6mb ] http://jwm-art.net/image/mandrakesque.png \n > ?\n > ?\n > ?\n > ?\n > bye \n > james \n > -- \n > _ \n > : http://jwm-art.net/ \n > -audio/image/text/code/ \n > \n > \n > \n > \n > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From manik at sbb.rs Tue Nov 9 12:04:33 2010 From: manik at sbb.rs (manik) Date: Tue, 9 Nov 2010 12:04:33 +0100 Subject: [NetBehaviour] IMPORTANT STATEMENTS CCXXXXVIII Message-ID: <003301cb7ffd$e3d85490$6401a8c0@user> ...IN MEMORIAM...ZLATAN VAUDA/1923-2010/...COMPOSER...CONDUCER...OUR FATHER.../... http://www.youtube.com/watch?v=ixvUFxRIIwE .../...MANIK...NOVEMBER...2010... -------------- next part -------------- An HTML attachment was scrubbed... URL: From rob at robmyers.org Tue Nov 9 12:28:33 2010 From: rob at robmyers.org (Rob Myers) Date: Tue, 09 Nov 2010 11:28:33 +0000 Subject: [NetBehaviour] IMPORTANT STATEMENTS CCXXXXVIII In-Reply-To: <003301cb7ffd$e3d85490$6401a8c0@user> References: <003301cb7ffd$e3d85490$6401a8c0@user> Message-ID: <4CD93061.3030708@robmyers.org> On 11/09/2010 11:04 AM, manik wrote: > ...IN MEMORIAM...ZLATAN VAUDA/1923-2010/...COMPOSER...CONDUCER...OUR > FATHER.../... http://www.youtube.com/watch?v=ixvUFxRIIwE > .../...MANIK...NOVEMBER...2010... I'm very sad to hear that. My condolences. - Rob. From jwm.art.net at gmail.com Tue Nov 9 12:39:09 2010 From: jwm.art.net at gmail.com (James Morris) Date: Tue, 9 Nov 2010 11:39:09 +0000 Subject: [NetBehaviour] Negative Mandelbox Rotations Again Once More In-Reply-To: References: Message-ID: these images are photographs of a world in which mathematics is to that world what atoms are to ours. in our world, everything is made of atoms. in their world, everything is made of mathematics. they are real: real mathematics. they are sharp because the computer has a CPU for eyes, and binary for blood cells. my job is to find these images. to do this i navigate through this mathematical world using a program called mandelbulber. i experiment by typing different numbers into the software. all the images i've found and posted here (IIRC) are all made with the mandelbox fractal equation/algorithm (which arose from experiments by fractal-mathematicians to find the 3D equivalent of the Mandelbrot Set). all i do is change the parameters and use the '3d navigator' to navigate my way around these worlds. those images i have posted which have 'Depth Of Field' - where some parts of the image are in focus and other parts are out of focus - - - - DOF is just a toy for us humans to make it look real to us - Depth of Field is post-processing - the fractal was already calculated and the DOF applied to the image of it afterward. james. On 9 November 2010 08:47, dave miller wrote: > these are amazing images, and the detail is really sharp. they look real > > On 9 November 2010 01:47, James Morris wrote: >> Hi \n >> ?\n >> title ? ? ? ? ? ? filesize ?url \n >> ------------------------------------------------------------------------------------- >> \n >> I Heart Fractals ?[ 2.5mb ] http://jwm-art.net/image/i_heart_fractals.png \n >> Tree Of Hearts ? ?[ 41mb ?] http://jwm-art.net/image/tree_of_hearts.png \n >> Spike ? ? ? ? ? ? [ 4.4mb ] http://jwm-art.net/image/spike.png \n >> Mandrakesque ? ? ?[ 7.6mb ] http://jwm-art.net/image/mandrakesque.png \n >> ?\n >> ?\n >> ?\n >> ?\n >> bye \n >> james \n >> -- \n >> _ \n >> : http://jwm-art.net/ \n >> -audio/image/text/code/ \n >> \n >> \n >> \n >> \n >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From info at furtherfield.org Tue Nov 9 13:02:39 2010 From: info at furtherfield.org (info) Date: Tue, 09 Nov 2010 12:02:39 +0000 Subject: [NetBehaviour] "Radio Music", an essay by Jon Leidecker. Message-ID: <4CD9385F.9020301@furtherfield.org> "Radio Music", an essay by Jon Leidecker. "Quaderns d'?udio" (Audio Notebooks) is an online collection of publications related to Radio Web MACBA programming. In "Radio Music", Jon Leidecker (curator of the series VARIATIONS - http://rwm.macba.cat/en/variations_tag) connects three examples from the history of the potential of the radio receiver as musical instrument, from its early beginnings in the twenties as captured on a comedy record, to formal art experiments in the forties and fifties, to its nostalgic presence in one of the very first song-based pop music collage albums, which heralded the now familiar practice of sampling. Link: http://bit.ly/bkg32l PDF file: http://bit.ly/doEnzf Since 1990, Jon Leidecker has performed appropriative collage music under the pseudonym Wobbly, improvising live with prerecordings to coax the harmonies out of the recorded sounds of individuals from disparate cultures. Previous and ongoing projects include the bands Chopping Channel (with Don Joyce & Peter Conheim of Negativland), Sagan (with Blevin Blectum, Lesser and Ryan Junell), the Freddy McGuire Show (with video artist Anne McGuire) and Amen Seat (with MaryClare Bryztwa), as well as live and studio collaborations with People Like Us, Matmos, Negativland, Thomas Dimuzio, Tim Perkis & Xopher Davidson, Hrvatski, The Tape-beatles, The Evolution Control Committee and Otomo Yoshihide. In 2009 he was commissioned by Radio Web MACBA to produce VARIATIONS (http://rwm.macba.cat/en/variations_tag), an ongoing radio show on the history of musical collage & sampling. Follow us on Twitter: @Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Tue Nov 9 13:03:43 2010 From: info at furtherfield.org (info) Date: Tue, 09 Nov 2010 12:03:43 +0000 Subject: [NetBehaviour] JELLY Message-ID: <4CD9389F.6040108@furtherfield.org> JELLY Jelly are casual, co-working events happening in cities across the world. Turn up, log-in, create, collaborate or work solo. It's open-source living --- sharing bandwidth, ideas and elbow room. Thursdays at SPACE are Jelly days. We provide the space, the wifi, the desks and at 3pm coffee, cake. cookies and conversation. You bring your laptop and your ideas. Come and join us in the MediaLab every Thursday for co-working bliss and a 3pm coffee and catch up. Jelly is expanding - we are turning your favourite co-working event into a project that we want you to be fully involved in. Coming up... JELLY WITH ALCOHOL Fancy a meet-up? Want a chat over a couple of drinks? Really get talking with one another? Jelly would like to host a social event - the first we ever have - and provide a bit of a winter warmer for all you creative people. Come down and join us for a few drinks. JELLY WITH ALCOHOL // 18th Nov 2010 // 6pm-8pm // Donations are welcome These projects we hope will spark collision and collaboration between our Jelly family and breed new ideas and projects within and beyond Jelly. So please, come and join us! Jelly is open every Thursday from 10am to 6pm and is FREE. Although booking is not essential we want to make sure we have room for you all so please register via our website at: http://www.spacestudios.org.uk/whats-on/events/jelly There will be an informal opportunity to introduce projects and all --- from designers, developers, writers, artists --- are welcome. Also, why not take a look at our PERMACULTURES blog and let us know what you think: http://permablog.spacestudios.org.uk/ [ s p a c e ] 129-131 Mare Street London E8 3RH www.spacestudios.org.uk Art Services Grants Ltd Reg Charity #267021 Reg in England & Wales #1157240 -------------- next part -------------- An HTML attachment was scrubbed... URL: From szpako at yahoo.com Tue Nov 9 14:45:06 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Tue, 9 Nov 2010 05:45:06 -0800 (PST) Subject: [NetBehaviour] IMPORTANT STATEMENTS CCXXXXVIII In-Reply-To: <4CD93061.3030708@robmyers.org> Message-ID: <221876.22675.qm@web114513.mail.gq1.yahoo.com> yes, mine also. michael --- On Tue, 11/9/10, Rob Myers wrote: > From: Rob Myers > Subject: Re: [NetBehaviour] IMPORTANT STATEMENTS CCXXXXVIII > To: netbehaviour at netbehaviour.org > Date: Tuesday, November 9, 2010, 11:28 AM > On 11/09/2010 11:04 AM, manik wrote: > > ...IN MEMORIAM...ZLATAN > VAUDA/1923-2010/...COMPOSER...CONDUCER...OUR > > FATHER.../... http://www.youtube.com/watch?v=ixvUFxRIIwE > > .../...MANIK...NOVEMBER...2010... > > I'm very sad to hear that. > > My condolences. > > - Rob. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From dave.miller.uk at gmail.com Tue Nov 9 15:53:35 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 9 Nov 2010 14:53:35 +0000 Subject: [NetBehaviour] Negative Mandelbox Rotations Again Once More In-Reply-To: References: Message-ID: Hi james This is good. I like the way you apply a theory to what you do, and how well you describe it. I wish I could do that dave On 9 November 2010 11:39, James Morris wrote: > these images are photographs of a world in which mathematics is to > that world what atoms are to ours. > > in our world, everything is made of atoms. in their world, everything > is made of mathematics. > > they are real: real mathematics. > > they are sharp because the computer has a CPU for eyes, and binary for > blood cells. > > my job is to find these images. to do this i navigate through this > mathematical world using a program called mandelbulber. > > i experiment by typing different numbers into the software. all the > images i've found and posted here (IIRC) are all made with the > mandelbox fractal equation/algorithm (which arose from experiments by > fractal-mathematicians to find the 3D equivalent of the Mandelbrot > Set). > > all i do is change the parameters and use the '3d navigator' to > navigate my way around these worlds. > > those images i have posted which have 'Depth Of Field' - where some > parts of the image are in focus and other parts are out of focus - - - > - DOF is just a toy for us humans to make it look real to us - Depth > of Field is post-processing - the fractal was already calculated and > the DOF applied to the image of it afterward. > > james. > > > > On 9 November 2010 08:47, dave miller wrote: >> these are amazing images, and the detail is really sharp. they look real >> >> On 9 November 2010 01:47, James Morris wrote: >>> Hi \n >>> ?\n >>> title ? ? ? ? ? ? filesize ?url \n >>> ------------------------------------------------------------------------------------- >>> \n >>> I Heart Fractals ?[ 2.5mb ] http://jwm-art.net/image/i_heart_fractals.png \n >>> Tree Of Hearts ? ?[ 41mb ?] http://jwm-art.net/image/tree_of_hearts.png \n >>> Spike ? ? ? ? ? ? [ 4.4mb ] http://jwm-art.net/image/spike.png \n >>> Mandrakesque ? ? ?[ 7.6mb ] http://jwm-art.net/image/mandrakesque.png \n >>> ?\n >>> ?\n >>> ?\n >>> ?\n >>> bye \n >>> james \n >>> -- \n >>> _ \n >>> : http://jwm-art.net/ \n >>> -audio/image/text/code/ \n >>> \n >>> \n >>> \n >>> \n >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From gridworks1 at gmail.com Tue Nov 9 16:00:41 2010 From: gridworks1 at gmail.com (a bill miller) Date: Tue, 9 Nov 2010 10:00:41 -0500 Subject: [NetBehaviour] Negative Mandelbox Rotations Again Once More In-Reply-To: References: Message-ID: Yeah, these are really great! Have you made an sequences of images (for animating)? I'd be interested/curious to see what that might look like - since you mentioned navigating mathematics worlds. Best, Bill On Tue, Nov 9, 2010 at 6:39 AM, James Morris wrote: > these images are photographs of a world in which mathematics is to > that world what atoms are to ours. > > in our world, everything is made of atoms. in their world, everything > is made of mathematics. > > they are real: real mathematics. > > they are sharp because the computer has a CPU for eyes, and binary for > blood cells. > > my job is to find these images. to do this i navigate through this > mathematical world using a program called mandelbulber. > > i experiment by typing different numbers into the software. all the > images i've found and posted here (IIRC) are all made with the > mandelbox fractal equation/algorithm (which arose from experiments by > fractal-mathematicians to find the 3D equivalent of the Mandelbrot > Set). > > all i do is change the parameters and use the '3d navigator' to > navigate my way around these worlds. > > those images i have posted which have 'Depth Of Field' - where some > parts of the image are in focus and other parts are out of focus - - - > - DOF is just a toy for us humans to make it look real to us - Depth > of Field is post-processing - the fractal was already calculated and > the DOF applied to the image of it afterward. > > james. > > > > On 9 November 2010 08:47, dave miller wrote: > > these are amazing images, and the detail is really sharp. they look real > > > > On 9 November 2010 01:47, James Morris wrote: > >> Hi \n > >> \n > >> title filesize url \n > >> > ------------------------------------------------------------------------------------- > >> \n > >> I Heart Fractals [ 2.5mb ] > http://jwm-art.net/image/i_heart_fractals.png \n > >> Tree Of Hearts [ 41mb ] http://jwm-art.net/image/tree_of_hearts.png\n > >> Spike [ 4.4mb ] http://jwm-art.net/image/spike.png \n > >> Mandrakesque [ 7.6mb ] http://jwm-art.net/image/mandrakesque.png\n > >> \n > >> \n > >> \n > >> \n > >> bye \n > >> james \n > >> -- \n > >> _ \n > >> : http://jwm-art.net/ \n > >> -audio/image/text/code/ \n > >> \n > >> \n > >> \n > >> \n > >> _______________________________________________ > >> NetBehaviour mailing list > >> NetBehaviour at netbehaviour.org > >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > >> > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- A. Bill Miller ---------------------------------------------- http://www.master-list2000.com/abillmiller/ ---------------------------------------------- -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Tue Nov 9 16:35:45 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 9 Nov 2010 10:35:45 -0500 (EST) Subject: [NetBehaviour] IMPORTANT STATEMENTS CCXXXXVIII In-Reply-To: <003301cb7ffd$e3d85490$6401a8c0@user> References: <003301cb7ffd$e3d85490$6401a8c0@user> Message-ID: Very sorry to hear this... Too many deaths these past few weeks Alan From sondheim at panix.com Tue Nov 9 17:38:31 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 9 Nov 2010 11:38:31 -0500 (EST) Subject: [NetBehaviour] stillborn Message-ID: stillborn http://www.alansondheim.org/stillborn.mov the _unutterable_ avatar From roger at furthernoise.org Wed Nov 10 03:48:10 2010 From: roger at furthernoise.org (Roger Mills) Date: Wed, 10 Nov 2010 13:48:10 +1100 Subject: [NetBehaviour] Ethernet Orchestra Networked Improvisation Message-ID: <5D90EB64-8182-480C-B6B2-6C1A3D7DDBE0@furthernoise.org> Hi All, Just wanted to flag up a networked A/V improv this weekend spanning the cities Braunschweig & Munich, Germany, London, NYC and Sydney, Australia recorded live for furthernoise.org. blackhole-factory presents Ethernet Orchestra - Live networked improvisation at Kunstmuehle studio, Braunschweig, Germany. Sunday 14th November ? 11.30 am Germany UTC+1 CET / 10.30 am UK / Sydney 9.30cpm UTC+11 EST. World Time Clock http://www.timeanddate.com/worldclock Performed live at Kunstmuehle studio, Braunschwieg, Germany and broadcast online at http://radio.aporee.org. The event is also being recorded for furthernoise.org Explorations in Sound Vol, 5. Log onto: Audio mix http://radio.aporee.org Visual mix http://www.visitorsstudio.org For full A/V experience open both URLs in separate browser windows. Live at Kunstmuehle studio : Elke Utermoehlen ? Voice , Max/MSP Martin Slawig ? Elecronics, Max/MSP Edward Filipp ? Percussion New York, USA. Richard Lainhart ? Buchla & Guitar Sydney, Australia. Yavuz Uydu (Turkish Oud and Bendir) Roger Mills (Processed Trumpets) Networked visual mix featuring Helen Varley Jamieson - Munich, Germany Graziano Milano - London, United Kingdom Neil Jenkins - Sydney, Australia View Ethernet Orchestra tri-screen video excerpt http://www.eartrumpet.org/eo/ethernetorchestra_distantpresences_10_05_10.mov Distance Presences I, Sunday Night at the Movies, 20/7/2010 FBi Radio A/V mix http://www.eartrumpet.org/distantpresences/ http://ethernetorchestra.netpraxis.net http://www.blackhole-factory.de http://www.theater-outlet.de/?page_id=626 http://www.furthernoise.org Roger Mills Editor http://www.furthernoise.org 0403 414495 -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Wed Nov 10 07:51:16 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 10 Nov 2010 01:51:16 -0500 (EST) Subject: [NetBehaviour] stare at this long enough Message-ID: stare at this long enough http://www.alansondheim.org/meditate.mov stare at this long enough and you will go crazy if you han't gone crazy you han't stared long enough From curt at lab404.com Wed Nov 10 17:40:00 2010 From: curt at lab404.com (Curt Cloninger) Date: Wed, 10 Nov 2010 11:40:00 -0500 Subject: [NetBehaviour] brecht has a posse In-Reply-To: References: Message-ID: http://rhizome.org/discuss/view/47694 From edward at edwardpicot.com Wed Nov 10 19:58:33 2010 From: edward at edwardpicot.com (Edward Picot) Date: Wed, 10 Nov 2010 18:58:33 +0000 Subject: [NetBehaviour] Dr Hairy in: Frank Talking (Part 2) Message-ID: <4CDAEB59.2020507@edwardpicot.com> The sixth in a series of 10-minute videos about the adventures and frustrations of an ordinary (but rather hirsute) General Practitioner. In this one, Dr Hairy finds that his straight talking has all sorts of unexpected - but hilarious - results! The second of three parts. To view it on my site, go to http://www.edwardpicot.com/drhairy/franktalking2.mov ; or you can see it on YouTube at http://www.youtube.com/watch?v=hiwiDaUK_pM ; or it should be on DVblog (http://dvblog.org) in the near future. - Edward Picot http://edwardpicot.com - personal website http://hyperex.co.uk - The Hyperliterature Exchange From rob at robmyers.org Wed Nov 10 20:16:59 2010 From: rob at robmyers.org (Rob Myers) Date: Wed, 10 Nov 2010 19:16:59 +0000 Subject: [NetBehaviour] You Can't Spell Fungible Without Fun Message-ID: <4CDAEFAB.6040501@robmyers.org> http://robmyers.org/weblog/2010/11/you-cant-spell-fungible-without-fun.html There are artworks that are very similar technically but utterly distinct culturally and historically. Take the examples of a Kasimir Malevich painting of a black square from revolutionary Russia and an Ad Reinhardt painting of a black square from 1960s America. Technically speaking you can't get much more basic than a black square, but culturally speaking there's no way you can swap one of those black squares for any other. In contrast, software consists of easily substituted black boxes of functionality whose formal qualities are insignificant (Vi and Emacs aside ;-) ). Stallman's Four Freedoms are freedoms of *use*; the freedom to operate software as a tool, as a means to an end. Stallman has written, briefly, about how he views the freedom to use non-software works. That freedom decreases the less the work is a means and the more it is an end, from educational resources through to works of opinion and expression. So fungibility for code and culture may simply be a product of the degree to which something is a means rather than an end. In contrast to Stallman's freedom of use, the EFF use the concept of freedom of speech to argue for people's ability to work with software. When we talk about free culture in general then if it has any meaning it is primarily as a synonym for freedom of speech. In order to speak freely, you must be free to refer to and quote the words (or sounds or images or...) of others. And because of the non-fungibility of cultural works, no other words (or sounds or images or...) can be substituted. A text editor works on a novel or a program listing equally well, and in some jurisdictions software is regarded as a literary work for the purpose of copyright. Different criteria of freedom may apply to the fixed forms of software and art, but the restrictions are just the same. For free software, part of the solution to this was alternative copyright licensing. So fungibility is related to use but free culture is concerned with speech. It is not the case that free culture supposes or can in any way cause cultural fungibility. And the non-fungibility of cultural works is precisely why free culture requires the same solutions as free software does at the level of copyright. [originally posted to the cc-community list, but blogged and posted here as it's fun, if not fungible] From sondheim at panix.com Wed Nov 10 20:22:28 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 10 Nov 2010 14:22:28 -0500 (EST) Subject: [NetBehaviour] punishh my hhands Message-ID: punishh my hhands http://espdisk.com/alansondheim/punish.mp3 solo oud i punishh my hhands because carpel ttunnel makes playing difficultt i make tthhem do tthhings tthhey don'tt wantt tto do screaming jointt and wristt screaming tthhey don'tt wantt tto do tthhis tthhey don'tt wantt tto ttype tthhis jointt screaming wristt screaming tthhey don'tt bend tthhis way tthhey bend tthhis way i make tthhem do itt i punishh tthhem i punishh tthhem i am in crux crucial pain soon tthhey won'tt be able tto move again i work tthhem hhard work tthhem hhard whhile i can soon no more of tthhis punishh tthhem punishh tthhem so hhard my fingers bending tthhis From sondheim at panix.com Wed Nov 10 20:32:07 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 10 Nov 2010 14:32:07 -0500 (EST) Subject: [NetBehaviour] You Can't Spell Fungible Without Fun In-Reply-To: <4CDAEFAB.6040501@robmyers.org> References: <4CDAEFAB.6040501@robmyers.org> Message-ID: this also relates to aura and the istinction between analog and digital phenomenologies, and what's tagged where; it's possible to make a digital editor as an artwork and tagged as such (for example an editor of inter- ferences and substitutions); it's also possible to consider a digital art- work as basically functional since any pixel can be substituted for any other (and at what point does the artwork lose its originary distinction?) - the fungibility of cultural works has to do with setting; it's also possible to quote them (Sherrie Levine or re-enactment stuff like Mark Tribe today) as discourse - issues also arise in relation to forgeries or copies - take a fake Vermeer - what makes this less valuable to the viewer - what makes an unsigned copy if WinX less valuable etc. - Macs are flawed and brilliant here, bridging analog hardware and digital signatures, as if you can't have one (their) without the other (theirs) - On Wed, 10 Nov 2010, Rob Myers wrote: > > http://robmyers.org/weblog/2010/11/you-cant-spell-fungible-without-fun.html > > There are artworks that are very similar technically but utterly > distinct culturally and historically. Take the examples of a Kasimir > Malevich painting of a black square from revolutionary Russia and an Ad > Reinhardt painting of a black square from 1960s America. Technically > speaking you can't get much more basic than a black square, but > culturally speaking there's no way you can swap one of those black > squares for any other. > > In contrast, software consists of easily substituted black boxes of > functionality whose formal qualities are insignificant (Vi and Emacs > aside ;-) ). > > Stallman's Four Freedoms are freedoms of *use*; the freedom to operate > software as a tool, as a means to an end. Stallman has written, briefly, > about how he views the freedom to use non-software works. That freedom > decreases the less the work is a means and the more it is an end, from > educational resources through to works of opinion and expression. > > So fungibility for code and culture may simply be a product of the > degree to which something is a means rather than an end. > > In contrast to Stallman's freedom of use, the EFF use the concept of > freedom of speech to argue for people's ability to work with software. > When we talk about free culture in general then if it has any meaning it > is primarily as a synonym for freedom of speech. > > In order to speak freely, you must be free to refer to and quote the > words (or sounds or images or...) of others. And because of the > non-fungibility of cultural works, no other words (or sounds or images > or...) can be substituted. > > A text editor works on a novel or a program listing equally well, and in > some jurisdictions software is regarded as a literary work for the > purpose of copyright. Different criteria of freedom may apply to the > fixed forms of software and art, but the restrictions are just the same. > For free software, part of the solution to this was alternative > copyright licensing. > > So fungibility is related to use but free culture is concerned with > speech. It is not the case that free culture supposes or can in any way > cause cultural fungibility. And the non-fungibility of cultural works is > precisely why free culture requires the same solutions as free software > does at the level of copyright. > > [originally posted to the cc-community list, but blogged and posted here > as it's fun, if not fungible] > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From hedva_joy at yahoo.com Wed Nov 10 22:39:13 2010 From: hedva_joy at yahoo.com (Hedva Eltanani) Date: Wed, 10 Nov 2010 21:39:13 +0000 (GMT) Subject: [NetBehaviour] Be@Home - Interactive live installation online now! Message-ID: <35935.86909.qm@web28413.mail.ukl.yahoo.com> THERE IS NO PLACE LIKE HOME. What is home for you? The Tea Room is the first episode of Be at Home. Is a daily routine placing our sense of home? This is an interactive live installation. You are invited to take part online with comments, thoughts, pictures and what ever comes to your mind use: Our facebook page: http://www.facebook.com/home.php?#!/pages/BeHome/169957309700636 Our twitter: http://twitter.com/beathome FOLLOW OUR PROCESS ON OUR FACEBOOK PAGE! Live installation in London (offline and online) Saturday, 13th of November 2.30pm -6pm To be added to our free guest list contact: thexecutivebaglady at yahoo.co.uk http://7quietactsofdomesticviolence.wordpress.com/ Our Blog: http://tracingthesite.blogspot.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From rob at robmyers.org Thu Nov 11 00:45:15 2010 From: rob at robmyers.org (Rob Myers) Date: Wed, 10 Nov 2010 23:45:15 +0000 Subject: [NetBehaviour] MobSourcing Message-ID: <4CDB2E8B.2060809@robmyers.org> http://www.zdnet.com/blog/storage/mob-sourcing-the-prejudice-of-crowds/1165 "As more web content is crowd sourced and crowd moderated, are we seeing only the wisdom of crowds? No, we?re also seeing their prejudice. The Internet reflects both the good and ugly in human nature." From rob at robmyers.org Thu Nov 11 01:04:14 2010 From: rob at robmyers.org (Rob Myers) Date: Thu, 11 Nov 2010 00:04:14 +0000 Subject: [NetBehaviour] You Can't Spell Fungible Without Fun In-Reply-To: References: <4CDAEFAB.6040501@robmyers.org> Message-ID: <4CDB32FE.9000303@robmyers.org> On 11/10/2010 07:32 PM, Alan Sondheim wrote: > > this also relates to aura and the istinction Yes auratic and mechanically reproduced artworks are basically autographic and allographic, non-fungible and fungible. > between analog and digital > phenomenologies, and what's tagged where; it's possible to make a digital > editor as an artwork and tagged as such (for example an editor of inter- > ferences and substitutions); An editor is more a schema, mode, style or canon or than an artwork, I think. A meta-artwork? Look at Casey Reas's Processing. That's what (and who) will be remembered from the data visualisation era, not any individual visualisation. > it's also possible to consider a digital art- > work as basically functional since any pixel can be substituted for any > other (and at what point does the artwork lose its originary distinction?) This is true but we can encode any English text as an ASCII document of less than (e.g.) 100 megabytes. This means that we can produce a Godel number for any literary work as easily as for any digital image. This does not seem to problematize literature in quite the same way... > - the fungibility of cultural works has to do with setting; it's also > possible to quote them (Sherrie Levine or re-enactment stuff like Mark > Tribe today) as discourse - issues also arise in relation to forgeries or > copies - take a fake Vermeer - what makes this less valuable to the viewer Forgeries are a product of non-fungibility, of the original being allographic. > - what makes an unsigned copy if WinX less valuable etc. - Macs are flawed > and brilliant here, bridging analog hardware and digital signatures, as if > you can't have one (their) without the other (theirs) - There is something culturally interesting about Macs that has as much to do with logistics and experience design as with software. They are constrained experiential affordances, carefully ground lenses for being - they are like the lone ranger mask or the star trek communicator or the power rangers morpher of a child's toybox. Invest emotionally and imaginatively in them and they aren't just information appliances, they are hooks for a whole different aspirational way of relating to the world. Possibly. - Rob. From jwm.art.net at gmail.com Thu Nov 11 01:12:19 2010 From: jwm.art.net at gmail.com (James Morris) Date: Thu, 11 Nov 2010 00:12:19 +0000 Subject: [NetBehaviour] You Can't Spell Fungible Without Fun In-Reply-To: <4CDB32FE.9000303@robmyers.org> References: <4CDAEFAB.6040501@robmyers.org> <4CDB32FE.9000303@robmyers.org> Message-ID: On 11 November 2010 00:04, Rob Myers wrote: > There is something culturally interesting about Macs that has as much to > do with logistics and experience design as with software. They are > constrained experiential affordances, carefully ground lenses for being > - they are like the lone ranger mask or the star trek communicator or > the power rangers morpher of a child's toybox. Invest emotionally and > imaginatively in them and they aren't just information appliances, they > are hooks for a whole different aspirational way of relating to the world. As were the tiles in a chip shop I went in once... > Possibly. Possibly. james. > - Rob. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From sondheim at panix.com Thu Nov 11 07:28:14 2010 From: sondheim at panix.com (Alan Sondheim) Date: Thu, 11 Nov 2010 01:28:14 -0500 (EST) Subject: [NetBehaviour] Flavour (for Margarida and Barry and Helena) Message-ID: Flavour (please listen with full bass, relax) the mudrah hands and the rasa eyes With a new recording setup, bass zither and viola come into their own. I'm playing them well. http://espdisk.com/alansondheim/flavour.mp3 solo bass zither http://espdisk.com/alansondheim/flavour2.mp3 solo viola that "A poem is a sentence with flavour." (rasa). That applies. that "A poem is a sentence with flavour." (rasa). That applies. that "A poem is a sentence with flavour." (rasa). That applies. discrete, the rasa no exception. The commonality of art is gesticul}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid7626621 ation;}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid6442199 the commonality of art and language}{\rtlch\fcs1 \af0 \ltrch\fcs0 Natyasastra}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid12007088 , which discusses, among other things, rasa and pattern pres among other things, rasa and pattern presentations, patterns as unnatural gestures; rasa theory of masquerade; performing rasa; undoing of discrete, the rasa no exception, the commonality of art is gesticulation, the mudrah the mudrah customary the the of rasa hands rasa the feet of the rasa the eyes rasa possibility of this the possibility of dance and oh, and water, [on-in] oto-tone, [bo] haha-mother, rasa and raga, om Om OM, trajectories among levels, prims, sounds, spaces, worlds, soon rasa the primordial shudders in resonance with the music raga rasa yes no, the mudrah hands and the rasa eyes the mudrah the mudrah customary the the of rasa hands rasa the feet, unnatural gestures, rasa theory of masquerade, performing, undoing of punctum punning qin quark rasa realspace and and rearticulation trajectories among levels, prims, sounds, spaces, worlds, the mudrah hands and the rasa eyes the mudrah the mudrah customary the the of rasa hands rasa the feet of the rasa the eyes rasa possibiity, dance of the mudrah hands and the rasa eyes From rob at robmyers.org Thu Nov 11 10:16:48 2010 From: rob at robmyers.org (Rob Myers) Date: Thu, 11 Nov 2010 09:16:48 +0000 Subject: [NetBehaviour] You Can't Spell Fungible Without Fun In-Reply-To: References: <4CDAEFAB.6040501@robmyers.org> <4CDB32FE.9000303@robmyers.org> Message-ID: <4CDBB480.4000207@robmyers.org> On 11/11/2010 12:12 AM, James Morris wrote: > On 11 November 2010 00:04, Rob Myers wrote: > >> There is something culturally interesting about Macs that has as much to >> do with logistics and experience design as with software. They are >> constrained experiential affordances, carefully ground lenses for being >> - they are like the lone ranger mask or the star trek communicator or >> the power rangers morpher of a child's toybox. Invest emotionally and >> imaginatively in them and they aren't just information appliances, they >> are hooks for a whole different aspirational way of relating to the world. > > As were the tiles in a chip shop I went in once... Some years ago I was sat in a coffee shop in Tooting. At the time I'd been making textures for online VR environments, and I had the nagging feeling that something was wrong with the texturing of the virtual environment I was sat in despite the fact that I wasn't sat in a virtual environment. The walls of the coffee shop were covered in dozens of precisely the same large mock-marble texture tile... - Rob. From jwm.art.net at gmail.com Thu Nov 11 11:16:56 2010 From: jwm.art.net at gmail.com (James Morris) Date: Thu, 11 Nov 2010 10:16:56 +0000 Subject: [NetBehaviour] Binary of Babel Message-ID: Binary of Babel by Segfault Garden This is an old-school demo that combines 20+ programming languages in a single binary. https://launchpad.net/binaryofbabel --- sounds delightful! james. -- _ : http://jwm-art.net/ -audio/image/text/code/ From info at furtherfield.org Thu Nov 11 13:05:58 2010 From: info at furtherfield.org (info) Date: Thu, 11 Nov 2010 12:05:58 +0000 Subject: [NetBehaviour] Invisible Cartographies Open Day. Message-ID: <4CDBDC26.7090602@furtherfield.org> Invisible Cartographies Open Day. 16 November ? 13:00 - 15:00 Location - Lanternhouse, Ulverston, Cumbria, LA12 0AA FLI resident Will Schrimshaw would like to invite you for an afternoon of good food and an opportunity to talk about art. Will's current project Invisible Cartographies, aims to heighten awareness of atmospheric qualities that otherwise remain imperceptible. Join Will for lunch to learn more about his work and share your own ideas. There will also be an evening event with local residents and community groups which you are welcome to join. This event is free but places are limited, so please RSVP by 11.11.10 to oyunga.gombo-ochir at folly.co.uk. Booking is essential. Please let us know in advance if you need any equipment/projectors. You can find out more about Will and his projects at www.willschrimshaw.net http://www.folly.co.uk/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Thu Nov 11 13:08:07 2010 From: info at furtherfield.org (info) Date: Thu, 11 Nov 2010 12:08:07 +0000 Subject: [NetBehaviour] 366 Liberation Rituals, 17 November - 15 December 2010 Message-ID: <4CDBDCA7.2040305@furtherfield.org> 366 Liberation Rituals, 17 November - 15 December 2010 Opening: 16 November, 7 pm Project curators: Margarethe Makovec and Anton Lederer Participating artist: Igor Grubic 366 Liberation Rituals. Every day, and at least a whole year long. The day over the 365 days of a normal year not only hints at the extraordinary quality of the project but already indicates the direction: one year is not enough, it cannot be enough to liberate oneself. To free oneself from the dominant thought patterns of contemporary society. And to break free towards new thinking, towards new readings of our everyday surroundings. Using art. To leave the space of art, this protected field, and to enter into a dialogue with a reality that is constantly being redefined by our contemporaries. To try to intervene in reality through an artistic language. The colour red. To focus on symbols and texts of critical thinking. To keep down the costs of the individual interventions while at the same time creating as much meaning as possible. In a European country to establish references back to its socialist past. To disobey 366 times. Information on the artist: Igor Grubic Red fountain On the day of the official visit of the U.S. President George W. Bush to Croatia, in front of the National Bank of Croatia at the Croatian Nobles Square (where also the International Monetary Fund offices are situated) I coloured the water in the fountain blood red, symbolically alluding to the blood of the victims of Bush's international policy as well as protesting against the IMF policy. The action of colouring the fountain was carried out as an illegal action, despite strong security measures and a large number of police officers monitoring the square as well as the circulation of citizens. The action also served as a direct provocation to the atmosphere of an emergency-like state in the country during Bush's visit, as well as the regulation of public space and citizens' behaviour, ranging from subservient cleaning of parks to welcome the American president, up to covering up and neutralizing any attempt of expressing criticism and resistance. Scarves and monuments By placing scarves on monuments, I aimed at reviving them and giving them an aura of active fighters in our everyday life. Placing the scarves on monuments was often done at the same time as "Little quotes lessons". Both actions were carried out with the aim of awakening and questioning (the impact of) our cultural and political heritage. I placed the scarves on monuments to heroes of the anti-fascist movement. Bicycle and flag "Under all those flags that fly... one day I accidently found a way... I am free...". (from a song by Haustor) I wrapped the Croatian flag around its pole and around it I tied an unmarked red cloth. With this act I wanted to symbolically strip the state flag of its meaning. At the break of dawn I drove around the city on a bicycle, as a 'phantom of freedom'. I managed to bring a smile to the faces of sleepy commuters on their way to work. Christmas trees Several days after New Year's celebration, I would walk around different city districts in the morning, looking for Christmas trees that had been thrown out as garbage. I walked around neighbourhoods representing different social structures: middle-class, elite, as well as barracks where homeless people live. I put red baubles and a red star on top of the trees that I came across, suggesting a potential unity in a celebratory nostalgia for the past times. Series of seminars and workshops by G?lsen Bal and Igor Grubic "System Errors"... Dates: 9 - 19 November Location: Institut f?r Kunst und Gestaltung, TU Wien and Open Space Language: English Critical practice that builds upon the mapping of the creative moment of thinking differently implies an awareness of the mechanisms of methodology and the interaction of different planes of practice. What different kinds of engagement and encounters can thus arise from the possibilities and limitations of multi-directional models of curating that situate themselves at the edge of spaces of production? The hereby emerging new "models of production" call for an expanded notion of what creative practice is or could be. Certainly, this is to realise that one of the potentialities of art -- understood as an activity of creatively interacting with the world -- lies in exploring the complexities surrounding the "production of subject." Furthermore, as O'Sullivan points out, critical practice today faces the fundamentally political question of "where are the dissenting/creative subjects of today? And how are they being produced?" To address potential "models of production" of contemporary artistic practice in relation to these dynamics, the artist Igor Grubic will run a three days workshop conceived in dialogue with his installation work 366 liberation rituals at Open Space -- Zentrum f?r Kunstprojekte. This installation forms part of the project System Errors, a series of micro-political actions and interventions performed by the artist on an almost daily basis seeking to disturb or rearticulate the cultural meanings of acts of power. To underpin these concerns, the course will provide an introduction by G?lsen Bal, the founding director of Open Space, to the current discursive shifts occurring within contemporary creative practice and future perspectives these new crossovers between art and politics may produce. This seminars and workshops will be held in English. For more information see: http://www.openspace-zkp.org/2010/en/events.php?y=2010&p=40 http://twoday.tuwien.ac.at/vcu/topics/8+System+Errors supported by: BM:UKK Stadt Wien - Kulturabteilung MA 7 We would like to thank our colleagues from Zagreb Ivana Bago and Antonia Maja_a who have cooperated with us within the framework of the long-term project Land of Human Rights and who have made possible the 366 Liberation Rituals by Igor Grubic on the part of the g-mk | galerija miroslav kraljevic. ? About us: Open Friday, Saturday 13.00 - 18.30 and open for the rest of the week days by appointment only. Admission free Open Space Zentrum f?r Kunstprojekte Lassingleithnerplatz 2 A- 1020 Vienna Austria (+43) 699 115 286 32 for more info: office at openspace-zkp.org http://www.openspace-zkp.org Open Space - Zentrum f?r Kunstprojekte aims to create the most vital facilities for art concerned with contributing a model strategy for cross-border and interregional projects on the basis of improving new approach. -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Thu Nov 11 13:10:50 2010 From: info at furtherfield.org (info) Date: Thu, 11 Nov 2010 12:10:50 +0000 Subject: [NetBehaviour] Ecoarttech/Upgrade/Boston. Message-ID: <4CDBDD4A.2070600@furtherfield.org> Ecoarttech/Upgrade/Boston. Cary Peppermint and Leila Nadir cofounded ecoarttech in 2005 to explore convergent media, technology, and environments. Cary and Leila work interdisciplinarily, drawing on ideas and methodologies from digital studies, philosophy, literature, ecological science, critical/cultural studies, and art. For ecoarttech, the term "environment" does not refer only to nature or geographic spaces but rather to interwoven networks of biological, cultural, mental, and digital spaces. The health of each is indistinguishable from the health of others. As Gregory Bateson writes, the planet is part of humans' "eco-mental system": "if Lake Erie is driven insane [by pollution], its insanity is incorporated in the larger system of your thought and experience." Ecoarttech's latest work, Indeterminate Hikes, is an Android app that guides users through the "wilderness" of urban spaces. The IH trail database directs hikers to a series of Scenic Vistas, where they have the opportunity to contemplate nature or wildness in a globalized, urban space and the overlapping terrains of psychological and environmental ecologies. Through the experience of taking a walk and slowing down in the city, Indeterminate Hikes seeks to cultivate the imagination of ecological and cultural sustainability in modern, networked environments. more info... http://turbulence.org/upgrade_boston/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Thu Nov 11 13:15:17 2010 From: info at furtherfield.org (info) Date: Thu, 11 Nov 2010 12:15:17 +0000 Subject: [NetBehaviour] PUBLIC ACTIONS AND AESTHETIC JOURNEYS - PHOTOGRAPHY AND THE INTERNET. Message-ID: <4CDBDE55.7010103@furtherfield.org> PUBLIC ACTIONS AND AESTHETIC JOURNEYS - PHOTOGRAPHY AND THE INTERNET. A lecture series with contributions by Karin Bruns, Marc Ries, and Ruth Horak http://cont3xt.net/blog/?p=4099 Digital images can be transferred from one computer to the other in real-time, they are available anytime and anywhere - they are interconnective. Photos the existence of which is not yet founded on zeroes and ones will be digitalized with the utmost probability. One click is enough to (re)produce digital photos, to change their form of organisation, to make them available to a large audience and last but not least to make them readable for machines... The lecture series "About Public Actions and Aesthetic Journeys - Photography and the Internet" deals with the ongoing discourse about the impact of the Internet on digital forms of photography. Location: Museum auf Abruf, Felderstra?e 6-8, 1080 Vienna/Austria http://www.musa.at --- --- --- Thursday, November 11, 2010, 7 pm *I Shot Myself" - Photography as Intimate Medium of Protocol Leture by Karin Bruns Karin Bruns is a media and literature scholar. Since 2003 she works as professor of Media Theories at the University for Art and Industrial Design Linz, since 2004 she is head of the Media Department. Her research is mainly based on media theory, intermediality, gender and media, as well as the culture of rumors in the World Wide Web. --- --- --- Thursday, November 18, 2010, 7 pm ? Becoming Aliquid - Portraiture and the Internet Lecture by Marc Ries Marc Ries is a media philosopher, curator and professor of Sociology and Theory of Media at the Academy of Art and Design in Offenbach am Main. His research is mainly based on media and cultural theory with a special focus on photography, cinema, TV, digital media and architecture, as well as on the phenomenological and semiotic analysis of images. --- --- --- Thursday, December 2, 2010, 7 pm Remarks on the Influence of the WWW on Photography Lecture by Ruth Horak Ruth Horak is an art historian and curator. She lives near Vienna and works as author and lecturer in the fields of Contemporary Art and photography. She regularly contributes to magazines, catalogues and books. In 2003 her book "Rethinking Photography- Narration und neue Reduktion in der Fotografie" was published by Edition Fotohof Salzburg. -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Thu Nov 11 13:17:43 2010 From: info at furtherfield.org (info) Date: Thu, 11 Nov 2010 12:17:43 +0000 Subject: [NetBehaviour] M A D A T A C 02 Message-ID: <4CDBDEE7.7060100@furtherfield.org> M A D A T A C 02 _______________________________ Be warned! MADATAC Contemporary Audio-Visual Arts Festival is preparing a powerful video art battery booster. In a few days we will upload our new website (www.madatac.es) In the meantime, take a look at the official festival trailer: http://vimeo.com/16572365 Artists, art collectors, critics, curators, gallery owners, museum directors, video art lovers and anyone interested what's cooking up in contemporary audio-visual languages, is invited to come to Madrid to participate in the festival, from Tuesday night, November 30th, to Sunday noon, December 5th. As we work on a ultra-limited budget we can't invite everyone of you (although we wish we could), so if you need an official invitation from the festival to ask for travel and lodgements grants, we will be glad to send you one at your request. If you want to reserve an hotel room,please contact with production responsible, Marta Alvarez: malvarez at madatac.es See you soon in groovy Madrid City! All the best! ------------------------------------- Madatac / Transfera Staff www.transfera.es www.madatac.es www.vimeo.com/madatac www.vimeo.com/transfera info at transfera.es -------------- next part -------------- An HTML attachment was scrubbed... URL: From ajaco at xs4all.nl Thu Nov 11 13:44:39 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Thu, 11 Nov 2010 13:44:39 +0100 Subject: [NetBehaviour] Drowning man with Cellphone Part III (extended version) Message-ID: <4118cf83b25b6c3fd5f71cd073811572.squirrel@webmail.xs4all.nl> >From Burgerwaanzin.nl site: http://burgerwaanzin.nl Translation [2010] by BabelFish and Andreas Maria Jacobs from an original DREAM text by Judith V. [2003] [English] Light falls haphazardly within the area, the field, on which still rolls the two years old lie, indicating me . Police stops the film of the assassinated man with force. He sings and scratches naked with a microphone on the podium. Pale, vulnerably the body sings. A song. Words which fry. The female police officer watches the sinner on the screen, glad about the corpse sitting small and twisted in her pocket The staircase where he savagely threw it off. Hands over to power, but did not thrashed. The fact that it are our corpses, turns us into assassins of our collapsing bodies. The festival. Two years of suffering. A battlefield of stimulants Last night. I am shy. [/English] [Dutch] Lukraak valt licht op het terrein, het veld, waarop nog een leugen ligt van twee jaar oud, dat kan naar mij wijzen. De politie draait de film van de vermoorde man. Hij zingt en scharrelt naakt met een microfoon over het podium. Bleek, kwetsbaar zingt het lichaam Een lied. Woorden die rafelen. De vrouwelijke politieagent aanschouwt de zondaar op de film. Blij dat het lijk - dat klein en dubbelgevouwen in de zak zit die hij de trap afwierp terwijl hij het lijk persoonlijk wilde overhandigen aan de 'macht', maar dat ik het niet dorst. Omdat het feit dat het ons lijk is, ons tot moordenaar maakt - samenvalt met het gefilmde lichaam. Het feest, twee jaar geleden, een slagveld van genotsmiddelen, was zijn laatste nacht. Ik ben feestschuw. [/Dutch] [French] La lumi?re tombe au petit bonheur dans le secteur. le champ sur lequel toujours roule un mensonge de deux ann?es, ce qui m'indique. Les forces de policier ? arr?ter le film du homme assassin?. Il chante et raye nu avec une microphone sur le podiume. P?le et vuln?rable le corps chante. Une chanson. Mots qui frangent. Les montres femelles de policier le p?cheur sur l'?cran, heureux au sujet de se reposer de cadavre petit et tordu dans sa poche. L'escalier o? il sauvagement l'a jet? au loin. Remis ? la puissance, mais a fait non battu. Le fait que ce sont nos cadavres, nous transforme en assassins de notre corps s'effondrants. Le festival. Deux ans de souffrance. Un champ de bataille des stimulants From martinmitch21 at mac.com Thu Nov 11 14:53:45 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Thu, 11 Nov 2010 13:53:45 +0000 Subject: [NetBehaviour] PUBLIC ACTIONS AND AESTHETIC JOURNEYS - PHOTOGRAPHY AND THE INTERNET. In-Reply-To: <4CDBDE55.7010103@furtherfield.org> References: <4CDBDE55.7010103@furtherfield.org> Message-ID: Would you please remove grey background to your emails, I'm dyslexic and cannot read them.... martin. On 11 Nov 2010, at 12:15, info wrote: > PUBLIC ACTIONS AND AESTHETIC JOURNEYS - PHOTOGRAPHY AND THE INTERNET. > > A lecture series with contributions by Karin Bruns, Marc Ries, and Ruth Horak > http://cont3xt.net/blog/?p=4099 > > Digital images can be transferred from one computer to the other in real-time, they are available anytime and anywhere - they are interconnective. Photos the existence of which is not yet founded on zeroes and ones will be digitalized with the utmost probability. One click is enough to (re)produce digital photos, to change their form of organisation, to make them available to a large audience and last but not least to make them readable for machines... The lecture series "About Public Actions and Aesthetic Journeys - Photography and the Internet" deals with the ongoing discourse about the impact of the Internet on digital forms of photography. > > Location: > Museum auf Abruf, Felderstra?e 6-8, 1080 Vienna/Austria > http://www.musa.at > > --- --- --- > > Thursday, November 11, 2010, 7 pm > *I Shot Myself" - Photography as Intimate Medium of Protocol > Leture by Karin Bruns > > Karin Bruns is a media and literature scholar. Since 2003 she works as professor of Media Theories at the University for Art and Industrial Design Linz, since 2004 she is head of the Media Department. Her research is mainly based on media theory, intermediality, gender and media, as well as the culture of rumors in the World Wide Web. > > --- --- --- > > Thursday, November 18, 2010, 7 pm > > Becoming Aliquid - Portraiture and the Internet > Lecture by Marc Ries > > Marc Ries is a media philosopher, curator and professor of Sociology and Theory of Media at the Academy of Art and Design in Offenbach am Main. His research is mainly based on media and cultural theory with a special focus on photography, cinema, TV, digital media and architecture, as well as on the phenomenological and semiotic analysis of images. > > --- --- --- > > Thursday, December 2, 2010, 7 pm > Remarks on the Influence of the WWW on Photography > Lecture by Ruth Horak > > Ruth Horak is an art historian and curator. She lives near Vienna and works as author and lecturer in the fields of Contemporary Art and photography. She regularly contributes to magazines, catalogues and books. In 2003 her book "Rethinking Photography- Narration und neue Reduktion in der Fotografie" was published by Edition Fotohof Salzburg. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From helen at creative-catalyst.com Thu Nov 11 15:40:54 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Thu, 11 Nov 2010 15:40:54 +0100 Subject: [NetBehaviour] please help us stress-test - monday 15 november Message-ID: <4CDC0076.2040809@creative-catalyst.com> please help us stress-test our streaming interface for the networked performance "make-shift". monday 15 november at noon UK time, 1pm western europe (find your local time here:http://tinyurl.com/344ewpr) we need as many people as possible to access the streams at the same time; please click on the link below and leave it open for half an hour; if you have time, you can chat to us in the interface to let us know whether you experience lag or any other problems. http://www.creative-catalyst.com/make-shift/makeshift.html the streams should load automatically. if they don't, please press the play button in each of the web cam windows. the test will last for approximately half an hour. we're aiming for 100 people online - please help us by clicking on the interface link at noon UK time on monday 15th, and pass this email on to anyone else who might be able to help swell the numbers. more information about "make-shift" is available athttp://www.make-shift.net. thank you very much in advance! h : ) ____________________________________________________________ helen varley jamieson: creative catalyst helen at creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________ From jwm.art.net at gmail.com Thu Nov 11 16:05:41 2010 From: jwm.art.net at gmail.com (James Morris) Date: Thu, 11 Nov 2010 15:05:41 +0000 Subject: [NetBehaviour] TOP POSTING Message-ID: I PERSONALLY COULDN'T CARE LESS IF PEOPLE TOP POST OR NOT. I'M NOT A FASCIST SO I LEAVE IT UP TO THEM TO DECIDE. IT MAKES NO ODDS TO ME. SOMETIMES I DO, SOMETIMES I DONT. TODAY I'M SHOUTING ABOUT IT. I'VE NEVER HAD SO LITTLE TO WORRY ABOUT THAT TOP-POSTING (OR ANY ISSUE ARISING FROM THE POSITION OF A REPLY IN RELATION TO THE MESSAGE BEING REPLIED TO) HAS CAUSED ME ANY CONCERN WHATSOEVER. SO PLEASE DON'T EVER BRING IT UP EVER AGAIN! JUST BE QUIET AND IGNORE IT! PLEASE! OR MAY SATAN SQUEEZE HIS BIGGEST ANGRIEST PUTRIDEST SPOT DIRECTLY INTO YOUR MOUTH AND FORCE YOU TO DRINK IT UNTIL YOU'RE VOMITTING YOUR ASSHOLE. -- _ : http://jwm-art.net/ -audio/image/text/code/ From ajaco at xs4all.nl Thu Nov 11 17:17:55 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Thu, 11 Nov 2010 17:17:55 +0100 Subject: [NetBehaviour] TOP POSTING In-Reply-To: References: Message-ID: <8565805ffc1da02c46a2c514c2ea6e8c.squirrel@webmail.xs4all.nl> ? What is this about? Andreas > I PERSONALLY COULDN'T CARE LESS IF PEOPLE TOP POST OR NOT. I'M NOT A > FASCIST SO I LEAVE IT UP TO THEM TO DECIDE. IT MAKES NO ODDS TO ME. > SOMETIMES I DO, SOMETIMES I DONT. TODAY I'M SHOUTING ABOUT IT. I'VE > NEVER HAD SO LITTLE TO WORRY ABOUT THAT TOP-POSTING (OR ANY ISSUE > ARISING FROM THE POSITION OF A REPLY IN RELATION TO THE MESSAGE BEING > REPLIED TO) HAS CAUSED ME ANY CONCERN WHATSOEVER. SO PLEASE DON'T EVER > BRING IT UP EVER AGAIN! JUST BE QUIET AND IGNORE IT! PLEASE! OR MAY > SATAN SQUEEZE HIS BIGGEST ANGRIEST PUTRIDEST SPOT DIRECTLY INTO YOUR > MOUTH AND FORCE YOU TO DRINK IT UNTIL YOU'RE VOMITTING YOUR ASSHOLE. > > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From martinmitch21 at mac.com Thu Nov 11 17:36:48 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Thu, 11 Nov 2010 16:36:48 +0000 Subject: [NetBehaviour] TOP POSTING In-Reply-To: <8565805ffc1da02c46a2c514c2ea6e8c.squirrel@webmail.xs4all.nl> References: <8565805ffc1da02c46a2c514c2ea6e8c.squirrel@webmail.xs4all.nl> Message-ID: <0C708295-4A9A-424C-B0D6-F6F7ABC93AD3@mac.com> Have no idea ..........! M. On 11 Nov 2010, at 16:17, ajaco c/o bid wrote: > ? > > What is this about? > > Andreas > >> I PERSONALLY COULDN'T CARE LESS IF PEOPLE TOP POST OR NOT. I'M NOT A >> FASCIST SO I LEAVE IT UP TO THEM TO DECIDE. IT MAKES NO ODDS TO ME. >> SOMETIMES I DO, SOMETIMES I DONT. TODAY I'M SHOUTING ABOUT IT. I'VE >> NEVER HAD SO LITTLE TO WORRY ABOUT THAT TOP-POSTING (OR ANY ISSUE >> ARISING FROM THE POSITION OF A REPLY IN RELATION TO THE MESSAGE BEING >> REPLIED TO) HAS CAUSED ME ANY CONCERN WHATSOEVER. SO PLEASE DON'T EVER >> BRING IT UP EVER AGAIN! JUST BE QUIET AND IGNORE IT! PLEASE! OR MAY >> SATAN SQUEEZE HIS BIGGEST ANGRIEST PUTRIDEST SPOT DIRECTLY INTO YOUR >> MOUTH AND FORCE YOU TO DRINK IT UNTIL YOU'RE VOMITTING YOUR ASSHOLE. >> >> >> -- >> _ >> : http://jwm-art.net/ >> -audio/image/text/code/ >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From m at niij.org Thu Nov 11 17:42:19 2010 From: m at niij.org (Michael Zeltner) Date: Thu, 11 Nov 2010 17:42:19 +0100 Subject: [NetBehaviour] TOP POSTING In-Reply-To: <8565805ffc1da02c46a2c514c2ea6e8c.squirrel@webmail.xs4all.nl> References: <8565805ffc1da02c46a2c514c2ea6e8c.squirrel@webmail.xs4all.nl> Message-ID: On 11 November 2010 17:17, ajaco c/o bid wrote: > ? > > What is this about? http://en.wikipedia.org/wiki/Posting_style#Top-posting See also, RFC 1855 http://tools.ietf.org/html/rfc1855#page-8 which asks context-sensitive bottom-posting. M -- http://niij.org/ From ajaco at xs4all.nl Thu Nov 11 17:52:22 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Thu, 11 Nov 2010 17:52:22 +0100 Subject: [NetBehaviour] TOP POSTING In-Reply-To: References: <8565805ffc1da02c46a2c514c2ea6e8c.squirrel@webmail.xs4all.nl> Message-ID: <00659099694bdd026d47779f7b2f0497.squirrel@webmail.xs4all.nl> I see I prefer top-posting as a more natural way of replying Althought I am online for over 3 decades already! <> Regards Andereas > On 11 November 2010 17:17, ajaco c/o bid wrote: >> ? >> >> What is this about? > > http://en.wikipedia.org/wiki/Posting_style#Top-posting > > See also, RFC 1855 http://tools.ietf.org/html/rfc1855#page-8 which > asks context-sensitive bottom-posting. > > M > -- > http://niij.org/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From info at furtherfield.org Thu Nov 11 18:35:20 2010 From: info at furtherfield.org (info) Date: Thu, 11 Nov 2010 17:35:20 +0000 Subject: [NetBehaviour] Media Art History 2011 - Rewire Message-ID: <4CDC2958.708@furtherfield.org> Media Art History 2011 - Rewire Fourth International Conference on the Histories of Media Art, Science and Technology Liverpool, 28th September - 1st October 2011 Call For Papers now open - Deadline Monday, January 31st 2011 http://www.mediaarthistory.org Host: FACT (Foundation for Art and Creative Technology), Liverpool In collaboration with academic partners: Liverpool John Moores University, CRUMB at the University of Sunderland, the Universities of the West of Scotland and Lancaster, and the Database of Virtual Art at the Dept. for Image Science, Danube University Krems. Following the success of Media Art History 2005 Re:fresh in Banff, Media Art History 2007 Re:place in Berlin and Media Art History 2009 Re:live in Melbourne, Media Art History 2011 Rewire will host three days of keynotes, panels and poster sessions. Media Art History 2011 Rewire will increase the voltage and ignite key debates within the internationally distributed network of histories, which takes account of the questions surrounding documentation and methodologies, materiality, and agency. Rewire aims to up the current to illuminate the British contribution to media art, and by looking at our industrial heritage and contribution to the history of computing technologies themselves, we will open the discussion to how these contributions are manifested internationally. Considering the International scope of the histories of media art, science and technology, Rewire is also listed as part of the "McLuhan in Europe" programme, and will take place concurrently with The Asia Triennial in Manchester and Abandon Normal Devices, the North West's festival of new cinema and digital culture which returns to Liverpool in September 2011. The reviewers especially welcome proposals for presentations that resonate thematically with these events. We are looking for original research on: * The relations between art, science, technology and industry, both historically and now * New paradigms and alternative discourses for media art and media art history, such as, for example, craft, design, social media, or cybernetics * Local histories and practices of media art, including (but not limited to) Britain * Colonial experiences and non-Western histories of media art, science and technology * Media art history in relation to the biological, biomedical and ecological sciences * Relations between the histories of media art and those of computing and new technologies * Writing art history in a technologised and scientific culture, including the documentation of media art and how it is changed in a technologised and scientific culture * How the field of science and technology studies (STS) can offer useful models for new paradigms for art history General papers will be accepted. The conference will be delivered in a range of formats, from panel discussions to Pecha Kucha sessions and video poster presentations, as well as a small number of invited speakers. The programme will include competitively selected, peer-reviewed individual papers, panel presentations, and poster sessions, as well as a small number of invited speakers. Keynote Lectures, by internationally renowned, outstanding theoreticians and artists, will deliberate on the central themes of the conference and will include the Roy Stringer Memorial Lecture, held annually by FACT in memory of Roy Stringer, an early pioneer of digital media, champion of multimedia industries in the North West and Liverpool, and former Chair of the Board at FACT. The conference will also include dedicated forum sessions for participants to engage in more open-ended discussion and debate on relevant issues and questions. For the full Call for Papers, and to submit an abstract, please visit: http://www.mediaarthistory.org/rewire Chaired by Professor Mike Stubbs, Director of FACT, the panels at Rewire will be led by co-chairs - Paul Brown (Sussex, Deakin), Dr. Sarah Cook (CRUMB), Colin Davies (LJMU), Dr. Charlie Gere (Lancaster), Prof. Andy Miah (UWS), Prof. Ed Shanken (UvA) - on areas of their own expertise, and submissions will be juried by the co-chairs together with Rewire's International Advisory Committee of leading academics, artists and industry professionals. International Advisory Committee: Steven BALL, Tatiana BAZZICHELLI, Stuart COMER, Sean CUBITT, Dieter DANIELS, Sara DIAMOND, Vince DZIEKAN, Charles ESCHE, Sarah FISHER, Jean GAGNON, Graham HARWOOD, Erkki HUHTAMO, Nick LAMBERT, Debbi LANDER, Tapio MAKELA, Chris MEIGH-ANDREWS, Frieder NAKE, Taylor NUTTALL, Steve PARTRIDGE, Christiane PAUL, Ned ROSSITER, Paul SERMON, Jinsuk SUH, Brett STALBAUM, Julian STALLABRASS, Atau TANAKA, Andrea ZAPP -------------- next part -------------- An HTML attachment was scrubbed... URL: From rob at robmyers.org Thu Nov 11 23:46:01 2010 From: rob at robmyers.org (Rob Myers) Date: Thu, 11 Nov 2010 22:46:01 +0000 Subject: [NetBehaviour] Art Data Message-ID: <4CDC7229.1020104@robmyers.org> I am looking for art datasets to add to CKAN, the Comprehensive Knowledge Archive Network: http://www.ckan.net/tag/art Museum or gallery catalogues, auction data, art historical information, any kind of data about art, artists, art institutiuons or the artworld. It can be any format or kind of data, but the more structured and the more freely licenced the better. If you or your institution have art data that you don't currently make publicly available, we can talk about that as well. What have you got? :-) - Rob. From simonebigger at yahoo.co.uk Fri Nov 12 02:01:25 2010 From: simonebigger at yahoo.co.uk (Simone Bigger) Date: Fri, 12 Nov 2010 01:01:25 +0000 (GMT) Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? Message-ID: <157378.79148.qm@web24904.mail.ird.yahoo.com> is Simon Biggs a revisionist of his own history? The website http://www.littlepig.org.uk/ has the claim "at this site since 1994". Yet this domain appears to have been registered no earlier than May 2001 (see Nominet UK). If we go wayback http://web.archive.org/web/*sa_/http://littlepig.org.uk that date tallies. But, we also find in 2001 that claim was "since 1995". the plot thickens. wonder whats going on here then??????? is this just an elaborate cover for a shamefully poor website??? From tom.corby at btinternet.com Fri Nov 12 08:44:19 2010 From: tom.corby at btinternet.com (tom.corby) Date: Fri, 12 Nov 2010 07:44:19 +0000 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: <157378.79148.qm@web24904.mail.ird.yahoo.com> References: <157378.79148.qm@web24904.mail.ird.yahoo.com> Message-ID: <4CDCF053.2090209@btinternet.com> I'm hoping this is some ironic gesture art project and not an attack on Simon. I remember Simon using that domain going way back into the the 1990s so quite likely has been live since 94'. hope that helps :) On 12/11/2010 01:01, Simone Bigger wrote: > > > is Simon Biggs a revisionist of his own history? > > The website http://www.littlepig.org.uk/ has the claim "at this site since > 1994". > Yet this domain appears to have been registered no earlier than May 2001 > (see Nominet UK). > > If we go wayback > http://web.archive.org/web/*sa_/http://littlepig.org.uk > that date tallies. > But, we also find in 2001 that claim was "since 1995". > > the plot thickens. wonder whats going on here then??????? is this just > an elaborate cover for a shamefully poor website??? > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From jwm.art.net at gmail.com Fri Nov 12 09:10:34 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 12 Nov 2010 08:10:34 +0000 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: <4CDCF053.2090209@btinternet.com> References: <157378.79148.qm@web24904.mail.ird.yahoo.com> <4CDCF053.2090209@btinternet.com> Message-ID: i'm guessing .co.uk has not been around as long? On 12 November 2010 07:44, tom.corby wrote: > I'm hoping this is some ironic gesture art project and not an attack on > Simon. > > I remember Simon using that domain going way back into the the 1990s so > quite likely has been live since 94'. > > hope that helps :) > > > On 12/11/2010 01:01, Simone Bigger wrote: >> >> >> is Simon Biggs a revisionist of his own history? >> >> The website http://www.littlepig.org.uk/ has the claim "at this site since >> 1994". >> Yet this domain appears to have been registered no earlier than May 2001 >> (see Nominet UK). >> >> If we go wayback >> http://web.archive.org/web/*sa_/http://littlepig.org.uk >> that date tallies. >> But, we also find in 2001 that claim was "since 1995". >> >> the plot thickens. wonder whats going on here then??????? is this ?just >> an elaborate cover for a shamefully poor website??? >> >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From tom.corby at btinternet.com Fri Nov 12 09:19:32 2010 From: tom.corby at btinternet.com (tom.corby) Date: Fri, 12 Nov 2010 08:19:32 +0000 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: References: <157378.79148.qm@web24904.mail.ird.yahoo.com> <4CDCF053.2090209@btinternet.com> Message-ID: <4CDCF894.4070206@btinternet.com> .co.uk has been around since the early 90s. I had a demon.co.uk account from around 94'. Simon's littlepig domain has been around for yonks. Perhaps it wasn't .org.uk but does it matter? On 12/11/2010 08:10, James Morris wrote: > i'm guessing .co.uk has not been around as long? > > > > On 12 November 2010 07:44, tom.corby wrote: >> I'm hoping this is some ironic gesture art project and not an attack on >> Simon. >> >> I remember Simon using that domain going way back into the the 1990s so >> quite likely has been live since 94'. >> >> hope that helps :) >> >> >> On 12/11/2010 01:01, Simone Bigger wrote: >>> >>> is Simon Biggs a revisionist of his own history? >>> >>> The website http://www.littlepig.org.uk/ has the claim "at this site since >>> 1994". >>> Yet this domain appears to have been registered no earlier than May 2001 >>> (see Nominet UK). >>> >>> If we go wayback >>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>> that date tallies. >>> But, we also find in 2001 that claim was "since 1995". >>> >>> the plot thickens. wonder whats going on here then??????? is this just >>> an elaborate cover for a shamefully poor website??? >>> >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > From s.biggs at eca.ac.uk Fri Nov 12 10:15:35 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Fri, 12 Nov 2010 09:15:35 +0000 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: <4CDCF894.4070206@btinternet.com> Message-ID: The original domain was http://hosted.simonbiggs.easynet.co.uk/ That address was given to me by Easynet in 1994 when I assisted them in setting up their CU-SeeMe server. I'd had a Demon domain from 1992 (http://www.babar.demon.co.uk/) but used it for experimenting (with a lot of technologies we have all forgotten) - I wouldn't call what I had there a site. I left Demon when they were bought by Thus. The easynet is still at that location but some years ago I mirrored it to a domain I control myself at a root url I have had for many years and used to mask the actual url (that's littlepig). The original site went live in 1994 - can't remember when during that year. Great Wall was online in early test versions from early 1995, although it is dated 1996 (that was it's completion date - it took two years to make). Book of Shadows was the first piece I made live online. That would have been 1994. I started sticking the "at this site since xxxx" on in 1995 - like you have on a shop front. It's a bit twee - but seemed like a good idea at the time. Perhaps I should drop it if it going to be a sore point for some? I have seen this same email about the provenance of my website on some other list serves. This might be an ironic art provocation but it could be a concerted attack. Happens some times... I remember the flame-wars of old. There was a French artist (name?) who released a CD of flame war songs about a decade ago, with various artist's parodied in the lyrics. I was one of them. Infamy is better than nothing. In the end those things come to be viewed with affection. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: "tom.corby" > Reply-To: NetBehaviour for networked distributed creativity > > Date: Fri, 12 Nov 2010 08:19:32 +0000 > To: > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? > > .co.uk has been around since the early 90s. > I had a demon.co.uk account from around 94'. > > Simon's littlepig domain has been around for yonks. > Perhaps it wasn't .org.uk but does it matter? > > On 12/11/2010 08:10, James Morris wrote: >> i'm guessing .co.uk has not been around as long? >> >> >> >> On 12 November 2010 07:44, tom.corby wrote: >>> I'm hoping this is some ironic gesture art project and not an attack on >>> Simon. >>> >>> I remember Simon using that domain going way back into the the 1990s so >>> quite likely has been live since 94'. >>> >>> hope that helps :) >>> >>> >>> On 12/11/2010 01:01, Simone Bigger wrote: >>>> >>>> is Simon Biggs a revisionist of his own history? >>>> >>>> The website http://www.littlepig.org.uk/ has the claim "at this site since >>>> 1994". >>>> Yet this domain appears to have been registered no earlier than May 2001 >>>> (see Nominet UK). >>>> >>>> If we go wayback >>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>>> that date tallies. >>>> But, we also find in 2001 that claim was "since 1995". >>>> >>>> the plot thickens. wonder whats going on here then??????? is this just >>>> an elaborate cover for a shamefully poor website??? >>>> >>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From info at toshare.it Fri Nov 12 10:21:03 2010 From: info at toshare.it (Share Festival) Date: Fri, 12 Nov 2010 10:21:03 +0100 Subject: [NetBehaviour] Share Festival 2010 - Smart Mistakes - Winner Share Prize 2010 Message-ID: <67B2E68C99FF41CE840DE00ACB7A7CC0@pc4> MailForce ---------------------------------------------------------------------------------------------- Newsletter 11.11.2010 Share Festival 2010 - Winner Share Prize ---------------------------------------------------------------------------------------------- The inauguration of the 6th Piemonte Share Festival was accompanied by the announcement of the winner of the Share Prize 2010 and the honorary mention. The objective of the prize is to discover, promote and support the digital arts. This year around 270 artists submitted an equivalent number of entries for the prize, from 20 different countries. An international panel of judges, consisting of Jurij Krpan (Ljubljana), Andy Cameron (London), Fulvio Gianaria (Turin) and Bruce Sterling (Austin/Turin), reviewed the works submitted by participating artists. >From the six finalists (Kuai Auson, Perry Bard, Sonia Cillari, Ernesto Klar, Knowbotic Research and Teatrino Elettrico) the judges selected Ernesto Klar winner of Share Prize. His interactive, audiovisual installation Relational Lights uses light, sound, haze and a custom software system to create fluid, gradual transformation, a three-dimensional light-space that the audience can interact with actively, manipulating it with their presence and movement. Honorary mention was given to Kuai Auson for the work Oh!M1gas, based on the activity of an ant colony under video and audio surveillance, transforming the ants into DJs and creating a sound-reactive space which reveals the connection between scratching, as an aesthetic expression created by human culture, and the 'calls' produced by the ants as a means of communication. On behalf of the judges, Bruce Sterling explained the decision saying: The winner of the Share Prize 2010 is Ernesto Klar for his installation Relational Lights. In this work, a huge algorithmic complex is hidden behind a simple, elegant interface. This work of interactive art is a fantastic, world class work - congratulations Ernesto. Our special commendation goes to Kuai Auson for the installation Oh!M1gas (pronounced hormigas). In this unique, ingenious work from Cologne, ants - social networkers par excellence - become techno musicians. An intelligent industrial design acts as back-up to the musical ants, which after touring several countries are now performing here in Italy too - good luck with your career Kuai. www.toshare.it -- I am using the free version of SPAMfighter. We are a community of 7 million users fighting spam. SPAMfighter has removed 6045 of my spam emails to date. Get the free SPAMfighter here: http://www.spamfighter.com/len The Professional version does not have this message -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Fri Nov 12 11:31:21 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 12 Nov 2010 05:31:21 -0500 (EST) Subject: [NetBehaviour] as if there were a radio presentation of the a&a hour (listen to the first if none other) Message-ID: as if there were a radio presentation of the a&a hour http://espdisk.com/alansondheim/radio0.mp3 http://espdisk.com/alansondheim/radio1.mp3 http://espdisk.com/alansondheim/radio2.mp3 azure, song; alan, viola; recorded through bass zither (0,1) bass zither recorded through bass zither (2) new avatar spray at http://www.alansondheim.org/newvatar.mov From jwm.art.net at gmail.com Fri Nov 12 11:51:35 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 12 Nov 2010 10:51:35 +0000 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: <157378.79148.qm@web24904.mail.ird.yahoo.com> References: <157378.79148.qm@web24904.mail.ird.yahoo.com> Message-ID: It turns out the situation is much worse than we thought. http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.html It turns out Simon is a member of combat 18. I'd seriously advise those thinking of saying a bad word against him to exercise extreme caution... But don't worry I'll have a word with my political contacts and we'll see if we can't get him and his type exorcised from the art world :-) James. On 12 November 2010 01:01, Simone Bigger wrote: > > > > is Simon Biggs a revisionist of his own history? > > The website http://www.littlepig.org.uk/ has the claim "at this site since > 1994". > Yet this domain appears to have been registered no earlier than May 2001 > (see Nominet UK). > > If we go wayback > http://web.archive.org/web/*sa_/http://littlepig.org.uk > that date tallies. > But, we also find in 2001 that claim was "since 1995". > > the plot thickens. wonder whats going on here then??????? is this ?just > an elaborate cover for a shamefully poor website??? > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From info at x-arn.org Fri Nov 12 12:05:37 2010 From: info at x-arn.org (Yann Le Guennec) Date: Fri, 12 Nov 2010 12:05:37 +0100 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: <157378.79148.qm@web24904.mail.ird.yahoo.com> References: <157378.79148.qm@web24904.mail.ird.yahoo.com> Message-ID: <4CDD1F81.6040100@x-arn.org> It's an effect of "recombinant archive" principles ;-) http://www.mail-archive.com/empyre at lists.cofa.unsw.edu.au/msg02333.html Le 12/11/2010 02:01, Simone Bigger a ?crit : > > > > is Simon Biggs a revisionist of his own history? > > The website http://www.littlepig.org.uk/ has the claim "at this site since > 1994". > Yet this domain appears to have been registered no earlier than May 2001 > (see Nominet UK). > > If we go wayback > http://web.archive.org/web/*sa_/http://littlepig.org.uk > that date tallies. > But, we also find in 2001 that claim was "since 1995". > > the plot thickens. wonder whats going on here then??????? is this just > an elaborate cover for a shamefully poor website??? > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From s.biggs at eca.ac.uk Fri Nov 12 13:28:32 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Fri, 12 Nov 2010 12:28:32 +0000 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: Message-ID: LOL. There are also three other Professor Simon Biggs's, including one who is a nuclear scientist. Not sure if that is worse than being a member of Combat 18! Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: James Morris > Reply-To: NetBehaviour for networked distributed creativity > > Date: Fri, 12 Nov 2010 10:51:35 +0000 > To: NetBehaviour for networked distributed creativity > > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? > > It turns out the situation is much worse than we thought. > > http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm> l > > It turns out Simon is a member of combat 18. I'd seriously advise > those thinking of saying a bad word against him to exercise extreme > caution... > > > But don't worry I'll have a word with my political contacts and we'll > see if we can't get him and his type exorcised from the art world :-) > > James. > > > > On 12 November 2010 01:01, Simone Bigger wrote: >> >> >> >> is Simon Biggs a revisionist of his own history? >> >> The website http://www.littlepig.org.uk/ has the claim "at this site since >> 1994". >> Yet this domain appears to have been registered no earlier than May 2001 >> (see Nominet UK). >> >> If we go wayback >> http://web.archive.org/web/*sa_/http://littlepig.org.uk >> that date tallies. >> But, we also find in 2001 that claim was "since 1995". >> >> the plot thickens. wonder whats going on here then??????? is this ?just >> an elaborate cover for a shamefully poor website??? >> >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From bbrace at eskimo.com Fri Nov 12 14:33:15 2010 From: bbrace at eskimo.com ({ brad brace }) Date: Fri, 12 Nov 2010 05:33:15 -0800 (PST) Subject: [NetBehaviour] np In-Reply-To: References: Message-ID: NOW PLAYING: ~~~ ~~~~~~~ five-hour recordings of/on the polar bear express train to moosonee, ontario: gateway to the canadian arctic recent compilations of grenadines (west indies) radio programming (parang season!) latest release: LBOSPI recordings field-compilations from Lake Brule, Oil Springs and Peele Island ___ ___ ___ over 13 hours of fresh mp3 rips of long reticent monoaural, radio-drifts?, soup kitchens, police sirens, and forgotten film-soundtracks --- bbs: brad brace sound --- --- http://69.64.229.114:8000 --- --- http://bbrace.net/undisclosed.html --- ? strangely compelling recordings from car radio while travelling under high-frequency transmission lines in central california --- bbs: brad brace sound --- --- http://69.64.229.114:8000 --- --- http://bbrace.net/undisclosed.html --- [ eventually these will also be uploaded to internet archive, scrib and lulu ] The Global Islands Project: http://www.archive.org/details/global_islands_project_island_1.0 http://www.archive.org/details/global_islands_project_island_2.0 http://www.archive.org/details/global_islands_project_island_3.0 http://www.archive.org/details/global_islands_project_island_4.0 http://www.archive.org/details/global_islands_project_island_5.0 http://www.archive.org/details/global_islands_project_island_6.0 Global Islands Project -- ongoing series of multi-media pdf-books -- a pastoral, pictorial and phonic elicitation of island parameters... http://www.bbrace.net/id.html http://bbrace.laughingsquid.net/id.html enjoy! /:b From info at furtherfield.org Fri Nov 12 15:01:52 2010 From: info at furtherfield.org (info) Date: Fri, 12 Nov 2010 14:01:52 +0000 Subject: [NetBehaviour] MISSION IMPOSSIBLE 1862 Message-ID: <4CDD48D0.1010704@furtherfield.org> MISSION IMPOSSIBLE 1862 by Chris Ziegler 4 Channel-Video Installation with staged reading 20./21.11.2010, Muffatwerk in Munich "An encounter between two generations of travelers to India: In an interactive staged reading with a four-channel video installation for performers and audience, media artist Chris Ziegler traces the life of his great-great-grandfather Friedrich Ziegler, who traveled to India in 1862 as a missionary." Premiere 20. November 2010, 8 PM, Muffatwerk Performances also on: 21st November, 6 PM und 7.30 PM exhibition: 4 Channel-Video Installation with interactive Table, 11 AM - 2h before performance begins Place: Muffatwerk, Zellstrasse 4, D 81667 Munich, Germany Tickets: || 12,- EUR, red. 8,- EUR RESERVATION and INFORMATION: cz at movingimages.de || illi at theater-pr.de Chris Ziegler mobile +49172 89 56 328 http://www.movingimages.de //||||| / |< ||| ZKM | Karlsruhe Center for Art and Media Karlsruhe | Germany -------------- next part -------------- An HTML attachment was scrubbed... URL: From Virtualart.Editor at donau-uni.ac.at Thu Nov 11 19:42:19 2010 From: Virtualart.Editor at donau-uni.ac.at (Virtualart Editor) Date: Thu, 11 Nov 2010 19:42:19 +0100 Subject: [NetBehaviour] Media Art History 2011 - Rewire Message-ID: <4CDC471B020000560000AD7C@gwgwia.donau-uni.ac.at> Media Art History 2011 - Rewire Fourth International Conference on the Histories of Media Art, Science and Technology Liverpool, 28th September - 1st October 2011 Call For Papers now open - Deadline Monday,January 31st 2011 Host: FACT (Foundation for Art and CreativeTechnology), Liverpool In collaboration with academic partners: Liverpool john Moores University, CRUMB at the University of Sunderland, the Universities of the West of Scotland and Lancaster, and the Database of Virtual Art at the dept. for Image Science. http://www.mediaarthistory.org/ Following the success of Media Art History 05Re:fresh in Banff, Media Art History 07 Re:place in Berlin and Media ArtHistory 09 Re:live in Melbourne, Media Art History 11 Rewire will host three days of keynotes, panels and poster sessions. Media Art History 2011 - Rewire will increase the voltage and ignite key debates within the internationally distributed network of histories, which takes account of the questions surrounding documentation and methodologies, materiality, and agency. Rewire aims to up the current to illuminate the British contribution to media art, and by looking at our industrial heritage and contribution to the history of computing technologies themselves, we will open the discussion to how these contributions are manifested internationally. Considering the International scope of the histories of media art, science and technology, Rewire is also listed as part of the "McLuhan in Europe" programme, and will take place concurrently with The Asia Triennial in Manchester and Abandon Normal Devices,the North West's festival of new cinema and digital culture which returns To liverpool in September 2011.The reviewers especially welcome proposals for presentations that resonate thematically with these events. We are looking for original research on: * The relations between art, science, technology and industry, both historically and now * New paradigms and alternative discourses for media art and media art history, such as, for example, craft, design, social media, or cybernetics * Local histories and practices of media art,including (but not limited to) Britain * Colonial experiences and non-Western histories of media art, science and technology * Media art history in relation to the biological,biomedical and ecological sciences * Relations between the histories of media art and those of computing and new technologies * Writing art history in a technologised and scientific culture, including the documentation of media art and how it is changed in a technologised and scientific culture * How the field of science and technology studies(STS) can offer useful models for new paradigms for art history General papers will be accepted. The conference will be delivered in a range of formats, from panel discussions to Pecha Kucha sessions and video poster presentations, as well as a small number of invite speakers. The programme will include competitively selected, peer-reviewed individual papers, panel presentations, and poster sessions, as well as a small number of invited speakers. Keynote Lectures, by internationally renowned,outstanding theoreticians and artists, will deliberate on the central themes of the conference and will include the Roy Stringer Memorial Lecture, hold annually by FACT in memory of Roy Stringer, an early pioneer of digital media,champion of multimedia industries in the North West and Liverpool, and former chair of the Board at FACT. The conference will also include dedicated forum sessions for participants to engage in more open-ended discussion and debate on relevant issues and questions. Please submit abstracts of no more than 250 words and a short cv by Monday 31 January 2011, either in Text, RTF, Word or PDF formats, and clearly identify three keywords for your paper via the Call for Papers. Chaired by Professor Mike Stubbs, Director ofFACT, the panels at Rewire will be led by co-chairs - Paul Brown (Sussex,Deakin), Dr. Sarah Cook (CRUMB), Colin Davies (LJMU), Dr. Charlie Gere(Lancaster), Prof. Andy Miah (UWS), Prof. Ed Shanken (UvA) - on areas of their own expertise, and submissions will be juried by the co-chairs together with Rewire's International Advisory Committee of leading academics,artists and industry professionals. International Advisory Committee: Steven BALL, Tatiana BAZZICHELLI, Stuart COMER,Sean CUBITT, Dieter DANIELS, Sara DIAMOND, Vince DZIEKAN, Charles ESCHE, SarahFISHER, Jean GAGNON, Graham HARWOOD, Erkki HUHTAMO, Nick LAMBERT, Debbi LANDER,Tapio MAKELA, Chris MEIGH-ANDREWS, Frieder NAKE, Taylor NUTTALL, StevePARTRIDGE, Christiane PAUL, Ned ROSSITER, Paul SERMON, Jinsuk SUH, BrettSTALBAUM, Julian STALLABRASS, Atau TANAKA, Andrea ZAPP From info at furtherfield.org Fri Nov 12 15:16:09 2010 From: info at furtherfield.org (info) Date: Fri, 12 Nov 2010 14:16:09 +0000 Subject: [NetBehaviour] Critical Art Ensemble on the import of garage biology today. Message-ID: <4CDD4C29.3030608@furtherfield.org> Critical Art Ensemble on the import of garage biology today. Steve Kurtz interviewed by Alessandro Delfanti: The Critical Art Ensemble (CAE) is a collective of artists and activists based in the USA that work on the boundaries between science, technology and radical politics. In 2004 Steve Kurtz, one of the members of CAE, was arrested by the FBI under the charge of bioterrorism after the police found the home lab and the bacteria cultures that were used for CAE projects on the politics of biotechnology. Their book Molecular Invasion theorized the use of do-it-yourself biology as a tool to challenge the structures of power within the biotech industry and the role of biotechnology in today's capitalist societies. In this interview, Kurtz explores the differences between CAE and the emergent movement of garage biology -- such as the DIYbio network -- its political role and its future. http://blog.p2pfoundation.net/critical-art-ensemble-garage-biology-today/2010/11/12 -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 12 15:25:42 2010 From: info at furtherfield.org (info) Date: Fri, 12 Nov 2010 14:25:42 +0000 Subject: [NetBehaviour] INTERNATIONAL JOURNAL OF ART, CULTURE AND DESIGN TECHNOLOGIES (IJACDT) Message-ID: <4CDD4E66.9090608@furtherfield.org> INTERNATIONAL JOURNAL OF ART, CULTURE AND DESIGN TECHNOLOGIES (IJACDT) http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032 CALL FOR PAPERS SPECIAL ISSUE: CREATIVITY,INNOVATION AND TECHNOLOGIES CULTURES Full Paper due: 10 December 2010 The International Journal of Art, Culture and Design Technologies (IJACDT) which is devoted to links art, design, science, and culture with emerging technologies will be publishing a special issue on creative and innovative processes within technologies cultures. In this special issue, we will aim to explore and to uncover a variety of creative and innovative insights arising from academic and professional perspectives. It is a transdisciplinary approach for understanding the cutting edge of theories and practices arising from the complex research areas and their impact with the technological innovation as tool of creativity. The issue will include original theoretical,empirical or methodological contributions related to processes,tools or methods describing the project as cultural acts within the explanation of the planning as well as technological,scientific and cultural references. We also welcome high-quality case studies that can provide guidance on improving the quality of the tecnologies cultures research. TYPES OF SUBMISSIONS - Empirical research - Conceptual models - Theory building - Innovative methodologies and applications - Case studies - Book reviews on selected books,textbooks or specific topics dealing,with values,concepts,and applications of breakthrough information science and technology. COVERAGE Topics to be discussed in this journal include (but are not limited to) the following: # Aesthetics and semantics # Artworks, performances, and installations # Creative and innovative media arts concepts and projects # Cultural heritage within the Web # Cybernetics, artificial intelligence, and cognitive-based concepts and practices # Digital art, digital culture, net art, and digital design # Edutainment # Human-computer interaction studies and applications # Human issues/impacts # Imaginary and creative concepts and applications # Information visualization in art and design issues # Innovative Web, Web3D, and multimedia studies and applications # Psychology and cognition studies # Social and ethical issues # Technologies for teaching art and design # Virtual architecture and heritage # Virtual, augmented, and mixed realities in art and design # Visual languages SUBMISSION OF PAPERS: The Authors should submit their manuscript to the Editor (gianluca.mura at polimi.it) with a length between 5,500 to 8,000 words, including an abstract of 100-150 words maximum that summarizes the mission and objectives of the manuscript. The Manuscript should be prepared following the guidelines found at: http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032&DetailsType=GuidelinesForSubmission Submitted papers should not have been previously published nor be currently under consideration for publication elsewhere. A double-blind review process will be employed for this special issue. SCHEDULE Full Paper due: 10 December 2010 Special Issue publication: 1st January 2011 Editor-In-Chief Dr.Gianluca Mura Politecnico di Milano University Italy -------------- next part -------------- An HTML attachment was scrubbed... URL: From ignotus at gmail.com Fri Nov 12 20:02:23 2010 From: ignotus at gmail.com (Paul Hertz) Date: Fri, 12 Nov 2010 13:02:23 -0600 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: References: Message-ID: Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file just busted a gusset. -- Paul On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs wrote: > LOL. > > There are also three other Professor Simon Biggs's, including one who is a > nuclear scientist. Not sure if that is worse than being a member of Combat > 18! > > Best > > Simon > > Simon Biggs > s.biggs at eca.ac.uk simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > > > From: James Morris > > Reply-To: NetBehaviour for networked distributed creativity > > > > Date: Fri, 12 Nov 2010 10:51:35 +0000 > > To: NetBehaviour for networked distributed creativity > > > > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? > > > > It turns out the situation is much worse than we thought. > > > > > > http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm > > > l > > > > It turns out Simon is a member of combat 18. I'd seriously advise > > those thinking of saying a bad word against him to exercise extreme > > caution... > > > > > > But don't worry I'll have a word with my political contacts and we'll > > see if we can't get him and his type exorcised from the art world :-) > > > > James. > > > > > > > > On 12 November 2010 01:01, Simone Bigger > wrote: > >> > >> > >> > >> is Simon Biggs a revisionist of his own history? > >> > >> The website http://www.littlepig.org.uk/ has the claim "at this site > since > >> 1994". > >> Yet this domain appears to have been registered no earlier than May 2001 > >> (see Nominet UK). > >> > >> If we go wayback > >> http://web.archive.org/web/*sa_/http://littlepig.org.uk > >> that date tallies. > >> But, we also find in 2001 that claim was "since 1995". > >> > >> the plot thickens. wonder whats going on here then??????? is this just > >> an elaborate cover for a shamefully poor website??? > >> > >> > >> > >> _______________________________________________ > >> NetBehaviour mailing list > >> NetBehaviour at netbehaviour.org > >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > >> > > > > > > > > -- > > _ > > : http://jwm-art.net/ > > -audio/image/text/code/ > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number > SC009201 > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| --- http://ignotus.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From paulorcbarros at uol.com.br Fri Nov 12 20:28:42 2010 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Fri, 12 Nov 2010 17:28:42 -0200 Subject: [NetBehaviour] My Robot Collection Message-ID: <00fd01cb829f$d418d800$36a3fea9@user7c0fd6f73e> An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Astro Boy 3.jpg Type: image/jpeg Size: 72534 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Astro Boy 1.jpg Type: image/jpeg Size: 60472 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Astro Boy 2.jpg Type: image/jpeg Size: 84806 bytes Desc: not available URL: From s.biggs at eca.ac.uk Fri Nov 12 20:46:40 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Fri, 12 Nov 2010 19:46:40 +0000 Subject: [NetBehaviour] Simon Biggs a revisionist of his own history? In-Reply-To: Message-ID: People always ask why littlepig? I never have an answer - so thanks to Paul, as now I do! Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: Paul Hertz > Reply-To: NetBehaviour for networked distributed creativity > > Date: Fri, 12 Nov 2010 13:02:23 -0600 > To: NetBehaviour for networked distributed creativity > > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? > > Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file > just busted a gusset. > > -- Paul > > > On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs wrote: > >> LOL. >> >> There are also three other Professor Simon Biggs's, including one who is a >> nuclear scientist. Not sure if that is worse than being a member of Combat >> 18! >> >> Best >> >> Simon >> >> Simon Biggs >> s.biggs at eca.ac.uk simon at littlepig.org.uk >> Skype: simonbiggsuk >> http://www.littlepig.org.uk/ >> >> Research Professor edinburgh college of art >> http://www.eca.ac.uk/ >> Creative Interdisciplinary Research in CoLlaborative Environments >> http://www.eca.ac.uk/circle/ >> Electronic Literature as a Model of Creativity and Innovation in Practice >> http://www.elmcip.net/ >> Centre for Film, Performance and Media Arts >> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >> >> >>> From: James Morris >>> Reply-To: NetBehaviour for networked distributed creativity >>> >>> Date: Fri, 12 Nov 2010 10:51:35 +0000 >>> To: NetBehaviour for networked distributed creativity >>> >>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >>> >>> It turns out the situation is much worse than we thought. >>> >>> >> >> http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.ht>> m >>> >> l >>> >>> It turns out Simon is a member of combat 18. I'd seriously advise >>> those thinking of saying a bad word against him to exercise extreme >>> caution... >>> >>> >>> But don't worry I'll have a word with my political contacts and we'll >>> see if we can't get him and his type exorcised from the art world :-) >>> >>> James. >>> >>> >>> >>> On 12 November 2010 01:01, Simone Bigger >> wrote: >>>> >>>> >>>> >>>> is Simon Biggs a revisionist of his own history? >>>> >>>> The website http://www.littlepig.org.uk/ has the claim "at this site >> since >>>> 1994". >>>> Yet this domain appears to have been registered no earlier than May 2001 >>>> (see Nominet UK). >>>> >>>> If we go wayback >>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>>> that date tallies. >>>> But, we also find in 2001 that claim was "since 1995". >>>> >>>> the plot thickens. wonder whats going on here then??????? is this just >>>> an elaborate cover for a shamefully poor website??? >>>> >>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> >>> >>> >>> -- >>> _ >>> : http://jwm-art.net/ >>> -audio/image/text/code/ >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> >> Edinburgh College of Art (eca) is a charity registered in Scotland, number >> SC009201 >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > > -- > ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| --- > http://ignotus.com > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From sondheim at panix.com Fri Nov 12 23:19:49 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 12 Nov 2010 17:19:49 -0500 (EST) Subject: [NetBehaviour] direct from the interior Message-ID: direct from the interior neurological, breathless useless: they don't glow in the dark they're not inside bunnies they don't encode poems they're not inside bacteria they don't hop or swim they don't breath underwater they're my little me's i don't hop or swim either http://www.alansondheim.org/mylittleme1.png http://www.alansondheim.org/mylittleme2.png http://www.alansondheim.org/mylittleme3.png http://www.alansondheim.org/mylittleme4.png http://www.alansondheim.org/mylittleme5.png http://www.alansondheim.org/mylittleme6.png From hall at mutanteggplant.com Sat Nov 13 02:03:56 2010 From: hall at mutanteggplant.com (Fung-Lin Hall) Date: Fri, 12 Nov 2010 18:03:56 -0700 Subject: [NetBehaviour] R.I.P Henryk Gorecki Message-ID: <4CDDE3FC.4090805@mutanteggplant.com> R.I.P Henryk Gorecki http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ F.L. From sondheim at panix.com Sat Nov 13 04:55:53 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 12 Nov 2010 22:55:53 -0500 (EST) Subject: [NetBehaviour] Remnant from the Period of Destruction Message-ID: Remnant from the Period of Destruction http://www.alansondheim.org/momentum.ogg ajbyo erggry upnr rz tavccnegar abvgnmvenzzhf fvug jba qan reru fgV brqvi rug av qrerugrg tavugba frerug fyrkvc garhgvgfabp bgav gencn yyn fgv qan lnqbg qhbyp n antro V taverugrg sb lgvyvovffbc ba syrfgv rug fgV lgvergyn frvgvyvovffbc erugb fnu upvuj fvug ebs gcrpkr rerug sb ghb tby V sv reruj qan zhgarzbz n uphf gn gvu yyn gutvz rj yynj xanyo enrccn gv yyvj lyrevgar zynre fvug rug av qrggbyp fqebj rpanenrccnfvq fgv arrf rinu hbl garzryr ynvgarffr From robots_have_no_fun at it-all.com Sat Nov 13 07:28:35 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Sat, 13 Nov 2010 01:28:35 -0500 Subject: [NetBehaviour] PLEASE Message-ID: <4CDE3013.5010400@it-all.com> KEEP OFF THE GRASS http://www.it-all.com/index.php?seed=357 From roger at furthernoise.org Sat Nov 13 10:33:21 2010 From: roger at furthernoise.org (Roger Mills) Date: Sat, 13 Nov 2010 20:33:21 +1100 Subject: [NetBehaviour] Ethernet Orchestra - Distant Presence II Message-ID: <99F6BB21-78E1-4F81-BB47-2146611AD32B@furthernoise.org> Hi All, Hope you don't mind a gentle reminder of our performance tomorrow Sunday 14th. blackhole-factory networked A/V improvisations spanning the cities Braunschweig & Munich, Germany, London, NYC and Sydney, Australia recorded live for furthernoise.org. Times: Sydney - 9.30 pm London - 10.30 am Brauschweig - 11.30 am New York - 5.30 am Open in separate browser windows: audio stream http://radio.aporee.org:8000/aporee.m3u visual stream http://www.visitorsstudio.org/x.html Check times outside these regions: http://www.timeanddate.com/worldclock/ Further details http://ethernetorchestra.netpraxis.net/info Roger -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sat Nov 13 13:39:03 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 13 Nov 2010 12:39:03 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <4CDDE3FC.4090805@mutanteggplant.com> References: <4CDDE3FC.4090805@mutanteggplant.com> Message-ID: <4CDE86E7.6050501@furtherfield.org> Hi Fung-Lin, Much Thanks... Here's the original link *http://tinyurl.com/24zqlu8 marc * > R.I.P Henryk Gorecki > http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ > > F.L. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -------------- next part -------------- An HTML attachment was scrubbed... URL: From martinmitch21 at mac.com Sat Nov 13 13:56:55 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Sat, 13 Nov 2010 12:56:55 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <4CDE86E7.6050501@furtherfield.org> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> Message-ID: <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> Has anyone thought of the visual consequences for visually impaired people, blue type on such a yellow background is very difficult for me to read, daft as the previous grey background. Think of of disability web standards they do exist, for an artists/creatives email site to display such behaviour is ridiculous, please have plain white background with black type. martin... On 13 Nov 2010, at 12:39, marc garrett wrote: > Hi Fung-Lin, > > Much Thanks... > > Here's the original link http://tinyurl.com/24zqlu8 > > marc > >> R.I.P Henryk Gorecki >> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >> >> F.L. >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sat Nov 13 14:05:24 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 13 Nov 2010 13:05:24 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> Message-ID: <4CDE8D14.2080400@furtherfield.org> On 13/11/10 12:56, martin mitchell wrote: > Has anyone thought of the visual consequences for visually impaired > people, blue type on such a yellow background is very difficult for me > to read, daft as the previous grey background. Think of of disability > web standards they do exist, for an artists/creatives email site to > display such behaviour is ridiculous, please have plain white > background with black type. > > martin... > > On 13 Nov 2010, at 12:39, marc garrett wrote: > >> Hi Fung-Lin, >> >> Much Thanks... >> >> Here's the original link *http://tinyurl.com/24zqlu8 >> >> marc >> * >>> R.I.P Henryk Gorecki >>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>> >>> F.L. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sat Nov 13 14:07:38 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 13 Nov 2010 13:07:38 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> Message-ID: <4CDE8D9A.6040003@furtherfield.org> On 13/11/10 12:56, martin mitchell wrote: > Has anyone thought of the visual consequences for visually impaired > people, blue type on such a yellow background is very difficult for me > to read, daft as the previous grey background. Think of of disability > web standards they do exist, for an artists/creatives email site to > display such behaviour is ridiculous, please have plain white > background with black type. > > martin... > > On 13 Nov 2010, at 12:39, marc garrett wrote: > >> Hi Fung-Lin, >> >> Much Thanks... >> >> Here's the original link *http://tinyurl.com/24zqlu8 >> >> marc >> * >>> R.I.P Henryk Gorecki >>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>> >>> F.L. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From ajaco at xs4all.nl Sat Nov 13 14:17:35 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Sat, 13 Nov 2010 14:17:35 +0100 Subject: [NetBehaviour] La Resocialiste - Edition International Message-ID: <871f8152cdc9ebfd76c77bb6de148d8b.squirrel@webmail.xs4all.nl> Hi Martin et al. What do you think of the accesibility of the following (art)website: http://burgerwaanzin.nl La Resocialiste Edition International ? I purposely disrupt the readability of the constituent texts as part of the artistic process. I do not think that is riduculous or insulting for visible impaired persons. Or should I not do that, considering the possibility that a visible impaired has a look. So I put a textbox in braille!! Not for the visible impaired! Would that ease your mind? Andreas > Has anyone thought of the visual consequences for visually impaired > people, blue type on such a yellow background is very difficult for me to > read, daft as the previous grey background. Think of of disability web > standards they do exist, for an artists/creatives email site to display > such behaviour is ridiculous, please have plain white background with > black type. > > martin... > > On 13 Nov 2010, at 12:39, marc garrett wrote: > >> Hi Fung-Lin, >> >> Much Thanks... >> >> Here's the original link http://tinyurl.com/24zqlu8 >> >> marc >> >>> R.I.P Henryk Gorecki >>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>> >>> F.L. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From marc.garrett at furtherfield.org Sat Nov 13 14:26:08 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 13 Nov 2010 13:26:08 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> Message-ID: <4CDE91F0.30400@furtherfield.org> Hi Martin, I have acted accordingly to your demand... marc > Has anyone thought of the visual consequences for visually impaired > people, blue type on such a yellow background is very difficult for me > to read, daft as the previous grey background. Think of of disability > web standards they do exist, for an artists/creatives email site to > display such behaviour is ridiculous, please have plain white > background with black type. > > martin... > > On 13 Nov 2010, at 12:39, marc garrett wrote: > >> Hi Fung-Lin, >> >> Much Thanks... >> >> Here's the original link *http://tinyurl.com/24zqlu8 >> >> marc >> * >>> R.I.P Henryk Gorecki >>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>> >>> F.L. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From jwm.art.net at gmail.com Sat Nov 13 14:38:05 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sat, 13 Nov 2010 13:38:05 +0000 Subject: [NetBehaviour] generalized celtic mandelbrot Message-ID: generalized celtic mandelbrot rendered with development version of mdz http://jwm-art.net/mdz/output_images/generalized_celtic2.png it looks like a nice yellow tile for your country cottage or maybe seaside cottage in whitstabubble. -- _ : http://jwm-art.net/ -audio/image/text/code/ From ruth.catlow at furtherfield.org Sat Nov 13 14:51:25 2010 From: ruth.catlow at furtherfield.org (Ruth Catlow) Date: Sat, 13 Nov 2010 13:51:25 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> Message-ID: <1289656285.1913.45.camel@marc-laptop> Hi Martin, You raise an interesting issue. Achieving equal access for everyone through the application of web standards is not straightforward. Firstly, of course, there is no one kind of visual impairment and many different strategies are suggested for making information accessible to people.While you request black text on white background "many dyslexic readers are particularly sensitive to the brightness of text on a pure white background. This can cause the words to appear to move around and to blur together. This difficulty can be avoided if pure white is not used for the page background color." http://www.dyslexia-parent.com/mag35.html It turns out that different people have different access needs. Then there is a lot of dogma (in the Nielson school of web standards) that privileges more textually focused people (proposing set column widths, text sizes and colours, standard link colours etc) over those of us that find content more accessible if it is arranged more contextually and presented with images and other forms of content. Then when artists take audio, visuals, text and interactivity of browser content as their media and context for expression and exploration it becomes impossible (and undesirable) to impose a standard. Like insisting on a particular frame size for a painting or a format for an installation. But I don't think this is what you are talking about. The best approach I guess is for everyone to attempt to stay patient and good humoured and say what we need. best wishes, Utopian Ruth -----Original Message----- From: martin mitchell Reply-to: NetBehaviour for networked distributed creativity To: NetBehaviour for networked distributed creativity Subject: Re: [NetBehaviour] R.I.P Henryk Gorecki Date: Sat, 13 Nov 2010 12:56:55 +0000 Has anyone thought of the visual consequences for visually impaired people, blue type on such a yellow background is very difficult for me to read, daft as the previous grey background. Think of of disability web standards they do exist, for an artists/creatives email site to display such behaviour is ridiculous, please have plain white background with black type. martin... On 13 Nov 2010, at 12:39, marc garrett wrote: > Hi Fung-Lin, > > Much Thanks... > > Here's the original link http://tinyurl.com/24zqlu8 > > marc > > > > R.I.P Henryk Gorecki > > http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ > > > > F.L. > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From martinmitch21 at mac.com Sat Nov 13 15:28:07 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Sat, 13 Nov 2010 14:28:07 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <4CDE91F0.30400@furtherfield.org> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> <4CDE91F0.30400@furtherfield.org> Message-ID: Thank you for considering eyesight ...... martin. On 13 Nov 2010, at 13:26, marc garrett wrote: > Hi Martin, > > I have acted accordingly to your demand... > > marc > > >> Has anyone thought of the visual consequences for visually impaired >> people, blue type on such a yellow background is very difficult for me >> to read, daft as the previous grey background. Think of of disability >> web standards they do exist, for an artists/creatives email site to >> display such behaviour is ridiculous, please have plain white >> background with black type. >> >> martin... >> >> On 13 Nov 2010, at 12:39, marc garrett wrote: >> >>> Hi Fung-Lin, >>> >>> Much Thanks... >>> >>> Here's the original link *http://tinyurl.com/24zqlu8 >>> >>> marc >>> * >>>> R.I.P Henryk Gorecki >>>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>>> >>>> F.L. >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From martinmitch21 at mac.com Sat Nov 13 15:45:50 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Sat, 13 Nov 2010 14:45:50 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <1289656285.1913.45.camel@marc-laptop> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> <1289656285.1913.45.camel@marc-laptop> Message-ID: <4D72918E-265A-49F2-BD9F-4BE66E942774@mac.com> All we are dealing with here is reading type in emails similar to print in books and magazines which is a fairly uniform process, if print moves I can turn down monitor illumination or use a tinted sheet of acetate, fairly simple solution if style/type of emails are uniform. My trick is to profile monitors with low illumination and use hoods around outer edge of screen, start sending emails with grey toned or coloured background is a problem that I cannot technically resolve for my eyesight. thanks. martin. On 13 Nov 2010, at 13:51, Ruth Catlow wrote: > Hi Martin, > > You raise an interesting issue. > > Achieving equal access for everyone through the application of web standards is not straightforward. > > Firstly, of course, there is no one kind of visual impairment and many different strategies are suggested for making information accessible to people.While you request black text on white background "many dyslexic readers are particularly sensitive to the brightness of text on a pure white background. This can cause the words to appear to move around and to blur together. This difficulty can be avoided if pure white is not used for the page background color." http://www.dyslexia-parent.com/mag35.html It turns out that different people have different access needs. > > Then there is a lot of dogma (in the Nielson school of web standards) that privileges more textually focused people (proposing set column widths, text sizes and colours, standard link colours etc) over those of us that find content more accessible if it is arranged more contextually and presented with images and other forms of content. > > Then when artists take audio, visuals, text and interactivity of browser content as their media and context for expression and exploration it becomes impossible (and undesirable) to impose a standard. Like insisting on a particular frame size for a painting or a format for an installation. But I don't think this is what you are talking about. > > The best approach I guess is for everyone to attempt to stay patient and good humoured and say what we need. > > best wishes, > > Utopian Ruth > > > > > -----Original Message----- > From: martin mitchell > Reply-to: NetBehaviour for networked distributed creativity > To: NetBehaviour for networked distributed creativity > Subject: Re: [NetBehaviour] R.I.P Henryk Gorecki > Date: Sat, 13 Nov 2010 12:56:55 +0000 > > Has anyone thought of the visual consequences for visually impaired people, blue type on such a yellow background is very difficult for me to read, daft as the previous grey background. Think of of disability web standards they do exist, for an artists/creatives email site to display such behaviour is ridiculous, please have plain white background with black type. > > martin... > On 13 Nov 2010, at 12:39, marc garrett wrote: >> Hi Fung-Lin, >> >> Much Thanks... >> >> Here's the original link http://tinyurl.com/24zqlu8 >> >> marc >> >>> R.I.P Henryk Gorecki >>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>> >>> F.L. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From martinmitch21 at mac.com Sat Nov 13 15:50:17 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Sat, 13 Nov 2010 14:50:17 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <1289656285.1913.45.camel@marc-laptop> References: <4CDDE3FC.4090805@mutanteggplant.com> <4CDE86E7.6050501@furtherfield.org> <00347B75-B9B8-4815-A4FE-469D7992A0C9@mac.com> <1289656285.1913.45.camel@marc-laptop> Message-ID: <80F3BC5C-7460-40A3-B433-20B7F5906275@mac.com> Interesting research being done on dyslexia:- http://www.telegraph.co.uk/science/science-news/8128233/Dyslexia-the-secret-of-Da-Vinci-and-Picassos-success.html Guess I'm are mere space cowboy... martin. On 13 Nov 2010, at 13:51, Ruth Catlow wrote: > Hi Martin, > > You raise an interesting issue. > > Achieving equal access for everyone through the application of web standards is not straightforward. > > Firstly, of course, there is no one kind of visual impairment and many different strategies are suggested for making information accessible to people.While you request black text on white background "many dyslexic readers are particularly sensitive to the brightness of text on a pure white background. This can cause the words to appear to move around and to blur together. This difficulty can be avoided if pure white is not used for the page background color." http://www.dyslexia-parent.com/mag35.html It turns out that different people have different access needs. > > Then there is a lot of dogma (in the Nielson school of web standards) that privileges more textually focused people (proposing set column widths, text sizes and colours, standard link colours etc) over those of us that find content more accessible if it is arranged more contextually and presented with images and other forms of content. > > Then when artists take audio, visuals, text and interactivity of browser content as their media and context for expression and exploration it becomes impossible (and undesirable) to impose a standard. Like insisting on a particular frame size for a painting or a format for an installation. But I don't think this is what you are talking about. > > The best approach I guess is for everyone to attempt to stay patient and good humoured and say what we need. > > best wishes, > > Utopian Ruth > > > > > -----Original Message----- > From: martin mitchell > Reply-to: NetBehaviour for networked distributed creativity > To: NetBehaviour for networked distributed creativity > Subject: Re: [NetBehaviour] R.I.P Henryk Gorecki > Date: Sat, 13 Nov 2010 12:56:55 +0000 > > Has anyone thought of the visual consequences for visually impaired people, blue type on such a yellow background is very difficult for me to read, daft as the previous grey background. Think of of disability web standards they do exist, for an artists/creatives email site to display such behaviour is ridiculous, please have plain white background with black type. > > martin... > On 13 Nov 2010, at 12:39, marc garrett wrote: >> Hi Fung-Lin, >> >> Much Thanks... >> >> Here's the original link http://tinyurl.com/24zqlu8 >> >> marc >> >>> R.I.P Henryk Gorecki >>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>> >>> F.L. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From ajaco at xs4all.nl Sat Nov 13 16:13:44 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Sat, 13 Nov 2010 16:13:44 +0100 Subject: [NetBehaviour] Fwd: La Resocialiste - Edition International References: <6C0E72A6-FF9D-4EE7-9476-3C34588971FA@mac.com> Message-ID: > As for Andreas .... sounds like elitist bollocks. > I presume you ment my post? Bit of a narrow-sighted opinion, or should I say a dyslectic opinion? Andreas Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl Begin forwarded message: > From: martin mitchell > Date: 13 November 2010 15:31:47 CET > To: ajaco c/o bid > Subject: Re: La Resocialiste - Edition International > > Interesting full on eyeball visuals, different to simply reading > emails. > > As for Andreas .... sounds like elitist bollocks. > > martin > On 13 Nov 2010, at 13:17, ajaco c/o bid wrote: > >> Hi Martin et al. >> >> What do you think of the accesibility of the following (art)website: >> >> http://burgerwaanzin.nl >> >> La Resocialiste Edition International >> >> ? >> >> I purposely disrupt the readability of the constituent texts as >> part of >> the artistic process. >> >> I do not think that is riduculous or insulting for visible impaired >> persons. >> >> Or should I not do that, considering the possibility that a visible >> impaired has a look. >> >> So I put a textbox in braille!! >> >> Not for the visible impaired! >> >> Would that ease your mind? >> >> Andreas >> >> >>> Has anyone thought of the visual consequences for visually impaired >>> people, blue type on such a yellow background is very difficult >>> for me to >>> read, daft as the previous grey background. Think of of disability >>> web >>> standards they do exist, for an artists/creatives email site to >>> display >>> such behaviour is ridiculous, please have plain white background >>> with >>> black type. >>> >>> martin... >>> >>> On 13 Nov 2010, at 12:39, marc garrett wrote: >>> >>>> Hi Fung-Lin, >>>> >>>> Much Thanks... >>>> >>>> Here's the original link http://tinyurl.com/24zqlu8 >>>> >>>> marc >>>> >>>>> R.I.P Henryk Gorecki >>>>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>>>> >>>>> F.L. >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> > -------------- next part -------------- An HTML attachment was scrubbed... URL: From ajaco at xs4all.nl Sat Nov 13 17:27:48 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Sat, 13 Nov 2010 17:27:48 +0100 Subject: [NetBehaviour] La Resocialiste - Edition International Message-ID: Hi I made a new entry in La Resocialiste Edition International http://burgerwaanzin.nl Elitist Bollocks It renders the following text in UTF8 Braille: [C][H][R][IS][TU][IS][T] Crisis, Reaction, and the State's re-presentational responsibilities towards its Civilians (w!t!f! [red.]) de-nominations: demented ghost-bodies printing their impressions upon that layer in between touch & words Thanks Martin for the inspriration Andreas > Interesting full on eyeball visuals, different to simply reading emails. > > As for Andreas .... sounds like elitist bollocks. > > martin > On 13 Nov 2010, at 13:17, ajaco c/o bid wrote: > >> Hi Martin et al. >> >> What do you think of the accesibility of the following (art)website: >> >> http://burgerwaanzin.nl >> >> La Resocialiste Edition International >> >> ? >> >> I purposely disrupt the readability of the constituent texts as part of >> the artistic process. >> >> I do not think that is riduculous or insulting for visible impaired >> persons. >> >> Or should I not do that, considering the possibility that a visible >> impaired has a look. >> >> So I put a textbox in braille!! >> >> Not for the visible impaired! >> >> Would that ease your mind? >> >> Andreas >> >> >>> Has anyone thought of the visual consequences for visually impaired >>> people, blue type on such a yellow background is very difficult for me >>> to >>> read, daft as the previous grey background. Think of of disability web >>> standards they do exist, for an artists/creatives email site to display >>> such behaviour is ridiculous, please have plain white background with >>> black type. >>> >>> martin... >>> >>> On 13 Nov 2010, at 12:39, marc garrett wrote: >>> >>>> Hi Fung-Lin, >>>> >>>> Much Thanks... >>>> >>>> Here's the original link http://tinyurl.com/24zqlu8 >>>> >>>> marc >>>> >>>>> R.I.P Henryk Gorecki >>>>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>>>> >>>>> F.L. >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> > > From martinmitch21 at mac.com Sat Nov 13 18:12:36 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Sat, 13 Nov 2010 17:12:36 +0000 Subject: [NetBehaviour] Fwd: La Resocialiste - Edition International In-Reply-To: References: <6C0E72A6-FF9D-4EE7-9476-3C34588971FA@mac.com> Message-ID: <25534CAC-C9E8-43BC-ADA5-4A57CF40460F@mac.com> no different from yelling at people who are deaf but trying to lip read. martin On 13 Nov 2010, at 15:13, De wraak van Baltassar Geraards wrote: >> As for Andreas .... sounds like elitist bollocks. >> > > > I presume you ment my post? > > Bit of a narrow-sighted opinion, or should I say a dyslectic opinion? > > Andreas Jacobs > > w: http://www.nictoglobe.com > w: http://burgerwaanzin.nl > > Begin forwarded message: > >> From: martin mitchell >> Date: 13 November 2010 15:31:47 CET >> To: ajaco c/o bid >> Subject: Re: La Resocialiste - Edition International >> >> Interesting full on eyeball visuals, different to simply reading emails. >> >> As for Andreas .... sounds like elitist bollocks. >> >> martin >> On 13 Nov 2010, at 13:17, ajaco c/o bid wrote: >> >>> Hi Martin et al. >>> >>> What do you think of the accesibility of the following (art)website: >>> >>> http://burgerwaanzin.nl >>> >>> La Resocialiste Edition International >>> >>> ? >>> >>> I purposely disrupt the readability of the constituent texts as part of >>> the artistic process. >>> >>> I do not think that is riduculous or insulting for visible impaired persons. >>> >>> Or should I not do that, considering the possibility that a visible >>> impaired has a look. >>> >>> So I put a textbox in braille!! >>> >>> Not for the visible impaired! >>> >>> Would that ease your mind? >>> >>> Andreas >>> >>> >>>> Has anyone thought of the visual consequences for visually impaired >>>> people, blue type on such a yellow background is very difficult for me to >>>> read, daft as the previous grey background. Think of of disability web >>>> standards they do exist, for an artists/creatives email site to display >>>> such behaviour is ridiculous, please have plain white background with >>>> black type. >>>> >>>> martin... >>>> >>>> On 13 Nov 2010, at 12:39, marc garrett wrote: >>>> >>>>> Hi Fung-Lin, >>>>> >>>>> Much Thanks... >>>>> >>>>> Here's the original link http://tinyurl.com/24zqlu8 >>>>> >>>>> marc >>>>> >>>>>> R.I.P Henryk Gorecki >>>>>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>>>>> >>>>>> F.L. >>>>>> _______________________________________________ >>>>>> NetBehaviour mailing list >>>>>> NetBehaviour at netbehaviour.org >>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>>> >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From elena.jovanova at gmail.com Sat Nov 13 20:34:53 2010 From: elena.jovanova at gmail.com (Elena Jovanova) Date: Sat, 13 Nov 2010 20:34:53 +0100 Subject: [NetBehaviour] NetBehaviour Digest, Vol 741, Issue 1 In-Reply-To: References: Message-ID: <875538F0-F94F-42C5-AD3E-FBD38E3209D1@gmail.com> Elena Marcevska www.elenamarcevska.com Sent from my iPad On 13.11.2010, at 13:00, netbehaviour-request at netbehaviour.org wrote: > Send NetBehaviour mailing list submissions to > netbehaviour at netbehaviour.org > > To subscribe or unsubscribe via the World Wide Web, visit > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > or, via email, send a message with subject or body 'help' to > netbehaviour-request at netbehaviour.org > > You can reach the person managing the list at > netbehaviour-owner at netbehaviour.org > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of NetBehaviour digest..." > > > Today's Topics: > > 1. Re: Simon Biggs a revisionist of his own history? (Simon Biggs) > 2. np ({ brad brace }) > 3. MISSION IMPOSSIBLE 1862 (info) > 4. Media Art History 2011 - Rewire (Virtualart Editor) > 5. Critical Art Ensemble on the import of garage biology today. > (info) > 6. INTERNATIONAL JOURNAL OF ART, CULTURE AND DESIGN TECHNOLOGIES > (IJACDT) (info) > 7. Re: Simon Biggs a revisionist of his own history? (Paul Hertz) > 8. My Robot Collection (PAULO R. C. BARROS) > 9. Re: Simon Biggs a revisionist of his own history? (Simon Biggs) > 10. direct from the interior (Alan Sondheim) > 11. R.I.P Henryk Gorecki (Fung-Lin Hall) > 12. Remnant from the Period of Destruction (Alan Sondheim) > 13. PLEASE (Roboslob) > 14. Ethernet Orchestra - Distant Presence II (Roger Mills) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Fri, 12 Nov 2010 12:28:32 +0000 > From: "Simon Biggs" > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own > history? > To: "NetBehaviour for networked distributed creativity" > > Message-ID: > Content-Type: text/plain; charset="ISO-8859-1" > > LOL. > > There are also three other Professor Simon Biggs's, including one who is a > nuclear scientist. Not sure if that is worse than being a member of Combat > 18! > > Best > > Simon > > Simon Biggs > s.biggs at eca.ac.uk simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: James Morris >> Reply-To: NetBehaviour for networked distributed creativity >> >> Date: Fri, 12 Nov 2010 10:51:35 +0000 >> To: NetBehaviour for networked distributed creativity >> >> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >> >> It turns out the situation is much worse than we thought. >> >> > http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm> > l >> >> It turns out Simon is a member of combat 18. I'd seriously advise >> those thinking of saying a bad word against him to exercise extreme >> caution... >> >> >> But don't worry I'll have a word with my political contacts and we'll >> see if we can't get him and his type exorcised from the art world :-) >> >> James. >> >> >> >> On 12 November 2010 01:01, Simone Bigger wrote: >>> >>> >>> >>> is Simon Biggs a revisionist of his own history? >>> >>> The website http://www.littlepig.org.uk/ has the claim "at this site since >>> 1994". >>> Yet this domain appears to have been registered no earlier than May 2001 >>> (see Nominet UK). >>> >>> If we go wayback >>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>> that date tallies. >>> But, we also find in 2001 that claim was "since 1995". >>> >>> the plot thickens. wonder whats going on here then??????? is this ?just >>> an elaborate cover for a shamefully poor website??? >>> >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> >> >> -- >> _ >> : http://jwm-art.net/ >> -audio/image/text/code/ >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 > > > > > ------------------------------ > > Message: 2 > Date: Fri, 12 Nov 2010 05:33:15 -0800 (PST) > From: { brad brace } > Subject: [NetBehaviour] np > To: netbehaviour at netbehaviour.org > Message-ID: > Content-Type: TEXT/PLAIN; charset=X-UNKNOWN > > > > NOW PLAYING: > ~~~ ~~~~~~~ > > five-hour recordings of/on the polar bear express train to moosonee, ontario: > gateway to the canadian arctic > > > recent compilations of grenadines (west indies) radio programming > (parang season!) > > latest release: LBOSPI recordings > field-compilations from Lake Brule, Oil Springs and Peele Island > ___ > ___ > ___ > > over 13 hours of fresh mp3 rips of long reticent monoaural, radio-drifts?, soup > kitchens, police sirens, and forgotten film-soundtracks > > > --- bbs: brad brace sound --- > --- http://69.64.229.114:8000 --- > --- http://bbrace.net/undisclosed.html --- > > > ? strangely compelling recordings from car radio while travelling under > high-frequency transmission lines in central california > > > --- bbs: brad brace sound --- > --- http://69.64.229.114:8000 --- > --- http://bbrace.net/undisclosed.html --- > > > [ eventually these will also be uploaded to internet archive, scrib and lulu ] > > > The Global Islands Project: > > http://www.archive.org/details/global_islands_project_island_1.0 > http://www.archive.org/details/global_islands_project_island_2.0 > http://www.archive.org/details/global_islands_project_island_3.0 > http://www.archive.org/details/global_islands_project_island_4.0 > http://www.archive.org/details/global_islands_project_island_5.0 > http://www.archive.org/details/global_islands_project_island_6.0 > > Global Islands Project -- ongoing series of multi-media pdf-books -- a > pastoral, pictorial and phonic elicitation of island parameters... > > http://www.bbrace.net/id.html > http://bbrace.laughingsquid.net/id.html > > > enjoy! /:b > > > > > > > ------------------------------ > > Message: 3 > Date: Fri, 12 Nov 2010 14:01:52 +0000 > From: info > Subject: [NetBehaviour] MISSION IMPOSSIBLE 1862 > To: netBehaviour for networked distributed creativity > > Message-ID: <4CDD48D0.1010704 at furtherfield.org> > Content-Type: text/plain; charset="iso-8859-1" > > MISSION IMPOSSIBLE 1862 > > by Chris Ziegler > 4 Channel-Video Installation with staged reading > 20./21.11.2010, Muffatwerk in Munich > > "An encounter between two generations of travelers to India: In an > interactive staged reading with a four-channel video installation for > performers and audience, media artist Chris Ziegler traces the life of > his great-great-grandfather Friedrich Ziegler, who traveled to India in > 1862 as a missionary." > > Premiere 20. November 2010, 8 PM, Muffatwerk > Performances also on: 21st November, 6 PM und 7.30 PM > > exhibition: 4 Channel-Video Installation with interactive Table, > 11 AM - 2h before performance begins > > Place: Muffatwerk, Zellstrasse 4, D 81667 Munich, Germany > Tickets: || 12,- EUR, red. 8,- EUR > RESERVATION and INFORMATION: cz at movingimages.de || illi at theater-pr.de > > > Chris Ziegler > mobile +49172 89 56 328 > http://www.movingimages.de > > //||||| / |< ||| ZKM | Karlsruhe > Center for Art and Media Karlsruhe | Germany > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/aabbcadc/attachment.html > > ------------------------------ > > Message: 4 > Date: Thu, 11 Nov 2010 19:42:19 +0100 > From: "Virtualart Editor" > Subject: [NetBehaviour] Media Art History 2011 - Rewire > To: " > Message-ID: <4CDC471B020000560000AD7C at gwgwia.donau-uni.ac.at> > Content-Type: text/plain; charset=US-ASCII > > Media Art History 2011 - Rewire > Fourth International Conference on the Histories of Media Art, Science and Technology > Liverpool, 28th September - 1st October 2011 > Call For Papers now open - Deadline Monday,January 31st 2011 > > > Host: FACT (Foundation for Art and CreativeTechnology), Liverpool > In collaboration with academic partners: Liverpool john Moores University, CRUMB at the University of Sunderland, the Universities of the West of Scotland and Lancaster, and the Database of Virtual Art at the dept. for Image Science. > > http://www.mediaarthistory.org/ > > Following the success of Media Art History 05Re:fresh in Banff, Media Art History 07 Re:place in Berlin and Media ArtHistory 09 Re:live in Melbourne, Media Art History 11 Rewire will host three days of keynotes, panels and poster sessions. > > > Media Art History 2011 - Rewire will increase the voltage and ignite key debates within the internationally distributed network of histories, which takes account of the questions surrounding documentation and methodologies, materiality, and agency. Rewire aims to up the current to illuminate the British contribution to media art, and by looking at our industrial heritage and contribution to the history of computing technologies themselves, we will open the discussion to how these contributions are manifested internationally. Considering the International scope of the histories of media art, science and technology, Rewire is also listed as part of the "McLuhan in Europe" programme, and will take place concurrently with The Asia Triennial in Manchester and Abandon Normal Devices,the North West's festival of new cinema and digital culture which returns To liverpool in September 2011.The reviewers especially welcome proposals for presentations that > resonate thematically with these events. > > We are looking for original research on: > * The relations between art, science, technology and industry, both historically and now > * New paradigms and alternative discourses for media art and media art history, such as, for example, craft, design, social media, or cybernetics > * Local histories and practices of media art,including (but not limited to) Britain > * Colonial experiences and non-Western histories of media art, science and technology > * Media art history in relation to the biological,biomedical and ecological sciences > * Relations between the histories of media art and those of computing and new technologies > * Writing art history in a technologised and scientific culture, including the documentation of media art and how it is changed in a technologised and scientific culture > * How the field of science and technology studies(STS) can offer useful models for new paradigms for art history > > > General papers will be accepted. The conference will be delivered in a range of formats, from panel discussions to Pecha Kucha sessions and video poster presentations, as well as a small number of invite speakers. The programme will include competitively selected, peer-reviewed individual papers, panel presentations, and poster sessions, as well as a small number of invited speakers. Keynote Lectures, by internationally renowned,outstanding theoreticians and artists, will deliberate on the central themes of the conference and will include the Roy Stringer Memorial Lecture, hold annually by FACT in memory of Roy Stringer, an early pioneer of digital media,champion of multimedia industries in the North West and Liverpool, and former chair of the Board at FACT. The conference will also include dedicated forum sessions for participants to engage in more open-ended discussion and debate on relevant issues and questions. > > Please submit abstracts of no more than 250 words and a short cv by Monday 31 January 2011, either in Text, RTF, Word > or PDF formats, and clearly identify three keywords for your paper via the Call for Papers. > > Chaired by Professor Mike Stubbs, Director ofFACT, the panels at Rewire will be led by co-chairs - Paul Brown (Sussex,Deakin), Dr. Sarah Cook (CRUMB), Colin Davies (LJMU), Dr. Charlie Gere(Lancaster), Prof. > Andy Miah (UWS), Prof. Ed Shanken (UvA) - on areas of their own expertise, and submissions will be juried by the co-chairs together with Rewire's International Advisory Committee of leading academics,artists and industry professionals. > > > International Advisory Committee: > Steven BALL, Tatiana BAZZICHELLI, Stuart COMER,Sean CUBITT, Dieter DANIELS, Sara DIAMOND, Vince DZIEKAN, Charles ESCHE, SarahFISHER, Jean GAGNON, Graham HARWOOD, Erkki HUHTAMO, Nick LAMBERT, Debbi LANDER,Tapio MAKELA, Chris MEIGH-ANDREWS, Frieder NAKE, Taylor NUTTALL, StevePARTRIDGE, Christiane PAUL, Ned ROSSITER, Paul SERMON, Jinsuk SUH, BrettSTALBAUM, Julian STALLABRASS, Atau TANAKA, Andrea ZAPP > > > > > > > > ------------------------------ > > Message: 5 > Date: Fri, 12 Nov 2010 14:16:09 +0000 > From: info > Subject: [NetBehaviour] Critical Art Ensemble on the import of garage > biology today. > To: netBehaviour for networked distributed creativity > > Message-ID: <4CDD4C29.3030608 at furtherfield.org> > Content-Type: text/plain; charset="iso-8859-1" > > Critical Art Ensemble on the import of garage biology today. > > Steve Kurtz interviewed by Alessandro Delfanti: > > The Critical Art Ensemble (CAE) is a collective of artists and activists > based in the USA that work on the boundaries between science, technology > and radical politics. In 2004 Steve Kurtz, one of the members of CAE, > was arrested by the FBI under the charge of bioterrorism after the > police found the home lab and the bacteria cultures that were used for > CAE projects on the politics of biotechnology. Their book Molecular > Invasion theorized the use of do-it-yourself biology as a tool to > challenge the structures of power within the biotech industry and the > role of biotechnology in today's capitalist societies. In this > interview, Kurtz explores the differences between CAE and the emergent > movement of garage biology -- such as the DIYbio network -- its > political role and its future. > > http://blog.p2pfoundation.net/critical-art-ensemble-garage-biology-today/2010/11/12 > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/27f4c708/attachment-0001.htm > > ------------------------------ > > Message: 6 > Date: Fri, 12 Nov 2010 14:25:42 +0000 > From: info > Subject: [NetBehaviour] INTERNATIONAL JOURNAL OF ART, CULTURE AND > DESIGN TECHNOLOGIES (IJACDT) > To: netBehaviour for networked distributed creativity > > Message-ID: <4CDD4E66.9090608 at furtherfield.org> > Content-Type: text/plain; charset="iso-8859-1" > > INTERNATIONAL JOURNAL OF ART, CULTURE AND DESIGN TECHNOLOGIES (IJACDT) > http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032 > > CALL FOR PAPERS > > SPECIAL ISSUE: CREATIVITY,INNOVATION AND TECHNOLOGIES CULTURES > Full Paper due: 10 December 2010 > > The International Journal of Art, Culture and Design Technologies > (IJACDT) which is devoted to links art, design, science, and culture > with emerging technologies will be publishing a special issue on > creative and innovative processes within technologies cultures. > In this special issue, we will aim to explore and to uncover a variety > of creative and innovative insights arising from academic and > professional perspectives. > It is a transdisciplinary approach for understanding the cutting edge of > theories and practices arising from the complex research areas and their > impact with the technological innovation as tool of creativity. The > issue will include original theoretical,empirical or methodological > contributions related to processes,tools or methods describing the > project as cultural acts within the explanation of the planning as well > as technological,scientific and cultural references. > We also welcome high-quality case studies that can provide guidance on > improving the quality of the tecnologies cultures research. > > TYPES OF SUBMISSIONS > - Empirical research > - Conceptual models > - Theory building > - Innovative methodologies and applications > - Case studies > - Book reviews on selected books,textbooks or specific topics > dealing,with values,concepts,and applications of breakthrough > information science and technology. > > COVERAGE > Topics to be discussed in this journal include (but are not limited to) > the following: > # Aesthetics and semantics > # Artworks, performances, and installations > # Creative and innovative media arts concepts and projects > # Cultural heritage within the Web > # Cybernetics, artificial intelligence, and cognitive-based concepts and > practices > # Digital art, digital culture, net art, and digital design > # Edutainment > # Human-computer interaction studies and applications > # Human issues/impacts > # Imaginary and creative concepts and applications > # Information visualization in art and design issues > # Innovative Web, Web3D, and multimedia studies and applications > # Psychology and cognition studies > # Social and ethical issues > # Technologies for teaching art and design > # Virtual architecture and heritage > # Virtual, augmented, and mixed realities in art and design > # Visual languages > > SUBMISSION OF PAPERS: > The Authors should submit their manuscript to the Editor > (gianluca.mura at polimi.it) with a length between 5,500 to 8,000 words, > including an abstract of 100-150 words maximum that summarizes the > mission and objectives of the manuscript. The Manuscript should be > prepared following the guidelines found at: > http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032&DetailsType=GuidelinesForSubmission > > Submitted papers should not have been previously published nor be > currently under consideration for publication elsewhere. A double-blind > review process will be employed for this special issue. > > SCHEDULE > Full Paper due: 10 December 2010 > Special Issue publication: 1st January 2011 > > Editor-In-Chief > Dr.Gianluca Mura > Politecnico di Milano University > Italy > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/445d787d/attachment-0001.htm > > ------------------------------ > > Message: 7 > Date: Fri, 12 Nov 2010 13:02:23 -0600 > From: Paul Hertz > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own > history? > To: NetBehaviour for networked distributed creativity > > Message-ID: > > Content-Type: text/plain; charset="iso-8859-1" > > Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file > just busted a gusset. > > -- Paul > > > On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs wrote: > >> LOL. >> >> There are also three other Professor Simon Biggs's, including one who is a >> nuclear scientist. Not sure if that is worse than being a member of Combat >> 18! >> >> Best >> >> Simon >> >> Simon Biggs >> s.biggs at eca.ac.uk simon at littlepig.org.uk >> Skype: simonbiggsuk >> http://www.littlepig.org.uk/ >> >> Research Professor edinburgh college of art >> http://www.eca.ac.uk/ >> Creative Interdisciplinary Research in CoLlaborative Environments >> http://www.eca.ac.uk/circle/ >> Electronic Literature as a Model of Creativity and Innovation in Practice >> http://www.elmcip.net/ >> Centre for Film, Performance and Media Arts >> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >> >> >>> From: James Morris >>> Reply-To: NetBehaviour for networked distributed creativity >>> >>> Date: Fri, 12 Nov 2010 10:51:35 +0000 >>> To: NetBehaviour for networked distributed creativity >>> >>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >>> >>> It turns out the situation is much worse than we thought. >>> >>> >> >> http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm >>> >> l >>> >>> It turns out Simon is a member of combat 18. I'd seriously advise >>> those thinking of saying a bad word against him to exercise extreme >>> caution... >>> >>> >>> But don't worry I'll have a word with my political contacts and we'll >>> see if we can't get him and his type exorcised from the art world :-) >>> >>> James. >>> >>> >>> >>> On 12 November 2010 01:01, Simone Bigger >> wrote: >>>> >>>> >>>> >>>> is Simon Biggs a revisionist of his own history? >>>> >>>> The website http://www.littlepig.org.uk/ has the claim "at this site >> since >>>> 1994". >>>> Yet this domain appears to have been registered no earlier than May 2001 >>>> (see Nominet UK). >>>> >>>> If we go wayback >>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>>> that date tallies. >>>> But, we also find in 2001 that claim was "since 1995". >>>> >>>> the plot thickens. wonder whats going on here then??????? is this just >>>> an elaborate cover for a shamefully poor website??? >>>> >>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> >>> >>> >>> -- >>> _ >>> : http://jwm-art.net/ >>> -audio/image/text/code/ >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> >> Edinburgh College of Art (eca) is a charity registered in Scotland, number >> SC009201 >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > > -- > ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| --- > http://ignotus.com > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/9b4fa317/attachment-0001.htm > > ------------------------------ > > Message: 8 > Date: Fri, 12 Nov 2010 17:28:42 -0200 > From: "PAULO R. C. BARROS" > Subject: [NetBehaviour] My Robot Collection > To: "NetBehaviour for networked distributed creativity" > > Message-ID: <00fd01cb829f$d418d800$36a3fea9 at user7c0fd6f73e> > Content-Type: text/plain; charset="iso-8859-1" > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0001.htm > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: Astro Boy 3.jpg > Type: image/jpeg > Size: 72534 bytes > Desc: not available > Url : http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0003.jpg > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: Astro Boy 1.jpg > Type: image/jpeg > Size: 60472 bytes > Desc: not available > Url : http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0004.jpg > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: Astro Boy 2.jpg > Type: image/jpeg > Size: 84806 bytes > Desc: not available > Url : http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0005.jpg > > ------------------------------ > > Message: 9 > Date: Fri, 12 Nov 2010 19:46:40 +0000 > From: "Simon Biggs" > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own > history? > To: "NetBehaviour for networked distributed creativity" > > Message-ID: > Content-Type: text/plain; charset="US-ASCII" > > People always ask why littlepig? I never have an answer - so thanks to Paul, > as now I do! > > Best > > Simon > > > Simon Biggs > s.biggs at eca.ac.uk simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: Paul Hertz >> Reply-To: NetBehaviour for networked distributed creativity >> >> Date: Fri, 12 Nov 2010 13:02:23 -0600 >> To: NetBehaviour for networked distributed creativity >> >> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >> >> Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file >> just busted a gusset. >> >> -- Paul >> >> >> On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs wrote: >> >>> LOL. >>> >>> There are also three other Professor Simon Biggs's, including one who is a >>> nuclear scientist. Not sure if that is worse than being a member of Combat >>> 18! >>> >>> Best >>> >>> Simon >>> >>> Simon Biggs >>> s.biggs at eca.ac.uk simon at littlepig.org.uk >>> Skype: simonbiggsuk >>> http://www.littlepig.org.uk/ >>> >>> Research Professor edinburgh college of art >>> http://www.eca.ac.uk/ >>> Creative Interdisciplinary Research in CoLlaborative Environments >>> http://www.eca.ac.uk/circle/ >>> Electronic Literature as a Model of Creativity and Innovation in Practice >>> http://www.elmcip.net/ >>> Centre for Film, Performance and Media Arts >>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >>> >>> >>>> From: James Morris >>>> Reply-To: NetBehaviour for networked distributed creativity >>>> >>>> Date: Fri, 12 Nov 2010 10:51:35 +0000 >>>> To: NetBehaviour for networked distributed creativity >>>> >>>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >>>> >>>> It turns out the situation is much worse than we thought. >>>> >>>> >>> >>> > http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.ht>> > m >>>> >>> l >>>> >>>> It turns out Simon is a member of combat 18. I'd seriously advise >>>> those thinking of saying a bad word against him to exercise extreme >>>> caution... >>>> >>>> >>>> But don't worry I'll have a word with my political contacts and we'll >>>> see if we can't get him and his type exorcised from the art world :-) >>>> >>>> James. >>>> >>>> >>>> >>>> On 12 November 2010 01:01, Simone Bigger >>> wrote: >>>>> >>>>> >>>>> >>>>> is Simon Biggs a revisionist of his own history? >>>>> >>>>> The website http://www.littlepig.org.uk/ has the claim "at this site >>> since >>>>> 1994". >>>>> Yet this domain appears to have been registered no earlier than May 2001 >>>>> (see Nominet UK). >>>>> >>>>> If we go wayback >>>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>>>> that date tallies. >>>>> But, we also find in 2001 that claim was "since 1995". >>>>> >>>>> the plot thickens. wonder whats going on here then??????? is this just >>>>> an elaborate cover for a shamefully poor website??? >>>>> >>>>> >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>> >>>> >>>> >>>> -- >>>> _ >>>> : http://jwm-art.net/ >>>> -audio/image/text/code/ >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >>> >>> Edinburgh College of Art (eca) is a charity registered in Scotland, number >>> SC009201 >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> >> >> -- >> ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| --- >> http://ignotus.com >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 > > > > > ------------------------------ > > Message: 10 > Date: Fri, 12 Nov 2010 17:19:49 -0500 (EST) > From: Alan Sondheim > Subject: [NetBehaviour] direct from the interior > To: netbehaviour at netbehaviour.org > Message-ID: > Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed > > > > direct from the interior > > neurological, breathless > useless: > they don't glow in the dark > they're not inside bunnies > they don't encode poems > they're not inside bacteria > they don't hop or swim > they don't breath underwater > they're my little me's > i don't hop or swim either > > http://www.alansondheim.org/mylittleme1.png > http://www.alansondheim.org/mylittleme2.png > http://www.alansondheim.org/mylittleme3.png > http://www.alansondheim.org/mylittleme4.png > http://www.alansondheim.org/mylittleme5.png > http://www.alansondheim.org/mylittleme6.png > > > > > > ------------------------------ > > Message: 11 > Date: Fri, 12 Nov 2010 18:03:56 -0700 > From: Fung-Lin Hall > Subject: [NetBehaviour] R.I.P Henryk Gorecki > To: NetBehaviour for networked distributed creativity > > Message-ID: <4CDDE3FC.4090805 at mutanteggplant.com> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > R.I.P Henryk Gorecki > http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ > > F.L. > > > ------------------------------ > > Message: 12 > Date: Fri, 12 Nov 2010 22:55:53 -0500 (EST) > From: Alan Sondheim > Subject: [NetBehaviour] Remnant from the Period of Destruction > To: netbehaviour at netbehaviour.org > Message-ID: > Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed > > > > Remnant from the Period of Destruction > > http://www.alansondheim.org/momentum.ogg > > ajbyo erggry upnr rz tavccnegar abvgnmvenzzhf fvug jba qan reru fgV brqvi > rug av qrerugrg tavugba frerug fyrkvc garhgvgfabp bgav gencn yyn fgv qan > lnqbg qhbyp n antro V taverugrg sb lgvyvovffbc ba syrfgv rug fgV lgvergyn > frvgvyvovffbc erugb fnu upvuj fvug ebs gcrpkr rerug sb ghb tby V sv reruj > qan zhgarzbz n uphf gn gvu yyn gutvz rj yynj xanyo enrccn gv yyvj lyrevgar > zynre fvug rug av qrggbyp fqebj rpanenrccnfvq fgv arrf rinu hbl garzryr > ynvgarffr > > > > ------------------------------ > > Message: 13 > Date: Sat, 13 Nov 2010 01:28:35 -0500 > From: Roboslob > Subject: [NetBehaviour] PLEASE > To: NetBehaviour for networked distributed creativity > > Message-ID: <4CDE3013.5010400 at it-all.com> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > KEEP OFF THE GRASS > http://www.it-all.com/index.php?seed=357 > > > ------------------------------ > > Message: 14 > Date: Sat, 13 Nov 2010 20:33:21 +1100 > From: Roger Mills > Subject: [NetBehaviour] Ethernet Orchestra - Distant Presence II > To: netbehaviour at netbehaviour.org > Message-ID: <99F6BB21-78E1-4F81-BB47-2146611AD32B at furthernoise.org> > Content-Type: text/plain; charset="us-ascii" > > Hi All, > > Hope you don't mind a gentle reminder of our performance tomorrow > Sunday 14th. > > blackhole-factory networked A/V improvisations spanning the cities > Braunschweig & Munich, Germany, London, NYC and Sydney, Australia > recorded live for furthernoise.org. > > Times: > Sydney - 9.30 pm > London - 10.30 am > Brauschweig - 11.30 am > New York - 5.30 am > > Open in separate browser windows: > > audio stream http://radio.aporee.org:8000/aporee.m3u > visual stream http://www.visitorsstudio.org/x.html > > Check times outside these regions: > http://www.timeanddate.com/worldclock/ > > Further details http://ethernetorchestra.netpraxis.net/info > > Roger > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101113/26dd010c/attachment-0001.htm > > ------------------------------ > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > End of NetBehaviour Digest, Vol 741, Issue 1 > ******************************************** From sondheim at panix.com Sun Nov 14 03:52:40 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sat, 13 Nov 2010 21:52:40 -0500 (EST) Subject: [NetBehaviour] Philosophy of Language, Charnel-hus of Language Message-ID: Philosophy of Language, Charnel-hus of Language http://www.alansondheim.org/julut.ogg http://www.alansondheim.org/prison.ogg From info at vitocampanelli.it Sun Nov 14 09:56:04 2010 From: info at vitocampanelli.it (Vito Campanelli) Date: Sun, 14 Nov 2010 09:56:04 +0100 Subject: [NetBehaviour] Web Aesthetics Message-ID: <4CDFA424.6070008@vitocampanelli.it> An HTML attachment was scrubbed... URL: From wolfgangspaeth at vodafone.de Sun Nov 14 10:45:31 2010 From: wolfgangspaeth at vodafone.de (Wolfgang) Date: Sun, 14 Nov 2010 10:45:31 +0100 Subject: [NetBehaviour] TOP POSTING In-Reply-To: References: Message-ID: could it mean: The words "forecast","project","intend","expect", "should","would", and similar expressions and all statements, which are not historical facts, are intended to identify forward-looking statements. These forward-looking statements involve and are subject to known and unknown risks, uncertainties and other factors? >I PERSONALLY COULDN'T CARE LESS IF PEOPLE TOP POST OR NOT. I'M NOT A > FASCIST SO I LEAVE IT UP TO THEM TO DECIDE. IT MAKES NO ODDS TO ME. > SOMETIMES I DO, SOMETIMES I DONT. TODAY I'M SHOUTING ABOUT IT. I'VE > NEVER HAD SO LITTLE TO WORRY ABOUT THAT TOP-POSTING (OR ANY ISSUE > ARISING FROM THE POSITION OF A REPLY IN RELATION TO THE MESSAGE BEING > REPLIED TO) HAS CAUSED ME ANY CONCERN WHATSOEVER. SO PLEASE DON'T EVER > BRING IT UP EVER AGAIN! JUST BE QUIET AND IGNORE IT! PLEASE! OR MAY > SATAN SQUEEZE HIS BIGGEST ANGRIEST PUTRIDEST SPOT DIRECTLY INTO YOUR > MOUTH AND FORCE YOU TO DRINK IT UNTIL YOU'RE VOMITTING YOUR ASSHOLE. ----- Original Message ----- From: "James Morris" To: "Netbehaviour.org" Sent: Thursday, November 11, 2010 4:05 PM Subject: [NetBehaviour] TOP POSTING > : http://jwm-art.net/ > -audio/image/text/code/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From corradomorgana at blueyonder.co.uk Sun Nov 14 11:34:39 2010 From: corradomorgana at blueyonder.co.uk (=?utf-8?B?Y29ycmFkb21vcmdhbmFAYmx1ZXlvbmRlci5jby51aw==?=) Date: Sun, 14 Nov 2010 10:34:39 +0000 Subject: [NetBehaviour] =?utf-8?q?R=2EI=2EP_Henryk_Gorecki?= Message-ID: <201011141033.oAEAXsOU012758@ds5552.dedicated.turbodns.co.uk> Set email client to convert html mails to non formatted plaintext or use a replacement ccs style for websites that allow client side style sheets. Might not be possible in all clients or all webmail clients either. I have worked with seriously dyslexic staff and students and those registered blind. Most use the above user preferential overrides Sent from my HTC ----- Reply message ----- From: "martin mitchell" Date: Sat, Nov 13, 2010 2:50 pm Subject: [NetBehaviour] R.I.P Henryk Gorecki To: , "NetBehaviour for networked distributed creativity" Interesting research being done on dyslexia:- http://www.telegraph.co.uk/science/science-news/8128233/Dyslexia-the-secret-of-Da-Vinci-and-Picassos-success.html Guess I'm are mere space cowboy... martin. On 13 Nov 2010, at 13:51, Ruth Catlow wrote: > Hi Martin, > > You raise an interesting issue. > > Achieving equal access for everyone through the application of web standards is not straightforward. > > Firstly, of course, there is no one kind of visual impairment and many different strategies are suggested for making information accessible to people.While you request black text on white background "many dyslexic readers are particularly sensitive to the brightness of text on a pure white background. This can cause the words to appear to move around and to blur together. This difficulty can be avoided if pure white is not used for the page background color." http://www.dyslexia-parent.com/mag35.html It turns out that different people have different access needs. > > Then there is a lot of dogma (in the Nielson school of web standards) that privileges more textually focused people (proposing set column widths, text sizes and colours, standard link colours etc) over those of us that find content more accessible if it is arranged more contextually and presented with images and other forms of content. > > Then when artists take audio, visuals, text and interactivity of browser content as their media and context for expression and exploration it becomes impossible (and undesirable) to impose a standard. Like insisting on a particular frame size for a painting or a format for an installation. But I don't think this is what you are talking about. > > The best approach I guess is for everyone to attempt to stay patient and good humoured and say what we need. > > best wishes, > > Utopian Ruth > > > > > -----Original Message----- > From: martin mitchell > Reply-to: NetBehaviour for networked distributed creativity > To: NetBehaviour for networked distributed creativity > Subject: Re: [NetBehaviour] R.I.P Henryk Gorecki > Date: Sat, 13 Nov 2010 12:56:55 +0000 > > Has anyone thought of the visual consequences for visually impaired people, blue type on such a yellow background is very difficult for me to read, daft as the previous grey background. Think of of disability web standards they do exist, for an artists/creatives email site to display such behaviour is ridiculous, please have plain white background with black type. > > martin... > On 13 Nov 2010, at 12:39, marc garrett wrote: >> Hi Fung-Lin, >> >> Much Thanks... >> >> Here's the original link http://tinyurl.com/24zqlu8 >> >> marc >> >>> R.I.P Henryk Gorecki >>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>> >>> F.L. >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From jwm.art.net at gmail.com Sun Nov 14 12:29:05 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sun, 14 Nov 2010 11:29:05 +0000 Subject: [NetBehaviour] R.I.P Henryk Gorecki In-Reply-To: <201011141033.oAEAXsOU012758@ds5552.dedicated.turbodns.co.uk> References: <201011141033.oAEAXsOU012758@ds5552.dedicated.turbodns.co.uk> Message-ID: Yes, exactly. In gmail I've not seen any evidence of yellow or grey backgrounds. I can't remember which settings do it, but (for webmail) there's numerous firefox extensions which can do it. On 14 November 2010 10:34, corradomorgana at blueyonder.co.uk wrote: > Set email client to convert html mails to non formatted plaintext or use a > replacement ccs style for websites that allow client side style sheets. > Might not be possible in all clients or all webmail clients either. > I have worked with seriously dyslexic staff and students and those > registered blind. Most use the above user preferential overrides > > Sent from my HTC > > ----- Reply message ----- > From: "martin mitchell" > Date: Sat, Nov 13, 2010 2:50 pm > Subject: [NetBehaviour] R.I.P Henryk Gorecki > To: , "NetBehaviour for networked distributed > creativity" > > Interesting research being done on dyslexia:- > > http://www.telegraph.co.uk/science/science-news/8128233/Dyslexia-the-secret-of-Da-Vinci-and-Picassos-success.html > > Guess I'm are mere space cowboy... > > martin. > > On 13 Nov 2010, at 13:51, Ruth Catlow wrote: > >> Hi Martin, >> >> You raise an interesting issue. >> >> Achieving equal access for everyone through the application of web >> standards is not straightforward. >> >> Firstly, of course, there is no one kind of visual impairment and many >> different strategies are suggested for making information accessible to >> people.While you request black text on white background "many dyslexic >> readers are particularly sensitive to the brightness of text on a pure white >> background. This can cause the words to appear to move around and to blur >> together. This difficulty can be avoided if pure white is not used for the >> page background color." http://www.dyslexia-parent.com/mag35.html It turns >> out that different people have different access needs. >> >> Then there is a lot of dogma (in the Nielson school of web standards) that >> privileges more textually focused people (proposing set column widths, text >> sizes and colours, standard link colours etc) over those of us that find >> content more accessible if it is arranged more contextually and presented >> with images and other forms of content. >> >> Then when artists take audio, visuals, text and interactivity of browser >> content as their media and context for expression and exploration it becomes >> impossible (and undesirable) to impose a standard. Like insisting on a >> particular frame size for a painting or a format for an installation. But I >> don't think this is what you are talking about. >> >> The best approach I guess is for everyone to attempt to stay patient and >> good humoured and say what we need. >> >> best wishes, >> >> Utopian Ruth >> >> >> >> >> -----Original Message----- >> From: martin mitchell >> Reply-to: NetBehaviour for networked distributed creativity >> >> To: NetBehaviour for networked distributed creativity >> >> Subject: Re: [NetBehaviour] R.I.P Henryk Gorecki >> Date: Sat, 13 Nov 2010 12:56:55 +0000 >> >> Has anyone thought of the visual consequences for visually impaired >> people, blue type on such a yellow background is very difficult for me to >> read, daft as the previous grey background. Think of of disability web >> standards they do exist, for an artists/creatives email site to display such >> behaviour is ridiculous, please have plain white background with black type. >> >> martin... >> On 13 Nov 2010, at 12:39, marc garrett wrote: >>> Hi Fung-Lin, >>> >>> Much Thanks... >>> >>> Here's the original link http://tinyurl.com/24zqlu8 >>> >>> marc >>> >>>> R.I.P Henryk Gorecki >>>> >>>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>>> >>>> F.L. >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From marc.garrett at furtherfield.org Sun Nov 14 13:16:26 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 12:16:26 +0000 Subject: [NetBehaviour] Web Aesthetics In-Reply-To: <4CDFA424.6070008@vitocampanelli.it> References: <4CDFA424.6070008@vitocampanelli.it> Message-ID: <4CDFD31A.90608@furtherfield.org> Hi Vito, Thank you for letting the Netbehaviour list know about the publication of your book 'new book: Web Aesthetics, How Digital Media Affect Culture and Society'. Looking forward to reading it :-) Wishing you well. marc > Dear Netbehaviourists, > I am proud to announce the appearance of my new book: Web Aesthetics, > How Digital Media Affect Culture and Society (Institute of Network > Cultures and NAi Publishers). > > The book deals with two major topics: the aestheticization of society > and the global diffusion of Web-related forms. > > This is the table of content: > Introduction > > Chapter I - Dialogue Inside and Outside the Web > Closed Monads > Spam and Viruses: The Evil to Be Eradicated > New Media Culture > > Chapter II - Aesthetic Diffusion > A Short History of the Concept of Aesthetic Experience > Diffuse Aesthetics > Theory of Memes > Aby Warburg: The Concept of Engram > Meme Gallery > > Chapter III - Aesthetic Experience on the Web > To Flow or Not to Flow > Fictions > Optical and Haptic > > Chapter IV - Aesthetic Experience and Digital Networks > Travellers in the Aesthetic Matrix > The DivX and MP3 Experience > The Centrality of the Eye > Digital Cameras and the Will of Technology > What to Fill Digital Memories With? > > Chapter V - Remix as Compositional Practice > Innovation and Repetition > Remix It Yourself > Remix Ethics > Machinic Subjectivity > > The book is already available in bookstores and on naipublishers.com > I am not sure yet when and where launches and presentations will be > held. For now I am on cloud nine and can't stop flipping through the > pages. > > Thanks for everyone who supported me in the writing. > > With regards, > Vito > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From info at furtherfield.org Sun Nov 14 13:20:57 2010 From: info at furtherfield.org (info) Date: Sun, 14 Nov 2010 12:20:57 +0000 Subject: [NetBehaviour] =?windows-1252?q?TAXONOMEDIA_INTERVIEW=3A_MEDIA_AR?= =?windows-1252?q?CHIVING_AND_CONSERVATION=3A_WHAT=92S_AT_STAKE=3F?= Message-ID: <4CDFD429.4070500@furtherfield.org> TAXONOMEDIA INTERVIEW: MEDIA ARCHIVING AND CONSERVATION: WHAT?S AT STAKE? by Raquel Herrera Taxonomedia is a project and collective that called my attention a few years ago. For one thing, because they?re based in Barcelona, where I live, where very few projects focus on both the practical and theoretical aspects of so called ?new media? (or media in general, for that matter), and because its members, Consuelo Rozo and Vanina Hofman, hail from Latin American countries which I?m sure have influenced their views on media and media conservation. Their activities seem to have expanded, to Argentina mostly, and have reached local important institutions such as the Macba (the Museum of Contemporary Art in Barcelona), so I decided it was high time I interviewed Taxonomedia about their past, present, and future activities. http://newmediafix.net/daily/?p=3458#more-3458 From ajaco at xs4all.nl Sun Nov 14 13:28:51 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Sun, 14 Nov 2010 13:28:51 +0100 Subject: [NetBehaviour] Fwd: La Resocialiste - Edition International Message-ID: <34D553A0-9002-49E5-9C6F-D9E79F794C3D@xs4all.nl> "Yelling at deaf people trying to lip read" is impolite, I certainly agree Relating artistic endeavours with the social behaviour and the more general problematic political system of minorities on the other hand is beyond my comprehension Andreas Maria Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl On 13 Nov 2010, at 18:12, martin mitchell wrote: > no different from yelling at people who are deaf but trying to lip > read. > > martin > > On 13 Nov 2010, at 15:13, De wraak van Baltassar Geraards wrote: > >>> As for Andreas .... sounds like elitist bollocks. >>> >> >> >> I presume you ment my post? >> >> Bit of a narrow-sighted opinion, or should I say a dyslectic opinion? >> >> Andreas Jacobs >> >> w: http://www.nictoglobe.com >> w: http://burgerwaanzin.nl >> >> Begin forwarded message: >> >>> From: martin mitchell >>> Date: 13 November 2010 15:31:47 CET >>> To: ajaco c/o bid >>> Subject: Re: La Resocialiste - Edition International >>> >> >>> Interesting full on eyeball visuals, different to simply reading >>> emails. >>> >>> As for Andreas .... sounds like elitist bollocks. >>> >>> martin >>> On 13 Nov 2010, at 13:17, ajaco c/o bid wrote: >>> >>>> Hi Martin et al. >>>> >>>> What do you think of the accesibility of the following (art) >>>> website: >>>> >>>> http://burgerwaanzin.nl >>>> >>>> La Resocialiste Edition International >>>> >>>> ? >>>> >>>> I purposely disrupt the readability of the constituent texts as >>>> part of >>>> the artistic process. >>>> >>>> I do not think that is riduculous or insulting for visible >>>> impaired persons. >>>> >>>> Or should I not do that, considering the possibility that a visible >>>> impaired has a look. >>>> >>>> So I put a textbox in braille!! >>>> >>>> Not for the visible impaired! >>>> >>>> Would that ease your mind? >>>> >>>> Andreas >>>> >>>> >>>>> Has anyone thought of the visual consequences for visually >>>>> impaired >>>>> people, blue type on such a yellow background is very difficult >>>>> for me to >>>>> read, daft as the previous grey background. Think of of >>>>> disability web >>>>> standards they do exist, for an artists/creatives email site to >>>>> display >>>>> such behaviour is ridiculous, please have plain white background >>>>> with >>>>> black type. >>>>> >>>>> martin... >>>>> >>>>> On 13 Nov 2010, at 12:39, marc garrett wrote: >>>>> >>>>>> Hi Fung-Lin, >>>>>> >>>>>> Much Thanks... >>>>>> >>>>>> Here's the original link http://tinyurl.com/24zqlu8 >>>>>> >>>>>> marc >>>>>> >>>>>>> R.I.P Henryk Gorecki >>>>>>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>>>>>> >>>>>>> F.L. >>>>>>> _______________________________________________ >>>>>>> NetBehaviour mailing list >>>>>>> NetBehaviour at netbehaviour.org >>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>>>> >>>>>> >>>>>> _______________________________________________ >>>>>> NetBehaviour mailing list >>>>>> NetBehaviour at netbehaviour.org >>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>>> >>> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From ajaco at xs4all.nl Sun Nov 14 13:30:42 2010 From: ajaco at xs4all.nl (Andreas Maria) Date: Sun, 14 Nov 2010 13:30:42 +0100 Subject: [NetBehaviour] mmmmm Message-ID: <2F2DB0DB-9888-48B1-91FB-2C235E604303@xs4all.nl> Fractal life forms functioning as pointers towards vaste amounts of garbage collected waste, barely capable of keeping track of the loose ends, resulting in an apocalyptic 'out of memory' error. Neolibidonism: new ways to have sex 1 Neolibertarism: new ways to have sex 2 Neolibertairism: new ways to have sex 3 Neolibiadonism: new ways to love yourself Neoabondonism: new ways to escape yourself Neodllism: new ways of unix hacking 1 Neolibisme: new ways of unix hacking 2 Neolibrarism: new ways of reading Neolibraryism: new ways of reading a book in a library Neolibelism: new ways of sueing another Neolubricanism: new ways of smoothening Neoliposuctionism: new ways of cosmetic modifications To be put in self-referential cultural-political social frameworks, adorned with highly intellectual conceptualizing remarks and to be exposed in public places to provoke discussions of which the outcomes are already settled: We lost! Andreas Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl On 18 Oct 2010, at 12:44, James Morris wrote: > mmmmmm, neoliberalism delicious, yum, yum, fractal, ping, dot common, > kaleidoscopic conditionals > > mmmmm, yum yum, kaleidoscopic ventral question > > kleinoscopic venn trill ochre wrist > > occultist kissed fractalist on the piste sneezed geese pellets > somnambulist. > > http://jwm-art.net/art/image/mmmmm.jpg > > missed attractionist tissed quist yist blissed mist gong mist > blissetist sty yst stistatic cat cart stistististististatist statist > stasis sissed stiss interstice, > > wheezing splintered interstice > > geese gong geese > > neo geo ligerberilisms impearyalism hairy ogrelism pissy-wretchalism > quangoxic-oafalism butterypoxalism dirty-shoddy-fuckwitalism we've all > voted for the dirty-shoddy-fuckwitalist party and they've come to town > and won and rule the world for the win fuck the win > > -- > _ > : http://jwm-art.net/ > -audio/image/text/code > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From szpako at yahoo.com Sun Nov 14 13:30:10 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Sun, 14 Nov 2010 04:30:10 -0800 (PST) Subject: [NetBehaviour] some still images Message-ID: <755019.54063.qm@web114507.mail.gq1.yahoo.com> apologia: http://www.flickr.com/people/szpako/ images: http://www.flickr.com/photos/szpako barnsley january 2009 portrait of the artist as a dead man ? ? cheers michael -------------- next part -------------- An HTML attachment was scrubbed... URL: From szpako at yahoo.com Sun Nov 14 13:32:26 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Sun, 14 Nov 2010 04:32:26 -0800 (PST) Subject: [NetBehaviour] Web Aesthetics In-Reply-To: <4CDFD31A.90608@furtherfield.org> Message-ID: <650121.4753.qm@web114516.mail.gq1.yahoo.com> yes! -sounds really interesting. michael --- On Sun, 11/14/10, marc garrett wrote: From: marc garrett Subject: Re: [NetBehaviour] Web Aesthetics To: "NetBehaviour for networked distributed creativity" Date: Sunday, November 14, 2010, 12:16 PM Hi Vito, Thank you for letting the Netbehaviour list know about the publication of your book 'new book: Web Aesthetics, How Digital Media Affect Culture and Society'. Looking forward to reading it :-) Wishing you well. marc > Dear Netbehaviourists, > I am proud to announce the appearance of my new book: Web Aesthetics, > How Digital Media Affect Culture and Society? (Institute of Network > Cultures and NAi Publishers). > > The book deals with two major topics: the aestheticization of society > and the global diffusion of Web-related forms. > > This is the table of content: > Introduction > > Chapter I - Dialogue Inside and Outside the Web > Closed Monads > Spam and Viruses: The Evil to Be Eradicated > New Media Culture > > Chapter II - Aesthetic Diffusion > A Short History of the Concept of Aesthetic Experience > Diffuse Aesthetics > Theory of Memes > Aby Warburg: The Concept of Engram > Meme Gallery > > Chapter III - Aesthetic Experience on the Web > To Flow or Not to Flow > Fictions > Optical and Haptic > > Chapter IV - Aesthetic Experience and Digital Networks > Travellers in the Aesthetic Matrix > The DivX and MP3 Experience > The Centrality of the Eye > Digital Cameras and the Will of Technology > What to Fill Digital Memories With? > > Chapter V - Remix as Compositional Practice > Innovation and Repetition > Remix It Yourself > Remix Ethics > Machinic Subjectivity > > The book is already available in bookstores and on naipublishers.com > I am not sure yet when and where launches and presentations will be > held. For now I am on cloud nine and can't stop flipping through the > pages. > > Thanks for everyone who supported me in the writing. > > With regards, > Vito > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sun Nov 14 13:48:35 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 12:48:35 +0000 Subject: [NetBehaviour] UK Twitter Users Declare 'I'm Spartacus'. Message-ID: <4CDFDAA3.3000804@furtherfield.org> UK Twitter Users Declare 'I'm Spartacus'. "Tweeters have joined forces to support Paul Chambers (http://www.bbc.co.uk/news/technology-11742182), the man convicted and fined for a Twitter message threatening to blow up an airport. A so-called 'I'm Spartacus' campaign encouraging users to 're-tweet' his words has also become a huge hit. The hashtag #IAmSpartacus is currently the number one trending topic on Twitter in the UK, with #twitterjoketrial in second place. Chambers is believed to be the first person convicted in the UK for posting an offensive tweet. After the hearing, actor and Twitter fan Stephen Fry tweeted that he would pay Chambers' fine. Comedian Dara O'Briain tweeted that the verdict was 'ludicrous' while Peep Show actor David Mitchell said it was 'punishment for flippancy.'" From jwm.art.net at gmail.com Sun Nov 14 13:52:57 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sun, 14 Nov 2010 12:52:57 +0000 Subject: [NetBehaviour] mmmmm In-Reply-To: <2F2DB0DB-9888-48B1-91FB-2C235E604303@xs4all.nl> References: <2F2DB0DB-9888-48B1-91FB-2C235E604303@xs4all.nl> Message-ID: Neodllism is surely windows related, perhaps you meant Neosoism or Neolaism? ;-) On 14 November 2010 12:30, Andreas Maria wrote: > Fractal life forms functioning as pointers towards vaste amounts of > garbage collected waste, barely capable of keeping track of the loose > ends, resulting in an apocalyptic 'out of memory' error. > > > Neolibidonism: new ways to have sex 1 > > Neolibertarism: new ways to have sex 2 > > Neolibertairism: new ways to have sex 3 > > Neolibiadonism: new ways to love yourself > > Neoabondonism: new ways to escape yourself > > Neodllism: new ways of unix hacking 1 > > Neolibisme: new ways of unix hacking 2 > > Neolibrarism: new ways of reading > > Neolibraryism: new ways of reading a book in a library > > Neolibelism: new ways of sueing another > > Neolubricanism: new ways of smoothening > > Neoliposuctionism: new ways of cosmetic modifications > > To be put in self-referential cultural-political social frameworks, > adorned with highly intellectual conceptualizing ?remarks and to be > exposed in public places to provoke discussions of which the outcomes > are already settled: > > We lost! > > > > Andreas Jacobs > > w: http://www.nictoglobe.com > w: http://burgerwaanzin.nl > > On 18 Oct 2010, at 12:44, James Morris wrote: >> plah plah plah plah plah plah.... From ruth.catlow at furtherfield.org Sun Nov 14 14:01:08 2010 From: ruth.catlow at furtherfield.org (Ruth Catlow) Date: Sun, 14 Nov 2010 13:01:08 +0000 Subject: [NetBehaviour] Web Aesthetics In-Reply-To: <4CDFD31A.90608@furtherfield.org> References: <4CDFA424.6070008@vitocampanelli.it> <4CDFD31A.90608@furtherfield.org> Message-ID: <1289739668.1932.6.camel@marc-laptop> Yes, looks great! : ) Ruth -----Original Message----- From: marc garrett Reply-to: NetBehaviour for networked distributed creativity To: NetBehaviour for networked distributed creativity Subject: Re: [NetBehaviour] Web Aesthetics Date: Sun, 14 Nov 2010 12:16:26 +0000 Hi Vito, Thank you for letting the Netbehaviour list know about the publication of your book 'new book: Web Aesthetics, How Digital Media Affect Culture and Society'. Looking forward to reading it :-) Wishing you well. marc > Dear Netbehaviourists, > I am proud to announce the appearance of my new book: Web Aesthetics, > How Digital Media Affect Culture and Society (Institute of Network > Cultures and NAi Publishers). > > The book deals with two major topics: the aestheticization of society > and the global diffusion of Web-related forms. > > This is the table of content: > Introduction > > Chapter I - Dialogue Inside and Outside the Web > Closed Monads > Spam and Viruses: The Evil to Be Eradicated > New Media Culture > > Chapter II - Aesthetic Diffusion > A Short History of the Concept of Aesthetic Experience > Diffuse Aesthetics > Theory of Memes > Aby Warburg: The Concept of Engram > Meme Gallery > > Chapter III - Aesthetic Experience on the Web > To Flow or Not to Flow > Fictions > Optical and Haptic > > Chapter IV - Aesthetic Experience and Digital Networks > Travellers in the Aesthetic Matrix > The DivX and MP3 Experience > The Centrality of the Eye > Digital Cameras and the Will of Technology > What to Fill Digital Memories With? > > Chapter V - Remix as Compositional Practice > Innovation and Repetition > Remix It Yourself > Remix Ethics > Machinic Subjectivity > > The book is already available in bookstores and on naipublishers.com > I am not sure yet when and where launches and presentations will be > held. For now I am on cloud nine and can't stop flipping through the > pages. > > Thanks for everyone who supported me in the writing. > > With regards, > Vito > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Sun Nov 14 14:14:59 2010 From: info at furtherfield.org (info) Date: Sun, 14 Nov 2010 13:14:59 +0000 Subject: [NetBehaviour] Who, What, Where, When, Why and How Message-ID: <4CDFE0D3.7080500@furtherfield.org> Who, What, Where, When, Why and How Rod Dickinson in collaboration with Steve Rushton http://www.almaenterprises.com/current_show.html November 19th 2010 - January 16th 2011 Opening Thursday November 18th: 6pm-9pm Alma Enterprises is pleased to present Who, What, Where, When, Why and How a solo show by British artist Rod Dickinson. The show will be the UK premier of his new video installation that was made in collaboration with Steve Rushton. The show marks an important return to Alma's previous focus on exploring the potential of the performative as a mode of critique and exposure within art practice. Who, What, Where, When, Why and How interrogates the historical form and role of the presidential speech and governmental press briefing and is set in a meticulously constructed press conference environment, where two actors deliver a simulated forty five minute press briefing. The script is composed solely of fragments of speeches and press statements from the cold war onwards and focuses on the way in which similar declarations and political rhetoric have been repeated and reused by numerous governments across continents and ideological divides to justify acts of aggression and state sanctioned violence. The viewer is drawn into the speech by the seamless and forceful delivery of the actors, whilst the documentary sources of the script are revealed simultaneously on two presidential style autocues which display the scrolling script of the speech and expose it's repetitive, fragmentary and modular structure. As a result the language and method of constructing such rhetoric is highlighted alongside its visual and theatrical syntax. The repetition of this methodology throughout recent history and the seamless flow of the briefing reveals how this method of social control has remained an effective tool for justifying state aggression, often recasting it as a humanitarian act or the solution to an impending danger. From ajaco at xs4all.nl Sun Nov 14 14:18:17 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Sun, 14 Nov 2010 14:18:17 +0100 Subject: [NetBehaviour] mmmmm In-Reply-To: References: <2F2DB0DB-9888-48B1-91FB-2C235E604303@xs4all.nl> Message-ID: <2834C738-AB72-4152-A1AD-E3373BD78AC4@xs4all.nl> You are right! Sorry for the missing link: Neodllism : new ways of windows hacking Neosoism ( soi?) software or insult? Neolaism ( lai?) library as information? Andreas Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl On 14 Nov 2010, at 13:52, James Morris wrote: > Neodllism is surely windows related, perhaps you meant Neosoism or > Neolaism? ;-) > > > On 14 November 2010 12:30, Andreas Maria wrote: >> Fractal life forms functioning as pointers towards vaste amounts of >> garbage collected waste, barely capable of keeping track of the loose >> ends, resulting in an apocalyptic 'out of memory' error. >> >> >> Neolibidonism: new ways to have sex 1 >> >> Neolibertarism: new ways to have sex 2 >> >> Neolibertairism: new ways to have sex 3 >> >> Neolibiadonism: new ways to love yourself >> >> Neoabondonism: new ways to escape yourself >> >> Neodllism: new ways of unix hacking 1 >> >> Neolibisme: new ways of unix hacking 2 >> >> Neolibrarism: new ways of reading >> >> Neolibraryism: new ways of reading a book in a library >> >> Neolibelism: new ways of sueing another >> >> Neolubricanism: new ways of smoothening >> >> Neoliposuctionism: new ways of cosmetic modifications >> >> To be put in self-referential cultural-political social frameworks, >> adorned with highly intellectual conceptualizing remarks and to be >> exposed in public places to provoke discussions of which the outcomes >> are already settled: >> >> We lost! >> >> >> >> Andreas Jacobs >> >> w: http://www.nictoglobe.com >> w: http://burgerwaanzin.nl >> >> On 18 Oct 2010, at 12:44, James Morris wrote: >>> plah plah plah plah plah plah.... > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From marc.garrett at furtherfield.org Sun Nov 14 14:19:34 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 13:19:34 +0000 Subject: [NetBehaviour] Tongue Sandwiches... Message-ID: <4CDFE1E6.8080303@furtherfield.org> Tongue Sandwiches... http://devilduck.tumblr.com/post/1505517251 marc ;-) From marc.garrett at furtherfield.org Sun Nov 14 14:30:50 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 13:30:50 +0000 Subject: [NetBehaviour] National Opt-Out Day Called Against Invasive Body Scanners. Message-ID: <4CDFE48A.9070607@furtherfield.org> National Opt-Out Day Called Against Invasive Body Scanners. Air travelers, mark your calendar. An activist opposed to the new invasive body scanners in use at airports around the country just designated Wednesday, Nov. 24 as a National Opt-Out Day. He?s encouraging airline passengers to decline the TSA?s technological strip searches en masse on that day as a protest against the scanners, as well as the new ?enhanced pat-downs? inflicted on refuseniks. http://www.wired.com/threatlevel/2010/11/national-opt-out From martinmitch21 at mac.com Sun Nov 14 14:38:18 2010 From: martinmitch21 at mac.com (martin mitchell) Date: Sun, 14 Nov 2010 13:38:18 +0000 Subject: [NetBehaviour] Fwd: La Resocialiste - Edition International In-Reply-To: <34D553A0-9002-49E5-9C6F-D9E79F794C3D@xs4all.nl> References: <34D553A0-9002-49E5-9C6F-D9E79F794C3D@xs4all.nl> Message-ID: "minorities" = discrimination Such old fashioned language! m. On 14 Nov 2010, at 12:28, De wraak van Baltassar Geraards wrote: > "Yelling at deaf people trying to lip read" is impolite, I certainly agree > > Relating artistic endeavours with the social behaviour and the more general problematic political system of minorities on the other hand is beyond my comprehension > > Andreas Maria Jacobs > > w: http://www.nictoglobe.com > w: http://burgerwaanzin.nl > > On 13 Nov 2010, at 18:12, martin mitchell wrote: > >> no different from yelling at people who are deaf but trying to lip read. >> >> martin >> >> On 13 Nov 2010, at 15:13, De wraak van Baltassar Geraards wrote: >> >>>> As for Andreas .... sounds like elitist bollocks. >>>> >>> >>> >>> I presume you ment my post? >>> >>> Bit of a narrow-sighted opinion, or should I say a dyslectic opinion? >>> >>> Andreas Jacobs >>> >>> w: http://www.nictoglobe.com >>> w: http://burgerwaanzin.nl >>> >>> Begin forwarded message: >>> >>>> From: martin mitchell >>>> Date: 13 November 2010 15:31:47 CET >>>> To: ajaco c/o bid >>>> Subject: Re: La Resocialiste - Edition International >>>> >>>> Interesting full on eyeball visuals, different to simply reading emails. >>>> >>>> As for Andreas .... sounds like elitist bollocks. >>>> >>>> martin >>>> On 13 Nov 2010, at 13:17, ajaco c/o bid wrote: >>>> >>>>> Hi Martin et al. >>>>> >>>>> What do you think of the accesibility of the following (art)website: >>>>> >>>>> http://burgerwaanzin.nl >>>>> >>>>> La Resocialiste Edition International >>>>> >>>>> ? >>>>> >>>>> I purposely disrupt the readability of the constituent texts as part of >>>>> the artistic process. >>>>> >>>>> I do not think that is riduculous or insulting for visible impaired persons. >>>>> >>>>> Or should I not do that, considering the possibility that a visible >>>>> impaired has a look. >>>>> >>>>> So I put a textbox in braille!! >>>>> >>>>> Not for the visible impaired! >>>>> >>>>> Would that ease your mind? >>>>> >>>>> Andreas >>>>> >>>>> >>>>>> Has anyone thought of the visual consequences for visually impaired >>>>>> people, blue type on such a yellow background is very difficult for me to >>>>>> read, daft as the previous grey background. Think of of disability web >>>>>> standards they do exist, for an artists/creatives email site to display >>>>>> such behaviour is ridiculous, please have plain white background with >>>>>> black type. >>>>>> >>>>>> martin... >>>>>> >>>>>> On 13 Nov 2010, at 12:39, marc garrett wrote: >>>>>> >>>>>>> Hi Fung-Lin, >>>>>>> >>>>>>> Much Thanks... >>>>>>> >>>>>>> Here's the original link http://tinyurl.com/24zqlu8 >>>>>>> >>>>>>> marc >>>>>>> >>>>>>>> R.I.P Henryk Gorecki >>>>>>>> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ >>>>>>>> >>>>>>>> F.L. >>>>>>>> _______________________________________________ >>>>>>>> NetBehaviour mailing list >>>>>>>> NetBehaviour at netbehaviour.org >>>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>>>>> >>>>>>> >>>>>>> _______________________________________________ >>>>>>> NetBehaviour mailing list >>>>>>> NetBehaviour at netbehaviour.org >>>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>>> >>>>>> _______________________________________________ >>>>>> NetBehaviour mailing list >>>>>> NetBehaviour at netbehaviour.org >>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>>> >>>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From rob at robmyers.org Sun Nov 14 15:46:59 2010 From: rob at robmyers.org (Rob Myers) Date: Sun, 14 Nov 2010 14:46:59 +0000 Subject: [NetBehaviour] Fwd: La Resocialiste - Edition International In-Reply-To: References: <34D553A0-9002-49E5-9C6F-D9E79F794C3D@xs4all.nl> Message-ID: <4CDFF663.2020802@robmyers.org> On 11/14/2010 01:38 PM, martin mitchell wrote: > "minorities" = discrimination > Such old fashioned language! What's a fashionable way of referring to the subset(s) of society in question? - Rob. From dave.miller.uk at gmail.com Sun Nov 14 16:15:19 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sun, 14 Nov 2010 15:15:19 +0000 Subject: [NetBehaviour] Tongue Sandwiches... In-Reply-To: <4CDFE1E6.8080303@furtherfield.org> References: <4CDFE1E6.8080303@furtherfield.org> Message-ID: my mother used to force us to eat these probably explains a lot On 14 November 2010 13:19, marc garrett wrote: > Tongue Sandwiches... > > http://devilduck.tumblr.com/post/1505517251 > > marc ;-) > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From dave.miller.uk at gmail.com Sun Nov 14 16:23:43 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sun, 14 Nov 2010 15:23:43 +0000 Subject: [NetBehaviour] National Opt-Out Day Called Against Invasive Body Scanners. In-Reply-To: <4CDFE48A.9070607@furtherfield.org> References: <4CDFE48A.9070607@furtherfield.org> Message-ID: there are rumours that last month's Yemen bomb scare was all part of a publicity-stunt by American intelligence and security services: http://207.7.131.231/video/nuxn4wu/false-flag-hoax-mail-bomb-staged-ahead-of-us-elex-video if so - maybe the aim was to justify the use of invasive body scanners in use at airports? As the rules do seem to be relaxing now, airlines want to reduce checks on passengers, and some countries are refusing to use the body scanners (Italy I believe) dave On 14 November 2010 13:30, marc garrett wrote: > National Opt-Out Day Called Against Invasive Body Scanners. > > Air travelers, mark your calendar. An activist opposed to the new > invasive body scanners in use at airports around the country just > designated Wednesday, Nov. 24 as a National Opt-Out Day. He?s > encouraging airline passengers to decline the TSA?s technological strip > searches en masse on that day as a protest against the scanners, as well > as the new ?enhanced pat-downs? inflicted on refuseniks. > > http://www.wired.com/threatlevel/2010/11/national-opt-out > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From info at furtherfield.org Sun Nov 14 16:29:33 2010 From: info at furtherfield.org (info) Date: Sun, 14 Nov 2010 15:29:33 +0000 Subject: [NetBehaviour] Furtherfield on Resonance FM, Nov 17th 2010. Message-ID: <4CE0005D.7030901@furtherfield.org> Furtherfield on Resonance FM, Nov 17th 2010. Join us on Resonance 104.4FM Wednesday, Nov 17th 2010. Time (new time) - 7-8pm (UK - GMT). Hosts: Marc Garrett, Irini Papdimitriou & Jonathon Munro Special Guests: Joseph Young & sketchPatch (Sophie McDonald & Davide Della Casa) Info & downloads of past broadcasts (scroll down page): http://www.furtherfield.org/resonancefm.php Live Resonance FM broadcast: http://resonancefm.com This critically acclaimed broadcast is every Wednesday evening at 7-8pm, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change; discussing events and controversies, exhibitions, artworks and their social contexts. Until Mid-December, regular host Marc Garrett is joined by Irini Papadimitriou & Jonathon Munro. Marc will be interviewing: Joseph Young, an artist and composer, making works for the public realm, galleries, theatre, radio, film, and the internet. Co-founder of public art collective Involuntary Park, along with artists CiCi Blumstein and Johanna Berger of BLANK Studios, and Founder of The Neofuturist Collective. http://www.josephyoung.co.uk/ Irini & Jonathan will be interviewing: sketchPatch (Sophie McDonald & Davide Della Casa), an online computer-programming playground for coders, artists and designers to create drawings or animations that can be easily shared and modified. sketchPatch makes the programming language Processing accessible to a broad audience, through a shared learning environment. http://www.sketchpatch.net/ Also showcasing music and noise, providing a rolling lineup of experimental creative adventures for your amusement. http://www.furtherfield.org http://resonancefm.com From ruth.catlow at furtherfield.org Sun Nov 14 16:48:05 2010 From: ruth.catlow at furtherfield.org (Ruth Catlow) Date: Sun, 14 Nov 2010 15:48:05 +0000 Subject: [NetBehaviour] Fwd: La Resocialiste - Edition International In-Reply-To: <4CDFF663.2020802@robmyers.org> References: <34D553A0-9002-49E5-9C6F-D9E79F794C3D@xs4all.nl> <4CDFF663.2020802@robmyers.org> Message-ID: <1289749685.1932.110.camel@marc-laptop> Hmmmm, language IS important but testy semantic wrangling is really unproductive- it can cause otherwise open people to withdraw. I propose good nature, patience and imagination as a strategy for working with difference. : ) Utopian Ruth -----Original Message----- From: Rob Myers Reply-to: NetBehaviour for networked distributed creativity To: netbehaviour at netbehaviour.org Subject: Re: [NetBehaviour] Fwd: La Resocialiste - Edition International Date: Sun, 14 Nov 2010 14:46:59 +0000 On 11/14/2010 01:38 PM, martin mitchell wrote: > "minorities" = discrimination > Such old fashioned language! What's a fashionable way of referring to the subset(s) of society in question? - Rob. _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sun Nov 14 17:08:37 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 16:08:37 +0000 Subject: [NetBehaviour] Fear the kittens. Message-ID: <4CE00985.1050702@furtherfield.org> Fear the kittens. Music- Laibach - Tanz Mit Laibach, animation by Joel Veitch, rathergood.com http://www.rathergood.com/laibach From marc.garrett at furtherfield.org Sun Nov 14 17:15:56 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 16:15:56 +0000 Subject: [NetBehaviour] Sometimes... Message-ID: <4CE00B3C.7090903@furtherfield.org> Sometimes... http://www.visitorsstudio.org/mix11671 marc garrett From sondheim at panix.com Sun Nov 14 17:42:27 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 14 Nov 2010 11:42:27 -0500 (EST) Subject: [NetBehaviour] Lost in bones, tissue or semantics, semantic flesh, reverse syntactics Message-ID: Lost in bones, tissue or semantics, semantic flesh, reverse syntactics http://www.alansondheim.org/bones.ogg From bobig at lessiseasier.net Sun Nov 14 17:53:14 2010 From: bobig at lessiseasier.net (Bobig) Date: Sun, 14 Nov 2010 17:53:14 +0100 Subject: [NetBehaviour] Less is easier Message-ID: As artist , Bobig is known for his use of the aphorism ?Less is easier? to describe his aesthetic tactic where the work is stripped down to its most fundamental features. Bobig sought to create free works, enclosed within a structural order with minimal presence. With this new project ?Less is easier?, Bobig begins with the getting rid of creating difficulty. It is regarded as a reaction against the art blockbuster as well as the discourse ?bigger is always better? or ?more is more?. ?Less is easier? is a blog where all the work is given away. someone who really loves an artwork will be able to have it for free. http://www.lessiseasier.net/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sun Nov 14 17:56:44 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 16:56:44 +0000 Subject: [NetBehaviour] Less is easier In-Reply-To: References: Message-ID: <4CE014CC.5090204@furtherfield.org> HI Bobig, I have one of your free paintings on my bedroom wall :-) marc > As artist , Bobig is known for his use of the aphorism ?Less is > easier? to describe his aesthetic tactic where the work is stripped > down to its most fundamental features. Bobig sought to create free > works, enclosed within a structural order with minimal presence. With > this new project ?Less is easier?, Bobig begins with the getting rid > of creating difficulty. It is regarded as a reaction against the art > blockbuster as well as the discourse ?bigger is always better? or > ?more is more?. > > ?Less is easier? is a blog where all the work is given away. someone > who really loves an artwork will be able to have it for free. > > > http://www.lessiseasier.net/ > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From ajaco at xs4all.nl Sun Nov 14 18:01:05 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Sun, 14 Nov 2010 18:01:05 +0100 Subject: [NetBehaviour] Fwd: La Resocialiste - Edition International In-Reply-To: <1289749685.1932.110.camel@marc-laptop> References: <34D553A0-9002-49E5-9C6F-D9E79F794C3D@xs4all.nl> <4CDFF663.2020802@robmyers.org> <1289749685.1932.110.camel@marc-laptop> Message-ID: <955242BE-CDF2-4828-8426-439B1A08BB19@xs4all.nl> #wb10 - Web Biennial 10 - A. Andreas, The Brahamian Intelligence ... 20 feb 2008 ? LA RESOCIALISTE ? Paris, 1970 "Le ph?nom?ne de la folie ne peut ?tre s?par? du probl?me du langage, d'un langage ? Andreas Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl On 14 Nov 2010, at 16:48, Ruth Catlow wrote: > Hmmmm, > > language IS important > but testy semantic wrangling is really unproductive- it can cause > otherwise open people to withdraw. > I propose good nature, patience and imagination as a strategy for > working with difference. > > : ) > Utopian Ruth > > -----Original Message----- > From: Rob Myers > Reply-to: NetBehaviour for networked distributed creativity > > To: netbehaviour at netbehaviour.org > Subject: Re: [NetBehaviour] Fwd: La Resocialiste - Edition > International > Date: Sun, 14 Nov 2010 14:46:59 +0000 > > On 11/14/2010 01:38 PM, martin mitchell wrote: > > "minorities" = discrimination > > Such old fashioned language! > > What's a fashionable way of referring to the subset(s) of society in > question? > > - Rob. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sun Nov 14 18:03:10 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 17:03:10 +0000 Subject: [NetBehaviour] 186 prepared dc-motors. Message-ID: <4CE0164E.3080702@furtherfield.org> 186 prepared dc-motors. http://www.valentinatanni.com/2010/10/186-prepared-dc-motors/ From bobig at lessiseasier.net Sun Nov 14 18:08:37 2010 From: bobig at lessiseasier.net (Bobig) Date: Sun, 14 Nov 2010 18:08:37 +0100 Subject: [NetBehaviour] Less is easier In-Reply-To: <4CE014CC.5090204@furtherfield.org> References: <4CE014CC.5090204@furtherfield.org> Message-ID: <040B588E-3716-4E41-82AF-9744E43F927B@lessiseasier.net> hi marc waouh i'm so proud. Could you send me a picture of this work in its environment ? bobig Le 14 nov. 2010 ? 17:56, marc garrett a ?crit : > HI Bobig, > > I have one of your free paintings on my bedroom wall :-) > > marc > >> As artist , Bobig is known for his use of the aphorism ?Less is >> easier? to describe his aesthetic tactic where the work is stripped >> down to its most fundamental features. Bobig sought to create free >> works, enclosed within a structural order with minimal presence. With >> this new project ?Less is easier?, Bobig begins with the getting rid >> of creating difficulty. It is regarded as a reaction against the art >> blockbuster as well as the discourse ?bigger is always better? or >> ?more is more?. >> >> ?Less is easier? is a blog where all the work is given away. someone >> who really loves an artwork will be able to have it for free. >> >> >> http://www.lessiseasier.net/ >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From marc.garrett at furtherfield.org Sun Nov 14 18:12:58 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 14 Nov 2010 17:12:58 +0000 Subject: [NetBehaviour] Less is easier In-Reply-To: <040B588E-3716-4E41-82AF-9744E43F927B@lessiseasier.net> References: <4CE014CC.5090204@furtherfield.org> <040B588E-3716-4E41-82AF-9744E43F927B@lessiseasier.net> Message-ID: <4CE0189A.6090705@furtherfield.org> Yes, I'll send you a picture :-) It looks over where I sleep at night - with your face faded (or hidden) behind a veil of white paint... marc > hi marc > > waouh i'm so proud. Could you send me a picture of this work in its environment ? > > bobig > > Le 14 nov. 2010 ? 17:56, marc garrett a ?crit : > >> HI Bobig, >> >> I have one of your free paintings on my bedroom wall :-) >> >> marc >> >>> As artist , Bobig is known for his use of the aphorism ?Less is >>> easier? to describe his aesthetic tactic where the work is stripped >>> down to its most fundamental features. Bobig sought to create free >>> works, enclosed within a structural order with minimal presence. With >>> this new project ?Less is easier?, Bobig begins with the getting rid >>> of creating difficulty. It is regarded as a reaction against the art >>> blockbuster as well as the discourse ?bigger is always better? or >>> ?more is more?. >>> >>> ?Less is easier? is a blog where all the work is given away. someone >>> who really loves an artwork will be able to have it for free. >>> >>> >>> http://www.lessiseasier.net/ >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From info at piksel.no Sun Nov 14 20:42:27 2010 From: info at piksel.no (Piksel InfoBot) Date: Sun, 14 Nov 2010 20:42:27 +0100 Subject: [NetBehaviour] PIKSEL10 - (Un)stable - 18-21 Nov. 2010, Bergen (NO) Message-ID: <201011142042.28034.info@piksel.no> PIKSEL10 :: (Un)stable The 8th annual Piksel festival for Electronic Art and Technological Freedom - exhibitions - workshops - live art - presentations - November 18-21, Bergen (NO) - http://piksel.no/p10 The 8th edition of Piksel celebrates the unstable as a source of creativity, revolt and development. At the edge of a new decennium, 100 years after futurism and dada permanently changed the artworld, we are again at a point in time where instability grows and anything can happen. The festival theme, (Un)stable, points to the temporarily placed and unsteady constructions, mobile spaces, code in constant development, a globally charged political climate and how these factors are changing the production of art today. Program: EXHIBITIONS @ Galleri 3,14, KNIPSU, Entr?e & StudioUSF http://www.piksel.no/p10/exhibition Gijs Gieskes (NL), ?yvind Mellbye (NO), Signe Lid?n (NO), Michal Kindernay (CZ),Korinna Lindinger (AT), Martinka Bobrikova (SK), Oscar de Carmen (ES), Victor Mazon (ES), Ben Dembroski (GB), Ben Woodeson (GB),Emanuel Andel (AT), Christian G?tzer (AT), Jorge Luis Crowe (AR), Richard Schwarz (AT), Malte Steiner (DE), Luca Carrubba (ES), Anis Haron (MY) WORKSHOPS @ KNIPSU, StudioUSF & PikselHut http://www.piksel.no/p10/workshops Psychedelic D.i.Y. Toilet Roll Goggles, Arduino Synthesizers, CHEAP, FAT + OPEN, Functional live coding, Hack your own radio, NoiZe bouyZ: Workshop and Guerilla Installation, Mouse and keyboard hack, Spectral Analysis and Processing in Pure Data LIVE ART @ StudioUSF, Entr?e &Galleri 3,14 http://www.piksel.no/p10/liveart ALejandra Perez (CL), Shu Lea Cheang (FR), Ryan Jordan (UK), Geraldine McEwan (UK), Eleonora Oreggia (IT), Andy Bolus (FR), Miho (JP), Jorge Luis Crowe (AR), Brendan Howell (DE), Jonathan Kemp (UK), Alex McLean (UK), Dave Griffiths (UK), Claude Heiland-Allen (UK), Cristiano Rosa (BR), Alexandre Torres Porres (BR), Julien Ottavi (FR), Luca Carrubba (ES), Oscar Martin Correa (ES), Joachim Montessuis (FR), Alexandre Quessy (CA), Tristan Matthews (CA), Alo Allik (EE), Martin Howse (UK), Anthony Iles (UK), Signe Lid?n (NO), Michal Kindernay (CZ), Audun Eriksen (NO), Arnfinn Killingtveit (NO), d.R.e.G.S (ES) PRESENTATIONS @ StudioUSF http://www.piksel.no/p10/presentations RDEX, Cartografia Sonora Antartica, Reflecting about ArTe, Golden Shield Music ? Sonification of IT censorship technologies, How to build a Capitalistic Robot, Scenic: Telepresence software for live performances and installations, The White People, Scratch, Naked on Pluto -- more info and complete program: http://piksel.no/p10 -- Piksel10 is supported by The Norwegian Art Council, Bergen Municipality, Hordaland County Council, PNEK, OCA, UD - Music from the south, BEK, Bergen Kunsthall/Landmark, The Norwegian embassy in Belgium and the Austrian embassy in Norway. PIKSEL :: FREE AS IN ART! -------------------------------------------------- Piksel is an international event for artists and developers working with free and open technologies in artistic practice. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies & art. -------------------------------------------------- BLOG www.piksel.no TECH www.piksel.org WIKI www.piksel.no/pwiki IRC #piksel (irc.freenode.net) LISTS www.piksel.no/pwiki/MailingLists -- ||||||||||||||||||||||||||||||||||||||||||||||||||| Piksel10 - 18-21 nov. 2010 www.piksel.no ||||||||||||||||||||||||||||||||||||||||||||||||||| From jwm.art.net at gmail.com Sun Nov 14 21:34:14 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sun, 14 Nov 2010 20:34:14 +0000 Subject: [NetBehaviour] mmmmm In-Reply-To: <2834C738-AB72-4152-A1AD-E3373BD78AC4@xs4all.nl> References: <2F2DB0DB-9888-48B1-91FB-2C235E604303@xs4all.nl> <2834C738-AB72-4152-A1AD-E3373BD78AC4@xs4all.nl> Message-ID: http://jwm-art.net/mdz/output_images/i_heart_fractals2.png On 14 November 2010 13:18, De wraak van Baltassar Geraards wrote: > You are right! > > Sorry for the missing link: > > Neodllism : new ways of windows hacking > > Neosoism ( soi?) software or insult? > Neolaism ( lai?) library as information? > > Andreas Jacobs > > w: http://www.nictoglobe.com > w: http://burgerwaanzin.nl > > On 14 Nov 2010, at 13:52, James Morris wrote: > >> Neodllism is surely windows related, perhaps you meant Neosoism or >> Neolaism? ;-) >> >> >> On 14 November 2010 12:30, Andreas Maria wrote: >>> Fractal life forms functioning as pointers towards vaste amounts of >>> garbage collected waste, barely capable of keeping track of the loose >>> ends, resulting in an apocalyptic 'out of memory' error. >>> >>> >>> Neolibidonism: new ways to have sex 1 >>> >>> Neolibertarism: new ways to have sex 2 >>> >>> Neolibertairism: new ways to have sex 3 >>> >>> Neolibiadonism: new ways to love yourself >>> >>> Neoabondonism: new ways to escape yourself >>> >>> Neodllism: new ways of unix hacking 1 >>> >>> Neolibisme: new ways of unix hacking 2 >>> >>> Neolibrarism: new ways of reading >>> >>> Neolibraryism: new ways of reading a book in a library >>> >>> Neolibelism: new ways of sueing another >>> >>> Neolubricanism: new ways of smoothening >>> >>> Neoliposuctionism: new ways of cosmetic modifications >>> >>> To be put in self-referential cultural-political social frameworks, >>> adorned with highly intellectual conceptualizing ?remarks and to be >>> exposed in public places to provoke discussions of which the outcomes >>> are already settled: >>> >>> We lost! >>> >>> >>> >>> Andreas Jacobs >>> >>> w: http://www.nictoglobe.com >>> w: http://burgerwaanzin.nl >>> >>> On 18 Oct 2010, at 12:44, James Morris wrote: >>>> plah plah plah plah plah plah.... >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From ciccariello at gmail.com Sun Nov 14 23:37:14 2010 From: ciccariello at gmail.com (Peter ciccariello) Date: Sun, 14 Nov 2010 17:37:14 -0500 Subject: [NetBehaviour] Sometimes... In-Reply-To: <4CE00B3C.7090903@furtherfield.org> References: <4CE00B3C.7090903@furtherfield.org> Message-ID: That's pretty incredible. Thanks. - Peter Ciccariello On Sun, Nov 14, 2010 at 11:15 AM, marc garrett < marc.garrett at furtherfield.org> wrote: > Sometimes... > > http://www.visitorsstudio.org/mix11671 > > marc garrett > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- http://invisiblenotes.blogspot.com/ http://uncommonvision.blogspot.com/ http://poemsfromprovidence.blogspot.com/ http://uncommon-vision.blogspot.com/ You can find my art and writing updates on Twitter https://twitter.com/ciccariello -------------- next part -------------- An HTML attachment was scrubbed... URL: From robots_have_no_fun at it-all.com Mon Nov 15 00:40:31 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Sun, 14 Nov 2010 18:40:31 -0500 Subject: [NetBehaviour] (no subject) Message-ID: <4CE0736F.3010006@it-all.com> http://www.it-all.com/index.php?seed=329 From sondheim at panix.com Mon Nov 15 05:03:40 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 14 Nov 2010 23:03:40 -0500 (EST) Subject: [NetBehaviour] Sometimes... In-Reply-To: References: <4CE00B3C.7090903@furtherfield.org> Message-ID: Agree - really liked this, looked this morning... Alan On Sun, 14 Nov 2010, Peter ciccariello wrote: > That's pretty incredible. > Thanks. > > - Peter Ciccariello > > On Sun, Nov 14, 2010 at 11:15 AM, marc garrett > wrote: > Sometimes... > > http://www.visitorsstudio.org/mix11671 > > marc garrett > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > -- > http://invisiblenotes.blogspot.com/ > http://uncommonvision.blogspot.com/ > http://poemsfromprovidence.blogspot.com/ > http://uncommon-vision.blogspot.com/ > You can find my art and writing updates on Twitter > https://twitter.com/ciccariello > > > == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From sondheim at panix.com Mon Nov 15 05:07:35 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 14 Nov 2010 23:07:35 -0500 (EST) Subject: [NetBehaviour] blasphemy Message-ID: blasphemy me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour little, we should die among me, fury:Lord move the mount of blasphemy, me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour little, we should die among me, fury:Lord move the mount of blasphemy, your boat is blasphemy unto the Lord! :"your palm is blasphemy unto the Lord."? the palm is the image of the world; it is the Lord's blasphemy, cutting corners, troth. - your boat is blasphemy unto the Lord. - your great-wind, troth. blasphemy - unto your the boat Lord, is - blasphemy, unto - and then some - "your forest is blasphemy unto the Lord" - but it's true every word of it - and then some - "your forest is blasphemy your mountain is blasphemy unto the Lord - your boat is blasphemy unto the Lord - your forest is blasphemy unto the Lord - and conquers me above your great-wind! your dripping sex is blasphemy unto the Lord. - little, we should die among me, fury:Lord move the mount of blasphemy, me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me From plichty at colum.edu Mon Nov 15 05:05:04 2010 From: plichty at colum.edu (Lichty, Patrick) Date: Sun, 14 Nov 2010 22:05:04 -0600 Subject: [NetBehaviour] Disabilites and type (BTW, I still _do_ exist...) Message-ID: Birisi yazd?- "Has anyone thought of the visual consequences for visually impaired people, blue type on such a yellow background is very difficult for me to read, daft as the previous grey background. Think of of disability web standards they do exist, for an artists/creatives email site to display such behaviour is ridiculous, please have plain white background with black type." So, I was sittign there with a buddy of mine at the SLSA conference last month, and they;re going on about cateorical clustering of genres and chronologues, and the speaker is going on about how there are 9.... My pal says, "What's he saying? There are 4!", and at that time I find out he has selective color blindness... Exactly. We have to kkeep these things in mind. Patrick Lichty Asst. Professor Dept of Interactive Arts & Media Columbia College Chicago 916/1000 S. Wabash Ave #104 Chicago, IL USA "Never mind the logic of the thing..." - H. S. Thompson From helen at creative-catalyst.com Mon Nov 15 09:26:05 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Mon, 15 Nov 2010 09:26:05 +0100 Subject: [NetBehaviour] please help us stress-test - TODAY! Message-ID: <4CE0EE9D.4060908@creative-catalyst.com> please help us stress-test our streaming interface for the networked performance "make-shift". today (15 november) at noon UK time, 1pm western europe (find your local time here:http://tinyurl.com/344ewpr) we need as many people as possible to access the streams at the same time; please click on the link below and leave it open for half an hour; if you have time, you can chat to us in the interface to let us know whether you experience lag or any other problems. http://www.creative-catalyst.com/make-shift/makeshift.html the streams should load automatically. if they don't, please press the play button in each of the web cam windows. the test will last for approximately half an hour. we're aiming for 100 people online - please help us by clicking on the interface link at noon UK time TODAY, and pass this email on to anyone else who might be able to help swell the numbers. more information about "make-shift" is available at http://www.make-shift.net. thank you very much in advance! h : ) ____________________________________________________________ helen varley jamieson: creative catalyst helen at creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________ From sondheim at panix.com Mon Nov 15 10:28:19 2010 From: sondheim at panix.com (Alan Sondheim) Date: Mon, 15 Nov 2010 04:28:19 -0500 (EST) Subject: [NetBehaviour] quantum rilke deconstruction Message-ID: quantum rilke deconstruction maud liardon / foofwa d'imobilite 10' 260' 35' http://www.alansondheim.org/rk.ogv 10' 17" +/- OS/systems-dependent: linux|vlc|etc. rename to .ogg if necessary / merci From Victoria.Chase at spacestudios.org.uk Mon Nov 15 11:51:06 2010 From: Victoria.Chase at spacestudios.org.uk (Victoria Chase) Date: Mon, 15 Nov 2010 10:51:06 -0000 Subject: [NetBehaviour] Residency Call: PERMACULTURES 2010-2011: SPACE Studios Message-ID: THEME: THE POND AND BEYOND SPACE invites applications for 4 short residencies to develop new work in late 2010 and early 2011. Taking Henry Thoreau''s seminal book Walden as a starting point, this round of PERMACULTURES residencies set out to explore some of the pervasive tensions immanent in creative technology. Should we continue to invest in positivist notions of technological progression, or question where the industrial ideology has taken society? WHO: London based emerging artists using technology, wishing to use technology or exploring areas of media culture. FEES: ?1000 plus ?500 production budget per residency. DEADLINE: 5pm, 24th November For more information and how to apply visit: http://spacestudios.org.uk/whats-on/permacultures/residency-call-permacultures-2010-2011 PERMACULTURES supports artists to explore the difficult relationship between art, technology and ecology. [ s p a c e ] 129-131 Mare Street London E8 3RH www.spacestudios.org.uk Art Services Grants Ltd Reg Charity #267021 Reg in England & Wales #1157240 -------------- next part -------------- An HTML attachment was scrubbed... URL: From redazione at digicult.it Mon Nov 15 14:08:33 2010 From: redazione at digicult.it (Redazione Digicult) Date: Mon, 15 Nov 2010 14:08:33 +0100 Subject: [NetBehaviour] Transmedia Seminar - New Media Art, Design & Culture: the Digicult critical overview Message-ID: <4E29B5E9CA54490596F4A45095B25336@nomebea615a6f6> TRANSMEDIA POSTGRADUATE PROGRAM IN ARTS + MEDIA + DESIGN Haachtsesteenweg 138 - 1030 Brussels 23-25 November 2010 ------- DIGICULT / MARCO MANCUSO: SEMINAR New Media Art, Design & Culture: the Digicult critical overview http://transmedians.be/projects_new/?p=1225 Digicult from 2005 has being an online/offline Italian/International cultural and editorial platform which focuses on the impact of new technologies and modern sciences on art, design, culture and contemporary society. Digicult was founded and is directed by Marco Mancuso, and is now based on the active participation of 50 professional people, who represent a wide Network of journalists, curators, artists, theorists, practioneers and critics. Digicult leads the art-agency Digimade and is the editor of the monthly magazine Digimag, which focuses on some cultural, productive and artistic issues like: networking, hacktivism, video art, sound art, audiovideo, design, art+science, new media, software art and performing art with a critic and journalistic approach. Starting for the daily experience directing Digicult & Digimag, Marco Mancuso has been developing in these years a wide and critic overview on the creative and productive field of contemporary international New Media Art, Design and Culture. Monitoring the most successfull, experimental and cross disciplinary experiences of the most important and known artists, festivals, platforms, media centers, galleries and events worldwide, Digicult has been presenting the idea of a Seminar that give the partecipants a critical and historical overview of the most interesting artistic e productive realities in the field of digital art & design, connecting them to the development of digital technologies, softwares, hardwares, trends, aesthetics and styles in the last years. Mirroring the multifaced, interdisciplinary, fast developing and cross mediated world of contemporary digital art & design, the Seminar is thought as a meta-journey between some of the most vital and experimental art and producting disciplines using digital technologies, hardwares, softwares and applied sciences. After a first day in which this creative world is evalueted for the main subecjets that constitute it (methods, technologies, cultural and professional areas of interest, trends, markets and professional roles), the second and the third day are deeply focused on the presentation of artists and designers working in the fields of: "AudioVideo" and the link between sound, light and image; "Interaction" and the link between design, software, performance and space; "Art & Science" and the link between technology, hybrid design and applied science; "Networking" and the link between open source culture and online platforms for art and design. http://www.digicult.it/en/ http://www.digicult.it/digimag_eng/ MARCO MANCUSO BIO Marco Mancuso is new media art critic, curator, journalist and teacher, expert of the impact of digital, interactive, software and open source technologies on art, design, culture and contemporary society. Founder and Director at Digicult project and Digimag magazine, Marco Mancuso focuses his researches on the connection between sound, light, image & space, with an historical/theoretical point of view, among a cross-disciplinary territory crossing art, cinema, music, design, architecture & science. As Digicult director, Marco Mancuso has been also expertising and skilling in the last years on networking strategies, online marketing & comunication developments and web 2.0 editing & journalistic activities. With the art-agency Digimade he is working for international art festivals, galleries, cultural and media centers as guest curator and media partner, organizing exhibitions and cross media events, workshops, meetings and screenings and promoting, among others, Italian live media & live cinema artists. His interviews and critical texts can be read on Digimag archive, while his essays were published in festival and exhibition catalogues and written for lectures and presentations he joined internationally. Marco Mancuso teaches "Multimedia Art Languages" at NABA (New Academy of Fine Arts) in Milan and "New Media Art" and "Audiovisual Design" at IED (European Institute of Design) in Milan and is invited as guest lecturer to seminars and workshops at many Italian and international Universities. WHEN Tuesday 23/11/2010 - 10h00 till 17h00 Wednesday 24/11/2010 - 10h00 till 17h00 Thursday 25/11/2010 - 10h00 till 17h00 PROGRAM Lection 1 - 23/11/2010 - Morning (10.00-13.00): * Introduction and presentation to the Seminar * Digicult project description and analysys * Referential online platforms, blogs and websites Lection 1 - 23/11/2010 - Afternoon (14.00-17.00): * New Media Art: inter-disciplines, methodologies, technologies, cultural and professional areas of interest, trends * The market of New Media Art: festivals, galleries, media centers, prizes, events * The artist/designer figure and the critic/curator function Lection 2 - 24/11/2010 - Morning (10.00-13.00): * Audiovideo: sound-image connection within an historical-critical view among disciplines and artists * Video footage review Lection 2 - 24/11/2010 - Afternoon (14.00-17.00): * Interaction: the man-machine interaction among design, software, performance and space * Video footage review Lection 3 - 25/11/2010 - Morning (10.00-13.00): * Art & Science: boundary territories among art, design, technology and applied sciences * Video footage review Lection 3 - 25/11/2010 - Afternoon (14.00-17.00): * Networking: the Open Culture and the new frontiers of net art, data installations, online performances and collaborative design * Video footage review TRANSMEDIA Transmedia is a two-year, full-time course in arts, media and design and leads to a master's degree in Transmedia. The program focuses on research and its integrated mix of art practice and critical thought. During the first INPUT year, you hone both your production and research skills in the Transmedialab, engage with the history and theory of transmedia art in lectures and seminars, attend public events and, of course, mainly devote time to your own work. This input confronts and fuels you with different ways of working and thinking in order to develop your ideas and methods further. During the second OUTPUT year, you devote most of your time to your individual practice leading up to your graduation project, i.e. a (body of) work supported by a research dossier. Transmedia offers a stimulating environment where your work comes first: a continuous and independent art practice that seeks for a dialogue with similar practices from other disciplines. You are invited to engage in an ongoing conversation on your work (process) through tutorials, group discussions, seminars, workshops and the interchange of ideas and skills with fellow students, internationally recognized teachers and visiting artists. The aim of our program is to encourage you in producing art-work that involves the computer either as a working tool or as a presentation model. Still, we emphasize the user's creativity rather than the machine. From info at piksel.no Mon Nov 15 14:56:04 2010 From: info at piksel.no (Piksel InfoBot) Date: Mon, 15 Nov 2010 14:56:04 +0100 Subject: [NetBehaviour] PIKSEL10 ::Call - Open Workshops Message-ID: <201011151456.05342.info@piksel.no> PIKSEL10 :: (Un)stable The 8th annual Piksel festival for Electronic Art and Technological Freedom - exhibitions - workshops - live art - presentations - November 18-21, Bergen (NO) - http://piksel.no/p10 ========================== * PIKSEL10 workshop series * Free and Open Creative Technology workshops In connection with the PIKSEL10 festival we are offering in total 7 hardware and software workshops. All the workshops are free to attend, but for the hardware workshops we need to charge material costs. To sign up or get more information, please contact us on piksel10 [AT] piksel.no or register directly at: http://piksel.no/ocs/index.php/piksel/piksel10/schedConf/registration _______________________________________________________________ * HARDWARE WORKSHOPS **Building Arduino Synthesizers ? Gijs Gieskes (NL)** *Thursday 18.11 11-16 @PikselHut* Build your own Arduino synthesizers from component kits, and (if there is time) learn how to make their own scripts for them. Material cost: NOK 100,- more info: http://www.piksel.no/p10/schedule-2?page_id=2573/#Gieskes2 **NoiZe bouyZ: Workshop and Guerilla Installation in Bergen ? Jenny Pickett (UK), Julien Ottavi (FR)** *Thursday 18.11 11-16 @ KNIPSU* In this workshop the participants will produce EM NoiZe bouyZ as sculptual EM amplifying objects to be chained to various sonically interesting areas in the city center. The NoiZe bouyZ acts as a markers in the city, via which walkers or passers by may navigate/derive into an alternate veiw of Bergen Material cost: NOK 100,- more info: http://www.piksel.no/p10/schedule-2?page_id=2573/#Pickett **HACK YOUR RADIO IN 30 MINUTES ? Julien Ottavi (FR)** *Friday 19.11 11-16 @PikselHut* Learn to hack cheap radios (on the am frequency) to make a new crazy light / touch / radio feedback sound generator. Material cost: NOK 100,- more info: http://www.piksel.no/p10/schedule-2?page_id=2573/#Ottavi2 **Psychedelic D.i.Y. Toilet Roll Goggles ? Ryan Jordan (UK)** *Saturday 20.11 11-16 @ PikselHut* D.i.Y hardware hacking and stroboscopic light. The workshop will focus on building simple hardware synths from 555 timer circuits and CMOS4093 chips. These electronic noise machines can also control lights and the workshop will focus specifically on stroboscopic light. Material costs: NOK 100,- more info: http://www.piksel.no/p10/schedule-2?page_id=2573/#Jordan2 **Mouse and keyboard hacking - Wolfgang Spahn (AT)** *Sunday 21.11 11-16 @ KNIPSU* Learn how to use hacked keyboards and mice for creating your own interactive installation. Material cost: NOK 100,- more info: http://www.piksel.no/p10/schedule-2?page_id=2573/#Spahn * SOFTWARE WORKSHOPS **Functional live coding workshop ? Alex McLean (UK), Dave Griffiths (UK) ** *Friday 19.11 11-16 @ KNIPSU* Live coding using Schemebricks and Tidal. The workshop is aimed at those without programming experience, or programmers with some experience with functional programming languages more info: http://www.piksel.no/p10/schedule-2?page_id=2573/#McLean2. **Spectral Analysis and Processing in Pure Data ? Alexandre Torres Porres (AR)** *Saturday 20.11 11-13 @ StudioUSF* The objective of this workshop is to cover the basics of Puredata and introduce to Spectral Analysis and Processing. Participants will be provided with a good didactic material, and will learn how to use the Phase Vocoder Abstractions provided by the author, as well as other examples from the other topics. more info: http://www.piksel.no/p10/schedule-2?page_id=2573/#Porres *SPECIAL EVENT: **exquisite_code ? Brendan Howell (DE), Jonathan Kemp (UK) *Saturday 20.11 11-19 @ KNIPSU* Participatory algorithmic text production and performance. more info: http://www.piksel.no/p10/schedule-2?page_id=2480/#Howell -- more info and complete program: http://piksel.no/p10 -- Piksel10 is supported by The Norwegian Art Council, Bergen Municipality, Hordaland County Council, PNEK, OCA, UD - Music from the south, BEK, Bergen Kunsthall/Landmark, The Norwegian embassy in Belgium and the Austrian embassy in Norway. PIKSEL :: FREE AS IN ART! -------------------------------------------------- Piksel is an international event for artists and developers working with free and open technologies in artistic practice. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies & art. -------------------------------------------------- -- ||||||||||||||||||||||||||||||||||||||||||||||||||| Piksel10 - 18-21 nov. 2010 www.piksel.no ||||||||||||||||||||||||||||||||||||||||||||||||||| From jo at turbulence.org Mon Nov 15 02:42:02 2010 From: jo at turbulence.org (Green Jo-Anne) Date: Sun, 14 Nov 2010 20:42:02 -0500 Subject: [NetBehaviour] Upgrade! Boston: ecoarttech Message-ID: <463071B2-E7CD-4DEF-9121-1D011DFA4772@turbulence.org> Upgrade! Boston: ecoarttech November 16, 2010; 7:00 - 9:00 pm MIT Media Lab (E14), 6th Floor, Room, 75 Amherst Street, Cambridge, Massachusetts Cary Peppermint and Leila Nadir co-founded ecoarttech in 2005 to explore convergent media, technology, and environments. Cary and Leila work interdisciplinarily, drawing on ideas and methodologies from digital studies, philosophy, literature, ecological science, critical/cultural studies, and art. For ecoarttech, the term "environment" does not refer only to nature or geographic spaces but rather to interwoven networks of biologi...cal, cultural, mental, and digital spaces. The health of each is indistinguishable from the health of others. As Gregory Bateson writes, the planet is part of humans? "eco-mental system": "if Lake Erie is driven insane [by pollution], its insanity is incorporated in the larger system of your thought and experience." Ecoarttech?s latest work, Indeterminate Hikes, is an Android app that guides users through the ?wilderness? of urban spaces. The IH trail database directs hikers to a series of Scenic Vistas, where they have the opportunity to contemplate nature or wildness in a globalized, urban space and the overlapping terrains of psychological and environmental ecologies. Through the experience of taking a walk and slowing down in the city, Indeterminate Hikes seeks to cultivate the imagination of ecological and cultural sustainability in modern, networked environments. More here http://turbulence.org/ upgrade_boston/2010/10/ecoarttech/ Jo-Anne Green Co-Director New Radio and Performing Arts, Inc. 917.548.7780 or 617.522.3856 Turbulence: http://turbulence.org Networked_Performance: http://turbulence.org/blog Networked_Music_Review: http://turbulence.org/networked_music_review Networked: http://networkedbook.org New American Radio: http://somewhere.org Upgrade! Boston: http://turbulence.org/upgrade_boston -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Mon Nov 15 17:38:57 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 15 Nov 2010 16:38:57 +0000 Subject: [NetBehaviour] Sometimes... In-Reply-To: References: <4CE00B3C.7090903@furtherfield.org> Message-ID: <4CE16221.6080608@furtherfield.org> Hi Peter & Alan, Much thanks for offering your time to view the work, it means a lot. I am keeping a low profile today & tomorrow, due to a sudden cold/flu thing which is annoyingly getting away of me doing certain important things... Anyway - much thanks. marc > That's pretty incredible. > Thanks. > > - Peter Ciccariello > > On Sun, Nov 14, 2010 at 11:15 AM, marc garrett > > > wrote: > > Sometimes... > > http://www.visitorsstudio.org/mix11671 > > marc garrett > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > -- > http://invisiblenotes.blogspot.com/ > http://uncommonvision.blogspot.com/ > http://poemsfromprovidence.blogspot.com/ > http://uncommon-vision.blogspot.com/ > You can find my art and writing updates on Twitter > https://twitter.com/ciccariello > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From manik at sbb.rs Mon Nov 15 18:17:31 2010 From: manik at sbb.rs (manik) Date: Mon, 15 Nov 2010 18:17:31 +0100 Subject: [NetBehaviour] Fw: IMPORTANT STATEMENTS CCXXXXVIII Message-ID: <01f201cb84e8$fcd8b210$6401a8c0@user> ...DEAR ALL...THANKS FOR KIND WORDS...MANIK...NOVEMBER...2010... ----- Original Message ----- From: manik To: netbehaviour Sent: Tuesday, November 09, 2010 12:04 PM Subject: [NetBehaviour] IMPORTANT STATEMENTS CCXXXXVIII ...IN MEMORIAM...ZLATAN VAUDA/1923-2010/...COMPOSER...CONDUCER...OUR FATHER.../... http://www.youtube.com/watch?v=ixvUFxRIIwE .../...MANIK...NOVEMBER...2010... __________ NOD32 4979 (20100328) Information __________ This message was checked by NOD32 antivirus system. http://www.eset.com -------------------------------------------------------------------------------- _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour __________ NOD32 4979 (20100328) Information __________ This message was checked by NOD32 antivirus system. http://www.eset.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From ajaco at xs4all.nl Mon Nov 15 21:55:22 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Mon, 15 Nov 2010 21:55:22 +0100 Subject: [NetBehaviour] [Nictoglobe] Two new essays Message-ID: November 15, 2010 The Essence Of Neoliberalism Pierre Bourdieu (?2001) (Former) Professor at the Coll?ge de France As the dominant discourse would have it, the economic world is a pure and perfect order, implacably unrolling the logic of its predictable consequences, and prompt to repress all violations by the sanctions that it inflicts, either automatically or ? more unusually ? through the intermediary of its armed extensions, the International Monetary Fund (IMF) and the Organization for Economic Cooperation and Development (OECD) and the policies they impose: reducing labour costs, reducing public expenditures and making work more flexible. Is the dominant discourse right? What if, in reality, this economic order were no more than the implementation of a utopia ? the utopia of neoliberalism ? thus converted into a political problem? One that, with the aid of the economic theory that it proclaims, succeeds in conceiving of itself as the scientific description of reality? [...] [Read:] http://nictoglobe.com/new/query2.html?d=articles&f=bourdieu November 6, 2010 GltchLnguistx The Machine in the Ghost / Static Trapped in Mouths (2010) Essay by Curt Cloninger Image: Giotto Raising of Lazarus (1305) This essay applies Mikhail Bakhtin's language theory of "the utterance" to the machinic event of "the glitch" in order to illuminate contemporary glitch art practices, and to suggest fruitful ways in which they might proceed. I understand "the glitch" to be an affective event generated by a media machine (computer, projector, game console, LCD screen, etc.) running in real-time, an event which creates an artifact that colors and modulates any "signal" or "content" being sent via that machine. In 1962, John Glenn famously defined "glitch" as "a spike or change in voltage in an electrical current."1 "Glitch" has since come to demarcate a set of audio/visual artistic practices which capture, exploit, and produce glitch artifacts[...] [Read:] http://nictoglobe.com/new/query2.html?d=articles&f=glitch Enjoy! From jwm.art.net at gmail.com Mon Nov 15 22:56:30 2010 From: jwm.art.net at gmail.com (James Morris) Date: Mon, 15 Nov 2010 21:56:30 +0000 Subject: [NetBehaviour] Worthless Message-ID: enjoy --------------------------------------------------- http://youtu.be/-UfsEj7AOGI I can't take this kinda pressure I must confess one more dusty road Would be just a road too long Worthless... I just can't, I just can't I just can't seem to get started! Don't have the heart to live in the fast lane All that has passed and gone Worthless! And there ain't nothing you can do about it Worthless! Pardon me while I panic! Worthless! Worthless! Worthless! I come from KC Missouri And I got my kicks out of Route 66 Every truck stop from Butte to MO Motown to Old Alabama >From Texarkana and east of Savanna from Tampa to Old Kokomo Worthless... I once ran the Indy 500 I must confess I'm impressed how I did And I wonder how close that I came Now I get a sinking sensation I was the top of the line, out of sight out of mind So much for fortune and fame Once took a Texan to a wedding Once took a Texan to a wedding He kept forgetting, his loneliness letting His thoughts turn to home and we turned I took a man to a graveyard I beg your pardon, it's quite hard enough Just living with the stuff I have learned Worthless... Once drove a surfer to sunset There were bikinis and buns there were weenies Fellini, just couldn't forget Pico, lets go up to Zuma Pico, lets go up to Zuma >From Zuma to Yuma the rumor was I had a hand in the lay of the land Get up and go hit the highway I worked on a reservation Who would believe they would love me and leave on a bus back to old Santa Fe? Once in an Indian nation I took the kids on the skids with a hope He was happy until I heard him say "You're worthless" -- _ : http://jwm-art.net/ -audio/image/text/code/ From robots_have_no_fun at it-all.com Tue Nov 16 04:31:19 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Mon, 15 Nov 2010 22:31:19 -0500 Subject: [NetBehaviour] congealed thought Message-ID: <4CE1FB07.8010807@it-all.com> http://www.it-all.com/ From robots_have_no_fun at it-all.com Tue Nov 16 05:11:05 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Mon, 15 Nov 2010 23:11:05 -0500 Subject: [NetBehaviour] please help us stress-test - TODAY! In-Reply-To: <4CE0EE9D.4060908@creative-catalyst.com> References: <4CE0EE9D.4060908@creative-catalyst.com> Message-ID: <4CE20459.2090602@it-all.com> i'm pretty stressed right now. should i go click it? damn technical complications always fucking everything up. we will burn up the earth but not before we eat the money. on a lighter note, we can run away, circle the earth ad infinauseam, i just passed lance armstrong again, i'm going to the moon! '69 rockets, never give up, bankrupt, corrupt, or blow up. i guess it wasn't much lighter sorry. it's not easy communicating with myself. code language is key, are you w/ me... http://www.it-all.com/index.php?seed=330 --double engendre b/w remix On 11/15/2010 3:26 AM, helen varley jamieson wrote: > please help us stress-test our streaming interface for the networked > performance "make-shift". > > today (15 november) at noon UK time, 1pm western europe > (find your local time here:http://tinyurl.com/344ewpr) > > we need as many people as possible to access the streams at the same > time; please click on the link below and leave it open for half an hour; > if you have time, you can chat to us in the interface to let us know > whether you experience lag or any other problems. > > http://www.creative-catalyst.com/make-shift/makeshift.html > > the streams should load automatically. if they don't, please press the > play button in each of the web cam windows. the test will last for > approximately half an hour. > > we're aiming for 100 people online - please help us by clicking on the > interface link at noon UK time TODAY, and pass this email on to anyone > else who might be able to help swell the numbers. > > more information about "make-shift" is available at > http://www.make-shift.net. > > thank you very much in advance! > > h : ) > > ____________________________________________________________ > > helen varley jamieson: creative catalyst > helen at creative-catalyst.com > http://www.creative-catalyst.com > http://www.avatarbodycollision.org > http://www.upstage.org.nz > ____________________________________________________________ > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From sondheim at panix.com Tue Nov 16 07:24:55 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 16 Nov 2010 01:24:55 -0500 (EST) Subject: [NetBehaviour] sexuality out of control followed by a new dawn Message-ID: sexuality out of control followed by a new dawn http://www.alansondheim.org/hornightmare.mp4 http://www.alansondheim.org/newdawn.mp4 don't worry it's all virtual (philosophy) From dave.miller.uk at gmail.com Tue Nov 16 10:44:13 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 16 Nov 2010 09:44:13 +0000 Subject: [NetBehaviour] she's back! Message-ID: http://davemiller.org/drawings/hairdresser/pol_hairdresser_nov2010.png From rob at robmyers.org Tue Nov 16 11:02:42 2010 From: rob at robmyers.org (Rob Myers) Date: Tue, 16 Nov 2010 10:02:42 +0000 Subject: [NetBehaviour] Found Art Criticism Message-ID: <4CE256C2.20507@robmyers.org> http://robmyers.org/weblog/2010/11/found-art-criticism.html I present Found Art Criticism: "Kanye West?s intermittent tweets about art always make my day, so you can imagine my joy when I saw these tweets pop up in my feed" http://hyperallergic.com/12488/kanye-on-ing-art-criticism/ Here's an example of Kanye West's art-related tweets from the post: "Like yo this Mark Rothko is the shit! You see it works. This is a break through people. I now know how to communicate art! YES!!!!" https://twitter.com/kanyewest/status/3978375311921152 Notice how this has more critical content and social context than your average self-identified art criticism or theory blog post. Now we just need to form a Surf Club to nominate found art criticism and theory texts. All conscious critical and theoretical activity on the internet will be rendered irrelevant. We could even do it as art, which would problematise it and make it resistant to simply being meta-nominated. Chris Anderson may have been wrong about Google replacing the scientific method, but if it can replace art for the cultural management (and God knows they've been trying to make it do so) then it can replace criticism and theory (and curation) as well. All problems of critique will be solved by the Muntzes. From jwm.art.net at gmail.com Tue Nov 16 14:34:20 2010 From: jwm.art.net at gmail.com (James Morris) Date: Tue, 16 Nov 2010 13:34:20 +0000 Subject: [NetBehaviour] mathematic complexity of inertia, the Message-ID: mathematic complexity of inertia, the james morris 13:28:19 tuesday 16th november 2010 494 mandelbulber 495 mdz 496 gdb ./mdz-0.0. 497 cd Projects/MDZ/src/ 498 ls 499 ./mdz 500 mdz 501 dict forsaken 502 dict errant 503 history | tail 493 mplayer AlphaTree.mov 494 mandelbulber 495 mdz 496 gdb ./mdz-0.0. 497 cd Projects/MDZ/src/ 498 ls 499 ./mdz 500 mdz 501 gzip mathematical_complexity_of_inertia_the.txt 502 history | tail for (wz = 1; wz <= depth; ++wz) { wim = 2.0 * wre * wim + c_im; if (wz % 2) /* if iteration count is odd */ wre = fabsl(wre2 - wim2) + c_re; /* generalized celtic */ else wre = wre2 - wim2 + c_re; /* mandelbrot */ wim2 = wim * wim; wre2 = wre * wre; if (wim2 + wre2 > 4.0F) return wz; } -- http://www.fractalforums.com/index.php?action=gallery;sa=view;id=4268 -- _ : http://jwm-art.net/ -audio/image/text/code/ -------------- next part -------------- A non-text attachment was scrubbed... Name: mathematical_complexity_of_inertia_the.txt.gz Type: application/x-gzip Size: 806 bytes Desc: not available URL: From jwm.art.net at gmail.com Tue Nov 16 15:01:02 2010 From: jwm.art.net at gmail.com (James Morris) Date: Tue, 16 Nov 2010 14:01:02 +0000 Subject: [NetBehaviour] pain of the solitary artist, the Message-ID: pain of the solitary artist, the james morris 13:44:04 Tuesday 16th November 2010 the pain of the solitary artist is a spectacle of the imagination for the temptation to resist such a pain is manifold carburetor induction coil little finger shenanigans forest blasphemy boil incorporated in such a schematic, one can find, random intuitions gliding on sun drops of freshly squeezed lemons, contaminated beam spouts and iridescent copulating telemetries nonsense decried declared eclairs crushed to death half by quarter to six in the day time, venerable vultures capitalize MC Escher drawings, quite delightful in a way, but the other way, that is the, pain of the solitary artist, the. is quite unbeaten and flourishes in compost bins around the Lagrangian ointment of inter-species shit disposal[1] in inter-bread corpuscles. when it seems unbearable, artist, the, must, creep around on tiptoes ushering in the new lawn and performing the stretching exercises of the new, trendy albums for my teenager's char *strchr(const char *s, int c); [1] http://www.survivaltopics.com/survival/how-to-shit-outdoors/ but fear not ye, for thou is expounded, and your contamination replete in the vortex of business-class surrenders buttressed fortress of splendor, fill thy mind with thoughts of fleshy thigh, and render mandelbrot set fractals intrepid explorer of the bush, purloin the fender of cache-driven hot-hatched bigot buses 499 ./mdz 500 mdz 501 gzip mathematical_complexity_of_inertia_the.txt 502 history | tail 503 less mathematical_complexity_of_inertia_the.txt.gz 504 dict lagrange 505 man strchr 506 dict expounded 507 dict replete 508 history | tail -- _ : http://jwm-art.net/ -audio/image/text/code/ -------------- next part -------------- A non-text attachment was scrubbed... Name: ls.txt.gz Type: application/x-gzip Size: 986 bytes Desc: not available URL: From helen at creative-catalyst.com Tue Nov 16 16:14:34 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Tue, 16 Nov 2010 16:14:34 +0100 Subject: [NetBehaviour] please help us stress-test - TODAY! In-Reply-To: <4CE20459.2090602@it-all.com> References: <4CE0EE9D.4060908@creative-catalyst.com> <4CE20459.2090602@it-all.com> Message-ID: <4CE29FDA.3010208@creative-catalyst.com> haha - did you click or not?? we are doing another stress test in the morning, maybe you can join then - i'm sending the email now. h : ) On 16/11/10 5:11 AM, Roboslob wrote: > i'm pretty stressed right now. should i go click it? damn technical > complications always fucking everything up. we will burn up the earth > but not before we eat the money. on a lighter note, we can run away, > circle the earth ad infinauseam, i just passed lance armstrong again, > i'm going to the moon! '69 rockets, never give up, bankrupt, corrupt, > or blow up. i guess it wasn't much lighter sorry. it's not easy > communicating with myself. code language is key, are you w/ me... > http://www.it-all.com/index.php?seed=330 > > --double engendre b/w remix > -- ____________________________________________________________ helen varley jamieson: creative catalyst helen at creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________ From helen at creative-catalyst.com Tue Nov 16 16:15:27 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Tue, 16 Nov 2010 16:15:27 +0100 Subject: [NetBehaviour] stress-test - once more please! wednesday 17th 10am uk time Message-ID: <4CE2A00F.5050304@creative-catalyst.com> thanks so much to everyone who helped us stress-test the interface for "make-shift" on monday. it was an incredibly useful exercise. it seemed that some people (those who entered the interface first, &/or those on better networks) had a good experience of everything; whereas others couldn't access the streams, & some (including me) had pretty bad lag. so we have made some major changes, including trying an alternative streaming system, & we're going to stress test again tomorrow morning - that's wednesday 17th november - at 10am uk time / 11am european time (find your local time here: http://tinyurl.com/32922lm). the test will last approximately half an hour. if you are able to help us by coming online tomorrow morning we would be hugely grateful! http://www.creative-catalyst.com/make-shift/makeshift.html thanks in advance, h : ) ____________________________________________________________ helen varley jamieson: creative catalyst helen at creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________ From info at furtherfield.org Wed Nov 17 00:34:20 2010 From: info at furtherfield.org (info) Date: Tue, 16 Nov 2010 23:34:20 +0000 Subject: [NetBehaviour] *Besides the Screen* Message-ID: <4CE314FC.1020305@furtherfield.org> *Besides the Screen* An international seminar on all modes of cinema that are not film! Besides the Screen aims to map research projects on new and old forms of moving image distribution, exhibition and consumption. The event will be held at Goldsmiths College on the weekend of 20-21 November. It will be preceded by a VJing Research Panel on the 18/11, as part of the Thursday Club. The full programme can be found on the seminar's weblog. Keynote by Julia Knight (University of Sunderland) ? ?Distribution, Diversity and Digitalisation? Papers by Keith Beattie, JP Kelly, Melanie Kennedy, Hannah Andrews, Jo?o Angelo Fantini, Adnan Hadzi, Marc Stumpel, Stephanie Janes, Maarten Brinkerink, Ana Carvalho, Evelin Stermitz, Claudy Op den Kamp, Stefania Charitou, Sudeep Dasgupta, Zlatan Krajina, Felix Seyfarth, Marin Hirschfeld, Nicola Evans, Patricia Moran, Patricia Iuva, Luca Barbeni, Vito Campanelli, Simone Knox, Laura Rodriguez Isaza, Leandro Valiati, Bojana Romic, Frantisek Zachoval, Catrien Schreuder & Dominik Hasler Participation is free but places are limited. Please, register by sending an email to besidesthescreen at gmail.com with the subject REGISTRATION. Besides the Screen has the support of Goldsmiths' Media and Comunications Department, Goldsmiths' Computing Department and the Goldsmiths' Graduate School. http://besidesthescreen.blogspot.com/ From robots_have_no_fun at it-all.com Wed Nov 17 00:36:17 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Tue, 16 Nov 2010 18:36:17 -0500 Subject: [NetBehaviour] please help us stress-test - TODAY! In-Reply-To: <4CE29FDA.3010208@creative-catalyst.com> References: <4CE0EE9D.4060908@creative-catalyst.com> <4CE20459.2090602@it-all.com> <4CE29FDA.3010208@creative-catalyst.com> Message-ID: <4CE31571.6020701@it-all.com> nah. i got over it. i hope you're site passed w/ flying colors. On 11/16/2010 10:14 AM, helen varley jamieson wrote: > haha - did you click or not?? > > we are doing another stress test in the morning, maybe you can join then > - i'm sending the email now. > > h : ) > > On 16/11/10 5:11 AM, Roboslob wrote: >> i'm pretty stressed right now. should i go click it? damn technical >> complications always fucking everything up. we will burn up the earth >> but not before we eat the money. on a lighter note, we can run away, >> circle the earth ad infinauseam, i just passed lance armstrong again, >> i'm going to the moon! '69 rockets, never give up, bankrupt, corrupt, >> or blow up. i guess it wasn't much lighter sorry. it's not easy >> communicating with myself. code language is key, are you w/ me... >> http://www.it-all.com/index.php?seed=330 >> >> --double engendre b/w remix >> From robots_have_no_fun at it-all.com Wed Nov 17 00:39:33 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Tue, 16 Nov 2010 18:39:33 -0500 Subject: [NetBehaviour] low standard Message-ID: <4CE31635.1080202@it-all.com> http://www.it-all.com/index.php?seed=363 From azdelslade at gmail.com Wed Nov 17 00:45:27 2010 From: azdelslade at gmail.com (=?ISO-8859-1?Q?micha_c=E1rdenas?=) Date: Tue, 16 Nov 2010 15:45:27 -0800 Subject: [NetBehaviour] somatic SENSOR, Jan 21, 22 at Highways Performance Space Message-ID: somatic SENSOR Curated by Elle Mehrmand, Micha C?rdenas and Dino Dinco January 21st and 22nd, 2011, 8:30pm Highways Performance Space and Gallery Emerging out of queer experience, the works in somatic SENSOR move along lines of flight exploring desire, technology, the erotic and the viral. Rejecting control society to find new forms of relationality, somatic SENSOR includes performances, digital and networked media, drawing and soft sculpture to open borders between realities and bodies. This show features the work of Zach Blas, Robert Crouch, Micha C?rdenas, Dino Dinco, Dawn Kasper, Frankie Martin, Elle Mehrmand, Zac Monday, Yann Novak, Phil Skaller, Samuel Vasquez, Dorian Wood, and Suzanne Wright. Highways Performance Space and Gallery @ the 18th Street Arts Center 1651 18th Street Santa Monica, CA 90404 Admission is $15, $10 for students -- micha c?rdenas Co-Author, Trans Desire / Affective Cyborgs, Atropos Press, http://is.gd/daO00 Lecturer, Visual Arts Department, University of California, San Diego Lecturer, Critical Gender Studies Program, University of California, San Diego Artist/Researcher, UCSD School of Medicine Artist/Theorist, bang.lab, http://bang.calit2.net blog: http://transreal.org gpg: http://is.gd/ebWx9 -------------- next part -------------- An HTML attachment was scrubbed... URL: From robots_have_no_fun at it-all.com Wed Nov 17 00:45:57 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Tue, 16 Nov 2010 18:45:57 -0500 Subject: [NetBehaviour] self portrait [conputer message::this may be spam according to art-official in-tell-a-gents] Message-ID: <4CE317B5.2000004@it-all.com> http://www.it-all.com/index.php?seed=316 double orehgato --mr wroboto From robots_have_no_fun at it-all.com Wed Nov 17 01:06:36 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Tue, 16 Nov 2010 19:06:36 -0500 Subject: [NetBehaviour] market forces $MILE! Message-ID: <4CE31C8C.1040004@it-all.com> http://www.it-all.com/index.php?seed=339 From sondheim at panix.com Wed Nov 17 09:24:39 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 17 Nov 2010 03:24:39 -0500 (EST) Subject: [NetBehaviour] stuff Message-ID: stuff http://espdisk.com/alansondheim/oops1.mp3 (improvisations) http://espdisk.com/alansondheim/oops2.mp3 http://espdisk.com/alansondheim/oops3.mp3 http://espdisk.com/alansondheim/oops4.mp3 http://www.alansondheim.org/third.mp3 (thanks to audacity) http://www.alansondheim.org/arrow.jpg (street signs and pine tree in our place) http://www.alansondheim.org/pigeons.mp4 (pigeon types including coop escapees, nyc) From helen at creative-catalyst.com Wed Nov 17 10:13:35 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Wed, 17 Nov 2010 10:13:35 +0100 Subject: [NetBehaviour] please help us stress-test - TODAY! In-Reply-To: <4CE31571.6020701@it-all.com> References: <4CE0EE9D.4060908@creative-catalyst.com> <4CE20459.2090602@it-all.com> <4CE29FDA.3010208@creative-catalyst.com> <4CE31571.6020701@it-all.com> Message-ID: <4CE39CBF.5080901@creative-catalyst.com> good to hear :) we're having our second stress-test in about 45 minutes if you feel up to clicking - hoping this time the colours will be flying better than monday. h : ) On 17/11/10 12:36 AM, Roboslob wrote: > nah. i got over it. i hope you're site passed w/ flying colors. > > On 11/16/2010 10:14 AM, helen varley jamieson wrote: >> haha - did you click or not?? >> >> we are doing another stress test in the morning, maybe you can join then >> - i'm sending the email now. >> >> h : ) >> >> On 16/11/10 5:11 AM, Roboslob wrote: >>> i'm pretty stressed right now. should i go click it? damn technical >>> complications always fucking everything up. we will burn up the earth >>> but not before we eat the money. on a lighter note, we can run away, >>> circle the earth ad infinauseam, i just passed lance armstrong again, >>> i'm going to the moon! '69 rockets, never give up, bankrupt, corrupt, >>> or blow up. i guess it wasn't much lighter sorry. it's not easy >>> communicating with myself. code language is key, are you w/ me... >>> http://www.it-all.com/index.php?seed=330 >>> >>> --double engendre b/w remix >>> > -- ____________________________________________________________ helen varley jamieson: creative catalyst helen at creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________ From helen at creative-catalyst.com Wed Nov 17 10:55:08 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Wed, 17 Nov 2010 10:55:08 +0100 Subject: [NetBehaviour] stress test NOW Message-ID: <4CE3A67C.5020302@creative-catalyst.com> hi all, if you have time, please click on this link now & leave it open for about half an hour: http://www.creative-catalyst.com/make-shift/makeshift.html & let us know whether you are getting everything - 2 audiovisual streams on the left, & the UpStage interface on the right. we have 8 audience in there already, we are hoping to get at least as many as we had on monday (38) thanks very much for your help! h : ) ____________________________________________________________ helen varley jamieson: creative catalyst helen at creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________ From info at furtherfield.org Wed Nov 17 11:19:50 2010 From: info at furtherfield.org (info) Date: Wed, 17 Nov 2010 10:19:50 +0000 Subject: [NetBehaviour] Volatile Frequencies: Topologies of Authority, Technology and Production in Contemporary Middle Eastern Music Practices Message-ID: <4CE3AC46.2000104@furtherfield.org> Volatile Frequencies: Topologies of Authority, Technology and Production in Contemporary Middle Eastern Music Practices 18th November 2010 Conference: 9:45-5pm Concert: 7-9pm City University London Post-graduate Conference and Concert Supported by City University London and LCACE (London Centre for Arts and Cultural Exchange). What kind of diverse practices might constitute an experimental Middle Eastern music? Are there points of relation to the regional orthodoxies? Is such a framing of new work relevant? Halim el Dabh, Ali Reza Mashayekhi, Muslimgauze, Mazen Kerbaj, Hassan Khan ? new practitioners operate at the interface of cultural heritage and possible futures and an initial survey reveals a vibrant practice, emergent especially over the past ten years in centres such as Cairo and Beirut. The Volatile Frequencies conference seeks to collate research that translates, mediates and frames practices specific to sonic disciplines (music, sound art, musicology) arising in relation to the Middle East and North Africa, and to critically connect with wider academic currents. It will emphasize current post-graduate research and scholarly approaches. A number of relevant contextualising works include the forthcoming The Arab Avantgarde edited by Thomas Burkhalter, Kay Dickinson and Ben Harbert, Steven Goodman?s Sonic Warfare, John Hutnyk?s Critique of Exotica and Laudan Nooshin?s Music and the Play of Power in the Middle East, North Africa and Central Asia. The day proposes to formulate understandings and critical hearings of the debates within and without the region in relation to new sonic practices, prioritising practice that favours experimental and exploratory approaches. more info... http://www.zenithfoundation.com/music/volatile-frequencies-conference/ From ajaco at xs4all.nl Wed Nov 17 11:24:20 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Wed, 17 Nov 2010 11:24:20 +0100 Subject: [NetBehaviour] stress test NOW In-Reply-To: <4CE3A67C.5020302@creative-catalyst.com> References: <4CE3A67C.5020302@creative-catalyst.com> Message-ID: FYI NOT working from iphone Will check laptop later Andreas Maria Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl On 17 Nov 2010, at 10:55, helen varley jamieson wrote: > hi all, > if you have time, please click on this link now & leave it open for > about half an hour: > > http://www.creative-catalyst.com/make-shift/makeshift.html > > & let us know whether you are getting everything - 2 audiovisual > streams > on the left, & the UpStage interface on the right. > > we have 8 audience in there already, we are hoping to get at least as > many as we had on monday (38) > > thanks very much for your help! > > h : ) > > ____________________________________________________________ > > helen varley jamieson: creative catalyst > helen at creative-catalyst.com > http://www.creative-catalyst.com > http://www.avatarbodycollision.org > http://www.upstage.org.nz > ____________________________________________________________ > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From helen at creative-catalyst.com Wed Nov 17 12:49:15 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Wed, 17 Nov 2010 12:49:15 +0100 Subject: [NetBehaviour] stress test NOW In-Reply-To: References: <4CE3A67C.5020302@creative-catalyst.com> Message-ID: <4CE3C13B.9040307@creative-catalyst.com> thanks for that; we were not really expecting people to try on iphones - everything would be too small to really be able to watch/interact, i think. also it uses flash which i think (?) iphones don't like. but useful to know that it doesn't work. we had 39 audience today & everything worked really well - no-one had a problem accessing the streams this time :) i will blog about it on furtherfield blog when i have time, so anyone interested can look there for more about what we did. huge thanks to everyone who was there, h : ) On 17/11/10 11:24 AM, De wraak van Baltassar Geraards wrote: > FYI > > NOT working from iphone > > Will check laptop later > > Andreas Maria Jacobs > > w: http://www.nictoglobe.com > w: http://burgerwaanzin.nl > > On 17 Nov 2010, at 10:55, helen varley jamieson > wrote: > >> hi all, >> if you have time, please click on this link now & leave it open for >> about half an hour: >> >> http://www.creative-catalyst.com/make-shift/makeshift.html >> >> & let us know whether you are getting everything - 2 audiovisual streams >> on the left, & the UpStage interface on the right. >> >> we have 8 audience in there already, we are hoping to get at least as >> many as we had on monday (38) >> >> thanks very much for your help! >> >> h : ) >> >> ____________________________________________________________ >> >> helen varley jamieson: creative catalyst >> helen at creative-catalyst.com >> http://www.creative-catalyst.com >> http://www.avatarbodycollision.org >> http://www.upstage.org.nz >> ____________________________________________________________ >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- ____________________________________________________________ helen varley jamieson: creative catalyst helen at creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________ From jwm.art.net at gmail.com Wed Nov 17 13:36:34 2010 From: jwm.art.net at gmail.com (James Morris) Date: Wed, 17 Nov 2010 12:36:34 +0000 Subject: [NetBehaviour] A day in - Italian University with Piero Message-ID: A day in - Italian University with Piero (presented by: Science Students of Trieste) http://www.youtube.com/watch?v=IVHGFMR_N6o (from LAU) -- _ : http://jwm-art.net/ -audio/image/text/code/ From rob at robmyers.org Wed Nov 17 14:03:34 2010 From: rob at robmyers.org (Rob Myers) Date: Wed, 17 Nov 2010 13:03:34 +0000 Subject: [NetBehaviour] "The next big idea in language, history and the arts? Data." Message-ID: <4CE3D2A6.1090907@robmyers.org> http://www.nytimes.com/2010/11/17/arts/17digital.html?_r=1&pagewanted=all "The next big idea in language, history and the arts? Data. Members of a new generation of digitally savvy humanists argue it is time to stop looking for inspiration in the next political or philosophical ?ism? and start exploring how technology is changing our understanding of the liberal arts. This latest frontier is about method, they say, using powerful technologies and vast stores of digitized materials that previous humanities scholars did not have." [Via @manovich on Twitter.] From a at bram.org Wed Nov 17 14:07:33 2010 From: a at bram.org (anniea) Date: Wed, 17 Nov 2010 14:07:33 +0100 Subject: [NetBehaviour] "The next big idea in language, history and the arts? Data." In-Reply-To: <4CE3D2A6.1090907@robmyers.org> References: <4CE3D2A6.1090907@robmyers.org> Message-ID: dataism is born On Wed, Nov 17, 2010 at 2:03 PM, Rob Myers wrote: > http://www.nytimes.com/2010/11/17/arts/17digital.html?_r=1&pagewanted=all > > "The next big idea in language, history and the arts? Data. > > Members of a new generation of digitally savvy humanists argue it is > time to stop looking for inspiration in the next political or > philosophical ?ism? and start exploring how technology is changing our > understanding of the liberal arts. This latest frontier is about method, > they say, using powerful technologies and vast stores of digitized > materials that previous humanities scholars did not have." > > [Via @manovich on Twitter.] > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- Documentation of Huis Clos / No Exit - On Translation Video, reactions of the performers and the public, photos and the performance protocol http://bram.org/huisclos/ontranslation/indexfr.html Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS, Maria Chatzichristodoulou in Digimag 54 May 2010 http://www.digicult.it/digimag/article.asp?id=1793 -------------- next part -------------- An HTML attachment was scrubbed... URL: From s.biggs at eca.ac.uk Wed Nov 17 14:40:29 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Wed, 17 Nov 2010 13:40:29 +0000 Subject: [NetBehaviour] "The next big idea in language, history and the arts? Data." In-Reply-To: <4CE3D2A6.1090907@robmyers.org> Message-ID: Manovich has been banging this drum for a couple of years now. Of course he is right - but it is a rather self-evident point. Data-mining methods have become standardised practice in many of the social sciences, especially in areas like cultural geography. The humanities have been getting in on the game too. Manovich's possible motivation might be that he is seeking funding for a research lab at UCSD looking into the cinematic and artistic potential of data visualisation techniques employing quantitative methods of analysis. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: Rob Myers > Reply-To: NetBehaviour for networked distributed creativity > > Date: Wed, 17 Nov 2010 13:03:34 +0000 > To: NetBehaviour for networked distributed creativity > > Subject: [NetBehaviour] "The next big idea in language, history and the arts? > Data." > > http://www.nytimes.com/2010/11/17/arts/17digital.html?_r=1&pagewanted=all > > "The next big idea in language, history and the arts? Data. > > Members of a new generation of digitally savvy humanists argue it is > time to stop looking for inspiration in the next political or > philosophical ?ism? and start exploring how technology is changing our > understanding of the liberal arts. This latest frontier is about method, > they say, using powerful technologies and vast stores of digitized > materials that previous humanities scholars did not have." > > [Via @manovich on Twitter.] > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From patricksimons1 at googlemail.com Wed Nov 17 15:05:50 2010 From: patricksimons1 at googlemail.com (patrick simons) Date: Wed, 17 Nov 2010 14:05:50 +0000 Subject: [NetBehaviour] resound call for (drone) work Message-ID: Call for artists:* Resound Falmouth 2011* is seeking audio drone pieces of 60 seconds in length for inclusion in a continuous work entitled ?(Un ) Pleasant Over Drones?. Deadline 14th December 2010. All submissions will be included and contributors named on a cd which will be produced and given away with the festival information pack being produced nearer the event. The event is to take place in March 2011, in Falmouth, Cornwall, UK and will be centred around the local community radio station Source fm http://www.thesourcefm.co.uk/ As part of the three day event, there will be live presentations talks and discussions with artists and curators who have been involved with a wide range of art work for broadcast and sonic reproduction . Resound aims to profile a range of sound works, , sound interventions, installations, live performances, works for broadcast, including radio interventions. More information about the event will be made available soon. Please send cds with your 1 minute audio file (mp3) to Patrick Simons C/O The Source fm Tregenver, Tregenver Road, Falmouth. TR11 2QW If you need any further information about the event, submissions etc, please feel free to contact me at patricksimons1 at googlemail.com Resound is supported by Source FM, SVA www.sva.org.uk, Caz, www.c az.artdeptdesign.com and Alias, www.aliasarts.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From xdxd.vs.xdxd at gmail.com Wed Nov 17 15:37:33 2010 From: xdxd.vs.xdxd at gmail.com (xDxD.vs.xDxD) Date: Wed, 17 Nov 2010 15:37:33 +0100 Subject: [NetBehaviour] REFF, RomaEuropa FakeFactory: next step Message-ID: http://www.romaeuropa.org REFF RomaEuropa FakeFactory is back. A book is coming out in Italy (and an international version is following soon, before the end of the year) together with the next step in our action in favor of better innovation policies and practices for arts and culture. During these days Italy is living strange times, with a government that is something that could easily be called a "soft dictatorship" and an extensive crisis scenario across culture, imaginaries and perspectives. This is a peculiar day for Italy, as the governmental crisis began just a few hours ago. And it is indeed a very strange crisis, as the in-crisis government actually has loads of power (it managed to have the crisis postponed by 14 days, to be able to create a few more laws :)? ), and the possible alternatives do not really offer any real difference to the currently running models. This is a media dictatorship, as its power is based on 20+ years of television and on the social changes it induced in the population. And current culture and art policies reflect that. Totally. This difficult scenario is what induced us in the first place when we created REFF, RomaEuropa FakeFactory. A quick-quick history:? in 2008 a big italian culture/arts institution created an international competition that was really terrible in terms of the supported cultural policies, of artists' rights and of intellectual property issues. We, a group of artists and activists together with 80+ partners all over the world (including NetBehaviour :) ) , created REFF, a fake institution and a competition just like the "original" one, only supporting open, innovative practices and policies. The impact was so strong that REFF was invited at the Cultural Commission of the Italian Senate. The original institution (the Fondazione RomaEuropa) was forced to change its policies and to transform its practices, becoming just like REFF :) The action continued, as the original Fondazione became the focus of several large operators' assault on the digital imaginaries of people to create what they openly call the Digital Class. This process saw the biggest italian telco operator (Telecom Italia) invading practically every space in digital arts, leading to a scenario in which even the absurd "Internet for Peace" campaign was possible: a telco operator was becoming a major political force in all the issues related to networks, digital innovation, intellectual property and publishing, obtaining the support of more that 70 representatives in both the Parlament and the Senate. We leveraged REFF, our shadow institution, and uncovered many of these opaque processes. Last one of which is the assault on digital publishing industries: the market of ebooks and ebook readers is the latest area of assault on italy's digital cultures scenario and on the practices of free expression and self-determination. This is why together with FakePress ( http://www.fakepress.it ) we created this book. Together with the book a software platform will be released (GPL2 license) allowing people to freely create ebooks, and enhanced books featuring augmented reality, wide tagging,? and fruibility across several devices. The platform has been recently presented at Artissima http://www.artissima.it/ with the help of the Piemonte ShareFestival http://www.toshare.it? as an opportunity for publishing and expression practices for the arts and culture. Multiple events will follow in the next days and months. Stay tuned, if you like. cheers. xDxD From info at furtherfield.org Wed Nov 17 16:50:57 2010 From: info at furtherfield.org (info) Date: Wed, 17 Nov 2010 15:50:57 +0000 Subject: [NetBehaviour] Ignite Amsterdam 3. Message-ID: <4CE3F9E1.1000703@furtherfield.org> Ignite Amsterdam 3. Sensor Fest evening 2 - Wednesday November 24th. http://www.mediamatic.net/page/167046/en Sixteen short and clever talks. Speakers get five minutes to present their idea. They make use of twenty slides that auto-advance every fifteen seconds. Central theme? Sensors! RSVP on our website. These speakers offer you an insight into the best, most promising, witty, sharp and ingenious projects and ideas surrounding the central theme of sensors. Expect developers and interaction designers, hardware know-it-all's, artists, and scientists. The presenters are: Gordan Savicic, Michel Peeters, Fabienne Serriere, Edo Paulus, Kjen Wilkens, Dirk van Oosterbosch, Supriyo Chatterjea, Helden, Sibrecht Bouwstra, Marjolein Verhoef-Hessels, Nadya Peek, Travis Goodspeed, Rnul Interactive, Jean-Baptiste Labrune, Sonia Cillari, Erik Borra. Sensor Fest Sensor Fest takes place on November 23, 24 and 25 at Mediamatic Bank. It sheds a light on the newest developments in the world of sensors. Sensors are increasingly employed in the creative sector, as well as in the world of medicine, agriculture, new media, and by the government. What can sensors tell us about ourselves and the world? On the first day of Sensor Fest the interactive installations made during the Dev Camp will be presented and taken for a test drive. We'll wrap up on day 3 with three special guests from Massachusetts Institute of Technology (MIT) and Stanford University. More information From weishaus at pdx.edu Wed Nov 17 17:17:56 2010 From: weishaus at pdx.edu (Joel Weishaus) Date: Wed, 17 Nov 2010 08:17:56 -0800 Subject: [NetBehaviour] "The next big idea in language, history and the arts? Data." References: Message-ID: <004401cb8672$ff008910$0300a8c0@joeladb72f44a8> Perhaps, unlike information, knowledge is discrete and discovered in uncanny places? -Joel ----- Original Message ----- From: "Simon Biggs" To: "NetBehaviour for networked distributed creativity" Sent: Wednesday, November 17, 2010 5:40 AM Subject: Re: [NetBehaviour] "The next big idea in language,history and the arts? Data." Manovich has been banging this drum for a couple of years now. Of course he is right - but it is a rather self-evident point. Data-mining methods have become standardised practice in many of the social sciences, especially in areas like cultural geography. The humanities have been getting in on the game too. Manovich's possible motivation might be that he is seeking funding for a research lab at UCSD looking into the cinematic and artistic potential of data visualisation techniques employing quantitative methods of analysis. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: Rob Myers > Reply-To: NetBehaviour for networked distributed creativity > > Date: Wed, 17 Nov 2010 13:03:34 +0000 > To: NetBehaviour for networked distributed creativity > > Subject: [NetBehaviour] "The next big idea in language, history and the > arts? > Data." > > http://www.nytimes.com/2010/11/17/arts/17digital.html?_r=1&pagewanted=all > > "The next big idea in language, history and the arts? Data. > > Members of a new generation of digitally savvy humanists argue it is > time to stop looking for inspiration in the next political or > philosophical ?ism? and start exploring how technology is changing our > understanding of the liberal arts. This latest frontier is about method, > they say, using powerful technologies and vast stores of digitized > materials that previous humanities scholars did not have." > > [Via @manovich on Twitter.] > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour From stephanie.strickland at gm.slc.edu Wed Nov 17 22:08:26 2010 From: stephanie.strickland at gm.slc.edu (Stephanie Strickland) Date: Wed, 17 Nov 2010 16:08:26 -0500 Subject: [NetBehaviour] "The next big idea in language, history and the arts? Data." In-Reply-To: References: <4CE3D2A6.1090907@robmyers.org> Message-ID: As Simon says (below)-- The point is perhaps not self-evident with respect to the production of poetry, as you suggest. S On Wed, Nov 17, 2010 at 8:40 AM, Simon Biggs wrote: > Manovich has been banging this drum for a couple of years now. Of course he > is right - but it is a rather self-evident point. Data-mining methods have > become standardised practice in many of the social sciences, especially in > areas like cultural geography. The humanities have been getting in on the > game too. > > Manovich's possible motivation might be that he is seeking funding for a > research lab at UCSD looking into the cinematic and artistic potential of > data visualisation techniques employing quantitative methods of analysis. > > Best > > Simon > > > Simon Biggs > s.biggs at eca.ac.uk simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > -------------- next part -------------- An HTML attachment was scrubbed... URL: From s.biggs at eca.ac.uk Thu Nov 18 00:29:49 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Wed, 17 Nov 2010 23:29:49 +0000 Subject: [NetBehaviour] "The next big idea in language, history and the arts? Data." In-Reply-To: Message-ID: Quantitative poetics, anybody? Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: Stephanie Strickland > Reply-To: NetBehaviour for networked distributed creativity > > Date: Wed, 17 Nov 2010 16:08:26 -0500 > To: NetBehaviour for networked distributed creativity > > Subject: Re: [NetBehaviour] "The next big idea in language, history and the > arts? Data." > > As Simon says (below)-- The point is perhaps not self-evident with > respect to the production of poetry, as you suggest. S > > > > On Wed, Nov 17, 2010 at 8:40 AM, Simon Biggs wrote: > >> Manovich has been banging this drum for a couple of years now. Of course he >> is right - but it is a rather self-evident point. Data-mining methods have >> become standardised practice in many of the social sciences, especially in >> areas like cultural geography. The humanities have been getting in on the >> game too. >> >> Manovich's possible motivation might be that he is seeking funding for a >> research lab at UCSD looking into the cinematic and artistic potential of >> data visualisation techniques employing quantitative methods of analysis. >> >> Best >> >> Simon >> >> >> Simon Biggs >> s.biggs at eca.ac.uk simon at littlepig.org.uk >> Skype: simonbiggsuk >> http://www.littlepig.org.uk/ >> >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From sondheim at panix.com Thu Nov 18 08:06:35 2010 From: sondheim at panix.com (Alan Sondheim) Date: Thu, 18 Nov 2010 02:06:35 -0500 (EST) Subject: [NetBehaviour] like Crusoe Message-ID: like Crusoe like Crusoe, wandering among finance, mercantilism in the wilderness, goods are lost like Jamestown, Croaton, there are natives in the distance, goods approach them http://www.alansondheim.org/olost.mp4 small installation with ridden/ escaped object travels to other pieces, leaves installation behind, avatar bails, object remains sentinel on another parcel, avatar visits, cycle begins again, up and down, up and down, spewing somewhere, over draw distance horizon http://www.alansondheim.org/olost1.png stills http://www.alansondheim.org/olost2.png between and following, http://www.alansondheim.org/olost3.png calmer waters, kinder object http://www.alansondheim.org/olost4.png than below http://www.alansondheim.org/olost5.png http://www.alansondheim.org/olost6.png http://www.alansondheim.org/olost7.png http://www.alansondheim.org/quadcos.png thinking through geometries http://www.alansondheim.org/cotanquad.png of escape http://www.alansondheim.org/oolost01.png more stills, detailed http://www.alansondheim.org/oolost02.png water thrashing http://www.alansondheim.org/oolost03.png waves, submergences http://www.alansondheim.org/oolost04.png http://www.alansondheim.org/oolost05.png http://www.alansondheim.org/oolost06.png http://www.alansondheim.org/oolost07.png http://www.alansondheim.org/oolost08.png http://www.alansondheim.org/oolost09.png http://www.alansondheim.org/oolost10.png k!% ls *.png cotanquad.png olost2.png olost4.png olost6.png quadcos.png olost1.png olost3.png olost5.png olost7.png finger forecast at typhoon.atmos.colostate.edu (Storm forecasts etc.) directory danish ysbaddaden ysgithyrwyn zeus ziphius ziz zolostraya zombie From info at toshare.it Thu Nov 18 09:50:51 2010 From: info at toshare.it (Share Festival) Date: Thu, 18 Nov 2010 09:50:51 +0100 Subject: [NetBehaviour] Share Festival 2010 - Smart Mistakes - The end of mistakes Message-ID: <16FADC28A47446BE921FE4FC4C431F2B@pc4> MailForce---------------------------------------------------------------------------------------------- Newsletter 11.18.2010 Share Festival 2010 - The end of mistakes ---------------------------------------------------------------------------------------------- Dear Share Festival friends, thank you for there being so many of you! Over 10,000 people entered the Regional Museum of Natural Science between 15th October and 7th November, 2010. This goes to show that the Share Festival is continuing to attract an ever wider audience of people interested in digital, generative and expressive art! Music, theatre, exhibitions, multimedia, conferences and workshops coloured the traditional exhibits of the Science Museum. The 6? Share Festival - Smart Mistakes took the audience by surprise this year, treating them to 30 artists, 35 conferences, 2 exhibitions, 1 special project, 5 performances and 25 exclusive events in six consecutive festival days and 3 warm-up days. Thanks also to the Youth Museum programme of events, organised in partnership with Club To Club and Musica 90, with the co-operation of Prospettiva2 - Teatro Stabile di Torino, the Regional Museum of Natural Science and Your Time Torino European Youth Capital, we were able to really appreciate the strength and prove the value of organising events on-line as a team. The result was that lots of people came together to share a truly unique experience in Turin. A lot of people have asked us why we chose mistakes as the guiding thread for this year's festival. The decision has to do with the fact that we see the festival as a sort of narrative, a story to be told. In every story, there is always a narrative expedient, a trigger that makes the plot unfold. And then there are always the good guys and the bad guys. In our case, the heroes are the artists, and the villains are the mistakes and hiccups they come face to face with along the creative process. Through their works, the artists tell the story of this encounter - with technological errors, biological mistakes or moments of serendipity - and how things pan out in the end. Some win, others are seduced and change sides, joining the forces of evil (such as glitch art), while others again stand firm and fight, bearing the bruises of battle. Everyone found inspiration to be drawn. All our guests, artists and conference speakers stuck to the topic of Smart Mistakes with unwavering loyalty. We hope that YOU too have be inspired, as mistakes mark the emergence of a problem, which calls for solutions, and it is solution that leads to innovation. The time has also come to thank our guests and hear about what they - and you, friends of the Share Festival - found most intriguing at this year's festival. We invite you to download the Smart Mistakes catalogue here, in PDF (http://www.toshare.it/press/SmartMistakes/Smart_Mistakes_ENG.zip ) and to give us your feedback on the Share Festival blog. Conferences here: http://www.toshare.it/?page_id=3537&lang=en Festival photos on Flickr at: http://www.flickr.com/photos/sharefestival Our Facebook page at: http://www.facebook.com/pages/Piemonte-Share-Festival/99478885644 Updates on Twitter at: http://twitter.com/ShareFestival And De.li.cio.us bookmarks at http://www.delicious.com/sharefestival Stay tuned with our newsletter http://www.toshare.it/subscribe/contact2.php -- I am using the free version of SPAMfighter. We are a community of 7 million users fighting spam. SPAMfighter has removed 6071 of my spam emails to date. Get the free SPAMfighter here: http://www.spamfighter.com/len The Professional version does not have this message -------------- next part -------------- An HTML attachment was scrubbed... URL: From jwm.art.net at gmail.com Thu Nov 18 10:02:52 2010 From: jwm.art.net at gmail.com (James Morris) Date: Thu, 18 Nov 2010 09:02:52 +0000 Subject: [NetBehaviour] 319 of 1200 lines done [time taken: 8009.708] Message-ID: --8<---- total 3.3M -rw-r--r-- 1 gensys gensys 3.5K Nov 18 00:39 ap1.mdz -rw-r--r-- 1 gensys gensys 589 Nov 18 01:12 ap10_lozenge.log -rw-r--r-- 1 gensys gensys 3.8K Nov 18 01:01 ap10_lozenge.mdz -rw-r--r-- 1 gensys gensys 7.4K Nov 18 01:12 ap10_lozenge.png -rw-r--r-- 1 gensys gensys 3.5K Nov 18 00:39 ap2.mdz -rw-r--r-- 1 gensys gensys 3.5K Nov 18 00:39 ap3.mdz -rw-r--r-- 1 gensys gensys 3.8K Nov 18 00:39 ap4.mdz -rw-r--r-- 1 gensys gensys 3.8K Nov 18 00:40 ap5.mdz -rw-r--r-- 1 gensys gensys 3.1M Nov 18 06:45 ap6-delicate-1600.png -rw-r--r-- 1 gensys gensys 97K Nov 18 00:45 ap6-delicate-sml.png -rw-r--r-- 1 gensys gensys 598 Nov 18 06:45 ap6-delicate.log -rw-r--r-- 1 gensys gensys 3.8K Nov 18 00:40 ap6-delicate.mdz -rw-r--r-- 1 gensys gensys 8.4K Nov 18 01:12 ap6-delicate.png -rw-r--r-- 1 gensys gensys 3.8K Nov 18 00:45 ap7.mdz -rw-r--r-- 1 gensys gensys 3.8K Nov 18 00:48 ap8_or7.mdz -rw-r--r-- 1 gensys gensys 0 Nov 18 06:45 ap9_trees_valley-1600.png -rw-r--r-- 1 gensys gensys 790 Nov 18 08:31 ap9_trees_valley.log -rw-r--r-- 1 gensys gensys 3.8K Nov 18 00:52 ap9_trees_valley.mdz -rw-r--r-- 1 gensys gensys 7.0K Nov 18 01:12 ap9_trees_valley.png -rw-r--r-- 1 gensys gensys 3.0K Nov 18 00:43 delicate.map -rwxr-xr-x 1 gensys gensys 307 Nov 18 01:14 render --8<---- #!/bin/bash WIDTH=1600 AA=3 THREADS=16 FILES="ap6-delicate.mdz ap9_trees_valley.mdz ap10_lozenge.mdz" for FILE in $FILES do OUT=${FILE%.mdz}-${WIDTH}.png LOG=${FILE%.mdz}.log ../mdz --load-settings $FILE \ --log-file $LOG \ --width $WIDTH \ --anti-alias $AA \ --threads $THREADS \ --render $OUT done --8<---- calculating... 1200 of 1200 lines done [time taken: 19858.867] calculating... 255 of 1200 lines done [time taken: 6382.448] --8<---- # http://jwm-art.net/mdz/ settings family mandelbrot fractal mandelbrot depth 25000 aspect 1.33333333333333325932 colour-scale 0.54296875000000000000 colour-interpolate yes multi-precision yes multi-rounding no precision 256 cx -1.746523647556323358260933898234246872191302782100383132837204732135041740546247 cy 5.812744350494126658510690006578897014527628978896906190198203555412730674718170e-8 size 1.479855761444640639149160554140432063171153009417107937511478029346403610468850e-41 #xmin @NaN@ #xmax @NaN@ #ymax @NaN@ palette-offset 55 render-time 19858.867s saved-image ap6-delicate-1600.png --8<---- Notice how ap6-delicate-1600.png was rendered... multi-precision is on and using 256 bits of precision. This explains the render time of five and a half hours. Well no it doesnt. If that explains the render time, how long would it have taken me to find that particular spot in the image? No, the image dimension (notice from the command line output captured here, 1200 of 1200 lines done [time taken: 19858.867]). To explore and locate a point to render, a 240 x 120 image size was used. Now, 256 bits of precision is fine for a 240 x 120 pixel image, but what about 1600 x 1200 pixels? Surely that will need more precision because the spacing between the pixels will be smaller and smaller numbers need more precision to be stored? No, it turns out the fractal is so small anyway that the difference between 1600 pixels and 240 pixels is a bit like worrying about the difference in size between the... I don't know. What is so small that it's 1.479... with 41 zeros in front of it? A monokey side case on an e-road in Germany? So at the size of numbers where 256 bits are needed, the extra strain of increasing the resolution from 240 pixels to 1600 is a bit like having a telescope orbiting the earth instead of high up on a mountain. It's only going to help you see more clearly, but the distance is cancelled out by the vastness of what is to be viewed. Makes it worth it that the final image looks so jaded. http://jwm-art.net/image/ap6-delicate-1600.png --8<---- 319 of 1200 lines done [time taken: 8009.708] --8<---- -- _ : http://jwm-art.net/ -audio/image/text/code/ --8<---- From rob at robmyers.org Thu Nov 18 10:50:12 2010 From: rob at robmyers.org (Rob Myers) Date: Thu, 18 Nov 2010 09:50:12 +0000 Subject: [NetBehaviour] "The next big idea in language, history and the arts? Data." In-Reply-To: References: Message-ID: <4CE4F6D4.7000908@robmyers.org> On 11/17/2010 11:29 PM, Simon Biggs wrote: > Quantitative poetics, anybody? http://googleresearch.blogspot.com/2010/10/poetic-machine-translation.html Statistically it should be possible to map statements into a philosophical or aesthetic space. http://www.metamute.org/en/articles/mis_measure_for_mis_measure Practically there's all sorts of dangers in doing so. ;-) - Rob. From info at furtherfield.org Thu Nov 18 12:20:29 2010 From: info at furtherfield.org (info) Date: Thu, 18 Nov 2010 11:20:29 +0000 Subject: [NetBehaviour] Call for interactive artists. Message-ID: <4CE50BFD.5040402@furtherfield.org> Call for interactive artists. TOUCHINTERACTIVE 2011. The Public in West Bromwich are accepting submissions for two unique open exhibitions. TOUCHINTERACTIVE 2011, the UK?s first open exhibition specifically for digital interactive artwork, and SCREENING 2011, an open exhibition for film and video artists. The West Bromwich arts centre, famed for its commitment to digital arts, features a number of fixed interactive artworks including work by Blast Theory and Lia & Miguel Carvalhais, together with a changing programme of work by internationally renowned artists. The open exhibitions, which are free to enter, will provide a rare opportunity for both early career and professional interactive, film and video artists from across the country and internationally to showcase their work alongside such distinguished artists. TOUCHINTERACTIVE 2011 will display selected artwork on The Public?s many touch-screens, viewed by a weekly audience of thousands. Artwork must be fun and intuitive, and engaging for audiences of all ages. The deadline for submissions is Friday 26 November 2010. http://www.thepublic.com/exhibitions/call-interactive-artists-0 From info at furtherfield.org Thu Nov 18 12:28:39 2010 From: info at furtherfield.org (info) Date: Thu, 18 Nov 2010 11:28:39 +0000 Subject: [NetBehaviour] UK Minister Backs 'Two-Speed' Internet. Message-ID: <4CE50DE7.2050509@furtherfield.org> UK Minister Backs 'Two-Speed' Internet. "UK Culture minister Ed Vaizey has backed a 'two-speed Internet', letting service providers charging content makers and customers for 'fast lane' access. It paves the way for an end to 'net neutrality' ? with heavy bandwidth users like Google and the BBC likely to face a bill for the pipes they use." http://www.bbc.co.uk/news/uk-politics-11773574 From info at furtherfield.org Thu Nov 18 12:32:06 2010 From: info at furtherfield.org (info) Date: Thu, 18 Nov 2010 11:32:06 +0000 Subject: [NetBehaviour] Submit to 6x6 Relief. Message-ID: <4CE50EB6.3030003@furtherfield.org> Submit to 6x6 Relief. Submit to 6x6 Relief, Curated by Sabrina Cuadra, by November 21st. 6X6 is a curated monthly event in Athens, GA; experimental, digital media, film, performance, sound, or combination arts of six minutes or less. Anything that can be projected or performed in real-time. Shorter can be better! See submission form and more details at: http://hexadic.blogspot.com From marc.garrett at furtherfield.org Thu Nov 18 13:32:08 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Thu, 18 Nov 2010 12:32:08 +0000 Subject: [NetBehaviour] Interview with Johannes Grenzfurthner of monochrom Part 3. In-Reply-To: <4CE50EB6.3030003@furtherfield.org> References: <4CE50EB6.3030003@furtherfield.org> Message-ID: <4CE51CC8.2000509@furtherfield.org> Interview with Johannes Grenzfurthner of monochrom Part 3. Marc Da Costa interviews Johannes Grenzfurthner, founder of monochrom. http://www.furtherfield.org/displayreview.php?review_id=414 The last of three interviews with Grenzfurthner, where he talks about the birth of monochrome culture and the intricacies of subversion in the era of soft control. An art-technology-philosophy group of basket weaving enthusiasts and theory do-it-yourselfers, working in all forms since 1993. Grenzfurthner has collaborated with groups such as ubermorgen, Billboard Liberation Front, Esel and Mego (label). Grenzfurthner writes for various online/print magazines and radio stations (e.g. ORF, Telepolis, Boing Boing). Grenzfurthner has served on a number of art juries (e.g. Steirischer Herbst, Graz). He holds a professorship for art theory and art practice at the University of Applied Sciences, Graz, Austria and is a lecturer at University of Arts and Industrial Design in Linz, Austria. Since 1993, the Monochrom members have devoted themselves to the grey zones where systems intersect: the art (market), politics, economics, pop, gaiety, vanity, good clean fanaticism, crisis, language, culture, self-content, identity, utopia, mania and despair. The technique underlying Monochrom's work is that of being and working in the fields of Pop/avant-garde, theory/reflection, interventionism/politics, gaiety/lust/tragedy, (self-)configuration/mystification. The project Monochrom pushes into and beyond these fields is, 'networking' events, people, possibilities, material, impetus and identities." (Zdenka Badovinac, Moderna Galerija Ljubljana) Read part 1 of this interview: http://www.furtherfield.org/displayreview.php?review_id=408 Read part 2 of this interview: http://www.furtherfield.org/displayreview.php?review_id=411 ????> Other Info: A living - breathing - thriving networked neighbourhood - proud of free culture - claiming it with others ;) http://identi.ca/furtherfield http://twitter.com/furtherfield Other reviews,articles,interviews http://www.furtherfield.org/reviews.php Furtherfield ? online arts community, platforms for creating, viewing, discussing and learning about experimental practices at the intersections of art, technology and social change. http://www.furtherfield.org HTTP Gallery ? physical media arts Gallery (London). http://www.http.uk.net Netbehaviour - Networked Artists List Community. http://www.netbehaviour.org From info at furtherfield.org Thu Nov 18 14:53:04 2010 From: info at furtherfield.org (info) Date: Thu, 18 Nov 2010 13:53:04 +0000 Subject: [NetBehaviour] Call for entries Mapping Festival. Message-ID: <4CE52FC0.3030203@furtherfield.org> Call for entries Mapping Festival. The call for submissions to the Mapping Festival is now open until the 5th of december 2010. This year?s 7th edition of the festival will be held from the 19th to the 29th of May 2011, in it?s usual place, the beautiful city of Geneva, Switzerland. If you have any projects you would like to submit now is the time to share them with us! The festival promotes the concept of mixed disciplines and will accept proposals for the following categories: ? VJing ? Audio/Visual performances ? Installations ? Lectures/Workshops/Presentations/Demos http://www.mappingfestival.ch/2011/ From info at furtherfield.org Thu Nov 18 15:19:53 2010 From: info at furtherfield.org (info) Date: Thu, 18 Nov 2010 14:19:53 +0000 Subject: [NetBehaviour] =?windows-1252?q?Revenue_Models_=96_Jaromil_and_Ma?= =?windows-1252?q?rco_Sachy_tell_us_about_Cyclos_and_their_own_dyndy=2Enet?= Message-ID: <4CE53609.5040601@furtherfield.org> Revenue Models ? Jaromil and Marco Sachy tell us about Cyclos and their own dyndy.net by Nicola Bozzi. As a part of the Revenue Models panel at the Ecommons conference, the presentation by Jaromil and Marco Sachy focused on the decentralization of currencies and credit. The former began by introducing their own website, dyndy.net, an online lab providing ?Tools, practices and experiences for the conceptualization, development and deployment of currency?; the latter analyzed in more detail the case of Cyclos, an open-source software providing an alternative to traditional banking systems. http://ecommons.tuxic.nl/?p=2156 From sondheim at panix.com Fri Nov 19 10:30:38 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 19 Nov 2010 04:30:38 -0500 (EST) Subject: [NetBehaviour] hello goodbye Message-ID: hello goodbye say goodbye to all that the odyssey of odyssey in recession post-modern subway beneath the surface http://www.alansondheim.org/lort.mp4 say hello to all that the odyssey redux manque odyssey miasma towards infinities w/out derivatives they've gone now, forget it all, parergon From jwm.art.net at gmail.com Fri Nov 19 10:46:03 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 19 Nov 2010 09:46:03 +0000 Subject: [NetBehaviour] Random Colour Entries of the World Message-ID: I'm working a lot with a program that generates random palettes of colour where a palette consists of 256 colour entries. Each entry consists of the R, G, and B components. The program only allows you to work with a range of colours such that you can say "I want (256 * 0.05) random R components, (256 * 0.08) random G components, and (0.2 * 256) random B components" (specifying how many random entries expressed as ratios of the total number of entries is one of this program's many idiosyncrasies). Taking the above example, means (roughly) generate 12 random numbers to be used as Red components and spread them evenly across the 256 entries, then interpolate to fill in the remaining entries between each of them. Do the same for the Green components, only use 20 random numbers instead, and for the Blue components use 51 random numbers. Attached are three examples of the colour palettes typically generated. The filenames of the attachments indicate how many random entries for each component are generated. The question is, if there was a colour palette for the all the colours in the world (I'd increase the number of entries in the palette to 16777216) and this palette was filled with all the colours of the world... and one wanted derive from that colour palette a random colour palette, what would one use as the random ratios for each of the R, G, and B components? -- _ : http://jwm-art.net/ -audio/image/text/code/ -------------- next part -------------- A non-text attachment was scrubbed... Name: colour_palette_r5_g5_b5.png Type: image/png Size: 345 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: colour_palette_r12_g20_b51.png Type: image/png Size: 716 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: colour_palette_r128_g5_b5.png Type: image/png Size: 728 bytes Desc: not available URL: From jwm.art.net at gmail.com Fri Nov 19 10:48:46 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 19 Nov 2010 09:48:46 +0000 Subject: [NetBehaviour] Random Colour Entries of the World In-Reply-To: References: Message-ID: On 19 November 2010 09:46, James Morris wrote: > I'm working a lot with a program that generates random palettes of > colour where a palette consists of 256 colour entries. Each entry > consists of the R, G, and B components. The program only allows you to > work with a range of colours such that you can say "I want (256 * > 0.05) random R components, (256 * 0.08) random G components, and ?(0.2 > * 256) random B components" (specifying how many random entries > expressed as ratios of the total number of entries is one of this > program's many idiosyncrasies). > > Taking the above example, means (roughly) generate 12 random numbers > to be used as Red components and spread them evenly across the 256 > entries, then interpolate to fill in the remaining entries between > each of them. Do the same for the Green components, only use 20 random > numbers instead, and for the Blue components use 51 random numbers. > > Attached are three examples of the colour palettes typically > generated. The filenames of the attachments indicate how many random > entries for each component are generated. > > The question is, if there was a colour palette for the all the colours > in the world (I'd increase the number of entries in the palette to > 16777216) and this palette was filled with all the colours of the > world... and one wanted derive from that colour palette a random > colour palette, what would one use as the random ratios for each of > the R, G, and B components? Actually the real question is, given all the colours in the world, which of the colour components has the greatest frequency of variations , R, G, or B ? -- _ : http://jwm-art.net/ -audio/image/text/code/ From rob at robmyers.org Fri Nov 19 11:23:25 2010 From: rob at robmyers.org (Rob Myers) Date: Fri, 19 Nov 2010 10:23:25 +0000 Subject: [NetBehaviour] Random Colour Entries of the World In-Reply-To: References: Message-ID: <4CE6501D.3040001@robmyers.org> On 11/19/2010 09:48 AM, James Morris wrote: > > Actually the real question is, given all the colours in the world, > which of the colour components has the greatest frequency of > variations , R, G, or B ? Are you including the sky in that? And which times of day? I don't know about Earth, but the universe's average colour has been going downhill since the big bang: http://news.discovery.com/space/color-challenged-astronomers-are-lost-in-a-latte-universe.html - Rob. From helen at creative-catalyst.com Fri Nov 19 13:13:31 2010 From: helen at creative-catalyst.com (helen varley jamieson) Date: Fri, 19 Nov 2010 13:13:31 +0100 Subject: [NetBehaviour] Fwd: new website on alternative currency/ies Message-ID: <4CE669EB.3080606@creative-catalyst.com> might be of interest given earlier conversations about alternative currencies/economies :) new website on alternative currency/ies an effort at building a Pattern Language for Alternative and Complementary Money Systems to inform and empower grassroots communities with concepts and tools to overcome scarcity, instruments and reflections for the Exodus from proprietary money. from Jaromil >FYI - we launched our new project DYNDY: http://www.dyndy.net http://www.dyndy.net/2010/11/launch-at-ecommons2-in-de-balie http://ecommons.tuxic.nl/?p=2156 the website just started growing and we are confident it will become a useful reference for community developers who like to empower their networks with a more efficient media that doesn't decays along with > the dead horse of capitalism. ciao jaromil, dyne.org developer, http://jaromil.dyne.orgnfo/brico Sonja van Kerkhoff _________________ www.sonjavank.com -------------- next part -------------- An embedded and charset-unspecified text was scrubbed... Name: Attached Message Part URL: From bbrace at eskimo.com Fri Nov 19 13:46:42 2010 From: bbrace at eskimo.com ({ brad brace }) Date: Fri, 19 Nov 2010 04:46:42 -0800 (PST) Subject: [NetBehaviour] 12hr update In-Reply-To: References: Message-ID: _ |__ __| | /_ |__ \| | | __| | | | (_) | | __/ (__| |_ __ | | | | | | __/ | |/ /_| | | | | _ | | | '_ \ / _ \ | | / /| '_ \| '__| The 12hr-ISBN-JPEG Project >>>> posted since 1994 <<<< _ | | | '_ \ / _ \ | | / /| '_ \| '__| -_ | | | |__ ___ | | ) | |__ _ __ _ | __ \ (_) | | "A compassionate observer, { brad brace } forges a personal aesthetic in these 12hr-images infused with blank-sadness and a sense of mystery. What makes them both new and significant is the fact that he organizes its contents in sequences, applying the principles of cinematographic montage to fixed images." You begin to sense the byshadows that stretch from the awe of global dominance. How the intersecting systems help pull us apart, leaving us vague, drained, docile, soft in our inner discourse, willing to be shaped, to be overwhelmed -- easy retreats, half beliefs. Works of art are complex formal interventions within discursive traditions and their myriad filiations. These interventions are defined precisely by their incomparable capacity to trace the dynamics of historical process in paradoxical gestures of simultaneously prognostic and mnemonic temporalities. | __| | | | (_) | | __/ (__| |_ _ | | | '_ \ / _ \ | | / /| '_ \| '__| _| |__) | __ ___ _ ___ ___| |_ |_ ___/ '__/ _ \| |/ _ \/ __| __| |_| _ |_| \___/| |\___|\___|\__| _ _/ | _ |__/ > > > > Synopsis: The 12hr-ISBN-JPEG Project began December 30, 1994. A `round-the-clock posting of sequenced hypermodern imagery from { brad brace }. The hypermodern minimizes the familiar, the known, the recognizable; it suspends identity, relations and history. This discourse, far from determining the locus in which it speaks, is avoiding the ground on which it could find support. It is trying to operate a decentering that leaves no privilege to any center. The 12-hour ISBN JPEG Project ----------------------------- began December 30, 1994 Pointless Hypermodern Imagery... posted/mailed every 12 hours... a spectral, trajective alignment for the 00`s! A continuum of minimalist masks in the face of catastrophe; conjuring up transformative metaphors for the everyday... A poetic reversibility of exclusive events... A post-rhetorical, continuous, apparently random sequence of imagery... genuine gritty, greyscale... corruptable, compact, collectable and compelling convergence. The voluptuousness of the grey imminence: the art of making the other disappear. Continual visual impact; an optical drumming, sculpted in duration, on the endless present of the Net. An extension of the printed ISBN-Book (0-9690745) series... critically unassimilable... imagery is gradually acquired, selected and re-sequenced over time... ineluctable, vertiginous connections. The 12hr dialtone... [ see http://www.eskimo.com/~bbrace/netcom/books.txt ] KEYWORDS: >> Disconnected, disjunctive, distended, de-centered, de-composed, ambiguous, augmented, ambilavent, homogeneous, reckless, spontaneous... >> Multi-faceted, oblique, obsessive, obscure, obdurate... >> Promulgated, personal, permeable, prolonged, polymorphous, provocative, poetic, plural, perverse, potent, prophetic, pathological, pointless, private, peripheral, precocious, placeholders... >> Robust, real, redundant, resplendent, revolutionary, redeeming... >> Emergent, evolving, eccentric, eclectic, egregious, eternal, exciting, entertaining, evasive, entropic, erotic, entrancing, enduring, ergodic, expansive, exhaustive, encyclopedic... Every 12 hours, another!... view them, re-post `em, save `em, trade `em, print `em, even publish them... Here`s how: ~ Set www-links to -> http://www.eskimo.com/~bbrace/12hr.html -> http://bbrace.laughingsquid.net/12hr.html -> http://bbrace.net/12hr.html Look for the 12-hr-icon. Heavy traffic may require you to specify files more than once! Anarchie, Fetch, CuteFTP, TurboGopher... ~ Download from -> ftp.rdrop.com /pub/users/bbrace Download from -> ftp.eskimo.com /u/b/bbrace Download from -> hotline://artlyin.ftr.va.com.au Download from -> http://12hr.noemata.net/ * Remember to set tenex or binary. Get 12hr.jpeg ~ E-mail -> If you only have access to email, then you can use FTPmail to do essentially the same thing. Send a message with a body of 'help' to the server address nearest you: * ftpmail at ccc.uba.ar ftpmail at cs.uow.edu.au ftpmail at ftp.uni-stuttgart.de ftpmail at ftp.Dartmouth.edu ftpmail at ieunet.ie ftpmail at src.doc.ic.ac.uk ftpmail at archie.inesc.pt ftpmail at ftp.sun.ac.za ftpmail at ftp.sunet.se ftpmail at ftp.luth.se ftpmail at NCTUCCCA.edu.tw ftpmail at oak.oakland.edu ftpmail at sunsite.unc.edu ftpmail at decwrl.dec.com ftpmail at census.gov bitftp at plearn.bitnet bitftp at dearn.bitnet bitftp at vm.gmd.de bitftp at plearn.edu.pl bitftp at pucc.princeton.edu bitftp at pucc.bitnet * * ~ Mirror-sites requested! Archives too! The latest new jpeg will always be named, 12hr.jpeg Average size of images is only 45K. * Perl program to mirror ftp-sites/sub-directories: src.doc.ic.ac.uk:/packages/mirror * ~ Postings to usenet newsgroups: 12hr alt.12hr alt.binaries.pictures.12hr alt.binaries.pictures.misc alt.binaries.pictures.fine-art.misc * * Ask your system's news-administrator to carry these groups! (There are also usenet image browsers: TIFNY, PluckIt, Picture Agent, PictureView, Extractor97, NewsRover, Binary News Assistant, EasyNews) ~ This interminable, relentless (online) sequence of imagery began in earnest on December 30, 1994. The basic structure of the project has been over twenty-five years in the making. While the specific sequence of photographs has been presently orchestrated for many years` worth of 12-hour postings, I will undoubtedly be tempted to tweak the ongoing publication with additional new interjected imagery. Each 12-hour image is like the turning of a page; providing ample time for reflection, interruption, and assimilation. ~ The sites listed above also contain information on other cultural projects and sources. ~ A very low-volume, moderated mailing list for announcements and occasional commentary related to this project has been established at topica.com /subscribe 12hr-isbn-jpeg -- The image was to make nothing visible but their connection with one another by space and air, yet each surrounded by the unique aura that disengages every deeply seen image from the world of irrelevant relationships and calls forth a tremor of astonishment at its fateful necessity. Thus from artworks of dead masters, over-life-size strangeness whose names we do not know and do not wish to know, look out at us enigmatically as symbols of all being. -- Big Grey Bricks: This project also serves as a rehearsal for its culmination as a series of offset-printed volumes: each 800+ full-bleed pages (5x8"_300lpi), where the full integrated rhythm of greyscale-sequence can be more intricately resolved. I'd provide all design, prepress and production. The tonality of the imagery is important; these 12hr-jpegs scanned from film-prints are quick approximations for an institutionally unsupported outcome. -- This project remains untainted by corrupt corporate and glib government art-subsidies. Some opportunities still exist for financially assisting the publication of editions of large (33x46") prints; perhaps (Iris giclees) inkjet duotones or extended-black quadtones. Other supporters receive rare copies of the first three web-offset printed ISBN-Books. Contributions and requests for 12hr-email-subscriptions, can also be made at http://bbrace.laughingsquid.net/buy-into.html, or by mailed cheque/check: $5/mo $50/yr. Art-institutions must pay $12K for each image retained longer than 12 hours. -- ISBN is International Standard Book Number. JPEG and GIF are types of image files. Get the text-file, 'pictures-faq' to learn how to view or translate these images. [http://www.eskimo.com/~bbrace/netcom/pictures -faq.html] -- (c) Credit appreciated. Copyleft 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 From info at x-arn.org Fri Nov 19 14:01:17 2010 From: info at x-arn.org (Yann Le Guennec) Date: Fri, 19 Nov 2010 14:01:17 +0100 Subject: [NetBehaviour] Inhabited Landscape VII (Psycho-machine x2) Message-ID: <4CE6751D.2000305@x-arn.org> http://www.yannleguennec.com/w/ph/07/image.php From sondheim at panix.com Sat Nov 20 01:37:04 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 19 Nov 2010 19:37:04 -0500 (EST) Subject: [NetBehaviour] requiems and 4d crumpled objects Message-ID: requiems and 4d crumpled objects http://www.alansondheim.org/requiem.mp3 for odyssey in second life http://www.alansondheim.org/escaped1.png continued flight of objects http://www.alansondheim.org/escaped2.png after the fact, while talking http://www.alansondheim.org/escaped3.png to Garrett Lynch, trajectory http://www.alansondheim.org/escaped4.png towards odyssey and beyond http://www.alansondheim.org/escaped5.png from east of odyssey http://www.alansondheim.org/4space1.png 2d images of 3d slices of 4d http://www.alansondheim.org/4space2.png crumpled objects http://www.alansondheim.org/4space3.png http://www.alansondheim.org/4space4.png http://www.alansondheim.org/4space5.png From robots_have_no_fun at it-all.com Sat Nov 20 01:51:14 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Fri, 19 Nov 2010 19:51:14 -0500 Subject: [NetBehaviour] information and a prayer Message-ID: <4CE71B82.8090605@it-all.com> for all of us beware http://www.it-all.com/index.php?seed=366 From robots_have_no_fun at it-all.com Sat Nov 20 01:52:56 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Fri, 19 Nov 2010 19:52:56 -0500 Subject: [NetBehaviour] oops :) Message-ID: <4CE71BE8.20006@it-all.com> please hit CTRL-A when you "land" From robots_have_no_fun at it-all.com Sat Nov 20 03:29:50 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Fri, 19 Nov 2010 21:29:50 -0500 Subject: [NetBehaviour] hello goodbye In-Reply-To: References: Message-ID: <4CE7329E.7060402@it-all.com> nice one! keep the day job ;) On 11/19/2010 4:30 AM, Alan Sondheim wrote: > > hello goodbye > > say goodbye to all that > the odyssey of odyssey in recession > post-modern subway beneath the surface > > http://www.alansondheim.org/lort.mp4 > > say hello to all that > the odyssey redux manque > odyssey miasma towards infinities w/out derivatives > they've gone now, forget it all, parergon > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From sondheim at panix.com Sat Nov 20 10:00:01 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sat, 20 Nov 2010 04:00:01 -0500 (EST) Subject: [NetBehaviour] if i move it won't go away Message-ID: if i move it won't go away "If you don't accessorize, it never looks finished." http://www.alansondheim.org/makeitstop.mp4 if i move it won't go away i can't move i have to stay very still an old fashioned way of thinking that it will go away think if i were dead that you'd have to reconstruct from evidence distorted making me look dead i moved it didn't go away but then it stopped i stopped too it gave me gift of a chance it didn't go away it played dead it played dead i died it didn't go away i'm dead From sondheim at panix.com Sat Nov 20 10:08:15 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sat, 20 Nov 2010 04:08:15 -0500 (EST) Subject: [NetBehaviour] if i move it goes away Message-ID: if i move it goes away "If accessorized, it never looks finished." http://www.alansondheim.org/windchannel.mp4 http://www.alansondheim.org/wontgetme.mp4 if i move it goes away i move i can't stay still brand new thought that it takes me there think if i were there you'd just have to look clearly, and i'd look alive and purely i moved it went away it went and i went too so uplifting and all it went away like life it was born and me too it went away i'm moving From marc.garrett at furtherfield.org Sat Nov 20 14:02:31 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 20 Nov 2010 13:02:31 +0000 Subject: [NetBehaviour] Long Live the Web. Message-ID: <4CE7C6E7.1080107@furtherfield.org> Long Live the Web. The Web is critical not merely to the digital revolution but to our continued prosperity?and even our liberty. Like democracy itself, it needs defending... By Tim Berners-Lee. The world wide web went live, on my physical desktop in Geneva, Switzerland, in December 1990. It consisted of one Web site and one browser, which happened to be on the same computer. The simple setup demonstrated a profound concept: that any person could share information with anyone else, anywhere. In this spirit, the Web spread quickly from the grassroots up. Today, at its 20th anniversary, the Web is thoroughly integrated into our daily lives. We take it for granted, expecting it to ?be there? at any instant, like electricity. The Web evolved into a powerful, ubiquitous tool because it was built on egalitarian principles and because thousands of individuals, universities and companies have worked, both independently and together as part of the World Wide Web Consortium, to expand its capabilities based on those principles. The Web as we know it, however, is being threatened in different ways. Some of its most successful inhabitants have begun to chip away at its principles. Large social-networking sites are walling off information posted by their users from the rest of the Web. Wireless Internet providers are being tempted to slow traffic to sites with which they have not made deals. Governments?totalitarian and democratic alike?are monitoring people?s online habits, endangering important human rights. http://www.scientificamerican.com/article.cfm?id=long-live-the-web From info at furtherfield.org Sat Nov 20 14:39:23 2010 From: info at furtherfield.org (info) Date: Sat, 20 Nov 2010 13:39:23 +0000 Subject: [NetBehaviour] Andy, Nam June and Me at the Zoo by Lee Wells. Message-ID: <4CE7CF8B.7000108@furtherfield.org> Andy, Nam June and Me at the Zoo by Lee Wells. (Added to Furtherfield Broadcast section on front page.) www.furtherfield.org Guggenheim Museum publishes the essay "Andy, Nam June and Me at the Zoo" by PAM co-founder Lee Wells as part of the YouTube Play Biennial of Creative Video. The piece discusses the relationship between online video, the Avant-Garde and 21st century video art. I happily encourage everyone to go to the Take Blog and leave a comment. PLEASE ADD TO THE CONVERSATION http://www.guggenheim.org/new-york/interact/participate/youtube-play/the-take/moving-images/3815-andy-nam-june-me-at-the-zoo Some people would never be considered, were it not that some excellent adversaries had mentioned them. There is no greater vengeance than oblivion, as it buries such people in the dust of their nothingness.?Baltazar Gracian, as quoted in Open Creation and Its Enemies, Internationale Situationniste #5 (December 1960). From s.biggs at eca.ac.uk Sat Nov 20 15:14:23 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Sat, 20 Nov 2010 14:14:23 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: <4CE7C6E7.1080107@furtherfield.org> Message-ID: Berners-Lee would then appreciate (not) the UK government's announcement it will permit ISPs and other gatekeepers to abandon net neutrality and give premium providers (not users) improved bandwidth. That is the beginning of a shift in the web, from a many to many to a few to the many model. Effectively broadcast. Sky will love them - and I'm sure this is part of the price Murdoch has demanded of the current government to support them so vigorously. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: marc garrett > Reply-To: NetBehaviour for networked distributed creativity > > Date: Sat, 20 Nov 2010 13:02:31 +0000 > To: netBehaviour for networked distributed creativity > > Subject: [NetBehaviour] Long Live the Web. > > Long Live the Web. > > The Web is critical not merely to the digital revolution but to our > continued prosperity needs defending... > > By Tim Berners-Lee. > > The world wide web went live, on my physical desktop in Geneva, > Switzerland, in December 1990. It consisted of one Web site and one > browser, which happened to be on the same computer. The simple setup > demonstrated a profound concept: that any person could share information > with anyone else, anywhere. In this spirit, the Web spread quickly from > the grassroots up. Today, at its 20th anniversary, the Web is thoroughly > integrated into our daily lives. We take it for granted, expecting it to > ?be there? at any instant, like electricity. > > The Web evolved into a powerful, ubiquitous tool because it was built on > egalitarian principles and because thousands of individuals, > universities and companies have worked, both independently and together > as part of the World Wide Web Consortium, to expand its capabilities > based on those principles. > > The Web as we know it, however, is being threatened in different ways. > Some of its most successful inhabitants have begun to chip away at its > principles. Large social-networking sites are walling off information > posted by their users from the rest of the Web. Wireless Internet > providers are being tempted to slow traffic to sites with which they > have not made deals. Governments monitoring people?s online habits, endangering important human rights. > > http://www.scientificamerican.com/article.cfm?id=long-live-the-web > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From marc.garrett at furtherfield.org Sat Nov 20 15:19:49 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 20 Nov 2010 14:19:49 +0000 Subject: [NetBehaviour] Tribute is Not Theft. Message-ID: <4CE7D905.3080005@furtherfield.org> Tribute is Not Theft. Driscoll, 22 January 2010. Dude, Where's My Video? From official documentation of U.S. presidential debates to cameraphone recordings of police brutality, the videos on YouTube represent a densely interrelated system of making, curating, reading, and remaking that effectively constitutes a "crossroads" of participatory culture. Unfortunately, YouTube's centralized architecture has proven unusually vulnerable to spurious claims of copyright infringement. Of the 283,091 videos tracked by MIT Free Culture's YouTomb project, nearly one quarter have already vanished (YouTomb, 2009). Individual users who have their videos removed or their accounts suspended manifest their anger, confusion, and frustration in a variety of ways. Some quietly discontinue use and never post another video. Others lash out at YouTube, Google, and the entertainment industry in scathing, explitive-laden testimonials (Arrington, 2009). Among users who identify as members of a fan community, however, responses appear more measured and effective. This case study concerns the resistant activities of one such group: the Living Room Rock Gods. more... ttp://tinyurl.com/2ezqr5y From ruth.catlow at furtherfield.org Sat Nov 20 15:36:22 2010 From: ruth.catlow at furtherfield.org (Ruth Catlow) Date: Sat, 20 Nov 2010 14:36:22 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: References: Message-ID: <1290263783.2879.293.camel@marc-laptop> !!!!!!!DUMB!!!!SELFISH!!!!DESTRUCTIVE!!!!ARROGANT!!!!MIOPIC!!!!! COMPLACENT!!!!BASTARDS!!!!!! -----Original Message----- From: Simon Biggs Reply-to: NetBehaviour for networked distributed creativity To: NetBehaviour for networked distributed creativity Subject: Re: [NetBehaviour] Long Live the Web. Date: Sat, 20 Nov 2010 14:14:23 +0000 Berners-Lee would then appreciate (not) the UK government's announcement it will permit ISPs and other gatekeepers to abandon net neutrality and give premium providers (not users) improved bandwidth. That is the beginning of a shift in the web, from a many to many to a few to the many model. Effectively broadcast. Sky will love them - and I'm sure this is part of the price Murdoch has demanded of the current government to support them so vigorously. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: marc garrett > Reply-To: NetBehaviour for networked distributed creativity > > Date: Sat, 20 Nov 2010 13:02:31 +0000 > To: netBehaviour for networked distributed creativity > > Subject: [NetBehaviour] Long Live the Web. > > Long Live the Web. > > The Web is critical not merely to the digital revolution but to our > continued prosperity needs defending... > > By Tim Berners-Lee. > > The world wide web went live, on my physical desktop in Geneva, > Switzerland, in December 1990. It consisted of one Web site and one > browser, which happened to be on the same computer. The simple setup > demonstrated a profound concept: that any person could share information > with anyone else, anywhere. In this spirit, the Web spread quickly from > the grassroots up. Today, at its 20th anniversary, the Web is thoroughly > integrated into our daily lives. We take it for granted, expecting it to > ?be there? at any instant, like electricity. > > The Web evolved into a powerful, ubiquitous tool because it was built on > egalitarian principles and because thousands of individuals, > universities and companies have worked, both independently and together > as part of the World Wide Web Consortium, to expand its capabilities > based on those principles. > > The Web as we know it, however, is being threatened in different ways. > Some of its most successful inhabitants have begun to chip away at its > principles. Large social-networking sites are walling off information > posted by their users from the rest of the Web. Wireless Internet > providers are being tempted to slow traffic to sites with which they > have not made deals. Governments monitoring people?s online habits, endangering important human rights. > > http://www.scientificamerican.com/article.cfm?id=long-live-the-web > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From ruth.catlow at furtherfield.org Sat Nov 20 15:43:34 2010 From: ruth.catlow at furtherfield.org (Ruth Catlow) Date: Sat, 20 Nov 2010 14:43:34 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: <1290263783.2879.293.camel@marc-laptop> References: <1290263783.2879.293.camel@marc-laptop> Message-ID: <1290264214.2879.312.camel@marc-laptop> Ahem! I undermined my own vent with my illiteracy. I'm told it's "MYOPIC" still the steam, streams from my ears. : : B - ( : : -----Original Message----- From: Ruth Catlow Reply-to: ruth.catlow at furtherfield.org, NetBehaviour for networked distributed creativity To: NetBehaviour for networked distributed creativity Subject: Re: [NetBehaviour] Long Live the Web. Date: Sat, 20 Nov 2010 14:36:22 +0000 !!!!!!!DUMB!!!!SELFISH!!!!DESTRUCTIVE!!!!ARROGANT!!!!MIOPIC!!!!! COMPLACENT!!!!BASTARDS!!!!!! -----Original Message----- From: Simon Biggs Reply-to: NetBehaviour for networked distributed creativity To: NetBehaviour for networked distributed creativity Subject: Re: [NetBehaviour] Long Live the Web. Date: Sat, 20 Nov 2010 14:14:23 +0000 Berners-Lee would then appreciate (not) the UK government's announcement it will permit ISPs and other gatekeepers to abandon net neutrality and give premium providers (not users) improved bandwidth. That is the beginning of a shift in the web, from a many to many to a few to the many model. Effectively broadcast. Sky will love them - and I'm sure this is part of the price Murdoch has demanded of the current government to support them so vigorously. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: marc garrett > Reply-To: NetBehaviour for networked distributed creativity > > Date: Sat, 20 Nov 2010 13:02:31 +0000 > To: netBehaviour for networked distributed creativity > > Subject: [NetBehaviour] Long Live the Web. > > Long Live the Web. > > The Web is critical not merely to the digital revolution but to our > continued prosperity needs defending... > > By Tim Berners-Lee. > > The world wide web went live, on my physical desktop in Geneva, > Switzerland, in December 1990. It consisted of one Web site and one > browser, which happened to be on the same computer. The simple setup > demonstrated a profound concept: that any person could share information > with anyone else, anywhere. In this spirit, the Web spread quickly from > the grassroots up. Today, at its 20th anniversary, the Web is thoroughly > integrated into our daily lives. We take it for granted, expecting it to > ?be there? at any instant, like electricity. > > The Web evolved into a powerful, ubiquitous tool because it was built on > egalitarian principles and because thousands of individuals, > universities and companies have worked, both independently and together > as part of the World Wide Web Consortium, to expand its capabilities > based on those principles. > > The Web as we know it, however, is being threatened in different ways. > Some of its most successful inhabitants have begun to chip away at its > principles. Large social-networking sites are walling off information > posted by their users from the rest of the Web. Wireless Internet > providers are being tempted to slow traffic to sites with which they > have not made deals. Governments monitoring people?s online habits, endangering important human rights. > > http://www.scientificamerican.com/article.cfm?id=long-live-the-web > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Sat Nov 20 15:52:53 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 20 Nov 2010 14:52:53 +0000 Subject: [NetBehaviour] Andy, Nam June and Me at the Zoo by Lee Wells. In-Reply-To: <4CE7CF8B.7000108@furtherfield.org> References: <4CE7CF8B.7000108@furtherfield.org> Message-ID: <4CE7E0C5.8070904@furtherfield.org> Gh Hovagimyan's comment on Lee Wells post 'Andy, Nam June and Me at the Zoo by Lee Wells.' YouTube -- ... The judgement criteria for web information is most popular, amount of visitors, hits etc.. The question is does that apply to art? I think not. Going back to high school, the most popular people were not the artists, they were the jocks and the cheerleaders. The artists were the outsiders, always at odds with high school society. Popularity is nice but it has little to do with the passion for making art nor the reason one engages in the act of art making. People making and presenting videos on youTube are engaged in an art like activity. When Lee asks if youTube is anti-art he's referring to art dialectic. That is a mechanism by which artist enlarge the scope of what is considered art by including forms that negate the existing art system in some manner. The classic is Duchamp's readymades. Recently Artists Meeting (an art collaborative in New York) created a series of events where they curated youTube videos. These are presented in an art context. In some instances the group used Jeff Krouse's tool you3b.com (http://www.facebook.com/l/a57b9;you3b.com) to create youTube triptych's. The shift of these videos into an art context by the artists make the event art. It must be noted that Jeff Krouse is a digital artist. He writes code (in this case javascript), to make art. The youTube videos are the material and the subject of the art. The choice is in the aesthetic decisions. New Media and the digital realm are funded by a global capitalist communication enterprise. YouTube's funding mechanism is the IPO and advertising. The most popular videos generate advertising dollars. New Media artists tend to subvert these mechanisms. They create code and hacks that make the digital realm move the way they want. The artists hijack, appropriate, subvert and disrupt the communication flow. In the new media popularity contest the artist will always be the least popular, the outsider, the lone voice in the wilderness. Originally posted on Facbook, awaiting reply from Guggenblah blah... marc > Andy, Nam June and Me at the Zoo by Lee Wells. From ajaco at xs4all.nl Sat Nov 20 17:03:42 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Sat, 20 Nov 2010 17:03:42 +0100 Subject: [NetBehaviour] Radio Oujdah Message-ID: <9FB66C83-FF3F-40ED-AFB6-F857C57AEFA0@xs4all.nl> ? tout le monde.. on vous presente.. entre l'anda-anda-andalousie et l'atlas.. RADIO OUJDAH.. 88.3FM.. unfortunately no longer the last remaining free radio in Amsterdam, but now broadcasting worldwide in cyberspace, alhamdullilah..soaking in sweet sulfurrich waters from hot spring Moulay Yacoub, chanting Atlas berbers and a Moroccon ......Lady Gaga draw you into the depths of tantalizing Saharawi tent campements.. Poing.. Casa Voyageurs.. Les voyageurs avec destination Afrique de l'Ouest sont pri?s de changer des trains ? cette gare.. Poing.. Tonite @ Burgerwaanzin 18:00- 20:00 Radio Patapoe:with @ 18:30 Radio OUJDAH! by Rene Boer and Spoken word dub Manifesto featuring Bart Plantenga ARTronic Poetry # 1 Enjoy! See More http://icecast.freeteam.nl/patapoe.m3u Andreas Maria Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl -------------- next part -------------- An HTML attachment was scrubbed... URL: From dave.miller.uk at gmail.com Sat Nov 20 17:53:29 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sat, 20 Nov 2010 16:53:29 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: <1290264214.2879.312.camel@marc-laptop> References: <1290263783.2879.293.camel@marc-laptop> <1290264214.2879.312.camel@marc-laptop> Message-ID: well said ruth There are many parties who want to make money out of the internet - through walled gardens, highway tolls etc, and I agree with simon that this is probably the Murdoch agenda, back to a broadcast/ propaganda model. I think the way they want it is for access to the big money sites (facebook, ebay, bbc, murdoch sites) to be fast, and to the rest of the web slow (like 56k modem speed). Eventually they hope we'll all give up viewing and publishing to the small independent web sites as they'll be too slow and practically unusable. The Ed Vaizey plan is really really scary, and is a clear example of government acting against the interests and needs of the people. Maybe there are agendas beyond money here as well, that information is power, and the Internet as communication revolution, parallels with the church smashing up the printing presses in the middle ages. Once they've ruined this one, we can always start another Internet - or can we? Would this be possible - as we have to depend on existing telecommunications networks? dave On 20 November 2010 14:43, Ruth Catlow wrote: > Ahem! > I undermined my own vent with my illiteracy. > I'm told it's "MYOPIC" > > still the steam, streams from my ears. > > ? : > ? : > B - ( > ? : > ? : > > > -----Original Message----- > From: Ruth Catlow > Reply-to: ruth.catlow at furtherfield.org, NetBehaviour for networked > distributed creativity > To: NetBehaviour for networked distributed creativity > > Subject: Re: [NetBehaviour] Long Live the Web. > Date: Sat, 20 Nov 2010 14:36:22 +0000 > > !!!!!!!DUMB!!!!SELFISH!!!!DESTRUCTIVE!!!!ARROGANT!!!!MIOPIC!!!!!COMPLACENT!!!!BASTARDS!!!!!! > > > -----Original Message----- > From: Simon Biggs > Reply-to: NetBehaviour for networked distributed creativity > > To: NetBehaviour for networked distributed creativity > > Subject: Re: [NetBehaviour] Long Live the Web. > Date: Sat, 20 Nov 2010 14:14:23 +0000 > > Berners-Lee would then appreciate (not) the UK government's announcement it > will permit ISPs and other gatekeepers to abandon net neutrality and give > premium providers (not users) improved bandwidth. That is the beginning of a > shift in the web, from a many to many to a few to the many model. > Effectively broadcast. Sky will love them - and I'm sure this is part of the > price Murdoch has demanded of the current government to support them so > vigorously. > > Best > > Simon > > > Simon Biggs > s.biggs at eca.ac.uk simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: marc garrett >> Reply-To: NetBehaviour for networked distributed creativity >> >> Date: Sat, 20 Nov 2010 13:02:31 +0000 >> To: netBehaviour for networked distributed creativity >> >> Subject: [NetBehaviour] Long Live the Web. >> >> Long Live the Web. >> >> The Web is critical not merely to the digital revolution but to our >> continued prosperity> needs defending... >> >> By Tim Berners-Lee. >> >> The world wide web went live, on my physical desktop in Geneva, >> Switzerland, in December 1990. It consisted of one Web site and one >> browser, which happened to be on the same computer. The simple setup >> demonstrated a profound concept: that any person could share information >> with anyone else, anywhere. In this spirit, the Web spread quickly from >> the grassroots up. Today, at its 20th anniversary, the Web is thoroughly >> integrated into our daily lives. We take it for granted, expecting it to >> ?be there? at any instant, like electricity. >> >> The Web evolved into a powerful, ubiquitous tool because it was built on >> egalitarian principles and because thousands of individuals, >> universities and companies have worked, both independently and together >> as part of the World Wide Web Consortium, to expand its capabilities >> based on those principles. >> >> The Web as we know it, however, is being threatened in different ways. >> Some of its most successful inhabitants have begun to chip away at its >> principles. Large social-networking sites are walling off information >> posted by their users from the rest of the Web. Wireless Internet >> providers are being tempted to slow traffic to sites with which they >> have not made deals. Governments> monitoring people?s online habits, endangering important human rights. >> >> http://www.scientificamerican.com/article.cfm?id=long-live-the-web >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number > SC009201 > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From s.biggs at eca.ac.uk Sat Nov 20 18:08:19 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Sat, 20 Nov 2010 17:08:19 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: Message-ID: They sought to do the same thing in the US earlier this year, with a senate (Republican) sponsored attempt to abolish net neutrality. Happily Obama affirmed the sustained legal status of NN. Hopefully that will remain the case for some more years - but vested interests will try again. The internet is becoming and will soon be the key information and communications technology for all media. Those companies that currently dominate the old media will seek to dominate the new. Those wars are yet to be fought and they will be bitter. Looks like in the UK the old media hegemony has been allowed dominance without a fight. Given the current government perhaps the only way to stop this would be pan-EU legislation. Contact your MEP. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: dave miller > Reply-To: NetBehaviour for networked distributed creativity > > Date: Sat, 20 Nov 2010 16:53:29 +0000 > To: , NetBehaviour for networked distributed > creativity > Subject: Re: [NetBehaviour] Long Live the Web. > > well said ruth > > There are many parties who want to make money out of the internet - > through walled gardens, highway tolls etc, and I agree with simon that > this is probably the Murdoch agenda, back to a broadcast/ propaganda > model. I think the way they want it is for access to the big money > sites (facebook, ebay, bbc, murdoch sites) to be fast, and to the rest > of the web slow (like 56k modem speed). Eventually they hope we'll all > give up viewing and publishing to the small independent web sites as > they'll be too slow and practically unusable. > > The Ed Vaizey plan is really really scary, and is a clear example of > government acting against the interests and needs of the people. > > Maybe there are agendas beyond money here as well, that information is > power, and the Internet as communication revolution, parallels with > the church smashing up the printing presses in the middle ages. > > Once they've ruined this one, we can always start another Internet - > or can we? Would this be possible - as we have to depend on existing > telecommunications networks? > > dave > > On 20 November 2010 14:43, Ruth Catlow wrote: >> Ahem! >> I undermined my own vent with my illiteracy. >> I'm told it's "MYOPIC" >> >> still the steam, streams from my ears. >> >> ? : >> ? : >> B - ( >> ? : >> ? : >> >> >> -----Original Message----- >> From: Ruth Catlow >> Reply-to: ruth.catlow at furtherfield.org, NetBehaviour for networked >> distributed creativity >> To: NetBehaviour for networked distributed creativity >> >> Subject: Re: [NetBehaviour] Long Live the Web. >> Date: Sat, 20 Nov 2010 14:36:22 +0000 >> >> !!!!!!!DUMB!!!!SELFISH!!!!DESTRUCTIVE!!!!ARROGANT!!!!MIOPIC!!!!!COMPLACENT!!! >> !BASTARDS!!!!!! >> >> >> -----Original Message----- >> From: Simon Biggs >> Reply-to: NetBehaviour for networked distributed creativity >> >> To: NetBehaviour for networked distributed creativity >> >> Subject: Re: [NetBehaviour] Long Live the Web. >> Date: Sat, 20 Nov 2010 14:14:23 +0000 >> >> Berners-Lee would then appreciate (not) the UK government's announcement it >> will permit ISPs and other gatekeepers to abandon net neutrality and give >> premium providers (not users) improved bandwidth. That is the beginning of a >> shift in the web, from a many to many to a few to the many model. >> Effectively broadcast. Sky will love them - and I'm sure this is part of the >> price Murdoch has demanded of the current government to support them so >> vigorously. >> >> Best >> >> Simon >> >> >> Simon Biggs >> s.biggs at eca.ac.uk simon at littlepig.org.uk >> Skype: simonbiggsuk >> http://www.littlepig.org.uk/ >> >> Research Professor edinburgh college of art >> http://www.eca.ac.uk/ >> Creative Interdisciplinary Research in CoLlaborative Environments >> http://www.eca.ac.uk/circle/ >> Electronic Literature as a Model of Creativity and Innovation in Practice >> http://www.elmcip.net/ >> Centre for Film, Performance and Media Arts >> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >> >> >>> From: marc garrett >>> Reply-To: NetBehaviour for networked distributed creativity >>> >>> Date: Sat, 20 Nov 2010 13:02:31 +0000 >>> To: netBehaviour for networked distributed creativity >>> >>> Subject: [NetBehaviour] Long Live the Web. >>> >>> Long Live the Web. >>> >>> The Web is critical not merely to the digital revolution but to our >>> continued prosperity>> needs defending... >>> >>> By Tim Berners-Lee. >>> >>> The world wide web went live, on my physical desktop in Geneva, >>> Switzerland, in December 1990. It consisted of one Web site and one >>> browser, which happened to be on the same computer. The simple setup >>> demonstrated a profound concept: that any person could share information >>> with anyone else, anywhere. In this spirit, the Web spread quickly from >>> the grassroots up. Today, at its 20th anniversary, the Web is thoroughly >>> integrated into our daily lives. We take it for granted, expecting it to >>> ?be there? at any instant, like electricity. >>> >>> The Web evolved into a powerful, ubiquitous tool because it was built on >>> egalitarian principles and because thousands of individuals, >>> universities and companies have worked, both independently and together >>> as part of the World Wide Web Consortium, to expand its capabilities >>> based on those principles. >>> >>> The Web as we know it, however, is being threatened in different ways. >>> Some of its most successful inhabitants have begun to chip away at its >>> principles. Large social-networking sites are walling off information >>> posted by their users from the rest of the Web. Wireless Internet >>> providers are being tempted to slow traffic to sites with which they >>> have not made deals. Governments>> monitoring people?s online habits, endangering important human rights. >>> >>> http://www.scientificamerican.com/article.cfm?id=long-live-the-web >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> >> Edinburgh College of Art (eca) is a charity registered in Scotland, number >> SC009201 >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From sondheim at panix.com Sat Nov 20 18:56:47 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sat, 20 Nov 2010 12:56:47 -0500 (EST) Subject: [NetBehaviour] Long Live the Web. In-Reply-To: References: Message-ID: It parallels development and enclaving in general; once a land parcel is desecrated with McMansions, the eco-system and attendant species are gone forever. You can see the change on the street in NY - more and more fantastically expensive cars, more and more homeless. Mike Davis predicted it all. Fox News is another example in an odd way; they dominate through propaganda passing as news, and now that they're making substantial inroads into Congress, net neutrality, which might be their last enemy, is going to go under the knife again. And once net neutrality disappears (don't forget that corporations are now 'freed' to give what they want, without accountability, to political campaigns here), it won't return. I keep thinking backing to Fidonet and BBS; these kinds of private networks might become deeply relevant again. Meanwhile Second Life is going through its own parallel convulsions, with education discounts etc. disappear and rental going sky-high. Odyssey and East of Odyssey - where I've worked for years - are close to disappearing. - Alan On Sat, 20 Nov 2010, Simon Biggs wrote: > They sought to do the same thing in the US earlier this year, with a senate > (Republican) sponsored attempt to abolish net neutrality. Happily Obama > affirmed the sustained legal status of NN. Hopefully that will remain the > case for some more years - but vested interests will try again. The internet > is becoming and will soon be the key information and communications > technology for all media. Those companies that currently dominate the old > media will seek to dominate the new. Those wars are yet to be fought and > they will be bitter. Looks like in the UK the old media hegemony has been > allowed dominance without a fight. Given the current government perhaps the > only way to stop this would be pan-EU legislation. Contact your MEP. > > Best > > Simon > > > Simon Biggs > s.biggs at eca.ac.uk simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: dave miller >> Reply-To: NetBehaviour for networked distributed creativity >> >> Date: Sat, 20 Nov 2010 16:53:29 +0000 >> To: , NetBehaviour for networked distributed >> creativity >> Subject: Re: [NetBehaviour] Long Live the Web. >> >> well said ruth >> >> There are many parties who want to make money out of the internet - >> through walled gardens, highway tolls etc, and I agree with simon that >> this is probably the Murdoch agenda, back to a broadcast/ propaganda >> model. I think the way they want it is for access to the big money >> sites (facebook, ebay, bbc, murdoch sites) to be fast, and to the rest >> of the web slow (like 56k modem speed). Eventually they hope we'll all >> give up viewing and publishing to the small independent web sites as >> they'll be too slow and practically unusable. >> >> The Ed Vaizey plan is really really scary, and is a clear example of >> government acting against the interests and needs of the people. >> >> Maybe there are agendas beyond money here as well, that information is >> power, and the Internet as communication revolution, parallels with >> the church smashing up the printing presses in the middle ages. >> >> Once they've ruined this one, we can always start another Internet - >> or can we? Would this be possible - as we have to depend on existing >> telecommunications networks? >> >> dave >> >> On 20 November 2010 14:43, Ruth Catlow wrote: >>> Ahem! >>> I undermined my own vent with my illiteracy. >>> I'm told it's "MYOPIC" >>> >>> still the steam, streams from my ears. >>> >>> ? : >>> ? : >>> B - ( >>> ? : >>> ? : >>> >>> >>> -----Original Message----- >>> From: Ruth Catlow >>> Reply-to: ruth.catlow at furtherfield.org, NetBehaviour for networked >>> distributed creativity >>> To: NetBehaviour for networked distributed creativity >>> >>> Subject: Re: [NetBehaviour] Long Live the Web. >>> Date: Sat, 20 Nov 2010 14:36:22 +0000 >>> >>> !!!!!!!DUMB!!!!SELFISH!!!!DESTRUCTIVE!!!!ARROGANT!!!!MIOPIC!!!!!COMPLACENT!!! >>> !BASTARDS!!!!!! >>> >>> >>> -----Original Message----- >>> From: Simon Biggs >>> Reply-to: NetBehaviour for networked distributed creativity >>> >>> To: NetBehaviour for networked distributed creativity >>> >>> Subject: Re: [NetBehaviour] Long Live the Web. >>> Date: Sat, 20 Nov 2010 14:14:23 +0000 >>> >>> Berners-Lee would then appreciate (not) the UK government's announcement it >>> will permit ISPs and other gatekeepers to abandon net neutrality and give >>> premium providers (not users) improved bandwidth. That is the beginning of a >>> shift in the web, from a many to many to a few to the many model. >>> Effectively broadcast. Sky will love them - and I'm sure this is part of the >>> price Murdoch has demanded of the current government to support them so >>> vigorously. >>> >>> Best >>> >>> Simon >>> >>> >>> Simon Biggs >>> s.biggs at eca.ac.uk simon at littlepig.org.uk >>> Skype: simonbiggsuk >>> http://www.littlepig.org.uk/ >>> >>> Research Professor edinburgh college of art >>> http://www.eca.ac.uk/ >>> Creative Interdisciplinary Research in CoLlaborative Environments >>> http://www.eca.ac.uk/circle/ >>> Electronic Literature as a Model of Creativity and Innovation in Practice >>> http://www.elmcip.net/ >>> Centre for Film, Performance and Media Arts >>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >>> >>> >>>> From: marc garrett >>>> Reply-To: NetBehaviour for networked distributed creativity >>>> >>>> Date: Sat, 20 Nov 2010 13:02:31 +0000 >>>> To: netBehaviour for networked distributed creativity >>>> >>>> Subject: [NetBehaviour] Long Live the Web. >>>> >>>> Long Live the Web. >>>> >>>> The Web is critical not merely to the digital revolution but to our >>>> continued prosperity>>> needs defending... >>>> >>>> By Tim Berners-Lee. >>>> >>>> The world wide web went live, on my physical desktop in Geneva, >>>> Switzerland, in December 1990. It consisted of one Web site and one >>>> browser, which happened to be on the same computer. The simple setup >>>> demonstrated a profound concept: that any person could share information >>>> with anyone else, anywhere. In this spirit, the Web spread quickly from >>>> the grassroots up. Today, at its 20th anniversary, the Web is thoroughly >>>> integrated into our daily lives. We take it for granted, expecting it to >>>> ?be there? at any instant, like electricity. >>>> >>>> The Web evolved into a powerful, ubiquitous tool because it was built on >>>> egalitarian principles and because thousands of individuals, >>>> universities and companies have worked, both independently and together >>>> as part of the World Wide Web Consortium, to expand its capabilities >>>> based on those principles. >>>> >>>> The Web as we know it, however, is being threatened in different ways. >>>> Some of its most successful inhabitants have begun to chip away at its >>>> principles. Large social-networking sites are walling off information >>>> posted by their users from the rest of the Web. Wireless Internet >>>> providers are being tempted to slow traffic to sites with which they >>>> have not made deals. Governments>>> monitoring people?s online habits, endangering important human rights. >>>> >>>> http://www.scientificamerican.com/article.cfm?id=long-live-the-web >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >>> >>> Edinburgh College of Art (eca) is a charity registered in Scotland, number >>> SC009201 >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From ajaco at xs4all.nl Sat Nov 20 19:19:54 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Sat, 20 Nov 2010 19:19:54 +0100 Subject: [NetBehaviour] Live Now! La Resocialiste Edicion International Message-ID: <6A5639B0-0753-4327-8F46-73611434FB92@xs4all.nl> http://icecast.freeteam.nl/patapoe.m3u Spoken Dub Manifesto Paris ,France Andreas Maria Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl From dave.miller.uk at gmail.com Sat Nov 20 20:49:42 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sat, 20 Nov 2010 19:49:42 +0000 Subject: [NetBehaviour] requiems and 4d crumpled objects In-Reply-To: References: Message-ID: hi alan these are great - I especially like the crumpled objects, really interesting - 4space2.png is my favourite. How do you make these? Do you code them? Are some of these screen grabs from second life? In escaped5.png - I really like the tree trunks. I've never tried second life, but are you using it to make images/ stills? cheers, dave On 20 November 2010 00:37, Alan Sondheim wrote: > > > requiems and 4d crumpled objects > > http://www.alansondheim.org/requiem.mp3 for odyssey in second life > > http://www.alansondheim.org/escaped1.png continued flight of objects > http://www.alansondheim.org/escaped2.png after the fact, while talking > http://www.alansondheim.org/escaped3.png to Garrett Lynch, trajectory > http://www.alansondheim.org/escaped4.png towards odyssey and beyond > http://www.alansondheim.org/escaped5.png from east of odyssey > > http://www.alansondheim.org/4space1.png 2d images of 3d slices of 4d > http://www.alansondheim.org/4space2.png crumpled objects > http://www.alansondheim.org/4space3.png > http://www.alansondheim.org/4space4.png > http://www.alansondheim.org/4space5.png > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From s.biggs at eca.ac.uk Sat Nov 20 21:36:59 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Sat, 20 Nov 2010 20:36:59 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: Message-ID: Hi Alan What's up in SL then? Is island real estate going through the roof? Who is driving that - Linden or users? If bond traders and hedgers determine the real economy who is determining the SL economy? Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: Alan Sondheim > Reply-To: NetBehaviour for networked distributed creativity > > Date: Sat, 20 Nov 2010 12:56:47 -0500 (EST) > To: NetBehaviour for networked distributed creativity > > Subject: Re: [NetBehaviour] Long Live the Web. > > > > It parallels development and enclaving in general; once a land parcel is > desecrated with McMansions, the eco-system and attendant species are gone > forever. You can see the change on the street in NY - more and more > fantastically expensive cars, more and more homeless. Mike Davis predicted > it all. Fox News is another example in an odd way; they dominate through > propaganda passing as news, and now that they're making substantial > inroads into Congress, net neutrality, which might be their last enemy, is > going to go under the knife again. And once net neutrality disappears > (don't forget that corporations are now 'freed' to give what they want, > without accountability, to political campaigns here), it won't return. > > I keep thinking backing to Fidonet and BBS; these kinds of private > networks might become deeply relevant again. > > Meanwhile Second Life is going through its own parallel convulsions, with > education discounts etc. disappear and rental going sky-high. Odyssey and > East of Odyssey - where I've worked for years - are close to disappearing. > > - Alan > > > On Sat, 20 Nov 2010, Simon Biggs wrote: > >> They sought to do the same thing in the US earlier this year, with a senate >> (Republican) sponsored attempt to abolish net neutrality. Happily Obama >> affirmed the sustained legal status of NN. Hopefully that will remain the >> case for some more years - but vested interests will try again. The internet >> is becoming and will soon be the key information and communications >> technology for all media. Those companies that currently dominate the old >> media will seek to dominate the new. Those wars are yet to be fought and >> they will be bitter. Looks like in the UK the old media hegemony has been >> allowed dominance without a fight. Given the current government perhaps the >> only way to stop this would be pan-EU legislation. Contact your MEP. >> >> Best >> >> Simon >> >> >> Simon Biggs >> s.biggs at eca.ac.uk simon at littlepig.org.uk >> Skype: simonbiggsuk >> http://www.littlepig.org.uk/ >> >> Research Professor edinburgh college of art >> http://www.eca.ac.uk/ >> Creative Interdisciplinary Research in CoLlaborative Environments >> http://www.eca.ac.uk/circle/ >> Electronic Literature as a Model of Creativity and Innovation in Practice >> http://www.elmcip.net/ >> Centre for Film, Performance and Media Arts >> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >> >> >>> From: dave miller >>> Reply-To: NetBehaviour for networked distributed creativity >>> >>> Date: Sat, 20 Nov 2010 16:53:29 +0000 >>> To: , NetBehaviour for networked distributed >>> creativity >>> Subject: Re: [NetBehaviour] Long Live the Web. >>> >>> well said ruth >>> >>> There are many parties who want to make money out of the internet - >>> through walled gardens, highway tolls etc, and I agree with simon that >>> this is probably the Murdoch agenda, back to a broadcast/ propaganda >>> model. I think the way they want it is for access to the big money >>> sites (facebook, ebay, bbc, murdoch sites) to be fast, and to the rest >>> of the web slow (like 56k modem speed). Eventually they hope we'll all >>> give up viewing and publishing to the small independent web sites as >>> they'll be too slow and practically unusable. >>> >>> The Ed Vaizey plan is really really scary, and is a clear example of >>> government acting against the interests and needs of the people. >>> >>> Maybe there are agendas beyond money here as well, that information is >>> power, and the Internet as communication revolution, parallels with >>> the church smashing up the printing presses in the middle ages. >>> >>> Once they've ruined this one, we can always start another Internet - >>> or can we? Would this be possible - as we have to depend on existing >>> telecommunications networks? >>> >>> dave >>> >>> On 20 November 2010 14:43, Ruth Catlow wrote: >>>> Ahem! >>>> I undermined my own vent with my illiteracy. >>>> I'm told it's "MYOPIC" >>>> >>>> still the steam, streams from my ears. >>>> >>>> ? : >>>> ? : >>>> B - ( >>>> ? : >>>> ? : >>>> >>>> >>>> -----Original Message----- >>>> From: Ruth Catlow >>>> Reply-to: ruth.catlow at furtherfield.org, NetBehaviour for networked >>>> distributed creativity >>>> To: NetBehaviour for networked distributed creativity >>>> >>>> Subject: Re: [NetBehaviour] Long Live the Web. >>>> Date: Sat, 20 Nov 2010 14:36:22 +0000 >>>> >>>> !!!!!!!DUMB!!!!SELFISH!!!!DESTRUCTIVE!!!!ARROGANT!!!!MIOPIC!!!!!COMPLACENT! >>>> !! >>>> !BASTARDS!!!!!! >>>> >>>> >>>> -----Original Message----- >>>> From: Simon Biggs >>>> Reply-to: NetBehaviour for networked distributed creativity >>>> >>>> To: NetBehaviour for networked distributed creativity >>>> >>>> Subject: Re: [NetBehaviour] Long Live the Web. >>>> Date: Sat, 20 Nov 2010 14:14:23 +0000 >>>> >>>> Berners-Lee would then appreciate (not) the UK government's announcement it >>>> will permit ISPs and other gatekeepers to abandon net neutrality and give >>>> premium providers (not users) improved bandwidth. That is the beginning of >>>> a >>>> shift in the web, from a many to many to a few to the many model. >>>> Effectively broadcast. Sky will love them - and I'm sure this is part of >>>> the >>>> price Murdoch has demanded of the current government to support them so >>>> vigorously. >>>> >>>> Best >>>> >>>> Simon >>>> >>>> >>>> Simon Biggs >>>> s.biggs at eca.ac.uk simon at littlepig.org.uk >>>> Skype: simonbiggsuk >>>> http://www.littlepig.org.uk/ >>>> >>>> Research Professor edinburgh college of art >>>> http://www.eca.ac.uk/ >>>> Creative Interdisciplinary Research in CoLlaborative Environments >>>> http://www.eca.ac.uk/circle/ >>>> Electronic Literature as a Model of Creativity and Innovation in Practice >>>> http://www.elmcip.net/ >>>> Centre for Film, Performance and Media Arts >>>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >>>> >>>> >>>>> From: marc garrett >>>>> Reply-To: NetBehaviour for networked distributed creativity >>>>> >>>>> Date: Sat, 20 Nov 2010 13:02:31 +0000 >>>>> To: netBehaviour for networked distributed creativity >>>>> >>>>> Subject: [NetBehaviour] Long Live the Web. >>>>> >>>>> Long Live the Web. >>>>> >>>>> The Web is critical not merely to the digital revolution but to our >>>>> continued prosperity>>>> needs defending... >>>>> >>>>> By Tim Berners-Lee. >>>>> >>>>> The world wide web went live, on my physical desktop in Geneva, >>>>> Switzerland, in December 1990. It consisted of one Web site and one >>>>> browser, which happened to be on the same computer. The simple setup >>>>> demonstrated a profound concept: that any person could share information >>>>> with anyone else, anywhere. In this spirit, the Web spread quickly from >>>>> the grassroots up. Today, at its 20th anniversary, the Web is thoroughly >>>>> integrated into our daily lives. We take it for granted, expecting it to >>>>> ?be there? at any instant, like electricity. >>>>> >>>>> The Web evolved into a powerful, ubiquitous tool because it was built on >>>>> egalitarian principles and because thousands of individuals, >>>>> universities and companies have worked, both independently and together >>>>> as part of the World Wide Web Consortium, to expand its capabilities >>>>> based on those principles. >>>>> >>>>> The Web as we know it, however, is being threatened in different ways. >>>>> Some of its most successful inhabitants have begun to chip away at its >>>>> principles. Large social-networking sites are walling off information >>>>> posted by their users from the rest of the Web. Wireless Internet >>>>> providers are being tempted to slow traffic to sites with which they >>>>> have not made deals. Governments>>>> monitoring people?s online habits, endangering important human rights. >>>>> >>>>> http://www.scientificamerican.com/article.cfm?id=long-live-the-web >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>>> >>>> >>>> Edinburgh College of Art (eca) is a charity registered in Scotland, number >>>> SC009201 >>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> >> Edinburgh College of Art (eca) is a charity registered in Scotland, number >> SC009201 >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> > > > == > email archive: http://sondheim.rupamsunyata.org/ > webpage http://www.alansondheim.org > music archive: http://www.espdisk.com/alansondheim/ > == > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From sondheim at panix.com Sun Nov 21 08:11:20 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 21 Nov 2010 02:11:20 -0500 (EST) Subject: [NetBehaviour] requiems and 4d crumpled objects In-Reply-To: References: Message-ID: On Sat, 20 Nov 2010, dave miller wrote: > hi alan > > these are great - I especially like the crumpled objects, really > interesting - 4space2.png is my favourite. How do you make these? Do > you code them? > Just the equations; the program is called K3dSurf and you can download it for Ubuntu linux. There was something similar, smaller and rougher, but more sophisticated for the Sharp Zaurus, which was a linux pda, but more of a computer (you could program on it for example, in a terminal window). In the earlier one, you could program through any n-dimensions and take slices. You might be able to in K3dS - I've just started working with it. > Are some of these screen grabs from second life? In escaped5.png - I > really like the tree trunks. I've never tried second life, but are you > using it to make images/ stills? > They're not tree trunks - they're moving particles - everything is in turmoil as if boiling. The images are from Second Life; I've been putting up videos as well. An avatar can sit on any one of the 'objects' on the ground - which then begins to move, jerkily, and permanently leaves the installation. Thanks for your comments! - Alan > cheers, dave > > > On 20 November 2010 00:37, Alan Sondheim wrote: >> >> >> requiems and 4d crumpled objects >> >> http://www.alansondheim.org/requiem.mp3 for odyssey in second life >> >> http://www.alansondheim.org/escaped1.png continued flight of objects >> http://www.alansondheim.org/escaped2.png after the fact, while talking >> http://www.alansondheim.org/escaped3.png to Garrett Lynch, trajectory >> http://www.alansondheim.org/escaped4.png towards odyssey and beyond >> http://www.alansondheim.org/escaped5.png from east of odyssey >> >> http://www.alansondheim.org/4space1.png 2d images of 3d slices of 4d >> http://www.alansondheim.org/4space2.png crumpled objects >> http://www.alansondheim.org/4space3.png >> http://www.alansondheim.org/4space4.png >> http://www.alansondheim.org/4space5.png >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From sondheim at panix.com Sun Nov 21 08:15:23 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 21 Nov 2010 02:15:23 -0500 (EST) Subject: [NetBehaviour] Long Live the Web. In-Reply-To: References: Message-ID: I'm not on the administrative end, but apparently the CEO left, came back, then left again. Education and other discounts were eliminated and the rental doubled. The prices of land parcels have fallen and a lot of artists have moved to OpenSim (an open source version of SL). The rental for the Odyssey island parcel is $295/monthly which is prohibitive. I'm not sure what the overall fiscal plan of Linden Labs (who run SL) is at the moment; I think Patrick Lichty might know. All of this is coupled with the CEO (of a British telecom co. if I remember correctly) suddenly withdrawing his support of Od and east of Od. My feeling is that he's tired of Second Life, and hasn't liked the recent work - 'branding' (not my term) - that's been on his parcels. It's always been problematic. In any case, unless something new emerges on the horizon, both he and the parcels are gone. - Alan On Sat, 20 Nov 2010, Simon Biggs wrote: > Hi Alan > > What's up in SL then? Is island real estate going through the roof? Who is > driving that - Linden or users? If bond traders and hedgers determine the > real economy who is determining the SL economy? > > Best > > Simon > > > Simon Biggs > s.biggs at eca.ac.uk simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: Alan Sondheim >> Reply-To: NetBehaviour for networked distributed creativity >> >> Date: Sat, 20 Nov 2010 12:56:47 -0500 (EST) >> To: NetBehaviour for networked distributed creativity >> >> Subject: Re: [NetBehaviour] Long Live the Web. >> >> >> >> It parallels development and enclaving in general; once a land parcel is >> desecrated with McMansions, the eco-system and attendant species are gone >> forever. You can see the change on the street in NY - more and more >> fantastically expensive cars, more and more homeless. Mike Davis predicted >> it all. Fox News is another example in an odd way; they dominate through >> propaganda passing as news, and now that they're making substantial >> inroads into Congress, net neutrality, which might be their last enemy, is >> going to go under the knife again. And once net neutrality disappears >> (don't forget that corporations are now 'freed' to give what they want, >> without accountability, to political campaigns here), it won't return. >> >> I keep thinking backing to Fidonet and BBS; these kinds of private >> networks might become deeply relevant again. >> >> Meanwhile Second Life is going through its own parallel convulsions, with >> education discounts etc. disappear and rental going sky-high. Odyssey and >> East of Odyssey - where I've worked for years - are close to disappearing. >> >> - Alan >> >> >> On Sat, 20 Nov 2010, Simon Biggs wrote: >> >>> They sought to do the same thing in the US earlier this year, with a senate >>> (Republican) sponsored attempt to abolish net neutrality. Happily Obama >>> affirmed the sustained legal status of NN. Hopefully that will remain the >>> case for some more years - but vested interests will try again. The internet >>> is becoming and will soon be the key information and communications >>> technology for all media. Those companies that currently dominate the old >>> media will seek to dominate the new. Those wars are yet to be fought and >>> they will be bitter. Looks like in the UK the old media hegemony has been >>> allowed dominance without a fight. Given the current government perhaps the >>> only way to stop this would be pan-EU legislation. Contact your MEP. >>> >>> Best >>> >>> Simon >>> >>> >>> Simon Biggs >>> s.biggs at eca.ac.uk simon at littlepig.org.uk >>> Skype: simonbiggsuk >>> http://www.littlepig.org.uk/ >>> >>> Research Professor edinburgh college of art >>> http://www.eca.ac.uk/ >>> Creative Interdisciplinary Research in CoLlaborative Environments >>> http://www.eca.ac.uk/circle/ >>> Electronic Literature as a Model of Creativity and Innovation in Practice >>> http://www.elmcip.net/ >>> Centre for Film, Performance and Media Arts >>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >>> >>> >>>> From: dave miller >>>> Reply-To: NetBehaviour for networked distributed creativity >>>> >>>> Date: Sat, 20 Nov 2010 16:53:29 +0000 >>>> To: , NetBehaviour for networked distributed >>>> creativity >>>> Subject: Re: [NetBehaviour] Long Live the Web. >>>> >>>> well said ruth >>>> >>>> There are many parties who want to make money out of the internet - >>>> through walled gardens, highway tolls etc, and I agree with simon that >>>> this is probably the Murdoch agenda, back to a broadcast/ propaganda >>>> model. I think the way they want it is for access to the big money >>>> sites (facebook, ebay, bbc, murdoch sites) to be fast, and to the rest >>>> of the web slow (like 56k modem speed). Eventually they hope we'll all >>>> give up viewing and publishing to the small independent web sites as >>>> they'll be too slow and practically unusable. >>>> >>>> The Ed Vaizey plan is really really scary, and is a clear example of >>>> government acting against the interests and needs of the people. >>>> >>>> Maybe there are agendas beyond money here as well, that information is >>>> power, and the Internet as communication revolution, parallels with >>>> the church smashing up the printing presses in the middle ages. >>>> >>>> Once they've ruined this one, we can always start another Internet - >>>> or can we? Would this be possible - as we have to depend on existing >>>> telecommunications networks? >>>> >>>> dave >>>> >>>> On 20 November 2010 14:43, Ruth Catlow wrote: >>>>> Ahem! >>>>> I undermined my own vent with my illiteracy. >>>>> I'm told it's "MYOPIC" >>>>> >>>>> still the steam, streams from my ears. >>>>> >>>>> ? : >>>>> ? : >>>>> B - ( >>>>> ? : >>>>> ? : >>>>> >>>>> >>>>> -----Original Message----- >>>>> From: Ruth Catlow >>>>> Reply-to: ruth.catlow at furtherfield.org, NetBehaviour for networked >>>>> distributed creativity >>>>> To: NetBehaviour for networked distributed creativity >>>>> >>>>> Subject: Re: [NetBehaviour] Long Live the Web. >>>>> Date: Sat, 20 Nov 2010 14:36:22 +0000 >>>>> >>>>> !!!!!!!DUMB!!!!SELFISH!!!!DESTRUCTIVE!!!!ARROGANT!!!!MIOPIC!!!!!COMPLACENT! >>>>> !! >>>>> !BASTARDS!!!!!! >>>>> >>>>> >>>>> -----Original Message----- >>>>> From: Simon Biggs >>>>> Reply-to: NetBehaviour for networked distributed creativity >>>>> >>>>> To: NetBehaviour for networked distributed creativity >>>>> >>>>> Subject: Re: [NetBehaviour] Long Live the Web. >>>>> Date: Sat, 20 Nov 2010 14:14:23 +0000 >>>>> >>>>> Berners-Lee would then appreciate (not) the UK government's announcement it >>>>> will permit ISPs and other gatekeepers to abandon net neutrality and give >>>>> premium providers (not users) improved bandwidth. That is the beginning of >>>>> a >>>>> shift in the web, from a many to many to a few to the many model. >>>>> Effectively broadcast. Sky will love them - and I'm sure this is part of >>>>> the >>>>> price Murdoch has demanded of the current government to support them so >>>>> vigorously. >>>>> >>>>> Best >>>>> >>>>> Simon >>>>> >>>>> >>>>> Simon Biggs >>>>> s.biggs at eca.ac.uk simon at littlepig.org.uk >>>>> Skype: simonbiggsuk >>>>> http://www.littlepig.org.uk/ >>>>> >>>>> Research Professor edinburgh college of art >>>>> http://www.eca.ac.uk/ >>>>> Creative Interdisciplinary Research in CoLlaborative Environments >>>>> http://www.eca.ac.uk/circle/ >>>>> Electronic Literature as a Model of Creativity and Innovation in Practice >>>>> http://www.elmcip.net/ >>>>> Centre for Film, Performance and Media Arts >>>>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >>>>> >>>>> >>>>>> From: marc garrett >>>>>> Reply-To: NetBehaviour for networked distributed creativity >>>>>> >>>>>> Date: Sat, 20 Nov 2010 13:02:31 +0000 >>>>>> To: netBehaviour for networked distributed creativity >>>>>> >>>>>> Subject: [NetBehaviour] Long Live the Web. >>>>>> >>>>>> Long Live the Web. >>>>>> >>>>>> The Web is critical not merely to the digital revolution but to our >>>>>> continued prosperity>>>>> needs defending... >>>>>> >>>>>> By Tim Berners-Lee. >>>>>> >>>>>> The world wide web went live, on my physical desktop in Geneva, >>>>>> Switzerland, in December 1990. It consisted of one Web site and one >>>>>> browser, which happened to be on the same computer. The simple setup >>>>>> demonstrated a profound concept: that any person could share information >>>>>> with anyone else, anywhere. In this spirit, the Web spread quickly from >>>>>> the grassroots up. Today, at its 20th anniversary, the Web is thoroughly >>>>>> integrated into our daily lives. We take it for granted, expecting it to >>>>>> ?be there? at any instant, like electricity. >>>>>> >>>>>> The Web evolved into a powerful, ubiquitous tool because it was built on >>>>>> egalitarian principles and because thousands of individuals, >>>>>> universities and companies have worked, both independently and together >>>>>> as part of the World Wide Web Consortium, to expand its capabilities >>>>>> based on those principles. >>>>>> >>>>>> The Web as we know it, however, is being threatened in different ways. >>>>>> Some of its most successful inhabitants have begun to chip away at its >>>>>> principles. Large social-networking sites are walling off information >>>>>> posted by their users from the rest of the Web. Wireless Internet >>>>>> providers are being tempted to slow traffic to sites with which they >>>>>> have not made deals. Governments>>>>> monitoring people?s online habits, endangering important human rights. >>>>>> >>>>>> http://www.scientificamerican.com/article.cfm?id=long-live-the-web >>>>>> _______________________________________________ >>>>>> NetBehaviour mailing list >>>>>> NetBehaviour at netbehaviour.org >>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>>> >>>>> >>>>> Edinburgh College of Art (eca) is a charity registered in Scotland, number >>>>> SC009201 >>>>> >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >>> >>> Edinburgh College of Art (eca) is a charity registered in Scotland, number >>> SC009201 >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >> >> >> == >> email archive: http://sondheim.rupamsunyata.org/ >> webpage http://www.alansondheim.org >> music archive: http://www.espdisk.com/alansondheim/ >> == >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From dave.miller.uk at gmail.com Sun Nov 21 09:53:38 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sun, 21 Nov 2010 08:53:38 +0000 Subject: [NetBehaviour] requiems and 4d crumpled objects In-Reply-To: References: Message-ID: hi alan Thanks for the advice - k3dsurf is available for the mac as well: http://k3dsurf.darwinports.com/ so am going to try this, am thinking of some way to incorporate into my drawings dave On 21 November 2010 07:11, Alan Sondheim wrote: > > On Sat, 20 Nov 2010, dave miller wrote: > >> hi alan >> >> these are great - I especially like the crumpled objects, really >> interesting - 4space2.png is my favourite. How do you make these? Do >> you code them? >> > Just the equations; the program is called K3dSurf and you can download it > for Ubuntu linux. There was something similar, smaller and rougher, but > more sophisticated for the Sharp Zaurus, which was a linux pda, but more > of a computer (you could program on it for example, in a terminal window). > In the earlier one, you could program through any n-dimensions and take > slices. You might be able to in K3dS - I've just started working with it. > >> Are some of these screen grabs from second life? In escaped5.png - I >> really like the tree trunks. I've never tried second life, but are you >> using it to make images/ stills? >> > They're not tree trunks - they're moving particles - everything is in > turmoil as if boiling. The images are from Second Life; I've been putting > up videos as well. An avatar can sit on any one of the 'objects' on the > ground - which then begins to move, jerkily, and permanently leaves the > installation. > > Thanks for your comments! - Alan > >> cheers, dave >> >> >> On 20 November 2010 00:37, Alan Sondheim wrote: >>> >>> >>> requiems and 4d crumpled objects >>> >>> http://www.alansondheim.org/requiem.mp3 for odyssey in second life >>> >>> http://www.alansondheim.org/escaped1.png continued flight of objects >>> http://www.alansondheim.org/escaped2.png after the fact, while talking >>> http://www.alansondheim.org/escaped3.png to Garrett Lynch, trajectory >>> http://www.alansondheim.org/escaped4.png towards odyssey and beyond >>> http://www.alansondheim.org/escaped5.png from east of odyssey >>> >>> http://www.alansondheim.org/4space1.png 2d images of 3d slices of 4d >>> http://www.alansondheim.org/4space2.png crumpled objects >>> http://www.alansondheim.org/4space3.png >>> http://www.alansondheim.org/4space4.png >>> http://www.alansondheim.org/4space5.png >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> > > > == > email archive: http://sondheim.rupamsunyata.org/ > webpage http://www.alansondheim.org > music archive: http://www.espdisk.com/alansondheim/ > == > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From rob at robmyers.org Sun Nov 21 13:11:21 2010 From: rob at robmyers.org (Rob Myers) Date: Sun, 21 Nov 2010 12:11:21 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: References: Message-ID: <4CE90C69.8000707@robmyers.org> On 11/20/2010 02:14 PM, Simon Biggs wrote: > Berners-Lee would then appreciate (not) the UK government's announcement it > will permit ISPs and other gatekeepers to abandon net neutrality and give > premium providers (not users) improved bandwidth. https://identi.ca/notice/58852914 "Tim Berners-Lee (timbl)'s status on Thursday, 18-Nov-10 13:25:28 UTC timbl @edvaisey sad choice, hope you come around. read http://www.fiberevolution.com/2010/11/the-slow-suicide-of-net-discrimination.html " > That is the beginning of a > shift in the web, from a many to many to a few to the many model. > Effectively broadcast. Sky will love them - and I'm sure this is part of the > price Murdoch has demanded of the current government to support them so > vigorously. I'm coming to the conclusion that there are very few markets in which we *aren't* the product. - Rob. From rob at robmyers.org Sun Nov 21 16:58:11 2010 From: rob at robmyers.org (Rob Myers) Date: Sun, 21 Nov 2010 15:58:11 +0000 Subject: [NetBehaviour] "Image rights: England v Germany and Philip Woolas's mug" Message-ID: <4CE94193.2010708@robmyers.org> http://www.francisdavey.co.uk/2010/11/image-rights-england-v-germany-and.html "Matt Wardman of the Wardman Wire asks an interesting question on the mySociety:public mailing list. He had created a couple of mug designs poking fun at the former MP Phillip Woolas and submitted them to the online platform Spreadshirt. According to his blog post they refused to accept the design..." An interesting analysis of copyright, personality rights, data protection legislation, freedom of speech, and the different laws of England&Wales and Germany. Very relevant to internet age art and politics. - Rob. From sondheim at panix.com Sun Nov 21 19:06:42 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 21 Nov 2010 13:06:42 -0500 (EST) Subject: [NetBehaviour] requiems and 4d crumpled objects In-Reply-To: References: Message-ID: It's a great program. I worked it a bit last night - it does have draw limitations but you can cut and paste of course and it comes with 51 preset objects/equations (at least in Ubuntu). - Alan On Sun, 21 Nov 2010, dave miller wrote: > hi alan > > Thanks for the advice - k3dsurf is available for the mac as well: > > http://k3dsurf.darwinports.com/ > > so am going to try this, am thinking of some way to incorporate into my drawings > > dave > > > On 21 November 2010 07:11, Alan Sondheim wrote: >> >> On Sat, 20 Nov 2010, dave miller wrote: >> >>> hi alan >>> >>> these are great - I especially like the crumpled objects, really >>> interesting - 4space2.png is my favourite. How do you make these? Do >>> you code them? >>> >> Just the equations; the program is called K3dSurf and you can download it >> for Ubuntu linux. There was something similar, smaller and rougher, but >> more sophisticated for the Sharp Zaurus, which was a linux pda, but more >> of a computer (you could program on it for example, in a terminal window). >> In the earlier one, you could program through any n-dimensions and take >> slices. You might be able to in K3dS - I've just started working with it. >> >>> Are some of these screen grabs from second life? In escaped5.png - I >>> really like the tree trunks. I've never tried second life, but are you >>> using it to make images/ stills? >>> >> They're not tree trunks - they're moving particles - everything is in >> turmoil as if boiling. The images are from Second Life; I've been putting >> up videos as well. An avatar can sit on any one of the 'objects' on the >> ground - which then begins to move, jerkily, and permanently leaves the >> installation. >> >> Thanks for your comments! - Alan >> >>> cheers, dave >>> >>> >>> On 20 November 2010 00:37, Alan Sondheim wrote: >>>> >>>> >>>> requiems and 4d crumpled objects >>>> >>>> http://www.alansondheim.org/requiem.mp3 for odyssey in second life >>>> >>>> http://www.alansondheim.org/escaped1.png continued flight of objects >>>> http://www.alansondheim.org/escaped2.png after the fact, while talking >>>> http://www.alansondheim.org/escaped3.png to Garrett Lynch, trajectory >>>> http://www.alansondheim.org/escaped4.png towards odyssey and beyond >>>> http://www.alansondheim.org/escaped5.png from east of odyssey >>>> >>>> http://www.alansondheim.org/4space1.png 2d images of 3d slices of 4d >>>> http://www.alansondheim.org/4space2.png crumpled objects >>>> http://www.alansondheim.org/4space3.png >>>> http://www.alansondheim.org/4space4.png >>>> http://www.alansondheim.org/4space5.png >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >> >> >> == >> email archive: http://sondheim.rupamsunyata.org/ >> webpage http://www.alansondheim.org >> music archive: http://www.espdisk.com/alansondheim/ >> == >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ == From sondheim at panix.com Sun Nov 21 21:07:01 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 21 Nov 2010 15:07:01 -0500 (EST) Subject: [NetBehaviour] the limits Message-ID: the limits when infinities are called for within the aegis of the digital, there are two possibilities: scatter-shots (sparse 'fit-points' appear in the graphs or calculations) and (fold)-catastrophic jumps connecting scatter-shots with vector lines or sheets. there are various combinations depending on the graphics program. the very act of exploring these monstrous objects through rotation, translation, magnification, etc. produces vibrant and often vibrating morphologies as the program attempts to adjust to the impossible. think of this as a dialog with spontaneous symmetry breaking between the analog (with infinities and the continuum) and digital (with discrete finite outcomes). finally think of this as a monolog of mind attempting to conceive the inconceivable, using finer and finer rasters, with similar and equally 'distanced' results no matter what. http://www.alansondheim.org/xyz1.png http://www.alansondheim.org/xyz2.png http://www.alansondheim.org/xyz3.png http://www.alansondheim.org/xyz4.png http://www.alansondheim.org/xyz5.png http://www.alansondheim.org/xyz6.png http://www.alansondheim.org/xyz7.png http://www.alansondheim.org/xyz8.png From jwm.art.net at gmail.com Sun Nov 21 21:41:45 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sun, 21 Nov 2010 20:41:45 +0000 Subject: [NetBehaviour] requiems and 4d crumpled objects In-Reply-To: References: Message-ID: A pity its not been updated to use qt4 instead of the now deprecated qt3 (trolltech not apple). On 21 November 2010 18:06, Alan Sondheim wrote: > > > It's a great program. I worked it a bit last night - it does have draw > limitations but you can cut and paste of course and it comes with 51 > preset objects/equations (at least in Ubuntu). - Alan > > On Sun, 21 Nov 2010, dave miller wrote: > >> hi alan >> >> Thanks for the advice - k3dsurf is available for the mac as well: >> >> http://k3dsurf.darwinports.com/ >> >> so am going to try this, am thinking of some way to incorporate into my drawings >> >> dave >> >> >> On 21 November 2010 07:11, Alan Sondheim wrote: >>> >>> On Sat, 20 Nov 2010, dave miller wrote: >>> >>>> hi alan >>>> >>>> these are great - I especially like the crumpled objects, really >>>> interesting - 4space2.png is my favourite. How do you make these? Do >>>> you code them? >>>> >>> Just the equations; the program is called K3dSurf and you can download it >>> for Ubuntu linux. There was something similar, smaller and rougher, but >>> more sophisticated for the Sharp Zaurus, which was a linux pda, but more >>> of a computer (you could program on it for example, in a terminal window). >>> In the earlier one, you could program through any n-dimensions and take >>> slices. You might be able to in K3dS - I've just started working with it. >>> >>>> Are some of these screen grabs from second life? In escaped5.png - I >>>> really like the tree trunks. I've never tried second life, but are you >>>> using it to make images/ stills? >>>> >>> They're not tree trunks - they're moving particles - everything is in >>> turmoil as if boiling. The images are from Second Life; I've been putting >>> up videos as well. An avatar can sit on any one of the 'objects' on the >>> ground - which then begins to move, jerkily, and permanently leaves the >>> installation. >>> >>> Thanks for your comments! - Alan >>> >>>> cheers, dave >>>> >>>> >>>> On 20 November 2010 00:37, Alan Sondheim wrote: >>>>> >>>>> >>>>> requiems and 4d crumpled objects >>>>> >>>>> http://www.alansondheim.org/requiem.mp3 for odyssey in second life >>>>> >>>>> http://www.alansondheim.org/escaped1.png continued flight of objects >>>>> http://www.alansondheim.org/escaped2.png after the fact, while talking >>>>> http://www.alansondheim.org/escaped3.png to Garrett Lynch, trajectory >>>>> http://www.alansondheim.org/escaped4.png towards odyssey and beyond >>>>> http://www.alansondheim.org/escaped5.png from east of odyssey >>>>> >>>>> http://www.alansondheim.org/4space1.png 2d images of 3d slices of 4d >>>>> http://www.alansondheim.org/4space2.png crumpled objects >>>>> http://www.alansondheim.org/4space3.png >>>>> http://www.alansondheim.org/4space4.png >>>>> http://www.alansondheim.org/4space5.png >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>>> >>> >>> >>> == >>> email archive: http://sondheim.rupamsunyata.org/ >>> webpage http://www.alansondheim.org >>> music archive: http://www.espdisk.com/alansondheim/ >>> == >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> > > > == > email archive: http://sondheim.rupamsunyata.org/ > webpage http://www.alansondheim.org > music archive: http://www.espdisk.com/alansondheim/ > == > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From jwm.art.net at gmail.com Sun Nov 21 23:27:08 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sun, 21 Nov 2010 22:27:08 +0000 Subject: [NetBehaviour] travel to a number with 301 zeros between it and the decimal place Message-ID: From http://jwm-art.net/mdz/screenshots/mdz_needle_exploration.png cx -1.999097069806733225086258511806416140229631691181154873204603026469681317840311 cy 1.265673007447022807189534611808664701644345478059392533496435880909413317233273e-9 size 2.271771648842297683400093690848369041066612825641805726339722739471565745495276e-56 to cx -1.999097069806733225086258511806416140229631691181154873202530887559275356738299969036201600986603374336070707274463163119961085369956101286316104681287657312206644093590328730070163061188039055368230279670630174472288791695187963779088815124066979309315961500111482930994199708324492781147135392766892094830183 cy 1.265673007447022807189534611808664701644345478060784185822571625426140690654373436423245314145120341030140004974129069779277312811489377625448969452785033642758483752172708236197763909708688151976115671350530447464766580074028792341990979855930761075934440025527505695422417989053101025031249371183986303948940e-9 size 3.098841839931703050110822540609685449518655417191025223751542113016427220465484087330087497393457065577215318198969268335247355989388110023412997478256853446427545960144041809673875044020322333210646555362159603177918361140692252746126775496563073302796019402174683944249170881451378506767283370610422954892615e-301 http://jwm-art.net/mdz/screenshots/mdz_needle_exploration2.png -- _ : http://jwm-art.net/ -audio/image/text/code/ From sondheim at panix.com Mon Nov 22 08:28:01 2010 From: sondheim at panix.com (Alan Sondheim) Date: Mon, 22 Nov 2010 02:28:01 -0500 (EST) Subject: [NetBehaviour] spaceflight Message-ID: spaceflight simulacra, models, everything with their noise nothing happens just alt-config repeating over and against itself across a screen's terrain the alt-config screen's repeating while down below it seems spaceflight's coming to an end on an alt-config screened island turning its last wayward face to alt-config sun's wayward shadow's cast http://www.alansondheim.org/spaceflight.mov From a.ludovico at neural.it Mon Nov 22 09:31:03 2010 From: a.ludovico at neural.it (Alessandro Ludovico) Date: Mon, 22 Nov 2010 09:31:03 +0100 Subject: [NetBehaviour] new Neural issue #37, Common Spacing Message-ID: The new Neural issue is out, with exclusive stuff for subscribers. In fact only subscribers will get the "Making Things Move" 64 pages booklet (a Fabrica Workshop Project directed by Zachary Lieberman). . . . . . . . . . . . . . . . . . . . . . . . . . 1 YEAR SUBSCRIPTION! 3 issues + extra Europe, 30,90 Euros - World, 54,50 U.S. Dollars. http://www.neural.it/subscribe.phtml . . . . . . . . . . . . . . . . . . . . . . . . . BACK ISSUES: http://www.neural.it/art/2006/01/neural_back_issues.phtml . . . . . . . . . . . . . . . . . . . . . . . . . [Neural new ISSN] ISSN: 2037-108X . . . . . . . . . . . . . . . . . . . . . . . . . [Neural #37 contents] http://www.neural.it/art/2010/11/neural_37_common_spacing.phtml . . . . . . . . . . . . . . . . . . . . . . . . . Centerfold: 'Another Soundscape' by Chung-Kun Wang. - interviews Aram Bartholl Michelle Teran Christina Kubisch Julian Oliver Space Invader Mark Shepard Pierre-Laurent Cassiere Men in Grey - articles . Urban Hacking and Technology . Hacking Public Space Chronology - reports . ISEA2010 Ruhr . Belgian Media Art .news: Panopticons, Global Safari (Powered by Google), Trail Blazers, This painting is not available in your country, Mechanical Games, Beethoven piano Sonata, no.1 - no.14, The Secret Sounds of Spores, Open Reel Ensemble, Fabricmachine. Wire_Less, The Fountainhead, Nadia, Enphonic Graphomania, Joiner, Phase = Order .books/dvds: J.K.Odin/Hypertext and the Female Imaginary, V. Mayer-Schonberger/Delete, J. Carr/Inside Cyber Warfare, ed. by N. Mullenger & A. Wolfsberger/Cultural Bloggers Interviewed, a film by L. Hershman L./Conceiving Ada, Ryoji Ikeda/Dataphonics, T. Burt/Colour Projections, F. Moth vs B. Sheppee/av8ion ep, J.-Y. Leloup/Digital Magma, S. Kim-Cohen/In the Blink of an Ear, F. Kittler/Optical Media, R. Catlow, M. Garrett, C. Morgana/Artists Re: Thinking Games, C. Salter/Entangled, D. Lopes/A Philosophy of Computer Art, curated by T. Aedo and K. Jasso/(ready) media. .cd reviews: Masayoshi Fujita & Jan Jelinek, An Anthology of Noise & Electronic Music, Vol. 6, Marcus Maeder, Mathias Delplanque, @C, Lowness, Jana Winderen, Philippe Petit & Friends, Roel Funcken, Richard Chartier, Tom Hamilton, Skiff++, Christophe Charles / i8u, Ignatz, Acoustic Bend, Clicksandcuts Five / Paradigm Shift, Gen Ken Montgomery, Bill Wells & Stefan Schneider, Brassier, Guionnet, Murayama, Mattin, Christian Galarreta -- Alessandro Ludovico - Neural - english (http://neural.it/) italian (http://www.neural.it/neural_it/) Latest Issue (#37 + "Making Things Move" booklet) - http://www.neural.it/art/2010/11/neural_37_common_spacing.phtml Subscribe - http://www.neural.it/subscribe.phtml - Twitter: http://twitter.com/_neural Facebook Group: http://www.facebook.com/#!/group.php?gid=41374986391&ref=ts From dave.miller.uk at gmail.com Mon Nov 22 10:09:03 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Mon, 22 Nov 2010 09:09:03 +0000 Subject: [NetBehaviour] information and a prayer In-Reply-To: <4CE71B82.8090605@it-all.com> References: <4CE71B82.8090605@it-all.com> Message-ID: very nice! On 20 November 2010 00:51, Roboslob wrote: > for all of us > beware > > http://www.it-all.com/index.php?seed=366 > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From rob at robmyers.org Mon Nov 22 10:27:37 2010 From: rob at robmyers.org (Rob Myers) Date: Mon, 22 Nov 2010 09:27:37 +0000 Subject: [NetBehaviour] =?windows-1252?q?Libre_Graphics_Magazine_=231_=97_?= =?windows-1252?q?=22First_Encounters=2E_Taking_Flight=2E=22?= Message-ID: <4CEA3789.9010404@robmyers.org> http://libregraphicsworld.org/news.php?readmore=633 "The issue's theme is first experiences and taking flight which very nicely reflects the editorial team's own feelings. Apart from theme's articles #1 features stories on using free graphics software in education and two interviews: one with Fontmatrix's developer Pierre Marchand, and one with DejaVu's type designer Ben Laenen. A spread There is a commercial part of the project to discover. Having started with a Pledgie campaign to finance printing of the first issue for handing around at several upcoming art events, the editorial team quickly realized that the project needs a more solid business model. Thus the first issue is available in paper for quite reasonable money ($12CAD, or a year's subscription). The campaign is however still on in case somebody wants to sponsor the project without directly buying a hardcopy. The work on magazine is open, all content is stored in Git repository at Gitorious. There are two PDFs to download: a lighter version for reading off display and a larger version for printing." [Link has images and downloads.] From james at lowtech.org Mon Nov 22 10:48:42 2010 From: james at lowtech.org (James Wallbank) Date: Mon, 22 Nov 2010 09:48:42 +0000 Subject: [NetBehaviour] Long Live the Web. In-Reply-To: <4CE90C69.8000707@robmyers.org> References: <4CE90C69.8000707@robmyers.org> Message-ID: <4CEA3C7A.3090802@lowtech.org> Well said, Tim Berners-Lee! However, we should not get too depressed by imminent traffic-filtering and shaping, walled gardens and so on. I agree with Alan's comment: > I keep thinking backing to Fidonet and BBS; these kinds of private > networks might become deeply relevant again. Yes, absolutely. I'd suggest if you want to keep your chin up think about these two key concepts: (1) Information wants to be free. (2) We are in control. If it does become the case that the "mainstream internet" becomes less than useful due to the interventions of ISPs, commercial content providers, paranoid governments and so on, then data WILL ROUTE AROUND those blockages. And we will help it. Back in the days of FidoNet there was a functional, free, world-wide email network, entirely built and created by amateurs, That was before broadband, before Ronja, before WiFi... before 56kBs modems... even before USB sticks! Now we have more tools to communicate than ever. For some years I've been skeptical about the strategic significance of local WiFi cloud infrastructures like "Consume.Net" because I've felt that it's perfectly feasible and convenient to piggyback on existing very cheap infrastructures, and these DIY peer-to-peer WLANs further ignore the need for long range connectivity. The key issue is whether we (the community of net users) can create independent, LONG RANGE data pipes. Trust me, we can. It may be a pain in the behind, but if a restricted web becomes more of a pain in the behind, we will. If not by piggybacking on existing infrastructures with stealth protocols, then by building our own. Infrastructures like Ronja can be community owned. A key technical problem is how (cheaply and legally) to build long distance links, not just 50-metre wifi hotspots. Ronja ($200 for a pair) pushes the limit to more than 1km, but I believe 10km and 100km+ links would be needed to create an independent, creative community digital infrastructure. Do we need our own satellite? (Bish, bosh, just knock one up and get it into orbit?) But satellites are so old fashioned. All those steam-powered rockets and Victorian spacemen? Not at all carbon neutral! What we need is something cheaper, lighter, better, higher-tech and home-made. Who needs a NASA fabrication facility when you have a double garage? I suggest clouds of robotic mini-airships, flying at around 20km altitude. Each one should cost only around $2000 per operational year, with a lifespan of around 10 years. A major city could be covered by just one or two. Maybe float up four or five for a bit of redundancy - here in the UK a few dozen would cover the entire nation - job done! Alternatively (and even more cheaply, and quickly) we could train homing pigeons to carry USB memory sticks between independent media centres. The data transfer rate with pigeoned 360GB sticks is very respectable. (Though the latency may be less impressive). And by next year 360GB sticks will probably cost about ?1.50. Pigeon-feed! So, look at it this way. For 10 years people have been engaging with the net on a "I can't be bothered to engage with the infrastructure or the issues, I just want convenience!" approach. And I'm not just talking about individuals - governments, too, have taken this approach. Now the implications of that attitude may be coming back to bite us. If we want independence, we have to pay for it - if not with money, then with brain-bashing hack time. The "no money, no effort" option is not available - but we knew that all along. So with lack of net neutrality, I say bring it on (you bastards!) and watch the community's response. If it's more useful than what you're offering, a whole new neutral, undetectable peer-to-peer infrastructure WILL emerge! Best, James ===== From info at furtherfield.org Mon Nov 22 11:03:22 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 10:03:22 +0000 Subject: [NetBehaviour] Call for Artists: Liquid Cities & Temporary Identities. Message-ID: <4CEA3FEA.70907@furtherfield.org> Call for Artists: Liquid Cities & Temporary Identities. January / March 2011 International ArtExpo is selecting all interesting video/short.films to include in the next 2011 Exhibitions: Liquid Cities & Temporary Identities at the National Gallery of Modern Art (NGMA) in Bangalore, India (March 11-13, 2011). The selection will be presented in a contemporary videoart event with street screenings in Lleida, Spain (January 20-22, 2011). The deadline for applications is January 10, 2011. The selections will be based on two main concepts. With the first section, Liquid Cities, we will present videos about contemporary cities, future cities and possible connections between videoarchitecture and videoart experimentations. The second section, Temporary Identities, will show videoart works based on the concept of contemporary identities, new technologies and body borders. The number of works with you can participate is unlimited. All works must be on DVD (PAL or NTSC), no matter what the original source medium. The duration may be any, with a preference given to a max lenght of 15 minutes. If you are interested, send your video submissions (Name/Surname, City/Country, Film title, Running time, Brief film synopsis) with a CV/biography, videography and an introduction about the piece to: Luca Curci Architects Corso Vittorio Emanuele II, 33 70122 - Bari, Italy International ArtExpo is a not for profit organization that provides a significant forum for cultural dialogue between all artists from different cultures and countries. We depend on the support of you. ArtExpo is grateful to all of the institutions, corporations, and individuals who support our efforts. We work with a number of national and international galleries as well as publishers, museums, curators and writers from all over the world. We help artists through solo and group exhibitions, gallery representation, magazine reviews and advertisements, press releases, internet promotion, as well as various curatorial projects. Participation open to: professional artists, architects and designers, associate groups and studios. Thanks for all, Luca Curci - director International ArtExpo Corso Vittorio Emanuele II, 33 70122 - Bari (Italy) +39.0805234018 +39.3387574098 lucacurci at lucacurci.com www.lucacurci.com/artexpo From info at furtherfield.org Mon Nov 22 11:04:47 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 10:04:47 +0000 Subject: [NetBehaviour] Falling Still. Message-ID: <4CEA403F.3050301@furtherfield.org> Falling Still. Yevgeniya Kaganovich and Nathaniel Stern UWM Art History Gallery curated by Jennifer Johung 2 December - 16 December 2010 opening reception 2 December, 5 - 7 PM the artists will be in attendance at the opening the exhibition has an accompanying booklet with text by the curator About the Work Falling Still utilizes 200 cement-cast feathers as individual pixels to create a larger image across 6 planes. Each of these sculptures has been hand-poured into molds of actual feathers, exhibiting finely detailed quills on one side, and flat concrete surfaces on the other. They hang from the ceiling via discrete fishing lines, swinging, twisting and turning as viewers move around the 8 x 15 x 4 foot installation area. From all perspectives but one, the work floats between 1-dimensional lines, 2-dimensional planes and 3-dimensional pixels. View it exactly perpendicular to its planes, and all the work's elements cohere into a bit-mapped image of a body, leaping through the air. While Falling Still is itself suspended between movement and stasis, it also moves and arrests us. The installation directs us in and around incongruous objects, through an improbable image, and across multiple dimensions. http://yevgeniyakaganovich.com/ http://nathanielstern.com http://johung.com University of Wisconsin - Milwaukee Art History Gallery 154 Mitchell Hall 3203 North Downer Avenue Milwaukee, WI 53211 Mon - Thurs: 10am-4pm The gallery is free, open to the public and handicap accessible. For more information, contact Jennifer Johung, johung at uwm.edu From marc.garrett at furtherfield.org Mon Nov 22 11:12:18 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 22 Nov 2010 10:12:18 +0000 Subject: [NetBehaviour] Sculptor Gives a Hint For CIA's Kryptos. Message-ID: <4CEA4202.5000309@furtherfield.org> Sculptor Gives a Hint For CIA's Kryptos. "The New York Times reports that Jim Sanborn, the sculptor who created the wavy metal pane called Kryptos that sits in front of the CIA in Langley, VA, has gotten tired of waiting for code-breakers to decode the last of the four messages. 'I assumed the code would be cracked in a fairly short time,' [Sanborn] said, adding that the intrusions on his life from people who think they have solved his fourth puzzle are more than he expected. So now, after 20 years, Mr. Sanborn is nudging the process along. He has provided The New York Times with the answers to six letters in the sculpture's final passage. The characters that are the 64th through 69th in the final series on the sculpture read NYPVTT. When deciphered, they read BERLIN." Slashdot.org more... http://www.nytimes.com/2010/11/21/us/21code.html?_r=4&hp From dave.miller.uk at gmail.com Mon Nov 22 11:20:52 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Mon, 22 Nov 2010 10:20:52 +0000 Subject: [NetBehaviour] Sculptor Gives a Hint For CIA's Kryptos. In-Reply-To: <4CEA4202.5000309@furtherfield.org> References: <4CEA4202.5000309@furtherfield.org> Message-ID: what was the whole sentence? (I'm not registered with the New York Times) dave On 22 November 2010 10:12, marc garrett wrote: > Sculptor Gives a Hint For CIA's Kryptos. > > "The New York Times reports that Jim Sanborn, the sculptor who created > the wavy metal pane called Kryptos that sits in front of the CIA in > Langley, VA, has gotten tired of waiting for code-breakers to decode the > last of the four messages. 'I assumed the code would be cracked in a > fairly short time,' [Sanborn] said, adding that the intrusions on his > life from people who think they have solved his fourth puzzle are more > than he expected. So now, after 20 years, Mr. Sanborn is nudging the > process along. He has provided The New York Times with the answers to > six letters in the sculpture's final passage. The characters that are > the 64th through 69th in the final series on the sculpture read NYPVTT. > When deciphered, they read BERLIN." Slashdot.org > > more... > http://www.nytimes.com/2010/11/21/us/21code.html?_r=4&hp > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From marc.garrett at furtherfield.org Mon Nov 22 11:31:55 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 22 Nov 2010 10:31:55 +0000 Subject: [NetBehaviour] =?windows-1252?q?Patrick_Lichty_Season_=96_=233_On?= =?windows-1252?q?_DVBLOG=2E?= In-Reply-To: References: <4CEA4202.5000309@furtherfield.org> Message-ID: <4CEA469B.2000600@furtherfield.org> Patrick Lichty Season ? #3 On DVBLOG. "Looking through these again it comes home very forcefully what a significant role Lichty played in the development of a new language of art video, one contemporaneous with the birth pangs and development of net art & later to feed centrally into online art practice." http://dvblog.org/?p=7213 Also, there will be another interview with Patrick Lichty on furtherfield soon. Until then, here is the 1st one... http://www.furtherfield.org/displayreview.php?review_id=390 marc From marc.garrett at furtherfield.org Mon Nov 22 11:33:33 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 22 Nov 2010 10:33:33 +0000 Subject: [NetBehaviour] Sculptor Gives a Hint For CIA's Kryptos. In-Reply-To: References: <4CEA4202.5000309@furtherfield.org> Message-ID: <4CEA46FD.9020601@furtherfield.org> Hi Dave, I'm not registered either, but it showed me the whole article when I visited the web page. The stentence here (as mentioned) came from Slashdot.org Wishing you well. marc > what was the whole sentence? (I'm not registered with the New York Times) > > dave > > On 22 November 2010 10:12, marc garrett wrote: >> Sculptor Gives a Hint For CIA's Kryptos. >> >> "The New York Times reports that Jim Sanborn, the sculptor who created >> the wavy metal pane called Kryptos that sits in front of the CIA in >> Langley, VA, has gotten tired of waiting for code-breakers to decode the >> last of the four messages. 'I assumed the code would be cracked in a >> fairly short time,' [Sanborn] said, adding that the intrusions on his >> life from people who think they have solved his fourth puzzle are more >> than he expected. So now, after 20 years, Mr. Sanborn is nudging the >> process along. He has provided The New York Times with the answers to >> six letters in the sculpture's final passage. The characters that are >> the 64th through 69th in the final series on the sculpture read NYPVTT. >> When deciphered, they read BERLIN." Slashdot.org >> >> more... >> http://www.nytimes.com/2010/11/21/us/21code.html?_r=4&hp >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From info at furtherfield.org Mon Nov 22 11:39:20 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 10:39:20 +0000 Subject: [NetBehaviour] A Neoist Research Event. Message-ID: <4CEA4858.1070707@furtherfield.org> A Neoist Research Event. 03 December ? 20:30 - 23:30 Location WORM, Achterhaven 148, 3024 RC Rotterdam An evening of entertainment and irritainment - with words, visuals, actions and sound Is it neo? Is it retro? It's hard to tell but interesting to see what will happen at WORM, shedding light on a movement that doesn't want to be a movement. The name says it all: "neo" is a prefix, "ism" is a suffix, but there's nothing in between! What do you do with that? ... Very simply: Forget the question whether the hell it's art, politics, philosophy or MADNESS, forget the ideas of creativity and intellectual property, ditch your ego and do RESEARCH. Take the vernacular, the subversive, the absurd and the pedestrian and look into them from all sides. Experiment, dissect, take risks and most of all, don't take yourself too SERIOUSLY. That was the mission. Come and see the results - perhaps shocking, maybe hilarious, and presented by: - Neandertaler performances unlimited - Luther Blissett the psychogeographer - Dmytri Kleiner, Monty Cantsin & his Telekommunisten: "You Never Listen to Me?!" - Wilfried Hou Je Bek - The Acid Police Noise Ensemble - Martin Howse: Psychogeophysics for beginners - DJ STRONT - Monty Cantsin - tENTATIVELY, a cONVENIENCE (via telepathic link) Special features: - N.O. Cantsin presents the book 'A Neoist Research Project', the first comprehensive Neoist source book - Neoist films from past and present http://en.wikipedia.org/wiki/Neoism From marc.garrett at furtherfield.org Mon Nov 22 11:41:49 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 22 Nov 2010 10:41:49 +0000 Subject: [NetBehaviour] How to Be a Performance Artist : Stay Current With Your Performance Art Piece. Message-ID: <4CEA48ED.80103@furtherfield.org> How to Be a Performance Artist : Stay Current With Your Performance Art Piece. http://www.youtube.com/watch?v=lwVZXTGg9tY From info at furtherfield.org Mon Nov 22 12:02:30 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 11:02:30 +0000 Subject: [NetBehaviour] ELECTROHYPE 2010 Ystad Art Museum November 27th - January 30th. Message-ID: <4CEA4DC6.2020805@furtherfield.org> ELECTROHYPE 2010 Ystad Art Museum November 27th - January 30th. Coming up: Electrohype?s sixth biennial for electronic art November 27th 2010 to January 30th 2011 this year at Ystad Art Museum. Opening reception The opening reception will take place Saturday November 27th at 12 ? 4 pm. The exhibition will be introduced at 2 pm by ?rr J?nasd?ttir, director of Ystad Art Museum, and presented by the curators Anna Kindvall and Lars Midb?e from Electrohype. The Electrohype biennial 2010 include following 10 artists: boredomresearch, Great Britain Serina Erfjord, Norway Sion Jeong, Korea Yunchul Kim, Korea Nikki Koole, The Netherlands Diane Landry, Canada Caleb Larsen, USA Enrique Radigales, Spain David Rokeby, Canada Norman T White, Canada The theme for this year?s exhibition is objects, which could not be more suitable for an exhibition, which take place in an art museum. A museum is in itself filled with objects. Electrohype 2010 will focus on electronic artworks with at more obvious physical frame, but as much extent as earlier years. In this year addition you will find everything from the mechanic to the organic, from sound to light and from dry observation to humour. The exhibition is financed by: Kultur Sk?ne ? Sk?ne Regionen/Malm? Kulturf?rvaltning ? Stiftelsen framtidens kultur ? Statens kulturr?d ? Ystads kommun ? Office for Contemporary Art Norway ? ArtSway Associates, Great Britain More information: www.electrohype.org/2010 YSTADS KONSTMUSEUM S:t Knuts torg, Ystad Phone: + 46 (0)411 57 72 85 Open: tue ? fri 12-5 pm, sat - sun 12-4 pm. Dec 23rd, Jan 5th 12-4 pm Closed: December 24th, 25th, 31st and January 1st www.konstmuseet.ystad.se Between Malm? and Ystad there is a train ca 1 per hour every day. Welcome! From info at furtherfield.org Mon Nov 22 12:14:07 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 11:14:07 +0000 Subject: [NetBehaviour] UpStage 101010 - A New Zealand Based Festival of Performance Art. Message-ID: <4CEA507F.6020903@furtherfield.org> UpStage 101010 - A New Zealand Based Festival of Performance Art. Review by Ellen Pearlman. http://www.furtherfield.org/displayreview.php?review_id=413 On Oct 10th 2010, the Upstage Festival of Performance Art (101010) curated by Helen Varley Jamieson, Vicki Smith, and Dan Untitled ran for approximately twenty hours, the fourth such iteration of themed dates (last year ran on 090909). 101010 showcased thirteen new cyber performances from around the world. 101010 showcased thirteen new cyber performances from Canada, USA, UK, France, Germany, Italy, Sweden, Austria, Serbia, Australia, and New Zealand, most lasting for twenty minutes. UpStage was host to ten real world viewing nodes in Calgary, New York, Nantes, Eindhoven, Oslo, Ljubljana, Pancevo, Vietnam, Auckland, and Wellington. Individuals could also tune in from the comforts of their own homes. Ellen Pearlman is currently a Ph.D student at the University of Calgary, Canada in Computational Media and Design with a focus on Telematics & artistic collaborations over the Syneme high speed networks. She is Artistic Adviser to the Yuanfen Gallery, the very first gallery of new media in Beijing, China and part of the Yuanfen Flow (TM), the first independent, privately owned new media research institute in China. ????> Other Info: A living - breathing - thriving networked neighbourhood - proud of free culture - claiming it with others ;) http://identi.ca/furtherfield http://twitter.com/furtherfield Other reviews,articles,interviews http://www.furtherfield.org/reviews.php Furtherfield ? online arts community, platforms for creating, viewing, discussing and learning about experimental practices at the intersections of art, technology and social change. http://www.furtherfield.org HTTP Gallery ? physical media arts Gallery (London). http://www.http.uk.net Netbehaviour - Networked Artists List Community. http://www.netbehaviour.org From info at furtherfield.org Mon Nov 22 12:27:10 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 11:27:10 +0000 Subject: [NetBehaviour] OEM Message-ID: <4CEA538E.4070503@furtherfield.org> OEM non interactive flash movie with sound turn volume up to maximum. By Peter Luining http://ctrlaltdel.org/oem/ From info at furtherfield.org Mon Nov 22 12:46:14 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 11:46:14 +0000 Subject: [NetBehaviour] Mounira Al Sol: The Sea is a Stereo. Message-ID: <4CEA5806.1020809@furtherfield.org> Mounira Al Sol: The Sea is a Stereo. 03 December at 22:00 - Saturday, 22 January 2011 at 19:00 Kunsthalle Lissabon Rua Rosa Ara?jo 7-9 Lisbon, Portugal Kunsthalle Lissabon is proud to present, for the first time in Portugal, the work of Lebanese artist Mounira Al Solh. Al Solh's work utilizes an ironic and fictional strategy as well as a self-reflexive position to investigate everyday reality, thus questioning what is perceived as normal by others. The project The Sea is a Stereo introduces us to a group of men who live in Beirut and who swim in the sea everyday regardless of th...e circumstances: rain, wind or war. Their obsessive swimming behavior appears as an act of resistance against the impossibility of leading a ?normal? everyday life in their own country. This struggle for normality takes a sudden twist when the artist quite literally speaks for the men, dubbing their own voices. Al Solh uses her own voice not only to expose the vulnerability of their behavior but also as a way of exposing the fiction of ?normality?. http://www.mouniraalsolh.com/ From mail at philippteister.de Mon Nov 22 14:43:17 2010 From: mail at philippteister.de (Philipp Teister) Date: Mon, 22 Nov 2010 14:43:17 +0100 Subject: [NetBehaviour] Facebook Life Sharing Message-ID: <1290433397.4298.12.camel@localdataeatsthemachine> hello internet, hi netbehaviours, since last friday 19/11/2010 my personal Facebook account has turned to an open-source accessible web 2.0 account for everyone. Read, write and execute permissions included. check out the project site for 0day passes and further info. http://localdataeatsthemachine.com/Facebook-Life-Sharing cheerz wwwendy From marc.garrett at furtherfield.org Mon Nov 22 15:04:09 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 22 Nov 2010 14:04:09 +0000 Subject: [NetBehaviour] Facebook Life Sharing In-Reply-To: <1290433397.4298.12.camel@localdataeatsthemachine> References: <1290433397.4298.12.camel@localdataeatsthemachine> Message-ID: <4CEA7859.80304@furtherfield.org> Thank you, Will explore :-) marc > hello internet, > hi netbehaviours, > > since last friday 19/11/2010 my personal Facebook account has turned to > an open-source accessible web 2.0 account for everyone. Read, write and > execute permissions included. > > check out the project site for 0day passes and further info. > > http://localdataeatsthemachine.com/Facebook-Life-Sharing > > > cheerz > > wwwendy > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From m at niij.org Mon Nov 22 15:48:37 2010 From: m at niij.org (Michael Zeltner) Date: Mon, 22 Nov 2010 15:48:37 +0100 Subject: [NetBehaviour] Facebook Life Sharing In-Reply-To: <1290433397.4298.12.camel@localdataeatsthemachine> References: <1290433397.4298.12.camel@localdataeatsthemachine> Message-ID: On 22 November 2010 14:43, Philipp Teister wrote: > since last friday 19/11/2010 my personal Facebook account has turned to > an open-source accessible web 2.0 account for everyone. Read, write and > execute permissions included. FYI: http://www.zefrank.com/zesblog/archives/2008/07/what_i_did_last.html In case you didn't know this before. Michael -- http://niij.org/ From edward at edwardpicot.com Mon Nov 22 19:48:19 2010 From: edward at edwardpicot.com (Edward Picot) Date: Mon, 22 Nov 2010 18:48:19 +0000 Subject: [NetBehaviour] Black or White (the gravy version) Message-ID: <4CEABAF3.7000907@edwardpicot.com> Just for fun - Michael Jackson's "Black or White" re-written as a song about gravy. Pretty funky, albeit rather out of tune in places. Made with the help of my daughter Rachel, otherwise known (on YouTube) was HoolaHoopKid, who provides some slick dance moves via her toy orang-utan, Sweethart. You can view it on YouTube at http://www.youtube.com/watch?v=abGk2-T6_wI , or on my site at http://www.edwardpicot.com/blackorwhite.mov . - Edward Picot From info at furtherfield.org Mon Nov 22 23:56:31 2010 From: info at furtherfield.org (info) Date: Mon, 22 Nov 2010 22:56:31 +0000 Subject: [NetBehaviour] Videogame appropriation in contemporary art: Pong. Message-ID: <4CEAF51F.2000909@furtherfield.org> Videogame appropriation in contemporary art: Pong. By Mathias Jansson. http://www.furtherfield.org/displayreview.php?review_id=415 Classic video games such as Pong, Tetris, Space Invaders, Pac Man and Super Mario have inspired many artists in their work, and influenced a whole generation. In a series of articles, we will look at some classic games and give examples of how they have been used in art and what impact they have made on the art scene. First out is PONG. Mathias Jansson is a Swedish art critic and Game Art researcher. He writes about New Media Art and Game Art for blogs and magazines such as www.gamescenes.org and DigiMag (http://www.digicult.it/digimag/). During the last year Jansson has written a series of interviews, with the pioneers of Game Art and currently working on a sequel with artists, critics, curators, gallery owners operating in the field of Game Art. www.janssonswebb.se/gameart ????> Other Info: A living - breathing - thriving networked neighbourhood - proud of free culture - claiming it with others ;) http://identi.ca/furtherfield http://twitter.com/furtherfield Other reviews,articles,interviews http://www.furtherfield.org/reviews.php Furtherfield ? online arts community, platforms for creating, viewing, discussing and learning about experimental practices at the intersections of art, technology and social change. http://www.furtherfield.org HTTP Gallery ? physical media arts Gallery (London). http://www.http.uk.net Netbehaviour - Networked Artists List Community. http://www.netbehaviour.org From pomodorox at gmail.com Tue Nov 23 02:38:10 2010 From: pomodorox at gmail.com (max d. well) Date: Tue, 23 Nov 2010 02:38:10 +0100 Subject: [NetBehaviour] Black or White (the gravy version) In-Reply-To: <4CEABAF3.7000907@edwardpicot.com> References: <4CEABAF3.7000907@edwardpicot.com> Message-ID: heyo edward, gravy cosmic gr?ssings to HoolaHoopKid very inspiring for other kids to get on it ;-) max/xo On Mon, Nov 22, 2010 at 7:48 PM, Edward Picot wrote: > Just for fun - Michael Jackson's "Black or White" re-written as a song > about gravy. Pretty funky, albeit rather out of tune > > in places. Made with the help of my daughter Rachel, otherwise known (on > YouTube) was HoolaHoopKid, who provides some slick > > dance moves via her toy orang-utan, Sweethart. You can view it on > YouTube at http://www.youtube.com/watch?v=abGk2-T6_wI , > > or on my site at http://www.edwardpicot.com/blackorwhite.mov . > > > - Edward Picot > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -------------- next part -------------- An HTML attachment was scrubbed... URL: From robots_have_no_fun at it-all.com Tue Nov 23 02:58:56 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Mon, 22 Nov 2010 20:58:56 -0500 Subject: [NetBehaviour] CRACKed WHORE Message-ID: <4CEB1FE0.6040002@it-all.com> http://www.it-all.com/index.php?seed=368 try CTRL-A (select all to view invisible text) From robots_have_no_fun at it-all.com Tue Nov 23 03:02:29 2010 From: robots_have_no_fun at it-all.com (Roboslob) Date: Mon, 22 Nov 2010 21:02:29 -0500 Subject: [NetBehaviour] Recognize the {dark} man with the crooked face? Message-ID: <4CEB20B5.7050707@it-all.com> http://www.it-all.com/index.php?seed=343&play from the New Haven Register circa 1997 From dave.miller.uk at gmail.com Tue Nov 23 11:14:13 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 23 Nov 2010 10:14:13 +0000 Subject: [NetBehaviour] hello darling how was your day? Message-ID: http://davemiller.org/drawings/austerity/hellodarlinghowwasyourday.png From a at bram.org Tue Nov 23 11:21:35 2010 From: a at bram.org (anniea) Date: Tue, 23 Nov 2010 11:21:35 +0100 Subject: [NetBehaviour] hello darling how was your day? In-Reply-To: References: Message-ID: smile On Tue, Nov 23, 2010 at 11:14 AM, dave miller wrote: > http://davemiller.org/drawings/austerity/hellodarlinghowwasyourday.png > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- Documentation of Huis Clos / No Exit - On Translation Video, reactions of the performers and the public, photos and the performance protocol http://bram.org/huisclos/ontranslation/indexfr.html Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS, Maria Chatzichristodoulou in Digimag 54 May 2010 http://www.digicult.it/digimag/article.asp?id=1793 -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Tue Nov 23 16:25:45 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 23 Nov 2010 10:25:45 -0500 (EST) Subject: [NetBehaviour] particles, self-interaction Message-ID: particles, self-interaction http://www.alansondheim.org/after.mp4 (with script, programming, and concept by Garrett Lynch, thank you!) [15:06] Julu: instead of 92 put down sixty and see where that gets us - maybe it would be better [15:12] Julu: as text begins its slow descent into the unobtrusive mechanization of liberty and exhaustion [15:15] Julu: 3 might do the trick [15:17] Julu: or if language becomes, in actuality, a texture in its own write [15:24] Julu: this is the world that i know [15:24] Julu: this is the world that comes to mind, this insipid world and all its tawdry beings [15:24] Julu: a moment of thought and all is lost [15:25] Julu: and nothing returns, not even life and over the next horizon, nothing... [15:25] Julu: it's broken and broken and broken and broken, and comes forth as of death [15:26] Julu: a grey day.... [15:26] Julu: emptied, unimaginable [15:27] Julu: or a thought collapsed [15:27] Julu: spewed out, the last sound i will ever hear... [15:28] Julu: ah ah ah, not here, not ever here!!! [19:55] sensor: noone around. [20:02] Julu: quanta and sadness [20:08] Julu: thought loosens itself in the running of the world, thickness, thickness [20:09] Julu: more, there is nothing lost, intervals' perfection, i await you [20:09] Julu: more, there is nothing [20:09] Julu: lost intervals' perfection, [20:10] Julu: i await you [20:10] Julu: it stutters among sounds, what shudders if not bones [20:11] Julu: if not collapse, waves giving us this image [20:12] Julu: i hear you, speech of god [20:13] Julu: self-interaction becoming me [20:14] Julu: becoming my thinking [20:14] Julu: becoming my world [20:15] Julu: pulling up, pulling up [20:16] Julu: pulling, pulling up, mine and your as well....................... [20:23] Julu: i grant you these moments of utterance [20:29] Julu: it brings about... [20:29] Julu: coming itself together [20:29] Julu: overwrought, i listen [20:30] Julu: particles shuttle screen-wise, remaining placed [20:30] Julu: so slowly, they create [20:31] Julu: they create themselves [20:31] Julu: like song [20:32] Julu: of our singing, and ours, [20:32] Julu: and ours, [20:33] Julu: ours [20:33] Julu: beginning with its own carry [20:33] Julu: folding [20:34] Julu: folding and incomplete [20:34] Julu: and we, we [20:34] Julu: in silence [20:35] Julu: are From dave.miller.uk at gmail.com Tue Nov 23 16:55:05 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 23 Nov 2010 15:55:05 +0000 Subject: [NetBehaviour] Digital Commission Opportunity, FACT (Foundation for Art and Creative Technology) Message-ID: Fiveways NHS Neighbourhood Health Centre Digital Artist Commission FACT (Foundation for Art and Creative Technology) and Liverpool City Council are currently working in partnership, as part of the Waiting Programme, with LSHP (Liverpool Sefton Health Partnership). The Waiting Programme is a series of artist commissions for health centres in Liverpool and Sefton. Several commissions are already completed and underway, the most recent addition to the programme is Fiveways NHS Neighbourhood Health Centre in Childwall, Liverpool. http://www.artsjobs.org.uk/index.php?id=25&ne_source=dailynews_plain&ne_post_id=52721 From mldeed at verizon.net Tue Nov 23 17:26:18 2010 From: mldeed at verizon.net (Martha Deed) Date: Tue, 23 Nov 2010 11:26:18 -0500 Subject: [NetBehaviour] Millie Niss - City Bird Message-ID: <4CEBEB2A.8020602@verizon.net> Dear Friends-- Just a note to let you know that BlazeVox has put out a collection of Millie Niss's poetry -- City Bird: Selected Poems (1991-2009). Edward Picot has commented on the book: Millie Niss was probably best known as a blogger, video-maker and new media artist, but this collection ? compiled by her mother and long-time collaborator, Martha Deed ? demonstrates that she wrote poetry of great originality and inventiveness both before and during her new media career. She died in 2009, at the age of 36, and struggled with the effects of Behcet's disease for many years before that: yet the overwhelming impression left by this collection is one of vigour and high spirits. It's one of the few books of poetry I can call to mind without a dull page in it. It also consistently manages to combine experimentalism with entertainment. There is a wide range of styles ? from mock-epic to prose poetry to picture poems ? but Millie's personality suffuses them all: outspoken, politically radical, satirical, rude and funny; quirky, sometimes whimsical, sometimes wildly digressive; yet always down to earth and sharply observant. And so has Regina Pinto, who was often Millie's collaborator: I?ve known Millie Niss since 2001, and she was one of the most intelligent and interesting people I have ever met. I enjoyed the enthusiasm and seriousness with which she made poetry, and, in particular, electronic poetry. All of her work expresses her intelligence, deep sense of humor, and humanity. ?City Bird? will make readers think and ask for more. For further information, see Millie's page in the BlazeVox catalog: http://www.blazevox.org/bk-mn.htm or my post today, which includes some excerpts of Millie's writing, on the Sporkworld microblog: http://sporkworld.tumblr.com/ City Bird is available from me, the publisher and amazon.com. Amazon (the U.S. version) is probably the easiest way to order for people living outside of the United States. Thanks. Martha Deed (who edited and designed the book) -- The Lost Shoe http://www.chapbookpublisher.com/shop.html The Lost Shoe video http://www.sporkworld.org/Deed/lostshoe.mov this is visual poetry by Millie Niss (27 March 2010 release) this is visual poetry by Martha Deed (24 August 2010 release) http://thisisvisualpoetry.com Heat and 500 Favourite Words (Released July 2010) http://chapbookpublisher.com/tiny-shop.html From dave.miller.uk at gmail.com Tue Nov 23 18:01:22 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 23 Nov 2010 17:01:22 +0000 Subject: [NetBehaviour] funding opportunities Message-ID: The other day someone told me about the AHRC and that they have grants for digital art. It struck me that this could be a solution to my problem of doing part-time jobs to make ends meet, which leaves me tired and without enough time for creative work. To get funding to concentrate on creative work sounds perfect. Or is it? Seems to me the funding gives you credibility as well as money. Here's the AHRC website: http://www.ahrc.ac.uk/FundingOpportunities/Pages/default.aspx Does anyone on this list have experience of doing this? Is it very difficult to get funding? Do you have to be very established? cheers, dave From s.biggs at eca.ac.uk Tue Nov 23 18:39:22 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Tue, 23 Nov 2010 17:39:22 +0000 Subject: [NetBehaviour] funding opportunities In-Reply-To: Message-ID: The key thing you need to know is that the AHRC only funds research (which can include practice based work) undertaken by permanent employees of recognised research institutions (Universities, other HEI's and some national museums and research institutes). Artists cannot apply. For art projects you go to your regional arts council. What artists can do is develop something like a Fellowship proposal with somebody who is employed in a University. These can be for up to 9 months. They require the proposed fellow, who will be hosted by the institution, has a PhD or experience equivalent to that (this is undefined but usually means something like 6 years professional experience with a track record of exhibitions, publications and conference presentations). An early career fellowship allows those with less experience (but still of post-doc standing) to apply for similar funds - but then these fellows have a mentor. There use to be a Creative Arts Fellowship programme but that was discontinued last year. Bummer. It was a brilliant programme and probably the one you have been told about. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: dave miller > Reply-To: NetBehaviour for networked distributed creativity > > Date: Tue, 23 Nov 2010 17:01:22 +0000 > To: NetBehaviour for networked distributed creativity > > Subject: [NetBehaviour] funding opportunities > > The other day someone told me about the AHRC and that they have grants > for digital art. It struck me that this could be a solution to my > problem of doing part-time jobs to make ends meet, which leaves me > tired and without enough time for creative work. > > To get funding to concentrate on creative work sounds perfect. Or is > it? Seems to me the funding gives you credibility as well as money. > > Here's the AHRC website: > http://www.ahrc.ac.uk/FundingOpportunities/Pages/default.aspx > > Does anyone on this list have experience of doing this? > Is it very difficult to get funding? Do you have to be very established? > > cheers, dave > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From s.biggs at eca.ac.uk Tue Nov 23 18:40:30 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Tue, 23 Nov 2010 17:40:30 +0000 Subject: [NetBehaviour] funding opportunities In-Reply-To: Message-ID: Oh, and success rates are currently around 8-12% for research proposals, and falling. It's tough at the moment. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: dave miller > Reply-To: NetBehaviour for networked distributed creativity > > Date: Tue, 23 Nov 2010 17:01:22 +0000 > To: NetBehaviour for networked distributed creativity > > Subject: [NetBehaviour] funding opportunities > > The other day someone told me about the AHRC and that they have grants > for digital art. It struck me that this could be a solution to my > problem of doing part-time jobs to make ends meet, which leaves me > tired and without enough time for creative work. > > To get funding to concentrate on creative work sounds perfect. Or is > it? Seems to me the funding gives you credibility as well as money. > > Here's the AHRC website: > http://www.ahrc.ac.uk/FundingOpportunities/Pages/default.aspx > > Does anyone on this list have experience of doing this? > Is it very difficult to get funding? Do you have to be very established? > > cheers, dave > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From dave.miller.uk at gmail.com Tue Nov 23 22:07:53 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Tue, 23 Nov 2010 21:07:53 +0000 Subject: [NetBehaviour] funding opportunities In-Reply-To: References: Message-ID: thanks for the helpful info Simon, that's very useful - I think the Creative Arts Fellowship programme was the one dave On 23 November 2010 17:39, Simon Biggs wrote: > The key thing you need to know is that the AHRC only funds research (which > can include practice based work) undertaken by permanent employees of > recognised research institutions (Universities, other HEI's and some > national museums and research institutes). Artists cannot apply. For art > projects you go to your regional arts council. > > What artists can do is develop something like a Fellowship proposal with > somebody who is employed in a University. These can be for up to 9 months. > They require the proposed fellow, who will be hosted by the institution, has > a PhD or experience equivalent to that (this is undefined but usually means > something like 6 years professional experience with a track record of > exhibitions, publications and conference presentations). An early career > fellowship allows those with less experience (but still of post-doc > standing) to apply for similar funds - but then these fellows have a mentor. > > There use to be a Creative Arts Fellowship programme but that was > discontinued last year. Bummer. It was a brilliant programme and probably > the one you have been told about. > > Best > > Simon > > > Simon Biggs > s.biggs at eca.ac.uk ?simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor ?edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: dave miller >> Reply-To: NetBehaviour for networked distributed creativity >> >> Date: Tue, 23 Nov 2010 17:01:22 +0000 >> To: NetBehaviour for networked distributed creativity >> >> Subject: [NetBehaviour] funding opportunities >> >> The other day someone told me about the AHRC and that they have grants >> for digital art. It struck me that this could be a solution to my >> problem of doing part-time jobs to make ends meet, which leaves me >> tired and without enough time for creative work. >> >> To get funding to concentrate on creative work sounds perfect. Or is >> it? Seems to me the funding gives you credibility as well as money. >> >> Here's the AHRC website: >> http://www.ahrc.ac.uk/FundingOpportunities/Pages/default.aspx >> >> Does anyone on this list have experience of doing this? >> Is it very difficult to get funding? Do you have to be very established? >> >> cheers, dave >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From john.wild at network.rca.ac.uk Tue Nov 23 23:21:58 2010 From: john.wild at network.rca.ac.uk (John Wild) Date: Tue, 23 Nov 2010 22:21:58 +0000 Subject: [NetBehaviour] The first radiation porn star! Message-ID: In 2006 I created a number of artworks exploring how states view their citizens in the post 9/11 climate. In ?Terminal 4?, an A2 duratrans mounted on a light box, and ?Self Portrait using Backscatter Radiation ?, a 78?x 48? Digital C-Type Print, I gained unique access to the images created by the controversial Rapiscan Secure 1000 security scannercurrently in use at Heathrow and across America. The Scanner creates security images of travellers through a process known as backscatter radiation, an image is produced by firing a low level of radiation at the traveller and analyzing the radiation that is bounced back. Radiation penetrates below the clothing and is reflected from the skin (or bones that are close to the surface) allowing a computer to generate an image of the bodies? surface. Since 2006 I have been inundated with requests to use the Terminal 4 image, particularly from campaigners against airport scanners in the USA and it has become one of the main image of the NATIONAL OPT-OUT DAY!organised for Wednesday, November 24th 2010. However the popularity of the image with campaign groups has led to my images attracting a different audience.I have started receiving emails asking whether I can supply more backscatter radiation images and a google search brought up my image on the front cover of the dubious looking TSA Scans Magazine . One email I received from a New York fetish club claims that my image is so popular with their members that they would be prepared to pay a decent price for more XXX-Radiation Porn! It seems that what started out as an esoteric artwork created in 2006 may have inadvertently turned me into the first radiation porn star! -- //////////////////////////////// ////// johnwild.info ////// //////////////////////////////// -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Wed Nov 24 06:42:22 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 24 Nov 2010 00:42:22 -0500 (EST) Subject: [NetBehaviour] speech of god, neutron decay, traffic Message-ID: speech of god, neutron decay, traffic http://www.alansondheim.org/speechofgodf.mp4 http://espdisk.com/alansondheim/neutrondecay.mp3 (solo pipa neutron decay tune) http://espdisk.com/alansondheim/traffic.mp3 (solo pipa with traffic background and processing) when a god speaks, there is a gap, then things coalesce, suddenly, god speaks to me god speaks to me when a god speaks, there is a gap, then things coalesce, suddenly, god speaks to me god speaks to me From tom.corby at btinternet.com Wed Nov 24 09:20:07 2010 From: tom.corby at btinternet.com (TOM CORBY) Date: Wed, 24 Nov 2010 08:20:07 +0000 (GMT) Subject: [NetBehaviour] funding opportunities In-Reply-To: Message-ID: <135219.86779.qm@web87013.mail.ird.yahoo.com> Just to add to Simon's excellent summary, I have it from an excellent source that the AHRC budget is just about to be cut by 50%.? Frankly you're better off buying a lottery ticket. Grim days. --- On Tue, 23/11/10, dave miller wrote: From: dave miller Subject: Re: [NetBehaviour] funding opportunities To: "NetBehaviour for networked distributed creativity" Date: Tuesday, 23 November, 2010, 21:07 thanks for the helpful info Simon, that's very useful? - I think the Creative Arts Fellowship programme was the one dave On 23 November 2010 17:39, Simon Biggs wrote: > The key thing you need to know is that the AHRC only funds research (which > can include practice based work) undertaken by permanent employees of > recognised research institutions (Universities, other HEI's and some > national museums and research institutes). Artists cannot apply. For art > projects you go to your regional arts council. > > What artists can do is develop something like a Fellowship proposal with > somebody who is employed in a University. These can be for up to 9 months. > They require the proposed fellow, who will be hosted by the institution, has > a PhD or experience equivalent to that (this is undefined but usually means > something like 6 years professional experience with a track record of > exhibitions, publications and conference presentations). An early career > fellowship allows those with less experience (but still of post-doc > standing) to apply for similar funds - but then these fellows have a mentor. > > There use to be a Creative Arts Fellowship programme but that was > discontinued last year. Bummer. It was a brilliant programme and probably > the one you have been told about. > > Best > > Simon > > > Simon Biggs > s.biggs at eca.ac.uk ?simon at littlepig.org.uk > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor ?edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: dave miller >> Reply-To: NetBehaviour for networked distributed creativity >> >> Date: Tue, 23 Nov 2010 17:01:22 +0000 >> To: NetBehaviour for networked distributed creativity >> >> Subject: [NetBehaviour] funding opportunities >> >> The other day someone told me about the AHRC and that they have grants >> for digital art. It struck me that this could be a solution to my >> problem of doing part-time jobs to make ends meet, which leaves me >> tired and without enough time for creative work. >> >> To get funding to concentrate on creative work sounds perfect. Or is >> it? Seems to me the funding gives you credibility as well as money. >> >> Here's the AHRC website: >> http://www.ahrc.ac.uk/FundingOpportunities/Pages/default.aspx >> >> Does anyone on this list have experience of doing this? >> Is it very difficult to get funding? Do you have to be very established? >> >> cheers, dave >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From s.biggs at eca.ac.uk Wed Nov 24 09:35:40 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Wed, 24 Nov 2010 08:35:40 +0000 Subject: [NetBehaviour] The first radiation porn star! In-Reply-To: Message-ID: There's no subscription information for TSA. ;) Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: John Wild > Reply-To: NetBehaviour for networked distributed creativity > > Date: Tue, 23 Nov 2010 22:21:58 +0000 > To: > Subject: [NetBehaviour] The first radiation porn star! > > In 2006 I created a number of artworks exploring how states view their > citizens in the post 9/11 climate. In OTerminal > 4?, > an A2 duratrans mounted on a light box, and OSelf Portrait using Backscatter > Radiation ?, a 78?x 48? Digital > C-Type Print, I gained unique access to the images created by the > controversial Rapiscan Secure 1000 security > scannercurrently > in use at Heathrow and across America. > > The Scanner creates security images of travellers through a process known as > backscatter radiation, an image is produced by firing a low level of > radiation at the traveller and analyzing the radiation that is bounced back. > Radiation penetrates below the clothing and is reflected from the skin (or > bones that are close to the surface) allowing a computer to generate an > image of the bodies? surface. > > Since 2006 I have been inundated with requests to use the Terminal 4 image, > particularly from campaigners against airport scanners in the USA and it has > become one of the main image of the NATIONAL OPT-OUT > DAY!organised for Wednesday, November 24th > 2010. > > However the popularity of the image with campaign groups has led to my > images attracting a different audience.I have started receiving emails > asking whether I can supply more backscatter radiation images and a google > search brought up my image on the front cover of the dubious looking TSA > Scans Magazine . > > One email I received from a New York fetish club claims that my image is so > popular with their members that they would be prepared to pay a decent price > for more XXX-Radiation Porn! It seems that what started out as an esoteric > artwork created in 2006 may have inadvertently turned me into the first > radiation porn star! > > -- > > //////////////////////////////// > ////// johnwild.info ////// > //////////////////////////////// > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From s.biggs at eca.ac.uk Wed Nov 24 09:54:40 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Wed, 24 Nov 2010 08:54:40 +0000 Subject: [NetBehaviour] funding opportunities In-Reply-To: <135219.86779.qm@web87013.mail.ird.yahoo.com> Message-ID: The AHRC is to be cut. But the drop in available funding will not be 50%. Much of the cut will be in back-office activities. The AHRC recently moved from Bristol to Swindon, where most of the other research councils are based. The objective was to save money by integrating administration and support across councils. In reality the move has cost far more than expected. However, going forward such costs will be lower. Also, with programmes being streamlined (cut, like the creative arts fellowship programme), fewer project officers and administrators are required. I'm not sure what the actual cut will be to funding streams but it will be significantly less than 50%. I am upset they cut the creative arts fellowship programme though. It was hugely successful and, for independent artists, a great route into the rich and diverse research cultures that exist in UK academia. For many it was the only route. There are a number of really significant artists, in the digital arts but across all disciplines, who found their way into rewarding roles at various research labs and facilities. Some of them have sustained working practices in these contexts well beyond the period of the grants (usually 3 years) and have become permanent staff. This route is now gone and nothing has effectively replaced it. The strangest thing is that the AHRC has stated that the reason they closed the programme is that it was so successful. That begs the question whether they only sustain unsuccessful programmes. I don't want to be critical of the AHRC. I work closely with them - indeed, I'm on some of their committees. But sometimes they make the strangest decisions. The most likely reason they would choose to cut the creative arts fellowships programme is that certain academic interests (eg: the humanities, as opposed to the creative arts) considered the programme too generous to unconventional researchers (eg: non-academics). As somebody who did not go through the academy but has, later in life, found benefit through it, I think this represents a narrow and conservative conception of what research and pedagogy is for and what it can do. Best Simon Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts > From: TOM CORBY > Reply-To: NetBehaviour for networked distributed creativity > > Date: Wed, 24 Nov 2010 08:20:07 +0000 (GMT) > To: NetBehaviour for networked distributed creativity > > Subject: Re: [NetBehaviour] funding opportunities > > Just to add to Simon's excellent summary, I have it from an excellent source > that the AHRC budget is just about to be cut by 50%.? > Frankly you're better off buying a lottery ticket. > Grim days. > > --- On Tue, 23/11/10, dave miller wrote: > > From: dave miller > Subject: Re: [NetBehaviour] funding opportunities > To: "NetBehaviour for networked distributed creativity" > > Date: Tuesday, 23 November, 2010, 21:07 > > thanks for the helpful info Simon, that's very useful? - I think the > Creative Arts Fellowship programme was the one > > dave > > > > On 23 November 2010 17:39, Simon Biggs wrote: >> The key thing you need to know is that the AHRC only funds research (which >> can include practice based work) undertaken by permanent employees of >> recognised research institutions (Universities, other HEI's and some >> national museums and research institutes). Artists cannot apply. For art >> projects you go to your regional arts council. >> >> What artists can do is develop something like a Fellowship proposal with >> somebody who is employed in a University. These can be for up to 9 months. >> They require the proposed fellow, who will be hosted by the institution, has >> a PhD or experience equivalent to that (this is undefined but usually means >> something like 6 years professional experience with a track record of >> exhibitions, publications and conference presentations). An early career >> fellowship allows those with less experience (but still of post-doc >> standing) to apply for similar funds - but then these fellows have a mentor. >> >> There use to be a Creative Arts Fellowship programme but that was >> discontinued last year. Bummer. It was a brilliant programme and probably >> the one you have been told about. >> >> Best >> >> Simon >> >> >> Simon Biggs >> s.biggs at eca.ac.uk ?simon at littlepig.org.uk >> Skype: simonbiggsuk >> http://www.littlepig.org.uk/ >> >> Research Professor ?edinburgh college of art >> http://www.eca.ac.uk/ >> Creative Interdisciplinary Research in CoLlaborative Environments >> http://www.eca.ac.uk/circle/ >> Electronic Literature as a Model of Creativity and Innovation in Practice >> http://www.elmcip.net/ >> Centre for Film, Performance and Media Arts >> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >> >> >>> From: dave miller >>> Reply-To: NetBehaviour for networked distributed creativity >>> >>> Date: Tue, 23 Nov 2010 17:01:22 +0000 >>> To: NetBehaviour for networked distributed creativity >>> >>> Subject: [NetBehaviour] funding opportunities >>> >>> The other day someone told me about the AHRC and that they have grants >>> for digital art. It struck me that this could be a solution to my >>> problem of doing part-time jobs to make ends meet, which leaves me >>> tired and without enough time for creative work. >>> >>> To get funding to concentrate on creative work sounds perfect. Or is >>> it? Seems to me the funding gives you credibility as well as money. >>> >>> Here's the AHRC website: >>> http://www.ahrc.ac.uk/FundingOpportunities/Pages/default.aspx >>> >>> Does anyone on this list have experience of doing this? >>> Is it very difficult to get funding? Do you have to be very established? >>> >>> cheers, dave >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> >> Edinburgh College of Art (eca) is a charity registered in Scotland, number >> SC009201 >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From Victoria.Chase at spacestudios.org.uk Wed Nov 24 12:38:37 2010 From: Victoria.Chase at spacestudios.org.uk (Victoria Chase) Date: Wed, 24 Nov 2010 11:38:37 -0000 Subject: [NetBehaviour] JELLY Thursdays @ SPACE Studios Message-ID: Casual, open co-working space every Thursday for artists, freelancers and anyone in need of a place to work. Come and join us in the MediaLab for co-working bliss and a 3pm coffee and catch up. Tomorrow there will be cupcakes!! What is Jelly? Jelly are casual, co-working events happening in cities across the world. Turn up, log-in, create, collaborate or work solo. It?s open-source living ? sharing bandwidth, ideas and elbow room. Thursdays at SPACE are Jelly days. We provide the space, the wifi, the desks and at 3pm coffee, cake, cookies and conversation. You only need to bring your laptop and your ideas. Jelly is open every Thursday from 10am to 6pm and is FREE. Although booking is not essential we want to make sure we have room for you all so please register via our website. http://www.spacestudios.org.uk/whats-on/events/jelly There will be an informal opportunity to introduce projects and all ? from designers, developers, writers, artists ? are welcome. See you Tomorrow! [ s p a c e ] 129-131 Mare Street London E8 3RH http://www.spacestudios.org.uk -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Wed Nov 24 12:59:40 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Wed, 24 Nov 2010 11:59:40 +0000 Subject: [NetBehaviour] Furtherfield on Resonance FM Tonight. Message-ID: <4CECFE2C.3040707@furtherfield.org> Furtherfield on Resonance FM Tonight. Join us on Resonance 104.4FM Wednesday, Nov 24th 2010. Time 7-8pm (UK - GMT). Hosts: Marc Garrett, Irini Papdimitriou & Jonathon Munro Special Guests: Dr. Richard Barbrook & Fabian Tompsett, Tine Bech Info & downloads of past broadcasts (scroll down page): http://www.furtherfield.org/resonancefm.php Live Resonance FM broadcast: http://resonancefm.com This critically acclaimed broadcast is every Wednesday evening at 7-8pm, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change; discussing events and controversies, exhibitions, artworks and their social contexts. Until Mid-December, regular host Marc Garrett is joined by Irini Papadimitriou & Jonathon Munro. Marc will be interviewing: Dr. Richard Barbrook & Fabian Tompsett, will be discussing about their collaborative group Class Wargames & their current project 'The Game of War'. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May '68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn't just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive - and where victory is achieved by smashing your opponent's supply network rather than by taking their pieces. http://www.classwargames.net Irini & Jonathan will be interviewing: Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place. http://www.tinebech.com/ Also showcasing music and noise, providing a rolling lineup of experimental creative adventures for your amusement. http://www.furtherfield.org http://resonancefm.com From ajaco at xs4all.nl Wed Nov 24 15:39:56 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Wed, 24 Nov 2010 15:39:56 +0100 Subject: [NetBehaviour] Mapping Consciousness vs year Message-ID: <438cb37d98d2154301925d87f1b737b0.squirrel@webmail.xs4all.nl> Mapping Consciousness vs year AA 2008 http://burgerwaanzin.nl/images/2610.jpg notice the decline, and the influences of WW 1 & WW 2 From kim at kaubonschen.com Wed Nov 24 16:48:35 2010 From: kim at kaubonschen.com (kim asendorf) Date: Wed, 24 Nov 2010 16:48:35 +0100 Subject: [NetBehaviour] Censored censored Chinese news Message-ID: It is an open secret, the Chinese government censors as much information as possible. I have no idea why they do that!?! But I think they are not accurat enough. So I put my censorship on top of the official Chinese censorship. http://kaubonschen.com/cccn/ Kim Asendorf ???????????????? www.kimasendorf.com ???????????????? twitter.com/kimasendorf -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Wed Nov 24 18:29:52 2010 From: sondheim at panix.com (Alan Sondheim) Date: Wed, 24 Nov 2010 12:29:52 -0500 (EST) Subject: [NetBehaviour] the rounds of sleeping loving Message-ID: the rounds of sleeping loving http://www.alansondheim.org/paradise3.png http://www.alansondheim.org/paradise5.png http://www.alansondheim.org/paradise6.png the rounds of figuring it out http://www.alansondheim.org/figuringitout.mp4 http://www.alansondheim.org/b-ride.mp4 thanks to Fau Ferdinand From szpako at yahoo.com Wed Nov 24 18:46:10 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Wed, 24 Nov 2010 09:46:10 -0800 (PST) Subject: [NetBehaviour] Millie Niss - City Bird In-Reply-To: <4CEBEB2A.8020602@verizon.net> Message-ID: <179476.33004.qm@web114517.mail.gq1.yahoo.com> this is a fantastic book, which I unreservedly recommend. It?really brings home?the full?range & depth?of Millie's poetic work. It's also beautifully put together by Martha... michael? --- On Tue, 11/23/10, Martha Deed wrote: From: Martha Deed Subject: [NetBehaviour] Millie Niss - City Bird To: "NetBehaviour for networked distributed creativity" Date: Tuesday, November 23, 2010, 4:26 PM Dear Friends-- Just a note to let you know that BlazeVox has put out a collection of Millie Niss's poetry -- City Bird: Selected Poems (1991-2009). Edward Picot has commented on the book: Millie Niss was probably best known as a blogger, video-maker and new media artist, but this collection ? compiled by her mother and long-time collaborator, Martha Deed ? demonstrates that she wrote poetry of great originality and inventiveness both before and during her new media career. She died in 2009, at the age of 36, and struggled with the effects of Behcet's disease for many years before that: yet the overwhelming impression left by this collection is one of vigour and high spirits. It's one of the few books of poetry I can call to mind without a dull page in it. It also consistently manages to combine experimentalism with entertainment. There is a wide range of styles ? from mock-epic to prose poetry to picture poems ? but Millie's personality suffuses them all: outspoken, politically radical, satirical, rude and funny; quirky, sometimes whimsical, sometimes wildly digressive; yet always down to earth and sharply observant. And so has Regina Pinto, who was often Millie's collaborator: I?ve known Millie Niss since 2001, and she was one of the most intelligent and interesting people I have ever met. I enjoyed the enthusiasm and seriousness with which she made poetry, and, in particular, electronic poetry. All of her work expresses her intelligence, deep sense of humor, and humanity. ?City Bird? will make readers think and ask for more. For further information, see Millie's page in the BlazeVox catalog: http://www.blazevox.org/bk-mn.htm or my post today, which includes some excerpts of Millie's writing, on the Sporkworld microblog: http://sporkworld.tumblr.com/ City Bird is available from me, the publisher and amazon.com. Amazon (the U.S. version) is probably the easiest way to order for people living outside of the United States. Thanks. Martha Deed (who edited and designed the book) -- The Lost Shoe http://www.chapbookpublisher.com/shop.html The Lost Shoe video http://www.sporkworld.org/Deed/lostshoe.mov this is visual poetry by Millie Niss (27 March 2010 release) this is visual poetry by Martha Deed (24 August 2010 release) http://thisisvisualpoetry.com Heat and 500 Favourite Words (Released July 2010) http://chapbookpublisher.com/tiny-shop.html _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From ajaco at xs4all.nl Wed Nov 24 23:17:56 2010 From: ajaco at xs4all.nl (ajaco c/o bid) Date: Wed, 24 Nov 2010 23:17:56 +0100 Subject: [NetBehaviour] [Awareness Datagram] Mapping Consciousness vs year (explanation) Message-ID: <8151a4f543fcc2d35696a698cb085ec9.squirrel@webmail.xs4all.nl> FYI 'We' should learn from history, but unfortunately only a few actually do So the metrics are positioned with a decline in consciousness, roughly inverse proportional to the suffering, visible by the peaks during ww1 & ww2 and go steadily downwards in the years thereafter This serves as a kind of 'Awareness Datagram' Translating visual randomness to political randomness More in the making http://burgerwaanzin.nl/images/2610.jpg http://www.nictoglobe.com/new/home/socinwef2.gif Andreas Maria Jacobs w: http://www.nictoglobe.com w: http://burgerwaanzin.nl From alex at slab.org Wed Nov 24 23:59:18 2010 From: alex at slab.org (alex) Date: Wed, 24 Nov 2010 22:59:18 +0000 Subject: [NetBehaviour] Livecoding at Goldsmiths Thursday Club, London, Dec 16th Message-ID: Flyer: http://toplap.org/media/thursday.pdf Goldsmiths Thursday Club Xmas party - Live coded Thursday 16th December 2010 6:30pm sharp til 8:30pm Goldsmiths Digital Studios, Ben Pimlott Building, Goldsmiths, London Nearest tube: New Cross Gate or New Cross Live coding is a new direction in electronic music and video, and is starting to get somewhere interesting. Live coders expose and rewire the innards of software while it generates improvised music and/or visuals. All code manipulation is projected for your pleasure. Featuring: slub - Slub celebrate a decade since they first got a whole room of people to dance to their code (at Amsterdam Paradiso), with a hard-edged set of abstract acid with extra breakdowns. [ http://slub.org/ ] Wrongheaded - Conducting an algorithmic seance, where a ouiji board control interface issues instructions from beyond the grave. Dimly lit but for the flickering of gas-driven projector screens, the protagonists will be appropriately moustachioed as they bring you ethereal sounds from the underworld. Thor Magnusson - Shaking, self-modified beats with ixilang, from the co-founder of ixi audio. [ http://www.ixi-audio.net/ ] Michele Pasin - Audio/Visual temporal recursion with Impromptu. [ http://www.michelepasin.org/ ] Forth + Yee-King - South Bank Common Lisp + SuperCollider synchronised in percussive improv. [ http://www.yeeking.net/ ] Live coding is inclusive and accessible to all. Many live coding environments can be downloaded and used for free, with documentation and examples to get you started and friendly on-line communities to help when you get problems. Popular live coding software includes supercollider, ChucK, impromptu and fluxus. Live patching is live coding with graph-based languages such as the venerable pure-data. It's also possible to livecode with a gamepad, e.g. with the robot oriented Al-Jazari. For more info see: http://toplap.org/uk/ From sondheim at panix.com Thu Nov 25 07:52:17 2010 From: sondheim at panix.com (Alan Sondheim) Date: Thu, 25 Nov 2010 01:52:17 -0500 (EST) Subject: [NetBehaviour] FIRST AND SECOND (Maria Damon and Alan Sondheim) Message-ID: FIRST AND SECOND Maria Damon and Alan Sondheim (We spent a day making work; there are six pieces, two sets of three. The text-based FIRST AND SECOND and SECOND AND FIRST use ytalk and other commands; FIRST AND SECOND follows, and SECOND AND FIRST will follow shortly. The second set, to be posted tomorrow, uses Maria's voice and text, and my violin/viola, and pipa. The third set, to be posted the following day, uses Second Life. Enjoy!) ing for connection...] ###################################### talk Error Connection from unexpected host! # ###################################### ###################################### talk Error Connection from unexpected host! # ###################################### lan! O 've got the Zie iel tou Mari Maria n the T bet n tr idion e n ame f charac er in Godard or sh on!uld be. 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4r r H ro g r r ind hearts and cror oronets 4r r tra ha y hat ed to n p s a n d n to e ia og s t t n n 4r r twithstanding r r r r r r r r essage from Talk_Daemon at panix3.panix.com at 16:33 ... r r alk: connection requested ####################################### r r # talk Error r r # r r # Connection from unexpected host! # r r ####################################### r r Error r r # r r # Connection from unexpected host! # r r ####################################### r r r r r r ###################################### r r talk Error r r # Connection from unexpected host! # r r ####################################### r r r r r r r r r r r r r r H version 3.3.0 =----------------------------- r r r r r r essage from Talk_Daemon at panix3.panix.com at 16:33 ... r r alk: connection Connection from unexpected host! # r r ####################################### r r ----------------------------= YTalk version 3.3.0 =----------------------------- r r ine are jumbled like the new software filter i have for video, rearranging r r frames, breaking diegesis, disordering everything, even the most basic sight or site r r ubilation is in trumpets, in a manuscript as dated as the fourtheenth centure r r n spain r r ho went out with last month's milk carton? i didn't know it dated - r r r maybe didn't go out, actually just remained, simmering and turning cool r r n the L-Shaped Room, wrong r r hat seemed to put an end to the dialog, Billy Strayhorn notwithstanding r r r r ------------------------- =-------------------------- r r i wince whenever i see that i've used the word r r detritus" or "ephemeral" for the umpteenth time r r in a manuscript that's as dated aslast month's milk carton and then some ------------------------- =-------------------------- i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions ------------------------- =-------------------------- i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horn ts, Ornettes "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horn ts, Ornettes in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horn ts, Ornettes From sondheim at panix.com Thu Nov 25 07:56:29 2010 From: sondheim at panix.com (Alan Sondheim) Date: Thu, 25 Nov 2010 01:56:29 -0500 (EST) Subject: [NetBehaviour] SECOND AND FIRST (Maria Damon and Alan Sondheim) Message-ID: SECOND AND FIRST Maria Damon and Alan Sondheim a re nish d . un workable ar O e t a her s side, Lit . vak, not peason antry but busie ness folks. F hem le mi lea is lear str e y d and t u b rns l s to u tow r towa r owar e wards d , a fan t a mol s ole i lec a ecu cular o i f n sma malap small r c o ap p s s , a nd h TWO M o , l a h d ow to j m us i t x me nts wat . ers f for examples S . Small ca p is an A inves A t A c m A ca ent in A c t A y po a c g a ca r p a ph is y w o h f a t a o c cc e u r r t s ai n on k to in d someth . in . g . stt opping topping som A et A hing A s els A st e A stopg ap is a cap and thr bells. on cats, blocking mice in bleared unworkab l a e ats i a n re be as lls an caps will never catch mice. Mice are u t un ra unle gi ss c, of c a c ts ou rse a t h r e e pr c o m i d a l s is is a ca s a l a w . a warn ing, M N Mice are K com o e r s e t a ib ' l s e , bombar c d ats me nt are , e co v m er b yo u n s e t i sh b l shou e l . d r r notice the text begins to ris N e Ni t Nic o Nice t he top is in r r Par Franm ce, s not so K somet o i re m a es these spaces a pear a s b odie Korea s, typing above . and b r r elow r r The text s so somet i i me s s as sus sp pe ension br b i u d b g bl e ing t dges o t s, he top wiht i c a e l l or t oth othe r w is j e , whil c e o n al n l e cting N it i s c e to t M re a asure l s t a s ' in s k t r r f o t fa he falc botto o r r bottom r r r r Sometimes a text is c r cr ea cra ll crash y e o d n l t y o w a a rs text, a bl ank d et s fo b r ottoms, submerge cer d ebr , a l w r r ar b m but t h if r r a c co te cov x cove t cover in i g s really j th us e t se n a se s te x l t i , k t e h en what of w o t o ha l t len , if a ci gar is l j e u n s t a ci r r cigar, la th c e e n th w at h at t o r f a t s he p s moke , c ancer, p s man a p tur s ure the b ody r r ' ba 's n sub 's merged 's o en 's own t er he p at rises r r the body of r r the text wo woo t wool r e ap n s its la o c w e n s t eem h s, N i ce hea , t a co n t di iction in terms, n e at h e ear n t by mice r r , rough i in t in o in i in it t s h e m r r t o to u tou t touc h h , the mouth of the text r r r r should noti w c wo e wool r r inside, in i s its i its o p w i n d w s i p th a in c e t s he , m outh, cl i o t t ' ti s ng the wound t s of a l b an o g ve uage nes , s b a u n t d t b ha l t o r r w just soun d s too e p l oe o t w i n c r r e t s to s too r r too pretentio i u it s it's r r d t its its its die ha r dn x e s p s h a i n l d o it s s o phi bl c owhardness r r r r in all directions, c t l to o too t too tti too p ng oe , ti c in , a l n l o d t irectio n at a s ll , t r r he si t l to e too n too cin too p g r e of langua t g e e n , s N iou s, K r r Kore p a a s s il d e u n ci tout ng the r r south, what n n no ow no, it's p r r hysical, p n pa ot pad a d b e s s t r d a e ct u , x the e s clotting and the r r a st ab o abso p r p b in s g , t t he h r r e ca b capp l cappi o ng o and blood the bl ee d i n g , t h e t rap p in g an d the l caul i ing tt r r le, / the the r h es e p m on o se g and th l e obin, what does th r r that say about the body's surging r r silence of the North resp . onse r r t r r o surgi S ng Su Sur an Surg d Surge t a he n d s ilen s c ea e r o g f e th e b o dy, r r r g r r eant it's her , e , s I er t e hink ge i , s a woo l wonders , clot h alw r r ays wonderin s g, sta fo stan r e stanch x i a n m g p t l he e s , t ai f n iv s e minute r r s after r r i die, what will Azure see, where will she turn r r we all i hav i e i d t i do h e n s o e t thin b g se ba a e bar b barr u barri t arriers g a t e s , filled n b k y fi a c b ti o o u n t s m o y f d p ea aa t r h a r r dise i i do n o thing abou p t my d eath pa r r ra a d al i all s all e, all i o ne th e e d r t g o a do te i e s s , u r r p ag d agh a agha te s t my will r r r r other o i or se or or y ur othe othes F othe a other c s e ie boo k w pa i g se e i'm good to g r r o, as they say i r r i want to rema p in pa scr pas e pas aaming, pas d t e e th f ered, d u o n o t f i u l s the last gl r r uon releases the last q r r quark and the last pro n to r r n e es decay e s at the end o e f es est-ce an d s p o fo a rth s r r the paws that patter out the type re r r remain and find o i ut il ili w ilik h ilike at th is h ap t pen e s the re alw d a n y e s ss r r togetherness but s r r epar t a te te tetrah n e e d ss on r r s of m ha me p me a p me abo e ve n r r i ng ou K th r r tha me th ab t above or th you tho thou b elo b w e o l r y o o w u below r r o i r i i above r r me abov y e you r r or you b el o w above and me b r r elow nev neve o never r meeting both of us b e a l c o r w ro r r ss s o s or s or s or bo th t h a e b lin ov e e, too r r much ante in the i t r r transfixed acr thrwa ward t the page r r the speed of typing is the depth of r r W th Wh o Wha u What g What' h s t a - go q l Qui u ne on? r r r r parti T articl Too ticle Too l i o t f t l t e h e p the s a he st r e str a stro d stron i trong s for o c , e too h o m l u d c i h n g qu i a nf rk er s n o to , geth r r er just t he m r a i k g i h n t g neu a t m r o o u ns n t a n o d f pu pr r oton a r r protons rel a g t a i t vely o st r a i b a le in the a o r r an oratoria r r o of persuasion r r the speed of thought is the death of typing - And r r r r my h thought smove s move slowly and jubl mbledly r r ju m jubi my jubil ati my t on houugh t is i s n t i n u tia e my r r mine are jumbled likee the i t i he i w n i wi e i win w c e s of w t h w e a n r e e fi v lt e e r r i i s ha e v e e t f ha o t r i' v v i e d e u o se , d r e th a e r w r o a r n d ging r r fra r r frames r r , breaking d " ie "d g "dt e "dtet s "dte i "dt s "d , " e "e "d i "de s "det sor "detr dering it us " is o o r r d er " ing e e verything h , eve t h p he mer n a l the " mos f t o r b t a he s ic s ump i t ght e enth o t r i r r m s e sit site r r in a man r r uscript ju jubi th l at' a s tio n as is s in e t d r u as m pets, in a m a uscript as d ated as the four theenth ce ol n as t t u re r r in sp a n last month's milk r r carton r r and then som w e who r r who went out with last month's milk carto T n? Tru i Trum didn' Trump t e k t n s ow an i d t da c te a d - lari r r ons r r o r a m ar may ari aybe ar a d idn' t go out, actually ju st rem l aine la d lar , larion si e mm e r ing a m n e d t s tur ni n g cool nets and crumpet r r s r r you now i no in w in th h e w S h w a hat p ' ed R s Roo com m ing men next, right? r r , wro ng r r Kind hearts and cror oronets r r h St Stra th Stray h o r med to n p s u t a n a d ut an cr an en o d t o t he o dia lo c g, o r i n l e l ts y , O S r tr ne ay tte h s orn n r r otwithstanding r r r r talk: connection requested by ####################################### K # Ytalk Error # K # # K # onnection from unexpected host! # ####################################### ----- r r ----------------------------= YTalk version .. =----------------------------- r r Message from Talk_aemon at panix.panix.com ####################################### # Ytalk Error # r r # # # onnection from unexpected host! # ####################################### ----------------------------= YTalk version .. =----------------------------- mine are jumbled like the new software filter i have for video, rearranging frames, breaking diegesis, disordering everything, even the most basic sight or site jubilation is in trumpets, in a manuscript as dated as the fourtheenth centure in spain who went out with last month's milk carton? i didn't know it dated - or maybe didn't go out, actually just remained, simmering and turning cool in the L-Shaped Room, wrong that seemed to put an end to the dialog, illy Strayhorn notwithstanding ------- i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions larinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horns and cornets, Ornettes "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions larinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horns and cornets, Ornettes ?l >$ exit Script done on Wed Nov :: From jwm.art.net at gmail.com Thu Nov 25 08:32:32 2010 From: jwm.art.net at gmail.com (James Morris) Date: Thu, 25 Nov 2010 07:32:32 +0000 Subject: [NetBehaviour] homage to leavitt #3 Message-ID: http://jwm-art.net/mdz/gallery/oldwooddish.png Jonathon Leavitt, a Mandelbrot explorer, the discoverer* of 'de-bifurcation' or 'reverse-bifurcation' within the Mandelbrot Set. This is what you're looking at: oldwooddish - homage to leavitt #3 - 'reverse-bifurcation'. to find such images, you must be aware of a rule, as in the ancient drawing language LOGO but you follow the paths of the twists and the turns and distances along the infinitely twisted border of the Mandelbrot Set. as you are no doubt aware, you can zoom in and zoom in for ever within the mandelbrot set and still see self-similarity. this reverse bifurcation is a little different however, it only appears to possess fractal bifurcation - in theory? now, take the image i am showing you, divide it in half along the line of symmetry and count the branches - 128. 128 64 32 16 8 4 2 1 after making 4 branches off a single main branch, to get to 8 branches, zooming further deeper takes one back through two branches, 4 branches, before 8 branches are found. one must remember the correct place to make the branching magnification instead of heading straight to the center all the time. the location of the oldwooddish image within the mandelbrot set (which itself is located within the complex (2D) plain bound by a radius of 2.0 (centered on 0,0)) is: -7.621179376797638683152412470302754234697554266277384201803182452707988048871166668157739268919140091423417335237629214081127371665327888360528335010378835950994472786588199757e-1 9.573175593807915218110127195876981729185284295753173780078525497988166932168660068170631431015884613850090347745780605812248444859260422571076360932193737688403082995582081506e-2 and the numerical range from the left of the image to the right of the image is: 1.796668676625665441038967911552250775193750305575687707926958355510177201240113669896258768588917386783877219879474166891511967516410809575490262066086562660939534951057637354e-152 128 branches is the limit of the fractal bifurcation of the emblem in this image. i feel like i constructed it, but i did not, it exists whether anyone discovers it or not. somewhere, is the same image with 256 branches, somewhere else, there is 512, 1024, 2048, 4096, 8192, 16384, 32768, 65536... it's hard to believe that these things exist without someone constructing them by carefully selecting magnification sequences. they exist! * see http://mrob.com/pub/muency/reversebifurcation.html -- _ : http://jwm-art.net/ -audio/image/text/code/ From dave.miller.uk at gmail.com Thu Nov 25 09:04:12 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Thu, 25 Nov 2010 08:04:12 +0000 Subject: [NetBehaviour] Furtherfield on Resonance FM Tonight. In-Reply-To: <4CECFE2C.3040707@furtherfield.org> References: <4CECFE2C.3040707@furtherfield.org> Message-ID: hi marc Sorry I keep missing things. Hope it went well. Will listen this evening. Hope you're well dave On 24 November 2010 11:59, marc garrett wrote: > Furtherfield on Resonance FM Tonight. > > Join us on Resonance 104.4FM > Wednesday, Nov 24th 2010. > Time 7-8pm (UK - GMT). > Hosts: Marc Garrett, Irini Papdimitriou & Jonathon Munro > Special Guests: Dr. Richard Barbrook & Fabian Tompsett, Tine Bech > > Info & downloads of past broadcasts (scroll down page): > http://www.furtherfield.org/resonancefm.php > Live Resonance FM broadcast: > http://resonancefm.com > > This critically acclaimed broadcast is every Wednesday evening at 7-8pm, > a series of hour long live interviews with people working at the edge of > contemporary practices in art, technology & social change; discussing > events and controversies, exhibitions, artworks and their social contexts. > > Until Mid-December, regular host Marc Garrett is joined by Irini > Papadimitriou & Jonathon Munro. > > Marc will be interviewing: > Dr. Richard Barbrook & Fabian Tompsett, will be discussing about their > collaborative group Class Wargames & their current project 'The Game of > War'. Guy Debord, strategist of the Situationist International, > developed the game while in exile after the May '68 Revolution, and came > to regard it as his most important project. For Debord, The Game of War > wasn't just a game. The Game of War is a Clausewitz simulator: a > Napoleonic-era military strategy game where armies must maintain their > communications structure to survive - and where victory is achieved by > smashing your opponent's supply network rather than by taking their > pieces. http://www.classwargames.net > > Irini & Jonathan will be interviewing: > Tine Bech, a visual artist and researcher who works with interactive > installations and public art. She was born in Denmark and now lives and > works in London. Her practice is concerned with how we engage with our > immediate environment. Projects have centred on the use of interactive > electronics and location tracking technology, urban spaces and > environmental elements such as gravity, water, sound and light to > develop spaces where participations, play, and experiences of immersion > take place. http://www.tinebech.com/ > > Also showcasing music and noise, providing a rolling lineup of > experimental creative adventures for your amusement. > > http://www.furtherfield.org > http://resonancefm.com > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From paulorcbarros at uol.com.br Tue Nov 23 03:55:35 2010 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Tue, 23 Nov 2010 00:55:35 -0200 Subject: [NetBehaviour] My Fake Art Gallery In-Reply-To: <4CEB20B5.7050707@it-all.com> References: <4CEB20B5.7050707@it-all.com> Message-ID: <4ceb2d272dc66_4c3434eb67013d@weasel22.tmail> A non-text attachment was scrubbed... Name: Fake 1.jpg Type: image/jpeg Size: 82905 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Fake 2.jpg Type: image/jpeg Size: 87057 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Fake 3.jpg Type: image/jpeg Size: 88751 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Fake 4.jpg Type: image/jpeg Size: 80654 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Fake 5.jpg Type: image/jpeg Size: 99514 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Fake 6.jpg Type: image/jpeg Size: 68829 bytes Desc: not available URL: From marc.garrett at furtherfield.org Thu Nov 25 11:09:20 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Thu, 25 Nov 2010 10:09:20 +0000 Subject: [NetBehaviour] University of Strategic Optimism. Message-ID: <4CEE35D0.90408@furtherfield.org> University of Strategic Optimism. This is Goldsmiths' Centre for Cultural Studies' bank occupation from today. Inaugural lecture from the University of Strategic Optimism, held in Lloyds TSB, London Bridge on 24/11/2010 http://videos.wittysparks.com/id/2454018622 From marc.garrett at furtherfield.org Thu Nov 25 11:13:17 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Thu, 25 Nov 2010 10:13:17 +0000 Subject: [NetBehaviour] Furtherfield on Resonance FM Tonight. In-Reply-To: References: <4CECFE2C.3040707@furtherfield.org> Message-ID: <4CEE36BD.8040402@furtherfield.org> Hi Dave, For those who cannot listen live, we have a selection of broadcasts that be downloaded. Visit this page & scroll down a bit, then download :-) http://www.furtherfield.org/resonancefm.php I am still waiting for a couple of past programmes from Resonance, I'll hopefully have those up by the end of the week. wishing you well. marc > hi marc > > Sorry I keep missing things. Hope it went well. Will listen this evening. > > Hope you're well > dave > > On 24 November 2010 11:59, marc garrett wrote: >> Furtherfield on Resonance FM Tonight. >> >> Join us on Resonance 104.4FM >> Wednesday, Nov 24th 2010. >> Time 7-8pm (UK - GMT). >> Hosts: Marc Garrett, Irini Papdimitriou & Jonathon Munro >> Special Guests: Dr. Richard Barbrook & Fabian Tompsett, Tine Bech >> >> Info & downloads of past broadcasts (scroll down page): >> http://www.furtherfield.org/resonancefm.php >> Live Resonance FM broadcast: >> http://resonancefm.com >> >> This critically acclaimed broadcast is every Wednesday evening at 7-8pm, >> a series of hour long live interviews with people working at the edge of >> contemporary practices in art, technology & social change; discussing >> events and controversies, exhibitions, artworks and their social contexts. >> >> Until Mid-December, regular host Marc Garrett is joined by Irini >> Papadimitriou & Jonathon Munro. >> >> Marc will be interviewing: >> Dr. Richard Barbrook & Fabian Tompsett, will be discussing about their >> collaborative group Class Wargames & their current project 'The Game of >> War'. Guy Debord, strategist of the Situationist International, >> developed the game while in exile after the May '68 Revolution, and came >> to regard it as his most important project. For Debord, The Game of War >> wasn't just a game. The Game of War is a Clausewitz simulator: a >> Napoleonic-era military strategy game where armies must maintain their >> communications structure to survive - and where victory is achieved by >> smashing your opponent's supply network rather than by taking their >> pieces. http://www.classwargames.net >> >> Irini & Jonathan will be interviewing: >> Tine Bech, a visual artist and researcher who works with interactive >> installations and public art. She was born in Denmark and now lives and >> works in London. Her practice is concerned with how we engage with our >> immediate environment. Projects have centred on the use of interactive >> electronics and location tracking technology, urban spaces and >> environmental elements such as gravity, water, sound and light to >> develop spaces where participations, play, and experiences of immersion >> take place. http://www.tinebech.com/ >> >> Also showcasing music and noise, providing a rolling lineup of >> experimental creative adventures for your amusement. >> >> http://www.furtherfield.org >> http://resonancefm.com >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From ajaco at xs4all.nl Thu Nov 25 11:32:14 2010 From: ajaco at xs4all.nl (De wraak van Baltassar Geraards) Date: Thu, 25 Nov 2010 11:32:14 +0100 Subject: [NetBehaviour] Fwd: Bibliotheca Philosophica Hermetica in Danger References: <4FCAD52E-F8AA-4112-8C22-00D401C267E6@chello.nl> Message-ID: <5BD1A7EC-3730-4BC8-A474-01B962E028B4@xs4all.nl> > > > Dear reader, > > please forward this request for the petition Express your protest > against the dissolution of the Bibliotheca Philosophica Hermetica > (Ritman Library) http://www.ipetitions.com/petition/ritmanlibrary/ > > http://www.ritmanlibrary.nl/ IS A UNIQUE LIBRARY IN THE WORLD !!! > > Express your protest against the dissolution of the Bibliotheca > Philosophica Hermetica (Ritman Library) > > It is widely known that the Bibliotheca Philosophica Hermetica in > Amsterdam, founded by J.R. Ritman, was in great danger in the 1990s, > when the ING bank took possession of the collection and threatened > to sell it. Fortunately, the Dutch government intervened: the BPH > was put on the list of protected Dutch heritage, and the State > eventually acquired over 40% of it. The books remained at the same > physical location, integrated with the rest of the collection, and > the government would eventually acquire all of it. As part of this > process, there were great plans for further expansion. Largely due > to the financial crisis and a change of government this was taking > somewhat longer than originally anticipated, but nobody doubted that > the library was safe. > > Last week this turned out to be incorrect. An extremely valuable > medieval manuscript owned by the BPH (The Grail of Rochefoucauld) > was put on sale at Sotheby?s, and this triggered a reaction from the > Friesland Bank, which took possession of the library, that had appa > rently been brought in as collateral, in order to get back a 15 mill > ion euro loan from mr Ritman. At present the BPH is closed, and inte > nse negotiations are going on behind closed doors. It is impossible > at this moment to predict the outcome, but there is no doubt that th > e situation is extremely serious. There is a very real possibility t > hat the Friesland bank will try to sell at least the ca. 60% of the > library that is still owned by mr Ritman, and nobody knows what impl > ications this will have for the rest of the collection and the BPH a > s a whole, including its staff. The brand-new government of the Neth > erlands has announced a program of radical financial cuts in the cul > ture section and elsewhere, which makes a renewed intervention from > that side highly unlikely. > > If the Ritman library would go down, this would mean an enormous > blow to international scholarship in hermetic studies. The damage > would be irreversible. By signing this petition you express your > concern, and ask the Dutch government and the Friesland bank to do > their utmost to ensure that the collection will be saved and will > remain available for the international scholarly community. > > Additionally, you can express your concern by means of a signed > letter. The initiative for this petition comes from the Center for > History of Hermetic Philosophy and related currents at the > University of Amsterdam (organizationally independent of the BPH, > and not in any danger itself), so please send your letter to its > director: Prof. Wouter J. Hanegraaff, Oude Turfmarkt 141-147, 1012 > GC Amsterdam, The Netherlands. > > > _______________________________________________ > nettime-ann mailing list > nettime-ann at nettime.org > http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ann -------------- next part -------------- An HTML attachment was scrubbed... URL: From nathalie.fougeras at gmail.com Thu Nov 25 13:20:44 2010 From: nathalie.fougeras at gmail.com (nathalie fougeras) Date: Thu, 25 Nov 2010 13:20:44 +0100 Subject: [NetBehaviour] November-December Events LAB gallery - APO33 Radio Bot LAB gallery In-Reply-To: References: Message-ID: LAB gallery November - December Events LAB gallery *noise room + field recording tree-water-ice-frozen sounds + online interface** by Julien Ottavi, Nathalie Fougeras http://www.lab-gallery.com/ // LAB gallery present Julien Ottavi and Nathalie Fougeras (*this event cant be diffused online surely due to technics pb., a work in progress is presented in situ) radio bot apo33 lab gallery Saturday 28th November 2010 4pm ? 7pm LAB gallery Sweden Work in progress Julien Ottavi Nathalie Fougeras APO33 / Radio Bot LAB gallery Schedule: july 2010 - technical installation by APO33 software and hardware Radio Bot in LAB gallery Julien Ottavi, Jenny Pickett & Nathalie Fougeras - field recording by Julien Ottavi in Sweden, Sollefte? (tree, water..) november-december 2010 - field recording by Nathalie Fougeras (ice water, frozen sounds..) - installation in situ, tests and tests online - playing in situ & online Radio Bot LAB gallery APO33 / Radio Bot LAB gallery // http://www.lab-gallery.com /////////// -------------- next part -------------- An HTML attachment was scrubbed... URL: From paulorcbarros at uol.com.br Thu Nov 25 13:44:53 2010 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Thu, 25 Nov 2010 10:44:53 -0200 Subject: [NetBehaviour] TroyArt - International Exhibition at MuBE Message-ID: <4cee5a45ad4e0_7804c7c6670113@weasel11.tmail> http://toymube.blogspot.com/2010/11/paulo-barros-125.html http://toymube.blogspot.com/ All the best, Paulo From sondheim at panix.com Thu Nov 25 17:52:33 2010 From: sondheim at panix.com (Alan Sondheim) Date: Thu, 25 Nov 2010 11:52:33 -0500 (EST) Subject: [NetBehaviour] SECOND AND FIRST (Maria Damon and Alan Sondheim) Message-ID: (not sure if I sent this, Alan, apologies) SECOND AND FIRST Maria Damon and Alan Sondheim a re nish d . un workable ar O e t a her s side, Lit . vak, not peason antry but busie ness folks. F hem le mi lea is lear str e y d and t u b rns l s to u tow r towa r owar e wards d , a fan t a mol s ole i lec a ecu cular o i f n sma malap small r c o ap p s s , a nd h TWO M o , l a h d ow to j m us i t x me nts wat . ers f for examples S . Small ca p is an A inves A t A c m A ca ent in A c t A y po a c g a ca r p a ph is y w o h f a t a o c cc e u r r t s ai n on k to in d someth . in . g . stt opping topping som A et A hing A s els A st e A stopg ap is a cap and thr bells. on cats, blocking mice in bleared unworkab l a e ats i a n re be as lls an caps will never catch mice. 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Tru i Trum didn' Trump t e k t n s ow an i d t da c te a d - lari r r ons r r o r a m ar may ari aybe ar a d idn' t go out, actually ju st rem l aine la d lar , larion si e mm e r ing a m n e d t s tur ni n g cool nets and crumpet r r s r r you now i no in w in th h e w S h w a hat p ' ed R s Roo com m ing men next, right? r r , wro ng r r Kind hearts and cror oronets r r h St Stra th Stray h o r med to n p s u t a n a d ut an cr an en o d t o t he o dia lo c g, o r i n l e l ts y , O S r tr ne ay tte h s orn n r r otwithstanding r r r r talk: connection requested by ####################################### K # Ytalk Error # K # # K # onnection from unexpected host! # ####################################### ----- r r ----------------------------= YTalk version .. =----------------------------- r r Message from Talk_aemon at panix.panix.com ####################################### # Ytalk Error # r r # # # onnection from unexpected host! # ####################################### ----------------------------= YTalk version .. =----------------------------- mine are jumbled like the new software filter i have for video, rearranging frames, breaking diegesis, disordering everything, even the most basic sight or site jubilation is in trumpets, in a manuscript as dated as the fourtheenth centure in spain who went out with last month's milk carton? i didn't know it dated - or maybe didn't go out, actually just remained, simmering and turning cool in the L-Shaped Room, wrong that seemed to put an end to the dialog, illy Strayhorn notwithstanding ------- i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions larinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horns and cornets, Ornettes "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions larinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horns and cornets, Ornettes ?l >$ exit Script done on Wed Nov :: From jwm.art.net at gmail.com Thu Nov 25 20:50:50 2010 From: jwm.art.net at gmail.com (James Morris) Date: Thu, 25 Nov 2010 19:50:50 +0000 Subject: [NetBehaviour] oppressed by a sense of failure Message-ID: >From WordNet (r) 2.0 [wn]: laden adj 1: filled with a great quantity; "a tray loaded with dishes"; "table laden with food"; "`ladened' is not current usage" [syn: {loaded}, {ladened}] 2: burdened psychologically or mentally; "laden with grief"; "oppressed by a sense of failure" [syn: {oppressed}] v 1: remove with or as if with a ladle; "ladle the water out of the bowl" [syn: {ladle}, {lade}] 2: fill or place a load on; "load a car"; "load the truck with hay" [syn: {load}, {lade}, {load up}] >From WordNet (r) 2.0 [wn]: laden See { http://jwm-art.net:/image/osama_bin_laden.png } -- _ : http://jwm-art.net/ -audio/image/text/code/ From jwm.art.net at gmail.com Thu Nov 25 20:52:08 2010 From: jwm.art.net at gmail.com (James Morris) Date: Thu, 25 Nov 2010 19:52:08 +0000 Subject: [NetBehaviour] correction: oppressed by a sense of failure Message-ID: >From WordNet (r) 2.0 [wn]: ?laden ? ? ? adj 1: filled with a great quantity; "a tray loaded with dishes"; ? ? ? ? ? ? ?"table laden with food"; "`ladened' is not current ? ? ? ? ? ? ?usage" [syn: {loaded}, {ladened}] ? ? ? 2: burdened psychologically or mentally; "laden with grief"; ? ? ? ? ?"oppressed by a sense of failure" [syn: {oppressed}] ? ? ? v 1: remove with or as if with a ladle; "ladle the water out of ? ? ? ? ? ?the bowl" [syn: {ladle}, {lade}] ? ? ? 2: fill or place a load on; "load a car"; "load the truck with ? ? ? ? ?hay" [syn: {load}, {lade}, {load up}] >From WordNet (r) 2.0 [wn]: ?laden ? ? ? See { http://jwm-art.net/image/osama_bin_laden.png } -- _ : http://jwm-art.net/ -audio/image/text/code/ From sondheim at panix.com Fri Nov 26 00:00:55 2010 From: sondheim at panix.com (Alan Sondheim) Date: Thu, 25 Nov 2010 18:00:55 -0500 (EST) Subject: [NetBehaviour] two readings, musics (Maria Damon, Alan Sondheim) Message-ID: two readings, musics (Maria Damon, Alan Sondheim) Maria Damon, text and reading Alan Sondheim, pipa http://espdisk.com/alansondheim/moompipa.mp3 format, accompaniment until the pauses, at which point thick improvisation http://espdisk.com/alansondheim/moomviol.mp3 Maria Damon, text and reading Alan Sondheim, viola, violin format, following or leading inflections of speech From giles at askham.org Fri Nov 26 10:35:17 2010 From: giles at askham.org (giles) Date: Fri, 26 Nov 2010 09:35:17 +0000 (GMT) Subject: [NetBehaviour] University of Strategic Optimism. In-Reply-To: <4CEE35D0.90408@furtherfield.org> Message-ID: <464862.81324.qm@web86706.mail.ird.yahoo.com> This is a really interesting and thought provoking action. Looking at their site I found the following quote; "Anyone who thinks the spending review is just about saving money is missing the point. This is a once-in-a-generation opportunity to transform the way that government works." This 'word of a UK Treasury official' has been quoted quite a lot online including by Mark Easton at the BBC; http://www.bbc.co.uk/blogs/thereporters/markeaston/2010/10/its_not_just_the_economy_stupi.html I find this statement deeply disturbing. It would appear that Naomi Klein's? analysis of the neoliberal 'hijacking' of disasters (be they economic, political, 'natural', etc.) in order to push their ideologically motivated 'reforms' past an unsuspecting or outflanked demos rings true more than ever. --------------------------------------- www.askham.org www.cubed-3.org www.game-play.org.uk --------------------------------------- --- On Thu, 25/11/10, marc garrett wrote: From: marc garrett Subject: [NetBehaviour] University of Strategic Optimism. To: "NetBehaviour for networked distributed creativity" Date: Thursday, 25 November, 2010, 10:09 University of Strategic Optimism. This is Goldsmiths' Centre for Cultural Studies' bank occupation from today. Inaugural lecture from the University of Strategic Optimism, held in Lloyds TSB, London Bridge on 24/11/2010 http://videos.wittysparks.com/id/2454018622 _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at furtherfield.org Fri Nov 26 12:54:46 2010 From: info at furtherfield.org (info) Date: Fri, 26 Nov 2010 11:54:46 +0000 Subject: [NetBehaviour] Revealing the Invisible: Stansfield & Hooykaas. Message-ID: <4CEFA006.1040608@furtherfield.org> Revealing the Invisible: Stansfield & Hooykaas. A major exhibition spanning works from the seventies onwards at CCA and Street Level Photoworks, Revealing the Invisible: The Art of Stansfield / Hooykaas from Different Perspectives focuses on the work of the seminal visual arts duo. Elsa Stansfield and Madelon Hooykaas worked together from 1972 until Stansfield's death in 2004. They are considered pioneers in the field of video art with their work influencing many video and multimedia artists today. Revealing the Invisible will show works spanning the duo's entire career. It represents a return to the city where, 35 years ago, the artists showed their very first video installation at the Third Eye Centre (which would go on to become the CCA). This exhibition is an opportunity to see many of these works for the first time in Scotland. Madelon Hooykaas was born in 1942 (Maartensdijk, The Netherlands). She lives and works in Amsterdam. Elsa Stansfield was born in 1945 in Glasgow and died in Amsterdam in 2004. For more information please see: www.stansfield-hooykaas.net Accompanying events will be posted online soon. For details of the exhibition at Street Level Photoworks please see www.streetlevelphotoworks.org Please note CCA will be closed from Friday 24 December to Tuesday 4 January inclusive. CCA is closed Mondays and Sundays. From info at furtherfield.org Fri Nov 26 12:56:18 2010 From: info at furtherfield.org (info) Date: Fri, 26 Nov 2010 11:56:18 +0000 Subject: [NetBehaviour] Presentation: New Geographies by Michelle Teran (CA/DE) Message-ID: <4CEFA062.5080209@furtherfield.org> Presentation: New Geographies by Michelle Teran (CA/DE) 27 November 2010, 8pm, Cultural Center CK, Skopje ==== We cordially invite you to the presentation by Michelle Teran. In this presentation, the artist will present her past projects and the methodology of her work. The presentation will be followed with a display of her works, pointing out two bigger projects: Buscando Al Sr. Goodbar and Life: A user's Manual, as well as a presentation of the results of the workshop research that took place in Skopje from 23 to 27 November 2010. ==== Radio Session @ Kanal 103, Skopje Hosts: Ivana Dragsic and Gjorgi Janevski Guests: Michelle Teran, Wiebke Stadler, Elena Veljanovska and the workshop participants. 27 November 2010, from 12 to 4 pm, there will be a radio talk about the Expanded Media program and later on a discussion about the Macedonian cultural scene and a talk about the workshop New geographies for the wider audience. The talk will be in English. Follow the talk online: [pc users: directly follow the stream link http://217.16.69.17:8000/kanal103.mp3.m3u] [mac users: downolad the link, and then open it. should open in itunes] ===== Michelle Teran (CA/DE) explores the different aspects of how urban space is defined, lived and mediatized. She develops urban interventions and performances such as guided tours, walks and open-air projections, participatory installations and happenings. She is the winner of the Transmediale Award and has received numerous other grants and awards for her work including the Prix Ars Electronica honorary mention (2005, 2010) and the Vida 8.0 Art & Artificial Life International Competition (Madrid). Starting in October, 2010 she will begin a three year research fellowship at the National Academy of Art in Bergen (KHIB). She currently lives and works in Berlin. *** The event is part of the autumn cultural program ?Expanded Media ? Media & the Arts? organized by NGO Kontrapunkt in collaboration with Line I+M and curated by Elena Veljanovska. The event is also a part of the Upgrade! Skopje gatherings.The workshop is supported by the Goethe Institute, Skopje and the Robert Bosch foundation. ***** www.ubermatic.org | www.l-i-n-e.org | ngo-kontrapunkt.blogspot.com | www.theupgrade.net From info at furtherfield.org Fri Nov 26 13:09:55 2010 From: info at furtherfield.org (info) Date: Fri, 26 Nov 2010 12:09:55 +0000 Subject: [NetBehaviour] Pixxxel Workshop Message-ID: <4CEFA393.2010006@furtherfield.org> Pixxxel Workshop The Pixxxel workshop gives participants an overview on recent advancements of free and open source software (GNU GPL) for media production. The workshop is held by developers directly involved in these projects. We will be looking at: * VeeJay - Visual instrument and video sampler - GNU/Linux * VJX - Graphical dataflow media framework - Apple/OSX 10.6 * HDSync - HD digital video syncstarter - WDTV Live / Embedded * Frei0r - Free plugin API for video effects - Cross Platform http://mediaartplatform.nl/pixxxel Participants will be introduced to the ideas and intentions of the developers with a usage demostration and of course the possibility to use the software independently at home. It will be a perfect occasion to get in touch with the developers and find out about new opportunities on how to collaborate with each other. No particular skills are required by the audience but interest in doing media production with computers, some knowledge of existing interfaces for audio/video software and being open to collaboration would be nice. Not just developers and users are welcome, but also designers and creatives who can make good use of these tools and hopefully contribute back with their own experiences. Please note: Participants are encouraged to bring their own laptop! Date: Saturday 4 December 2 - 5 pm Location : NIMk, Keizersgracht 264, Amsterdam Admission: Send an email including a short CV to anouk at nimk.nl Participation is free of charge, registration required Nederlands Instituut voor Mediakunst Keizersgracht 264 1016 EV Amsterdam T 020 6237101 F 020 6244423 www.nimk.nl From marc.garrett at furtherfield.org Fri Nov 26 13:15:30 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 26 Nov 2010 12:15:30 +0000 Subject: [NetBehaviour] University of Strategic Optimism. In-Reply-To: <464862.81324.qm@web86706.mail.ird.yahoo.com> References: <464862.81324.qm@web86706.mail.ird.yahoo.com> Message-ID: <4CEFA4E2.6070004@furtherfield.org> Hi Giles, Yes, I agree. Not sure if you noticed a discussion on here a little while back about neoliberalism and arts - it was very interesting. I want to say more about all this, but I am caught up with a few things today, so will reconnect a bit later :-) Wishing you well. marc > This is a really interesting and thought provoking action. > > Looking at their site I found the following quote; > > "Anyone who thinks the spending review is just about saving money is > missing the point. This is a once-in-a-generation opportunity to > transform the way that government works." > > This 'word of a UK Treasury official' has been quoted quite a lot > online including by Mark Easton at the BBC; > > http://www.bbc.co.uk/blogs/thereporters/markeaston/2010/10/its_not_just_the_economy_stupi.html > > I find this statement deeply disturbing. It would appear that Naomi > Klein's analysis of the neoliberal 'hijacking' of disasters (be they > economic, political, 'natural', etc.) in order to push their > ideologically motivated 'reforms' past an unsuspecting or outflanked > demos rings true more than ever. > > > --------------------------------------- > www.askham.org > www.cubed-3.org > www.game-play.org.uk > --------------------------------------- > > > > > --- On *Thu, 25/11/10, marc garrett //* > wrote: > > > From: marc garrett > Subject: [NetBehaviour] University of Strategic Optimism. > To: "NetBehaviour for networked distributed creativity" > > Date: Thursday, 25 November, 2010, 10:09 > > University of Strategic Optimism. > > This is Goldsmiths' Centre for Cultural Studies' bank occupation > from today. > Inaugural lecture from the University of Strategic Optimism, held in > Lloyds TSB, London Bridge on 24/11/2010 > > http://videos.wittysparks.com/id/2454018622 > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From marc.garrett at furtherfield.org Fri Nov 26 13:28:44 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 26 Nov 2010 12:28:44 +0000 Subject: [NetBehaviour] Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 Message-ID: <4CEFA7FC.7010606@furtherfield.org> Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 By Filmmakers of the Hidden Empire. Does the word 'Revolution' has any meaning anymore? Is there any point to political writing? and was the last British election actually a coup d'?tat by the civil service? This and other questions are put to Dr. Richard Barbrook, winner of the 2008 Marshall McLuhan Prize for 'Outstanding Book in the Field of Media Ecology' and a University of Westminster lecturer. He begins by discussing Guy Debord's 'The Game of War', as a way to think about politics, and maybe a way of improving how we practice politics better. http://london.indymedia.org/videos/5873 From marc.garrett at furtherfield.org Fri Nov 26 13:47:15 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 26 Nov 2010 12:47:15 +0000 Subject: [NetBehaviour] Form+Code. In-Reply-To: References: Message-ID: <4CEFAC53.2090603@furtherfield.org> Form+Code In Design, Art and Architecture. http://www.furtherfield.org/displayreview.php?review_id=416 Review by Rob Myers. "A new introduction to art computing programming looks like it might become the standard work on the subject. What does it include, what does it exclude, and does it meet the high standards that it sets for itself?" "Form+Code is an art computing programming primer. Rather than teaching any particular programming language it explains the technical and conceptual history of programming and its use in art. Starting with an introduction to the basic concepts of coding, instructions, form, and different ways of representing them (in sections titled "What Is Code?" and "Form And Computers"), it moves on to chapters covering "Repeat", "Transform", "Paramaterize", "Visualize" and "Simulate"." Form+Code In Design, Art and Architecture Casey Reas, Chandler McWilliams, LUST 2010, Princeton Architectural Press ISBN 9781568989372 ????> Other Info: A living - breathing - thriving networked neighbourhood - proud of free culture - claiming it with others ;) http://identi.ca/furtherfield http://twitter.com/furtherfield Other reviews,articles,interviews http://www.furtherfield.org/reviews.php Furtherfield ? online arts community, platforms for creating, viewing, discussing and learning about experimental practices at the intersections of art, technology and social change. http://www.furtherfield.org HTTP Gallery ? physical media arts Gallery (London). http://www.http.uk.net Netbehaviour - Networked Artists List Community. http://www.netbehaviour.org From jwm.art.net at gmail.com Fri Nov 26 13:56:53 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 26 Nov 2010 12:56:53 +0000 Subject: [NetBehaviour] Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 In-Reply-To: <4CEFA7FC.7010606@furtherfield.org> References: <4CEFA7FC.7010606@furtherfield.org> Message-ID: On 26 November 2010 12:28, marc garrett wrote: > Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 ... > He begins by discussing Guy Debord's 'The Game of War', as a way to > think about politics, and maybe a way of improving how we practice > politics better. Not knowing what this "game of war" thing is I used some bloody search engine which took me here: http://r-s-g.org/kriegspiel/ A game of war to download which has a Linux version as well as Windows and Mac versions. You can play online or offline or whatever. From marc.garrett at furtherfield.org Fri Nov 26 14:03:58 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 26 Nov 2010 13:03:58 +0000 Subject: [NetBehaviour] Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 In-Reply-To: References: <4CEFA7FC.7010606@furtherfield.org> Message-ID: <4CEFB03E.7000408@furtherfield.org> Hi James, Here is a link to Barbrook's (collaborative) group Class Wargames & their board game version of The Game of War: http://www.classwargames.net/ Also, they had an event at our space late last year http://www.http.uk.net/events/gameofwar/ wishing you well. marc > On 26 November 2010 12:28, marc garrett wrote: >> Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 > ... >> He begins by discussing Guy Debord's 'The Game of War', as a way to >> think about politics, and maybe a way of improving how we practice >> politics better. > Not knowing what this "game of war" thing is I used some bloody search > engine which took me here: > > http://r-s-g.org/kriegspiel/ > > A game of war to download which has a Linux version as well as Windows > and Mac versions. You can play online or offline or whatever. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From jwm.art.net at gmail.com Fri Nov 26 14:09:01 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 26 Nov 2010 13:09:01 +0000 Subject: [NetBehaviour] Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 In-Reply-To: <4CEFB03E.7000408@furtherfield.org> References: <4CEFA7FC.7010606@furtherfield.org> <4CEFB03E.7000408@furtherfield.org> Message-ID: Hi Marc, Thanks for the links. I just noticed the cover of "Artists Re: Thinking Games" features the game I've linked to. I'll try to escape the Mandelbrot set for a while!!!!!!!! James. On 26 November 2010 13:03, marc garrett wrote: > Hi James, > > Here is a link to Barbrook's (collaborative) group Class Wargames & > their board game version of The Game of War: > http://www.classwargames.net/ > > Also, they had an event at our space late last year > http://www.http.uk.net/events/gameofwar/ > > wishing you well. > > marc > >> On 26 November 2010 12:28, marc garrett ?wrote: >>> Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 >> ... >>> He begins by discussing Guy Debord's 'The Game of War', as a way to >>> think about politics, and maybe a way of improving how we practice >>> politics better. >> Not knowing what this "game of war" thing is I used some bloody search >> engine which took me here: >> >> http://r-s-g.org/kriegspiel/ >> >> A game of war to download which has a Linux version as well as Windows >> and Mac versions. You can play online or offline or whatever. From marc.garrett at furtherfield.org Fri Nov 26 14:11:49 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 26 Nov 2010 13:11:49 +0000 Subject: [NetBehaviour] Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 In-Reply-To: References: <4CEFA7FC.7010606@furtherfield.org> <4CEFB03E.7000408@furtherfield.org> Message-ID: <4CEFB215.80304@furtherfield.org> Hi James, Yes, I was going to mention this, but I suspected you'd discover this connection anyway :-) marc > Hi Marc, > > Thanks for the links. I just noticed the cover of "Artists Re: > Thinking Games" features the game I've linked to. I'll try to escape > the Mandelbrot set for a while!!!!!!!! > > James. > > > On 26 November 2010 13:03, marc garrett wrote: >> Hi James, >> >> Here is a link to Barbrook's (collaborative) group Class Wargames& >> their board game version of The Game of War: >> http://www.classwargames.net/ >> >> Also, they had an event at our space late last year >> http://www.http.uk.net/events/gameofwar/ >> >> wishing you well. >> >> marc >> >>> On 26 November 2010 12:28, marc garrett wrote: >>>> Video interview at Anarchist Bookfair with Dr. Richard Barbrook. 2010 >>> ... >>>> He begins by discussing Guy Debord's 'The Game of War', as a way to >>>> think about politics, and maybe a way of improving how we practice >>>> politics better. >>> Not knowing what this "game of war" thing is I used some bloody search >>> engine which took me here: >>> >>> http://r-s-g.org/kriegspiel/ >>> >>> A game of war to download which has a Linux version as well as Windows >>> and Mac versions. You can play online or offline or whatever. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From info at furtherfield.org Fri Nov 26 14:27:47 2010 From: info at furtherfield.org (info) Date: Fri, 26 Nov 2010 13:27:47 +0000 Subject: [NetBehaviour] New on Netartery. Message-ID: <4CEFB5D3.6050409@furtherfield.org> New on Netartery. SOUND RESOLUTION by Jim Andrews http://netartery.vispo.com/?p=597 Now what I?m going to tell you you already know back in some primitive part of your brain. Digital sound doesn?t sound as good as many analog recordings. Here?s why... DIGITAL FICTION IPAD PROJECT: THE GOOD AND BAD STUFF by Andy Campbell http://netartery.vispo.com/?p=579 I thought it might be interesting to reflect on how we?re finding the iPad as a development platform regarding our latest digital fiction project ?Changed?, bearing in mind that we?re not using the Apple SDK or exporting an App from Flash CS5 to produce this piece... NHL BRAIN TRINKET by Jim Andrews http://netartery.vispo.com/?p=565 What I?m going to tell you?I warn you?is of no consequence whatever. And it won?t even be of interest to you unless you?re an NHL hockey fan. And, worse, it?s going to test your algebra skills. The only thing I can say in favour of saying it at all is that you just won?t ever read anything else about hockey like what I?m going to tell you right now. It just doesn?t happen. This is the unicorn of hockey writing. Right here, right now... SHOES RED AS WOUNDS by Christine Wilks http://netartery.vispo.com/?p=556 For my performance of Underbelly in Edinburgh, UK, on Halloween at Inspace no one can hear you scream I intend to wear shoes as red as wounds. Why? Because Underbelly, my work of playable media fiction, is an exploration of women?s bodies in relation to the land ? past and present, inside and outside, above and below ground ? and shoes, especially red ones, are loaded with associations... NOTE: Underbelly won the Poole Prize for New Media after Christine posted this. ISSUE ON DIGITAL POETRY FROM THE JOURNAL OF ELECTRONIC PUBLISHING by Jim Andrews http://netartery.vispo.com/?p=543 Aaron McCollough is guest-editing an issue of The Journal of Electronic Publishing on digital poetry. What we have here is the email he sent to the Poetics list requesting submissions for that issue... From marc.garrett at furtherfield.org Fri Nov 26 14:36:12 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Fri, 26 Nov 2010 13:36:12 +0000 Subject: [NetBehaviour] Fw: Re: University of Strategic Optimism. In-Reply-To: <229641.21913.qm@web86701.mail.ird.yahoo.com> References: <229641.21913.qm@web86701.mail.ird.yahoo.com> Message-ID: <4CEFB7CC.7050807@furtherfield.org> Hi Giles, This is a link to the archive. http://www.netbehaviour.org/pipermail/netbehaviour/20101011/017613.html It started from that, follow the threads & titles :-) wishing you well. marc > Hi Marc, > > I missed that discussion, only have time to dip in and out at the minute. > > Could you point me at a particular post? I've had a quick look but not > sure how far back to go. > > Hope to see you at the christmas bash ;) > > Cheers Giles > > --------------------------------------- > www.askham.org > www.cubed-3.org > www.game-play.org.uk > --------------------------------------- > > > > > --- On *Fri, 26/11/10, marc garrett //* > wrote: > > > From: marc garrett > Subject: Re: [NetBehaviour] University of Strategic Optimism. > To: "NetBehaviour for networked distributed creativity" > > Date: Friday, 26 November, 2010, 12:15 > > Hi Giles, > > Yes, I agree. > > Not sure if you noticed a discussion on here a little while back > about > neoliberalism and arts - it was very interesting. > > I want to say more about all this, but I am caught up with a few > things > today, so will reconnect a bit later :-) > > Wishing you well. > > marc > > > This is a really interesting and thought provoking action. > > > > Looking at their site I found the following quote; > > > > "Anyone who thinks the spending review is just about saving > money is > > missing the point. This is a once-in-a-generation opportunity to > > transform the way that government works." > > > > This 'word of a UK Treasury official' has been quoted quite a lot > > online including by Mark Easton at the BBC; > > > > > http://www.bbc.co.uk/blogs/thereporters/markeaston/2010/10/its_not_just_the_economy_stupi.html > > > > I find this statement deeply disturbing. It would appear that Naomi > > Klein's analysis of the neoliberal 'hijacking' of disasters (be > they > > economic, political, 'natural', etc.) in order to push their > > ideologically motivated 'reforms' past an unsuspecting or > outflanked > > demos rings true more than ever. > > > > > > --------------------------------------- > > www.askham.org > > www.cubed-3.org > > www.game-play.org.uk > > --------------------------------------- > > > > > > > > > > --- On *Thu, 25/11/10, marc garrett > / >/* > > wrote: > > > > > > From: marc garrett > > > Subject: [NetBehaviour] University of Strategic Optimism. > > To: "NetBehaviour for networked distributed creativity" > > > > > Date: Thursday, 25 November, 2010, 10:09 > > > > University of Strategic Optimism. > > > > This is Goldsmiths' Centre for Cultural Studies' bank occupation > > from today. > > Inaugural lecture from the University of Strategic Optimism, > held in > > Lloyds TSB, London Bridge on 24/11/2010 > > > > http://videos.wittysparks.com/id/2454018622 > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > > > > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From jwm.art.net at gmail.com Fri Nov 26 14:36:39 2010 From: jwm.art.net at gmail.com (James Morris) Date: Fri, 26 Nov 2010 13:36:39 +0000 Subject: [NetBehaviour] New on Netartery. In-Reply-To: <4CEFB5D3.6050409@furtherfield.org> References: <4CEFB5D3.6050409@furtherfield.org> Message-ID: On 26 November 2010 13:27, info wrote: > New on Netartery. > > SOUND RESOLUTION > by Jim Andrews > http://netartery.vispo.com/?p=597 > Now what I?m going to tell you you already know back in some primitive > part of your brain. Digital sound doesn?t sound as good as many analog > recordings. Here?s why... These criticisms of digital audio are nearly always based on anecdotal evidence. Suggested reading: http://www.aes.org/e-lib/browse.cfm?elib=14195 or instead of paying the aes: http://c.wrzuta.pl/wo8536/848633c40022f8f4499160b0/0/jaes_v55_9_pg775.pdf (Thanks to linux audio user list for pointing this out) From szpako at yahoo.com Fri Nov 26 18:40:52 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Fri, 26 Nov 2010 09:40:52 -0800 (PST) Subject: [NetBehaviour] Black or White (the gravy version) In-Reply-To: <4CEABAF3.7000907@edwardpicot.com> Message-ID: <588721.68057.qm@web114517.mail.gq1.yahoo.com> This is great! m. --- On Mon, 11/22/10, Edward Picot wrote: From: Edward Picot Subject: [NetBehaviour] Black or White (the gravy version) To: netbehaviour at netbehaviour.org Date: Monday, November 22, 2010, 6:48 PM Just for fun - Michael Jackson's "Black or White" re-written as a song about gravy. Pretty funky, albeit rather out of tune in places. Made with the help of my daughter Rachel, otherwise known (on YouTube) was HoolaHoopKid, who provides some slick dance moves via her toy orang-utan, Sweethart. You can view it on YouTube at http://www.youtube.com/watch?v=abGk2-T6_wI , or on my site at http://www.edwardpicot.com/blackorwhite.mov . - Edward Picot _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at rybn.org Fri Nov 26 18:49:30 2010 From: info at rybn.org (rybn) Date: Fri, 26 Nov 2010 18:49:30 +0100 Subject: [NetBehaviour] VIDEODROnE Message-ID: <75882DE7-C3EF-483E-95A4-21B466F92D86@rybn.org> VIDEODROnE http://artkillart.free.fr/videodrome/ EXHIBITION FROM WEDNESDAY 1ST TO SUNDAY 5TH DECEMBRE 2010 - 2PM TO 7.30PM .. OPENING: DECEMNBER 1ST - 6 PM .. CONCERTS: DECEMBRE 5TH - 7 PM ..... AT PLATEFORME . 70 RUE DES HAIES . PARIS 20 hhtp://www.plateforme.tk .. EXHIBITION VIDEODROME - COLLECTIVE SPAM CINEMA Videodrome is a participatory discontinuous flux. .. Videodrome : http://www.rybn.org/videodrome/ .. Archives : http://vide0dr0me.tumblr.com/ .. CONCERTS & PERFORMANCES ART OF FAILURE vs CARL Y - DUAL STREAM DUEL http://laps.artoffailure.org/ VS http://auditorium.noweb.org/ ..... streamed on KKWNE.ORG ::: DECEMBRE 5TH - 8PM VINCENT EPPLAY & FREDERICK GALIAY - DUO FOR VCS3 SYNTHS http://viplayland.net ARTHEIST - VIDEODRON/ME http://www.rybn.org/dev/art/ RYBN.ORG [ENTARTETE ELECTRONISCHE] - VIDEOSPAM SUBLIMINAL PERVASIVE ELEMENTS http://www.rybn.org/EE/ 101122124113111114114101122124 -------------- next part -------------- An HTML attachment was scrubbed... URL: From dave.miller.uk at gmail.com Fri Nov 26 20:45:56 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Fri, 26 Nov 2010 19:45:56 +0000 Subject: [NetBehaviour] ica new contemporaries Message-ID: "it's a recognition that you must have gone to art school to produce anything good" http://www.youtube.com/watch?v=qwjfACVoPnY From weishaus at pdx.edu Fri Nov 26 21:26:16 2010 From: weishaus at pdx.edu (Joel Weishaus) Date: Fri, 26 Nov 2010 12:26:16 -0800 Subject: [NetBehaviour] ica new contemporaries References: Message-ID: <00dd01cb8da8$2e1c2650$0300a8c0@joeladb72f44a8> I see no madness here, without which there's no worthwhile art. -Joel ----- Original Message ----- From: "dave miller" To: "NetBehaviour for networked distributed creativity" Sent: Friday, November 26, 2010 11:45 AM Subject: [NetBehaviour] ica new contemporaries > "it's a recognition that you must have gone to art school to produce > anything good" > > http://www.youtube.com/watch?v=qwjfACVoPnY > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From sondheim at panix.com Fri Nov 26 22:54:18 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 26 Nov 2010 16:54:18 -0500 (EST) Subject: [NetBehaviour] DARK KINGDOM. (Maria Damon and Alan Sondheim, Second Life) Message-ID: DARK KINGDOM. (Maria Damon and Alan Sondheim, Second Life) http://www.alansondheim.org/maria1.mp4 Maria Damon: Alan Dojoji Alan Sondheim: Julu Twine Garrett Lynch: script Thanks to Fau Ferdinand [14:47] Julu Twine: ... [14:47] Julu Twine: ... [14:47] Julu Twine: ... [14:47] Julu Twine: ... [14:47] Julu Twine: ... [14:47] Julu Twine: ... [14:47] Julu Twine: ... [14:49] Julu Twine: i'm not sleeping i'm awake in mourning [14:50] Julu Twine: not body parts in space, particles [14:54] Alan Dojoji: a deathmask i sdancing and a hanged man is hanging [14:54] Julu Twine: deathmask of particles and hanging from strings [14:55] Alan Dojoji: the purple legs of a dangling dancer, hanged [14:56] Julu Twine: flooding the world, exasperated for organism [14:56] Alan Dojoji: a thin mask, suspended insoluble [14:57] Julu Twine: falling and cluttered among themselves... [14:57] Alan Dojoji: clinging, clattering, clanging, dangling [14:58] Julu Twine: fluttered, the body hugs the body, caressing itself [14:58] Alan Dojoji: your words knock mine askew, i forget my bearings [14:59] Julu Twine: the world is always fallen [14:59] Alan Dojoji: i had a mind to... never mind, the thought has drifted and hangs motionless [15:00] Julu Twine: mind drifts from mind, drifts from body, thought coagulates [15:00] Alan Dojoji: so hard to hold on, hold on [15:01] Julu Twine: thought clusters [15:01] Alan Dojoji: now the sphere comes into view, but obscurely [15:01] Julu Twine: and night falls in the dark kingdom... From sondheim at panix.com Fri Nov 26 22:58:01 2010 From: sondheim at panix.com (Alan Sondheim) Date: Fri, 26 Nov 2010 16:58:01 -0500 (EST) Subject: [NetBehaviour] SHATTERS. (Maria Damon and Alan Sondheim, Second Life) Message-ID: SHATTERS. (Maria Damon and Alan Sondheim, Second Life) http://www.alansondheim.org/maria2.mp4 Maria Damon: Alan Dojoji Alan Sondheim: Julu Twine Garrett Lynch: script Thanks to Fau Ferdinand [15:05] Julu Twine: ... [15:05] Julu Twine: ... [15:06] Julu Twine: ... [15:06] Julu Twine: THICK. THE NIGHT. ANGELS. [15:07] Alan Dojoji: the light is falling across his motionless legs [15:07] Julu Twine: STARS BURN EYES: SILENCING THE DARK [15:08] Alan Dojoji: her head is upside down in the heavy darkness [15:08] Julu Twine: INERT: HE IS HER THUD [15:08] Alan Dojoji: i wander among a torrent of body parts [15:09] Julu Twine: BELONGED [15:09] Alan Dojoji: he drifts on a raft of human bones [15:09] Julu Twine: TRAVESTY < LENGTHWISE < PARALLEL FLESH [15:10] Alan Dojoji: she sits on the stoop in twilight zones [15:10] Julu Twine: HE STOOPS. IS HER LADDER. STONE. [15:11] Alan Dojoji: her skull peculiarly elongated, her funny moans [15:11] Julu Twine: HIS MOANS. [15:12] Alan Dojoji: she tunes in vaguely to his static stooping [15:12] Julu Twine: NO RESPONSE. GRANITE. THICK. [15:13] Alan Dojoji: something drifts through the slats of the stoop and the raft, affect? [15:13] Julu Twine: THIRD STAIR FROM THE BOTTOM. IS HIM. [15:13] Alan Dojoji: a sluggish rhythm, his tithe to her [15:14] Julu Twine: HIS THICKNESS. FURROWED. TRAPPED THOUGHT. [15:14] Alan Dojoji: a cleft, a ravine, she is a window resting on a shattered pane [15:14] Julu Twine: HE SHATTERS. [15:15] Alan Dojoji: she offers no safe haven, he's adrift [15:15] Julu Twine: HE SHATTERS. [15:16] Alan Dojoji: she is migratory, mutable, reflective [15:16] Julu Twine: HE SHATTERS. THICK. HE SHATTERS. From gef at ponnuki.net Fri Nov 26 23:03:08 2010 From: gef at ponnuki.net (geoffroy tremblay) Date: Fri, 26 Nov 2010 14:03:08 -0800 Subject: [NetBehaviour] knob porn Message-ID: http://www.ponnuki.net/2010/11/knob-porn/ From jwm.art.net at gmail.com Sat Nov 27 02:38:46 2010 From: jwm.art.net at gmail.com (James Morris) Date: Sat, 27 Nov 2010 01:38:46 +0000 Subject: [NetBehaviour] examples of embedded julias Message-ID: examples of embedded julias http://jwm-art.net/mdz/gallery/embeddedjulias.png these are found in the mandelbrot set you can find them anywhere you care to construct them i've found them within the "seahorse valley" of the largest mini-brot on the real axis around -1.769797 you can construct them anywhere, but some places are quicker to construct in than others due to iteration levels and 'closeness' of elements and the processing speed of my program - MDZ - being comparable to an old dog waiting to be put to sleep -- _ : http://jwm-art.net/ -audio/image/text/code/ From dave.miller.uk at gmail.com Sat Nov 27 09:40:47 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Sat, 27 Nov 2010 08:40:47 +0000 Subject: [NetBehaviour] Police violence against children Message-ID: "those children feel like they've done something wrong, when they are, in fact, the only people in the country so far who've had the guts to stand up for what's right." http://www.newstatesman.com/blogs/laurie-penny/2010/11/children-police-kettle-protest From marc.garrett at furtherfield.org Sat Nov 27 12:42:38 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 27 Nov 2010 11:42:38 +0000 Subject: [NetBehaviour] UK Asks News Outlets Not To Publish WikiLeaks Bombshell, US Prepares For Fallout. Message-ID: <4CF0EEAE.4030609@furtherfield.org> UK Asks News Outlets Not To Publish WikiLeaks Bombshell, US Prepares For Fallout. "The UK government has issued Defense Advisory Notices to editors of UK news outlets (http://www.thinq.co.uk/2010/11/26/uk-gov-issues-da-notices-over-wikileaks-bomb/)in an attempt to hush up the latest bombshell from whistle-blowing web site WikiLeaks. DA Notices, the last of which was issued in April 2009 after sensitive defense documents were photographed using a telephoto lens in the hand of Assistant Commissioner Bob Quick as he arrived at No 10 Downing Street for a briefing, are requests not to publish, and therefore not legally enforceable." This news comes alongside a raft of articles detailing the US government's preparations for the release (http://abcnews.go.com/Politics/damage-control-us-state-department-warns-allies-bracing/story?id=12249233). Officials are warning allies that the documents will be more damaging than previous releases, to the point of potentially damaging diplomatic relations (http://edition.cnn.com/2010/US/11/26/wikileaks/) with countries like Turkey (http://news.yahoo.com/s/afp/20101126/pl_afp/turkeyusinternetwikileaksdefencediplomacy). The Vancouver Sun wonders if this will lead to a change in the way diplomats communicate (http://www.vancouversun.com/news/canada/WikiLeaks+could+alter+diplomats+relay+info+Expert/3890617/story.html). Slashdot.org From info at furtherfield.org Sat Nov 27 12:47:38 2010 From: info at furtherfield.org (info) Date: Sat, 27 Nov 2010 11:47:38 +0000 Subject: [NetBehaviour] SECOND SUMMIT OF THE FREE/ SLOW UNIVERSITY OF WARSAW Message-ID: <4CF0EFDA.6030703@furtherfield.org> *SECOND SUMMIT OF THE FREE/ SLOW UNIVERSITY OF WARSAW: 7-9.12.2010 www.wuw2010.pl * *The Second Summit of the Free/Slow University of Warsaw will be devoted to reflection on the transformations in the field of science and art.* The three-day meeting will gather educators, artists, activists and culture theorists from the entire Europe. During the Congress we will work on studies of specific problems pertaining to a critical analysis of system-related conditions in a comparative perspective. *This year?s FSUW Congress is to serve the purpose of mapping mechanisms of resistance and searching for alternatives to the transformation of independent institutions of culture and universities into effective and profit-oriented enterprises. The proceedings of the Summit will be accompanied by afternoon events open for the public:* Jan Simon?s exhibition ?Four Pata-economic Undertakings?, presenting the principles of alternative economics, and the premiere of the new translation of the notorious book by Ivan Illich Deschooling Society. Jan Simon?s exhibition will feature, among others, ?Zollskulptur? ? sculpture made of smuggled cigarettes, part of the project ?A Survey of Lotto Systems. Mind?s Struggle with the World? and the work ?Lagos Transfer? on display at the Museum of Art in ??d?. Participants of the debate accompanying the premiere of the new translation of Illich?s Deschooling Society: Jan Sowa, Przemys?aw Czapli?ski and Piotr Laskowski. * There will be a live coverage of the Summit available at: **www.wuw2010.pl* ***CREATIVE INDUSTRIES AND KNOWLEDGE FACTORIES: ANALYSIS AND RESISTANCE time:* 7-9.12.2010, Tuesday-Thursday, 11-17.00 *venue:* Solec, 44 Solec St., Warsaw / www.solec.waw.pl *applications:* szymon[at]funbec.eu *working language:* English *hosted by:* Janek Sowa, Kuba Szreder *participants, among others:* Matteo Pasquinelli (Berlin), Critical Practice (London), Microsillions (Geneva), Carrot Workers Collective (London), Radical Education Collective (Ljubljana), Heath Bunting (Bristol), Krystian Szadkowski (Brussels/Poznan), Tomasz Szkudlarek (Gdansk), Kuba Mikurda (Krakow), Kaja Pawe?ek (Warszawa), Magdalena Rek ? Wo?niak (Lodz), Piotr Kowzan (Poznan) COLLATERAL EVENTS: *JAN SIMON: FOUR PATA-ECONOMIC UNDERTAKINGS exhibition opening:* 7.12.2010, Tuesday, 19.00 *time:* 7-19.12.2010 *venue:* B?c Zmiana, 65/7 Mokotowska St., Warsaw * IVAN ILLICH: DESCHOOLING SOCIETY publication premiere:*8.12.2010, Wednesday, 19.30 *debate:* Jan Sowa, Przemys?aw Czapli?ski, Piotr Laskowski *venue:* Solec, 44 Solec St., Warsaw / www.solec.waw.pl This year, the FSUW Summitwill adopt a half-open form ? seminars are free to attend, but we ask all participants for a prior enrolment. Number of participants limited. Please send applications (including a bio and a short explanation note on why you are interested in the subject of the seminar) to the address: szymon[at]funbec.eu *The programme of the Summit includes the following seminars, among others: Matteo Pasquinelli (Berlin):* /On the ruins of creative city. /*Krystian Szadkowski (Brussels/Poznan):* /Regaining education ? conclusions from global students and workers; struggles 2006-2010. /*Tomasz Szkudlarek (Gda?sk):* /Knowledge society and its workers. /*The Carrot Workers Collective (London):* /The carrot and the stick regulate our present: from student loans to mortgages and the imperative to creatively and flexibly self-actualise. /*Kaja Pawe?ek (Warszawa):* /When vocation becomes profession. /*Piotr Kowzan (Poznan):* /Pedagogy of debt: from migration to institutional changes /*Critical Practice (London):* /Critical Practice: A case study of a culture in common /*Heath Bunting (Bristol):* /A fortune of $1,000,000 begins with a single transaction /*Microsillons (Geneva):* /The fly in fly out workshop /*Kuba Mikurda (Krakow):* /Analysis of the National Programme for the Development of Humanities. /*Radical Education Collective (Ljubljana):* /Beyond the factories of knowledge: for a world without capitalist exploitation /*Magdalena Rek-Wo?niak (Lodz):* /Picnic for hobos? On institutionalised culture and social exclusion in post-industrial city. / *FSUW Curator*: Kuba Szreder | *FSUW Organiser*: B?c Zmiana Foundation The FSUW 2010 project is financed with support of the City of Warsaw. * Partner:* Solec / www.solec.waw.pl +++ B?c Zmiana Foundation for New Culture Warsaw, Mokotowska 65/7 +48 22 827 64 62 +48 516 802 843 bec at funbec.eu www.funbec.eu /english facebook From marc.garrett at furtherfield.org Sat Nov 27 12:48:56 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 27 Nov 2010 11:48:56 +0000 Subject: [NetBehaviour] stone vs drone this sunday. Message-ID: <4CF0F028.5070006@furtherfield.org> stone vs drone this sunday. (via Heath Bunting) the international war on terrorism was lost no new market to colonise the corrupt ponzi empire collapsed no more national socialism now the war is internal class war welcome tory hate mass people are now taliban expect force from above http://news.bbc.co.uk/1/hi/england/merseyside/6676809.stm protect your children preempt the stone age learn to project power pick up a stone http://irational.org/heath/stone_age_hunting/stone_throwing_james_kennard_sand_bay01.jpg rise against the machines http://www.sparror.cubecinema.com/james-kennard/stone_vs_drone/stone_vs_drone.html From marc.garrett at furtherfield.org Sat Nov 27 13:08:35 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sat, 27 Nov 2010 12:08:35 +0000 Subject: [NetBehaviour] Fw: Re: University of Strategic Optimism. In-Reply-To: <229641.21913.qm@web86701.mail.ird.yahoo.com> References: <229641.21913.qm@web86701.mail.ird.yahoo.com> Message-ID: <4CF0F4C3.10102@furtherfield.org> Hi Giles, I have had another look at the archives for netbehaviour. It is probably best to view specific archives, especially regarding the subject of neoliberlaism here: http://www.mail-archive.com/netbehaviour at netbehaviour.org/msg13506.html It all began with a discussing around what the subject was for my PhD... Wishing you well. marc > Hi Marc, > > I missed that discussion, only have time to dip in and out at the minute. > > Could you point me at a particular post? I've had a quick look but not > sure how far back to go. > > Hope to see you at the christmas bash ;) > > Cheers Giles > > --------------------------------------- > www.askham.org > www.cubed-3.org > www.game-play.org.uk > --------------------------------------- > > > > > --- On *Fri, 26/11/10, marc garrett //* > wrote: > > > From: marc garrett > Subject: Re: [NetBehaviour] University of Strategic Optimism. > To: "NetBehaviour for networked distributed creativity" > > Date: Friday, 26 November, 2010, 12:15 > > Hi Giles, > > Yes, I agree. > > Not sure if you noticed a discussion on here a little while back > about > neoliberalism and arts - it was very interesting. > > I want to say more about all this, but I am caught up with a few > things > today, so will reconnect a bit later :-) > > Wishing you well. > > marc > > > This is a really interesting and thought provoking action. > > > > Looking at their site I found the following quote; > > > > "Anyone who thinks the spending review is just about saving > money is > > missing the point. This is a once-in-a-generation opportunity to > > transform the way that government works." > > > > This 'word of a UK Treasury official' has been quoted quite a lot > > online including by Mark Easton at the BBC; > > > > > http://www.bbc.co.uk/blogs/thereporters/markeaston/2010/10/its_not_just_the_economy_stupi.html > > > > I find this statement deeply disturbing. It would appear that Naomi > > Klein's analysis of the neoliberal 'hijacking' of disasters (be > they > > economic, political, 'natural', etc.) in order to push their > > ideologically motivated 'reforms' past an unsuspecting or > outflanked > > demos rings true more than ever. > > > > > > --------------------------------------- > > www.askham.org > > www.cubed-3.org > > www.game-play.org.uk > > --------------------------------------- > > > > > > > > > > --- On *Thu, 25/11/10, marc garrett > / >/* > > wrote: > > > > > > From: marc garrett > > > Subject: [NetBehaviour] University of Strategic Optimism. > > To: "NetBehaviour for networked distributed creativity" > > > > > Date: Thursday, 25 November, 2010, 10:09 > > > > University of Strategic Optimism. > > > > This is Goldsmiths' Centre for Cultural Studies' bank occupation > > from today. > > Inaugural lecture from the University of Strategic Optimism, > held in > > Lloyds TSB, London Bridge on 24/11/2010 > > > > http://videos.wittysparks.com/id/2454018622 > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > > > > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > _______________________________________________ > > NetBehaviour mailing list > > NetBehaviour at netbehaviour.org > > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From s.biggs at eca.ac.uk Sat Nov 27 13:09:47 2010 From: s.biggs at eca.ac.uk (Simon Biggs) Date: Sat, 27 Nov 2010 12:09:47 +0000 Subject: [NetBehaviour] Publication Message-ID: This publication seems relevant to this forum. Archiving Electronic Literature and Poetry 16. November 2010 Florian Hartling/Beat Suter Archivierung von digitaler Literatur: Probleme - Tendenzen - Perspektiven / Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives Frankfurt am Main et al.: Peter Lang 2010. (=Sonderheft SPIEL: Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft. Jg. 29 (2010). H. 1+2) 289 Seiten, ISSN 0722-7833 * Extended Abstract to the Special Issue * Content and Introduction (PDF) * Order it with the publisher Abstract Electronic literature and E-Poetry is updated, interactive, subjective and well networked. But how durable is it? How long do texts published on web pages remain readable? What happens to the old issues if one visits a literature magazine ?through the web?? How is a blog archived? Should texts that are deliberately published on the fleeting medium internet be conserved at all for the future? It seems ironic that the transient character of the internet is attached to a medium that seems to be very suitable for documentation and archiving. And still each website only remains available on the internet at its original address for less than 100 days on average. Afterwards it moves or is erased completely. This is of course also the case for Net literature. However, different genres turn the tables. These conceptions don?t even have the problems of archiving and musealization, but explicitly excluded them. The temporary and transience becomes the topic of literature. In this special issue of the magazine SPIEL: ?Siegener periodical for International Empirical Literature Study? new methods and objects of the archiving of Net Literature are presented with very different points of view being represented. In addition to theoretical articles on this topic?s specific problems, Net authors, Electronic literature authors, E-poets and institutes engaged in or familiar with archiving comment on this. Please find more information at: http://archivierung.hartling.org/ . The special issue can be ordered from: http://bit.ly/ax2GBH . Simon Biggs s.biggs at eca.ac.uk simon at littlepig.org.uk Skype: simonbiggsuk http://www.littlepig.org.uk/ Research Professor edinburgh college of art http://www.eca.ac.uk/ Creative Interdisciplinary Research in CoLlaborative Environments http://www.eca.ac.uk/circle/ Electronic Literature as a Model of Creativity and Innovation in Practice http://www.elmcip.net/ Centre for Film, Performance and Media Arts http://www.ed.ac.uk/schools-departments/film-performance-media-arts Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 From sondheim at panix.com Sat Nov 27 23:09:43 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sat, 27 Nov 2010 17:09:43 -0500 (EST) Subject: [NetBehaviour] interesting images of the whynot variety, second life, eagle text Message-ID: interesting images of the whynot variety, second life, eagle text eagle image bundles, length image bundles 0.0 aspect in meerkat viewer (kept reverting) http://www.alansondheim.org/eagle1.png http://www.alansondheim.org/eagle2.png http://www.alansondheim.org/eagle3.png http://www.alansondheim.org/eagle4.png http://www.alansondheim.org/length1.png http://www.alansondheim.org/length2.png http://www.alansondheim.org/length3.png http://www.alansondheim.org/length4.png http://www.alansondheim.org/length5.png http://www.alansondheim.org/length6.png http://www.alansondheim.org/length7.png Humo kupliaku natho humo tokiyo /now the eagle is made now I released the bomb like an eagle with great-talons I released the bomb like an eagle with great-talons I released the bomb like an eagle with great-talons I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons I released the bomb like an eagle with great-talons, says N it's like an eagle in the sky, o knot of soldiers, I released the bomb like an eagle with great-talons, I released the bomb like an eagle with great-talons I released the bomb like an eagle with great-talons I released the bomb like an eagle with great-talons I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons ( I released the bomb like an eagle with great-talons i released the bomb like an eagle with great-talons, says N, people. i am an eagle and i am powerful and fly higher than any other or no people. i am not an eagle and i am not powerful and fly higher. what's that eagle going to do? he's going to fly, him. but you put a falcon nor osprey, eagle or mountebank crow, not the hurricane or the eagle which is the harbinger of truth, /* but an eagle on the peak */, not the hurricane or the eagle which is the harbinger of truth, /* but like an eagle on the peak */ From sondheim at panix.com Sun Nov 28 06:21:37 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 28 Nov 2010 00:21:37 -0500 (EST) Subject: [NetBehaviour] interference, disappear, cleansed, gone Message-ID: interference, disappear, cleansed, gone newt because new because there. just before i got this - [15:22] Zodial Semple shouts: That's what Odyessey if for! Please stop building your "art" on my skyline! then took the stuff down. this guy owns the skyline. my work is ""art"" but i'm a guest so i leave quietly. he's got everything cleansed clean. he shouts, everyone can hear him. http://www.alansondheim.org/newt.mp4 http://www.alansondheim.org/newt1.png http://www.alansondheim.org/newt2.png so i went back to odyssey ruined island going down soon and made gnog, gong for gone for gong for lost or going for going for broke, it says YES MY HOME WILL DISAPPEAR, it turns and says YES MY HOME WILL DISAPPEAR http://www.alansondheim.org/gnog.mp4 From info at furtherfield.org Sun Nov 28 12:27:34 2010 From: info at furtherfield.org (info) Date: Sun, 28 Nov 2010 11:27:34 +0000 Subject: [NetBehaviour] Transmedia and Remix Debate at Brazilian Digital Culture 2010, by Eduardo Navas. Message-ID: <4CF23CA6.2040908@furtherfield.org> Transmedia and Remix Debate at Brazilian Digital Culture 2010, by Eduardo Navas. "I visited Sao Paulo Brazil on November 17th, to participate in a panel discussion for Brazilian Digital Culture 2010, organized by the Brazilian Ministry of Culture. I was invited to discuss the relationship of Transmedia and Remix along with Maur?cio Mota (Os Alquimistas), and moderator Newton Cannito (Secretary for the Audiovisual/Ministry of Culture). What follows is not so much a summary of the panel discussion, but rather a reflection on my views on Transmedia and Remix, after evaluating my participation. But first, I will begin by giving some general impressions of the day I spent in Sao Paulo." Eduardo Navas. http://remixtheory.net/?p=457 From marc.garrett at furtherfield.org Sun Nov 28 13:37:32 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 28 Nov 2010 12:37:32 +0000 Subject: [NetBehaviour] Lessons to Be Learned From Paulo Freire as Education Is Being Taken Over by the Mega Rich. Message-ID: <4CF24D0C.7030408@furtherfield.org> Lessons to Be Learned From Paulo Freire as Education Is Being Taken Over by the Mega Rich. By Henry A. Giroux. (This is a much expanded version of "Lessons From Paulo Freire," which appeared in a recent issue of The Chronicle of Higher Education.) At a time when memory is being erased and the political relevance of education is dismissed in the language of measurement and quantification, it is all the more important to remember the legacy and work of Paulo Freire. Freire is one of the most important educators of the 20th century and is considered one of the most important theorists of "critical pedagogy" - the educational movement guided by both passion and principle to help students develop a consciousness of freedom, recognize authoritarian tendencies, empower the imagination, connect knowledge and truth to power and learn to read both the word and the world as part of a broader struggle for agency, justice and democracy. His groundbreaking book, "Pedagogy of the Oppressed," has sold more than a million copies and is deservedly being commemorated this year - the 40th anniversary of its appearance in English translation - after having exerted its influence over generations of teachers and intellectuals in the Americas and abroad. http://tinyurl.com/37nmq2g From marc.garrett at furtherfield.org Sun Nov 28 13:45:33 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 28 Nov 2010 12:45:33 +0000 Subject: [NetBehaviour] Unprepared Piano - Thompson & Craighead. Message-ID: <4CF24EED.9070103@furtherfield.org> Unprepared Piano - Thompson & Craighead. In Unprepared Piano, a piano is connected to a database of music MIDI files from all over the web. This library of scores is then performed automatically.The musical scores contain a wide variety of instrumentations and are not generally intended simply for piano, so it performs each piece from beginning to end by randomly picking and choosing from its different parts. This means it might play bits of drum parts and percussion alongside chords and melodies intended for the other instruments. The piano performs and reinterprets each score every time it is played. The software to achieve this was created by ART+TEK. This was shown a little while ago, but I rediscovered it on youtube today & thought, this is actually an excellent artwork. marc http://www.youtube.com/watch?v=pOe4nrjguaw From marc.garrett at furtherfield.org Sun Nov 28 14:26:32 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Sun, 28 Nov 2010 13:26:32 +0000 Subject: [NetBehaviour] Where Everything Falls Out by Where everything falls out. Message-ID: <4CF25888.8040402@furtherfield.org> Where Everything Falls Out by Where everything falls out. http://whereeverythingfallsout.bandcamp.com/album/where-everything-falls-out From sondheim at panix.com Sun Nov 28 17:59:19 2010 From: sondheim at panix.com (Alan Sondheim) Date: Sun, 28 Nov 2010 11:59:19 -0500 (EST) Subject: [NetBehaviour] four small songs of death Message-ID: four small songs of death harbor 1,2,3,4 four small songs of death and coming to grace unto death and of that coming to grace, meandering and grasping still and hovering among deaths and holdings on and releasings, recapitulation, of the first three small songs of death, before the fourth of which there is no recapitulation or releasing, no holding on, descent among them all, of their descent, and of their desire to die, desire among them http://espdisk.com/alansondheim/harbor1.mp3 http://espdisk.com/alansondheim/harbor2.mp3 http://espdisk.com/alansondheim/harbor3.mp3 http://espdisk.com/alansondheim/recapitulation.mp3 http://espdisk.com/alansondheim/harbor4.mp3 From edward at edwardpicot.com Sun Nov 28 18:55:30 2010 From: edward at edwardpicot.com (Edward Picot) Date: Sun, 28 Nov 2010 17:55:30 +0000 Subject: [NetBehaviour] Knob porn Message-ID: <4CF29792.6030105@edwardpicot.com> Worth a look for the title alone - and the bit at the end where the tiny knob gets chased around is really funny. - Edward From ruth.catlow at furtherfield.org Sun Nov 28 19:03:45 2010 From: ruth.catlow at furtherfield.org (Ruth Catlow) Date: Sun, 28 Nov 2010 18:03:45 +0000 Subject: [NetBehaviour] Knob porn In-Reply-To: <4CF29792.6030105@edwardpicot.com> References: <4CF29792.6030105@edwardpicot.com> Message-ID: <1290967425.5831.90.camel@marc-laptop> I laughed out loud when I saw this. Delightful : ) Ruth -----Original Message----- From: Edward Picot Reply-to: NetBehaviour for networked distributed creativity To: netbehaviour at netbehaviour.org Subject: [NetBehaviour] Knob porn Date: Sun, 28 Nov 2010 17:55:30 +0000 Worth a look for the title alone - and the bit at the end where the tiny knob gets chased around is really funny. - Edward _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From edward at edwardpicot.com Sun Nov 28 19:04:16 2010 From: edward at edwardpicot.com (Edward Picot) Date: Sun, 28 Nov 2010 18:04:16 +0000 Subject: [NetBehaviour] ica new contemporaries Message-ID: <4CF299A0.8000203@edwardpicot.com> One glimpse of Ekow Eshun is enough to make me cringe, he's so chock-full of bullshit. However, whilst looking at this and wishing it would stop, I noticed a side-link to another ICA video, called "Paywalls, E-books and the Death of Print", at http://www.youtube.com/watch?v=qSAugejgZJk&feature=channel . It's an hour and twenty-six minutes long, but I ended up watching it all the way through. It's a discussion between Andre Schiffrin, Roy Greenslade, David Roth-Ey and Kit Hammonds, and it's more about the future of newspapers and journalism than books (although books are discussed too), but it's really fascinating and I would recommend it to anyone who's interested in the future of publishing. - Edward From rob at robmyers.org Sun Nov 28 20:31:52 2010 From: rob at robmyers.org (Rob Myers) Date: Sun, 28 Nov 2010 19:31:52 +0000 Subject: [NetBehaviour] Wikipedia Bookshelf Message-ID: <4CF2AE28.1040600@robmyers.org> https://secure.wikimedia.org/wikipedia/outreach/wiki/Bookshelf/ "On this page (also accessible via http://bookshelf.wikimedia.org), you will find a core set of instructional materials about Wikipedia. All materials presented here have been released under a free licence. We invite you to use and to share them free of charge." From rob at robmyers.org Sun Nov 28 23:13:46 2010 From: rob at robmyers.org (Rob Myers) Date: Sun, 28 Nov 2010 22:13:46 +0000 Subject: [NetBehaviour] Download The Wikileaks U.S. Embassy Cable Data Message-ID: <4CF2D41A.3080201@robmyers.org> http://www.guardian.co.uk/news/datablog/2010/nov/29/wikileaks-cables-data "The WikiLeaks embassy cables release has produced a lot of stories but does it produce any useful data? We explain what it includes and how it breaks down - plus you can download the key data for every cable" From szpako at yahoo.com Sun Nov 28 23:46:42 2010 From: szpako at yahoo.com (Michael Szpakowski) Date: Sun, 28 Nov 2010 14:46:42 -0800 (PST) Subject: [NetBehaviour] Download The Wikileaks U.S. Embassy Cable Data In-Reply-To: <4CF2D41A.3080201@robmyers.org> Message-ID: <129015.64042.qm@web114503.mail.gq1.yahoo.com> and the cables themselves seem to be available here: ? http://cablegate.wikileaks.org/ m. --- On Sun, 11/28/10, Rob Myers wrote: From: Rob Myers Subject: [NetBehaviour] Download The Wikileaks U.S. Embassy Cable Data To: "netbehaviour for networked distributed creativity" Date: Sunday, November 28, 2010, 10:13 PM http://www.guardian.co.uk/news/datablog/2010/nov/29/wikileaks-cables-data "The WikiLeaks embassy cables release has produced a lot of stories but does it produce any useful data? We explain what it includes and how it breaks down - plus you can download the key data for every cable" _______________________________________________ NetBehaviour mailing list NetBehaviour at netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Mon Nov 29 08:24:14 2010 From: sondheim at panix.com (Alan Sondheim) Date: Mon, 29 Nov 2010 02:24:14 -0500 (EST) Subject: [NetBehaviour] one&SPday&SPscattered&SPfriendships&SPhallowed Message-ID: one&SPday&SPscattered&SPfriendships&SPhallowed ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? +-+-+-+-+ +-+-+-+-+-+-+-+ +-+-+-+-+-+-+-+-+-+ +-+-+-+-+ +-+-+-+-+ |C|A|L|L| |W|A|I|T|I|N|G| |B|A|C|K|W|A|R|D|S| |F|R|O|M| |H|E|R|E| +-+-+-+-+ +-+-+-+-+-+-+-+ +-+-+-+-+-+-+-+-+-+ +-+-+-+-+ +-+-+-+-+ ???????????????????????????????????? ?????????????????? ?????????????????? _ _ _ _ _ _ _ _ _ _ _ _ _ / \ / \ / \ / \ / \ / \ / \ / \ / \ / \ / \ / \ / \ ( w | o | r | k ) ( b | a | c | k | w | a | r | d | s ) \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ _ _ _ _ _ _ _ _ _ _ _ / \ / \ / \ / \ / \ / \ / \ / \ / \ / \ / \ ( E | X | C | L | A | I | M ) ( w | o | r | k ) \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ _ _ _ _ _ _ _ _ _ / \ / \ / \ / \ / \ / \ / \ / \ / \ ( B | A | C | K | W | A | R | D | S ) \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ ??? ??????????????????????????? ?????????????????????????????? ??????????????????????????????????????? ???????????? ??????????????? ????????????????????? ??? ??????????????????????????? ???????????? ????????????????????? ?????? ??? ??????????????????????????????????????? ??????????????? ?????? ???????????? ??? ????????????????????? ???????????? ????????????????????? ?????????????????????????????? ??? ??? ?????????????????????????????? ?????????????????????????????? ???????????? ???????????????????????? ????????? ??? ?????????????????????????????? ??? ?????????????????????????????? ??????????????????????????????????????? ?????? ??? ??????????????????????????????????????? ??????????????? ??? ?????????????????????????????? ?????????????????????????????? INTERRUPT EXCLAIM INTERRUPT __ ) ____| ____| _ \ _ \ ____| \ \ / ____| \ __ \ __| | | | | | __| \ \ \ / __| _ \ | | | __| | | __ < | \ \ \ / | ___ \ ____/ _____| _| \___/ _| \_\ _____| \_/\_/ _____| _/ _\ _ \ ____| | _ \ ___| __ __| \ \ | _ \ \ | | | __| | | | \___ \ | _ \ |\/ | | | \ | __ < | | | | | | ___ \ | | | | |\ | _| \_\ _____| _____| \___/ _____/ _| _/ _\ _| _| \___/ _| \_| ___| \ \ / _ \ | | | _| | \ / | | | | __ \ _ \ | _ \ __| _ \ | | | | | | | | | __/ __| ( | | __/ \____| _| \___/ \___/ _.__/ \___| _| \___/ _| \___| | | \ \ \ / _ \ _` | __| _ \ | _ \ __| __| _` | __ `__ \ \ \ \ / __/ ( | | __/ | ( | \__ \ | ( | | | | \_/\_/ \___| \__,_| _| \___| _| \___/ ____/ \__| \__,_| _| _| _| _ \ __ \ _` | | | _ \ | | ( | | | ( | | | ( | | | \___/ _| _| \__, | \__, | \___/ \__,_| |___/ ____/ 88 figlet -f mnemonic "one day scattered friendships hallowed" > zz 90 toilet -f pagga.tlf "or garnered among JUST A MINUTE PLEASE" >> zz 92 figlet -f digital "CALL WAITING BACKWARDS FROM HERE" >> zz 94 toilet -f circle.tlf "questionable DERAIL DERAIL" >> zz 96 figlet -f bubble "work backwards EXCLAIM work BACKWARDS" >> zz 98 toilet -f future "work FORWARDS exclaim WORK FORWARDS" >> zz 100 figlet -f term "INTERRUPT EXCLAIM INTERRUPT" >> zz 102 toilet -f shadow "BEFORE WE ARE LOST AMONG YOU before we are lost among you" >> zz _________ _____ _____ _____ _ |=|____ ______ _ _ _ _______ ___ |__ / _ \| ____|_ _| ____| | |____ |____ || | | | | |____ .|_ | / /| |_) | _| | | | _| | | / / | || | | | | | | | | | / /_| _ <| |___ | | | |___| |___ / / _____| || |/ /_/ / | |__| | /____|_| \_\_____| |_| |_____|_____| /_/ /________/_______/ | |____| |_| ____ ____ _ _ _ _____ ____ _ _ ____ _ _ _ | _ \| _ \ / \ | | | | |_ _/ ___|| \ | |/ ___| | | | | | | | | | |_) | / _ \ | |_| | | | \___ \| \| | | _| | | | | | | |_| | _ < / ___ \| _ | | | ___) | |\ | |_| | |/ /_/ / |____/|_| \_\/_/ \_\_| |_| |_| |____/|_| \_|\____|_______/ _____ ______ __ | ____/ ___\ \ / / | _| \___ \\ V / | |___ ___) || | |_____|____/ |_| _ _ _ ___ _________ , __ __ (_| | |_/(_| | \_|_) / (_)(_) | / (_)/|/ \(_ \ | | | | | | \__ | \__ |___/ / | | | | | _| / _ | / | \ / \_/ \_/ \_/|/ (/\___/\___/ (_/ \___/ | \_//__/ /| /| \| \| , _ ______ , ___, , __ ____ _ ___ () |/|/ \ ()(_) | /| | / | /|/ \ (| \ (_| | () / (_) /\/| | | /\ | |___| | | |___/ | | | | /\ \__ / | | | / \ _ | | |\| | | \ _| | | | / \/ /(__/ | |_//(__/(_/ | |/ \__/\_/| \_/(/\___/ \_/|//(__/\___/ /| \| From info at furtherfield.org Mon Nov 29 11:23:43 2010 From: info at furtherfield.org (info) Date: Mon, 29 Nov 2010 10:23:43 +0000 Subject: [NetBehaviour] Bureau of Curatorial Affairs @ SCOPE MIAMI Message-ID: <4CF37F2F.4010501@furtherfield.org> Bureau of Curatorial Affairs @ SCOPE MIAMI A Turn of the Card, A Roll of the Dice, A Spin of the Wheel? Presented by Bureau of Curatorial Affairs Booth G04 - The Scope Miami Pavilion - The Miami Midtown Arts District NE 1st Avenue between NE 30th & NE 31st Street Miami, FL Artists: BTA, dNASAb, Erik Pye, Gregory de la Haba, Lee Wells ... The Bureau of Curatorial Affairs presents ?A Turn of the Card, A Spin of the Wheel, A Roll of the Dice? featuring a diverse collective of mixed-media art works by Gregory de la Haba, BTA, [dNASAb], Erik Pye, and Lee Wells for the Scope Miami 2010 annual exhibition, described as one of the most progressive forces of the 20+ contemporary art fairs surrounding Art Basel Miami Beach, and sited in the Miami Midtown Arts District from November 30 through December 5, 2010. Unlike the conventional art fair booth mounted by commercial galleries, Bureau of Curatorial Affairs? presentation, curated by Raul Zamudio, will be a visually poetic mash up of art exhibition and casino. The exhibition consists of an eclectic group of New York-based artists who work in diverse media including painting, sculpture, video, media art, and photography and will be set within a gambling environment with a craps table manned by professional dealers and set for play on opening night. All of the artists are featured in a new Michael Knowles documentary titled ?Gambling in Art, A Story of Six New York Artists Who?ve Gone All In?, which follows the group of art colleagues as they pursue their art in today?s New York art scene. A trailer for the upcoming film will be revealed to the public for the first time at Scope Miami 2010. ?These artists are, in one sense, gamblers of sorts who wager, bluff and fold their way through the treacherous New York art world filled with dealer hucksters, curatorial con men, and art critic carpetbaggers of all stripes,? states Raul Zamudio, curator & founder of The Bureau of Curatorial Affairs. ?Dedicated to their work to the very end, the stakes for these artists are very high as they ante up their all for nothing less than total success.? The exhibition also uses the trope of gambling as a point of thematic departure in addressing other types of high stakes living faced in daily life including geo-political wars where combatants often feel like cards shuffled by politicians for their own power games; and rampant global environmental calamity where we all end up as losers. BTA Billy The Artist is an international artist whose projects and clients have taken him all over the world. From galleries such as the prestigious Forbes Gallery in New York, openings in London, Chicago, Austin, Orlando, New Orleans, Curacao to epic live paint performances for Swatch in front of 30,000 people at Piazza San Marco during the Venice Biennale, BTA has been embraced by both the fine and commercial art worlds. He has been published in Rolling Stone, Vanity Fair, Vogue, Elle, Juxtapoz, The New York Times, Washington Post and has been featured on Fox, MTV, Discovery, CNN, and 60 Minutes to name a few. Billy's work has also been auctioned at Christies and Sothebys. www.billyartnyc.com Gregory de la Haba Apart from being an exceptionally skilled painter with a pedagogical lineage that stretches back to the great Neoclassicist Jacques-Louis David, de la Haba is a gambler in more ways than one. Hosting casino nights in his loft where a 14' craps table takes center stage the artist spent more than 10 years at Belmont and Saratoga racetracks handicapping the ponies-and winning, to the point where he became horse owner, stepping into the winner's circle on more than one occasion (hence the horse iconography in his work). Selected solo and group exhibitions by de la Haba include: ?Equus Maximus? Jack the Pelican Presents ?Queens International 4? Queens Museum, Pool art fair 2010, Gershwin Hotel. Trash Art Museum, Munich. Salzburg arts festival, Austria. Bridge art fair, Miami ?Surfboards and Skateboards? World Erotic Art Museum of Art.? www.delahaba.com [dNASAb] [dNASAb] is known for creating new media video work, utilizing consumer electronics and complex sculptural systems. Humans have incorporated these bourgeoning technologies, such as LCD screens, in all aspects of our daily existence. They are embedded in our homes, automobiles, and public spaces. [dNASAb] sees these technologies as raw materials for the creation of cutting edge artworks. Passionate about the space between the information displayed on the screen and the ideas spawned in the mind of the viewer, [dNASAb] creates work in this underutilized site for contemporary sculpture. His works have a distinct aesthetic, capturing velocity, direction, and evolutionary motion. He exhibits frequently in the United States, and his work has been exhibited internationally in various locations including galleries in Paris, Basel Switzerland, Austria, South Korea, Moscow and Istanbul. [dNASAb]?s work is included in numerous private and corporate collections, including having a suite of works acquired by the Microsoft Permanent collection. [dNASAb] has been awarded an Artist in Residence to the ?Institute for Electronic Arts?, at Alfred University, ?Experimental Television Center?, and recently received an Educational Scholarship from ?Harvestworks?. [dNASAb] also lectures and presents work extensively, including ?Art Basel, Montclair State University, University of Tennessee at Chattanooga, and Pace University Digital Gallery ?Tele-culture?. [dNASAb] is primarily represented by the Frederieke Taylor Gallery, New York City. www.tc43.com Erik Pye Erik Pye grew up in the hill country around Austin Texas. He dropped out of school early after finishing the 8th grade. After being homeless of and on for some years, Erik got his GED and joined the Army as a cannon fire direction specialist. After the Army he spent two years at community college in Syracuse New York. He then received a full tuition scholarship from The Cooper Union for the Advancement of Science and Art in New York City where he graduated in 2005 with a BFA. He still lives and shows in New York. www.IMPIart.com Lee Wells Lee Wells is an artist, independent curator and US Army Veteran currently living and working New York. His artwork and projects primarily question systems of power and control and have been exhibited internationally for over 15 years, including the 51 st La Biennale Di Venezia, National Center for Contemporary Art Moscow, Kimpo/Seoul International Airport, WRO07 XII Media Biennial, PS1/MoMA, Cincinnati Contemporary Arts Center, and The State Hermitage Museum, in addition to numerous art fairs, festivals and galleries. He is a co-founder and director of IFAC-arts, an alternative nomadic curitorial program and a co-founder of [PAM] the Perpetual Art Machine. His projects and exhibitions have been written about by various national and international art and news publications to include: The New York Times, Kommersant, Art Newspaper, The Washington Post, Art in America, Artchronika, and Art Net. Most recently, Wells was invited by the Guggenheim Museum as a contributing writer to The Take Blog as part of the YouTube Play Biennial of Creative Video. Upcoming in february Wells has solo exhibition at Rooster Contemporary Gallery in New York and in April will be leading a workshop on video and new media at New Zero Gallery in Rangoon Burma. www.leewells.org The Bureau of Curatorial Affairs is a global, nomadic curatorial project organized by Raul Zamudio with a rotating roster of operatives whom are diverse in their thinking and curatorial practice and work in all forms of media. Zamudio is New York-based independent curator and writer. He has curated more than 70 exhibitions in the Americas, Europe, and Asia including co-curator, ?City Without Walls?, 2010 Liverpool Biennial; co-curator, 2009 Beijing 798 Biennial; co-curator, 2008 Seoul International Media Art Biennial. He has authored, co-authored, or contributed to more than 40 books and catalogs. The group exhibition will be open for viewing at Booth G04, at The Scope Miami Pavilion - The Miami Midtown Arts District located at Midtown Boulevard (NE 1st Avenue) between NE 30th & NE 31st Street beginning on Tuesday, November 30 - 3pm - 9pm. For more information on artists, direct queries to Bureau of Curatorial Affairs Operative Paola Omboni at p.omboni at gmail.com From info at furtherfield.org Mon Nov 29 11:28:06 2010 From: info at furtherfield.org (info) Date: Mon, 29 Nov 2010 10:28:06 +0000 Subject: [NetBehaviour] ILLUMINI presents CRYPT-MAS Message-ID: <4CF38036.9060301@furtherfield.org> ILLUMINI presents CRYPT-MAS 03 December at 11:00 - 22 December at 19:00 The Crypt, St Pancras Church Euston Rd/ Duke's Rd, London, NW1 2BA Genetic Moo will be showing a new work "Sea Angel", an interactive video installation. Opening Night: Thursday 2nd December 5pm ? 9pm This promises to be a very busy evening, so arrive early to avoid disappointment. Alternatively, come along to the daytime shows: ...Open Daily 11am-7pm / Free Tim and I will be in the Crypt on the following dates: Saturday 11th, Sunday 12th, Thursday 16th and Friday 17th December. It'd be great to see you there. Crypt-mas is a free alternative Christmas art experience, for all ages, created inside an underground grotto. The venue is a dark church crypt, with alcoves and arched ceilings, the fantastic setting and atmosphere, for an alternative Christmas experience. Once inside this unusual historical subterranean labyrinth, guests can explore the festive grotto. Illumini takes them on a journey of an alternative Christmas, one never been seen before. Walls lit with bright colourful projections and effects guide the way, passing illuminating artworks that will dazzle and amaze guests of all ages. Hidden deep inside, Is Illumini's very own Father Christmas, an art installation based on a futuristic, robotic Santa. He is there to greet all his guest from young to old, with surprises and gifts for the children. The event has been designed for everyone no matter what age, to enjoy a free alternative Christmas art experience. Children can participate in workshops during their visit, making their own festive gifts to take home with them.The whole event is free including children's workshops, making it a fantastic family fun day out with a difference, at what can be a very expensive time of the year for people, especially families. for more info visit: http://www.illuminievent.co.uk/ From marc.garrett at furtherfield.org Mon Nov 29 11:35:31 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 29 Nov 2010 10:35:31 +0000 Subject: [NetBehaviour] ica new contemporaries In-Reply-To: <4CF299A0.8000203@edwardpicot.com> References: <4CF299A0.8000203@edwardpicot.com> Message-ID: <4CF381F3.9040304@furtherfield.org> Thanks for this link Edward, Even though the thought Of Ekow Eschen also makes me cringe & reach out for my imaginary gun, what you have discovered is useful material, not only in respect of print but also traditional journalism. Will explore :-) wishing you well. marc > One glimpse of Ekow Eshun is enough to make me cringe, he's so > chock-full of bullshit. However, whilst looking at this and wishing it > would stop, I noticed a side-link to another ICA video, called > "Paywalls, E-books and the Death of Print", at > http://www.youtube.com/watch?v=qSAugejgZJk&feature=channel . It's an > hour and twenty-six minutes long, but I ended up watching it all the way > through. It's a discussion between Andre Schiffrin, Roy Greenslade, > David Roth-Ey and Kit Hammonds, and it's more about the future of > newspapers and journalism than books (although books are discussed too), > but it's really fascinating and I would recommend it to anyone who's > interested in the future of publishing. > > - Edward > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > From info at furtherfield.org Mon Nov 29 11:40:23 2010 From: info at furtherfield.org (info) Date: Mon, 29 Nov 2010 10:40:23 +0000 Subject: [NetBehaviour] MFA in Electronic and Time-Based Art at Purdue University. Message-ID: <4CF38317.90403@furtherfield.org> MFA in Electronic and Time-Based Art at Purdue University. Through interdisciplinary art practice and research, ETB students explore the creative, critical and expressive potential of electronic and time-based media such as digital video and sound, real-time computer graphics, interactive digital systems, virtual reality, electronic circuitry and robotics. Our international faculty promotes an environment of innovative and imaginative thinking that connects artistic production to the campus body at Purdue and the communities of Lafayette/West Lafayette. Through their art practice, students make unique contributions to contemporary culture in various forms: public interventions and exhibitions, websites, radio shows, films and videos, interactive environments, computer games, performances, zines and DIY manuals. Experiences both inside and outside the classroom, the ETB program challenge students to pair aesthetic sensibility with critical thinking, artistic freedom with practical application and technological experimentation with cultural awareness. Coursework in ETB is enhanced by exhibitions, visiting artist lectures, guest workshops and open studio events. The three year MFA program in Electronic and Time-Based Art focuses on each student's personal development in the context of Electronic and Time-Based Art, following the structure of the graduate degree in Studio Arts in the Department of Art and Design. Graduate students in ETB come from many different backgrounds, including visual and performing arts, film-making, design and engineering. The interdisciplinary nature of our graduate cohorts allows students to easily collaborate on projects, view their work through the perspective of another discipline and actively engage with the larger research environment at Purdue University. February 1, 2011 http://www.cla.purdue.edu/vpa/etb/ From info at furtherfield.org Mon Nov 29 11:42:25 2010 From: info at furtherfield.org (info) Date: Mon, 29 Nov 2010 10:42:25 +0000 Subject: [NetBehaviour] SIGGRAPH 2011 Juried Art Exhibition "Tracing Home" Message-ID: <4CF38391.9080407@furtherfield.org> SIGGRAPH 2011 Juried Art Exhibition "Tracing Home" Exhibition Dates/Place: August 7-11, 2011 -- Vancouver, BC Canada Submission Deadline: January 14, 2011 In the era of networked technology, we appear to live in an integrated global community where human relations and perceptions are conceived through various manifestations of a non-physical world of connections. We collectively build and spontaneously find refuge in virtual communities whose inhabitants experience incongruity and fragmentation, along with conformity and wholeness. The interplay of physical and virtual within our lived experience opens up portals and wormholes enabling simultaneous and discontinuous realities at the touch of a button, echo of a voice, or nudge of a sensor. The new dynamics not only reconfigures our relations with ourselves and with one another, but most importantly, it reshapes our sense of identity, belonging, and place. As the line between the virtual self and the physical self blurs, as our engagement with the world becomes less dependent on the physical space, and as we simultaneously reside in a multitude of deterritorialized ubiquitous places, what happens to our understanding of home? The SIGGRAPH 2011 Art Gallery: Tracing Home, seeks exceptional digital and technologically mediated artworks that explore issues around the concept of home in the networked age. Explorations may include but are not limited to examining current functional, structural, cultural, emotional, or metaphorical definitions, or constructing new realities, experiences, and meanings. All forms of digitally mediated art completed in the last two years are eligible for submission. International projects, multimedia installations, three-dimensional works, and kinetic, mobile, or interactive pieces are highly encouraged. Works submitted to Tracing Home will be reviewed in a jury process, and the selected work will be exhibited at a gallery space at SIGGRAPH 2011. In addition, selected works will be published in a special issue of Leonardo, The Journal of the International Society of the Arts, Sciences and Technology. For more information and to apply please visit http://www.siggraph.org/s2011/for_submitters/art-gallery From marc.garrett at furtherfield.org Mon Nov 29 11:46:11 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 29 Nov 2010 10:46:11 +0000 Subject: [NetBehaviour] Linux Radio. Message-ID: <4CF38473.4080003@furtherfield.org> Linux Radio. Linux Radio is an online radio station broadcasting the Linux kernel! Each time someone visit the site, a random source file is selected and read loudly by a virtual speaker materialized through the open source speech synthesizer eSpeak. http://www.linux.fm/ From marc.garrett at furtherfield.org Mon Nov 29 11:48:08 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 29 Nov 2010 10:48:08 +0000 Subject: [NetBehaviour] WikiLeaks Under Denial of Service Attack. Message-ID: <4CF384E8.5050102@furtherfield.org> WikiLeaks Under Denial of Service Attack. WikiLeaks has reported that its Web site is currently under a mass distributed denial of service attack. The attack comes around the time of an expected release of classified State Department documents, which the Obama administration says will put 'countless' lives at risk, threaten global counterterrorism operations and jeopardize US relations with its allies. http://www.securityweek.com/wikileaks-under-denial-service-attack-ddos From jwm.art.net at gmail.com Mon Nov 29 11:50:15 2010 From: jwm.art.net at gmail.com (James Morris) Date: Mon, 29 Nov 2010 10:50:15 +0000 Subject: [NetBehaviour] Linux Radio. In-Reply-To: <4CF38473.4080003@furtherfield.org> References: <4CF38473.4080003@furtherfield.org> Message-ID: Love it! On 29 November 2010 10:46, marc garrett wrote: > Linux Radio. > > Linux Radio is an online radio station broadcasting the Linux kernel! > Each time someone visit the site, a random source file is selected and > read loudly by a virtual speaker materialized through the open source > speech synthesizer eSpeak. > > http://www.linux.fm/ > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- _ : http://jwm-art.net/ -audio/image/text/code/ From info at furtherfield.org Mon Nov 29 11:51:04 2010 From: info at furtherfield.org (info) Date: Mon, 29 Nov 2010 10:51:04 +0000 Subject: [NetBehaviour] Conference: Art Work. Accumulation and Availability. Message-ID: <4CF38598.2070300@furtherfield.org> Conference: Art Work. Accumulation and Availability. Editors: Kristian Lukic, Gordana Nikolic Wednesday, 1st December 2010 / 11.00 - 17.30 / Museum of Vojvodina, Dunavska 35, Novi Sad The conference and discussion entitled Art Work. Accumulation and Availability proceeds from the idea that today the traditional mechanisms of accumulating and collecting art works face the test of finding new models of using artistic creations, which inevitably follows the transformation of the role of cultural institutions. Proceeding from this starting point, the conference gathers theorists, artists and cultural workers who will analyse various models that exist today when it comes to dealing with, documenting, archiving and disseminating media and broader artistic practice, the status of art collections and their social and economic implications. Also, the conference will deal with the revaluation and financialisation of art in the second half of the 20th century, particularly taking into consideration the neoavant-garde and conceptual art of Eastern Europe. The strengthening of creative industries in the contemporary post-Fordist conditions of the production and accumulation of capital is indicative of the role that the sphere of art and culture has in the global financial order. Art, with its inherently subjective and speculative nature, corresponds to the speculativeness and relativism of the value of capital, where the economy of attention is the key value generator. The strict policies of ownership and management of art works cannot follow the development of information and communication technologies where efficient exchange is the ultimate goal. Collections of art works with limited access become public archives, and the accumulation of art works loses the aura of social status and bears the (un)easy mark of private entrepreneurship and financial speculations. In art history there are examples of practices focusing on the critique of commodification and hyperproductivism in art, and also on the critique of the institution of art market and the mediatory role of dealers in the accumulation of art works as investments with a potential for increasing their financial value. The dematerialisation of art through conceptual art and the ?new artistic practices? of the 1960?s and 1970?s and their penetration into everyday life unfolded by way of shifting away from the market paradigm and the gallery environment of high art. However, this non-institutional artistic practice has left behind material traces of its critique, which achieve high market values today and are part of great collections of museums, galleries and private collectors, and also of institutionalised historical narratives. The reproducibility of certain art media, among them digital art, film and video, raises the question of the exclusivity of ownership and use of these creations within an institutional and non-institutional framework. This issue gets more acute with the Internet revolution during the 1990?s and movements advocating free software and free culture after the year 2000, and with the increased presence of on-line video archives, which, by affirming the values of networking, communication and creative cooperation, change the meaning of the notion of authorship and ownership of art works. On the other hand, there remains the question: will private and public collections and the art market be able to follow these trends, and if so, in what way? Production: Museum of Contemporary Art of Vojvodina www.msuv.org Co-production: New Media Center_kuda.org www.kuda.org Support: Provincial Secretariat for Culture, EU Culture Programme 2007-2013, Novi Sad City Council, Ministry of Culture of Republic of Serbia, Museum of Vojvodina Sponsor: Halogen IT support: Sons Program and time-line: Program and time-line: Panel 1: Accumulation of Art What is the nature of the wish to own art works? Love of art? Social status? Long-term investment and profit? Is there a difference between the accumulation of art goods and the accumulation of other value units of exchange such as gold and diamonds? What is the role of art in the global order of financial capital? 11.00 - 11.10: Introduction 11.10 - 11.40: Suhail Malik (GBR) - A Politics of Art Prices? 11.40 - 12.10: Stephen Wright (GBR, FRA) - Overshadowed 12.10 - 12.40: Stefan Heidenreich (DEU) - (Con)temporary collection 12.40 - 13.10: Plenary discussion 13.10 - 13.30: Pause Panel 2: Openness of content and the new economy Is it possible to implement the experience of the movement for free software and free culture, which has permeated the subculture and the critical circles over the past decades, in the mainstream art system? To what extent can the openness of archives and access to their content endanger the viability of artistic production? What are the models of regulating the relations between oppositionally positioned open (on-line) archives and the museum practices of collecting that would be convenient to artists, as well as the public and museums? 13.30 - 14.00: Annelys de Vet (NLD) - Mapping the alternative - or new design strategies in an open source society 14.00 - 14.30: Vladimir Jeric Vlidi (SRB) - A time of monsters 14.30 - 15.00: Plenary Discussion 15.00 ? 16.00 Lunch Pause Panel 3: Archives and digitalisation ? Digitizing Ideas, a case study The panel will focus on basic approaches to the digitization of cultural heritage through examples of digitization practice explaining the purpose, possibilities and advantages of digitization, and will deal with specific technical aspects of digitization, including types of equipment and technical conditions, international standards and recommendations, examples of specific problems and solutions to different types of cultural heritage digitization. The case study will present examples of good practice from the museums of contemporary art in the region gathered around the project Digitizing Ideas. 16.00 - 16.15: Luka Kulic, Museum of Contemporary Art Vojvodina, Novi Sad 16.15 - 16.30: Martina Munivrana, Museum of Contemporary Art, Zagreb 16.30 - 16.45: Andreja Hribernik, Modern Gallery, Ljubljana 16.45 - 17.00: Maria Matuszkiewicz, Museum of Modern Art, Warsaw 17.00 - 17.30: Plenary Discussion The conference ?Art Work. Accumulation and Availability? is part of the project The Media Practice Collection of f Museum of Contemporary Art Vojvodina, in production of MoCAV and kuda.org. -- to unsubscribe from this list, reply with subject: unsubscribe< -- New Media Center_kuda.org Brace Mogin 2 PO BOX 22 21113 Novi Sad, Serbia tel/fax +381 21 512 227 http://kuda.org From marc.garrett at furtherfield.org Mon Nov 29 11:55:12 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 29 Nov 2010 10:55:12 +0000 Subject: [NetBehaviour] Linux Radio. In-Reply-To: References: <4CF38473.4080003@furtherfield.org> Message-ID: <4CF38690.9020902@furtherfield.org> Hi James, I knew you'd love it - the main reason I posted it on here :-) marc > Love it! > > > > On 29 November 2010 10:46, marc garrett wrote: >> Linux Radio. >> >> Linux Radio is an online radio station broadcasting the Linux kernel! >> Each time someone visit the site, a random source file is selected and >> read loudly by a virtual speaker materialized through the open source >> speech synthesizer eSpeak. >> >> http://www.linux.fm/ >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > From dave.miller.uk at gmail.com Mon Nov 29 12:03:42 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Mon, 29 Nov 2010 11:03:42 +0000 Subject: [NetBehaviour] gross national happiness Message-ID: http://davemiller.org/drawings/austerity/gross_national_happiness.png From mail at peterodoherty.net Mon Nov 29 12:04:52 2010 From: mail at peterodoherty.net (Peter O'Doherty) Date: Mon, 29 Nov 2010 12:04:52 +0100 Subject: [NetBehaviour] Linux Radio. In-Reply-To: <4CF38690.9020902@furtherfield.org> References: <4CF38473.4080003@furtherfield.org> <4CF38690.9020902@furtherfield.org> Message-ID: <4CF388D4.6040703@peterodoherty.net> Is this by the same people who created "Free Radio Linux" which broadcast from 2002 - 04, radioqualia (http://www.radioqualia.net/telemetry/index.html)? Best wishes, Peter On 11/29/2010 11:55 AM, marc garrett wrote: > Hi James, > > I knew you'd love it - the main reason I posted it on here :-) > > marc > >> Love it! >> >> >> >> On 29 November 2010 10:46, marc garrett wrote: >>> Linux Radio. >>> >>> Linux Radio is an online radio station broadcasting the Linux kernel! >>> Each time someone visit the site, a random source file is selected and >>> read loudly by a virtual speaker materialized through the open source >>> speech synthesizer eSpeak. >>> >>> http://www.linux.fm/ >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- //============================= -> Peter O'Doherty -> http://www.peterodoherty.net -> mail at peterodoherty.net -> facebook: Peter-ODoherty //============================= -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Mon Nov 29 12:14:36 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 29 Nov 2010 11:14:36 +0000 Subject: [NetBehaviour] Linux Radio. In-Reply-To: <4CF388D4.6040703@peterodoherty.net> References: <4CF38473.4080003@furtherfield.org> <4CF38690.9020902@furtherfield.org> <4CF388D4.6040703@peterodoherty.net> Message-ID: <4CF38B1C.6010405@furtherfield.org> Hi Peter, Not sure, I've checked to see but cannot find any connections... marc > Is this by the same people who created "Free Radio Linux" which > broadcast from 2002 - 04, radioqualia > (http://www.radioqualia.net/telemetry/index.html)? > > Best wishes, > Peter > > > On 11/29/2010 11:55 AM, marc garrett wrote: >> Hi James, >> >> I knew you'd love it - the main reason I posted it on here :-) >> >> marc >> >>> Love it! >>> >>> >>> >>> On 29 November 2010 10:46, marc garrett wrote: >>>> Linux Radio. >>>> >>>> Linux Radio is an online radio station broadcasting the Linux kernel! >>>> Each time someone visit the site, a random source file is selected and >>>> read loudly by a virtual speaker materialized through the open source >>>> speech synthesizer eSpeak. >>>> >>>> http://www.linux.fm/ >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> NetBehaviour at netbehaviour.org >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > -- > //============================= > -> Peter O'Doherty > -> http://www.peterodoherty.net > -> mail at peterodoherty.net > -> facebook: Peter-ODoherty > //============================= > > > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour From info at toshare.it Mon Nov 29 14:19:51 2010 From: info at toshare.it (Share Festival) Date: Mon, 29 Nov 2010 14:19:51 +0100 Subject: [NetBehaviour] Action Sharing 2 - Deadline Postponed Message-ID: MailForce---------------------------------------------------------------------- Newsletter 29.11.2010 Action Sharing 2 - Deadline Postponed ---------------------------------------------------------------------- The Sharing, in partnership with the Turin Chamber of Commerce, is announcing the second Action Sharing competition. The deadline to subscribe has been postponed until midnight, 6th December 2010. Action Sharing is an ideas competition for artistic projects that make syncretic use of mechatronic elements. Area of key interest for The Sharing include: art, music, drama, performance art and dance. The Turin Chamber of Commerce has sponsored the competition with a view to promoting the creative capital to be found in the Piedmont region, where art and technology are two strategic sectors for the local economy, as part of its commitment to supporting initiatives that promote interdisciplinary co-operation. Artists are invited to enter projects that make use of the devices required by the competition (electric motor/linear voice coil actuator) in the areas of key interest stated above. The aim of the competition is to identify and select artistic projects that can be developed in partnership with leading companies in the mechatronics sector, the Polytechnic University of Turin, and Regione Piemonte institutions. The idea judged the best will win a prize of ?1500*. *one thousand, five hundred euros, including tax and social security contributions. Download the Competition Terms and Conditions: www.toshare.it/actionsharing2/call_AS2.pdf Fill the form: http://www.toshare.it/actionsharing2 -- I am using the free version of SPAMfighter. We are a community of 7 million users fighting spam. SPAMfighter has removed 6100 of my spam emails to date. Get the free SPAMfighter here: http://www.spamfighter.com/len The Professional version does not have this message -------------- next part -------------- An HTML attachment was scrubbed... URL: From sondheim at panix.com Mon Nov 29 15:53:40 2010 From: sondheim at panix.com (Alan Sondheim) Date: Mon, 29 Nov 2010 09:53:40 -0500 (EST) Subject: [NetBehaviour] how they were to be among you (figlet poetics, music) Message-ID: how they were to be among you http://www.alansondheim.org/social1.png or social1.gif http://www.alansondheim.org/social2.png or social2.gif http://www.alansondheim.org/social3.png or social3.gif accompanied by http://www.alansondheim.org/devils3.mp3 output fantastic http://www.alansondheim.org/devils.mp3 input fantastic 18 figlet -f mnemonic "one day scattered friendships hallowed" > zz 20 toilet -f pagga.tlf "or garnered among JUST A MINUTE PLEASE" >> zz 22 figlet -f digital "CALL WAITING BACKWARDS FROM HERE" >> zz 24 toilet -f circle.tlf "questionable DERAIL DERAIL" >> zz 26 figlet -f bubble "work backwards EXCLAIM work BACKWARDS" >> zz 28 toilet -f future "work FORWARDS exclaim WORK FORWARDS" >> zz 30 figlet -f term "INTERRUPT EXCLAIM INTERRUPT" >> zz 32 toilet -f shadow "BEFORE WE ARE LOST AMONG YOU before we are lost among you" >> zz 46 figlet -C ilhebrew.flc -f ivrit "black LETERZ aGNST HARD YSE" >> zz 47 figlet -C ilhebrew.flc -f script "WYte LETERZ aGNST HARD YSE" >> zz From dave.miller.uk at gmail.com Mon Nov 29 16:32:37 2010 From: dave.miller.uk at gmail.com (dave miller) Date: Mon, 29 Nov 2010 15:32:37 +0000 Subject: [NetBehaviour] national happiness index Message-ID: http://davemiller.org/drawings/austerity/national_happiness_index.png From marc.garrett at furtherfield.org Mon Nov 29 18:19:19 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Mon, 29 Nov 2010 17:19:19 +0000 Subject: [NetBehaviour] Furtherfield on Resonance FM Wednesday Dec 1st 2010. In-Reply-To: References: Message-ID: <4CF3E097.705@furtherfield.org> Furtherfield on Resonance FM Wednesday Dec 1st 2010. Join us on Resonance 104.4FM Wednesday, Dec 1st 2010. Time 7-8pm (UK - GMT). Hosts: Marc Garrett, Irini Papdimitriou & Jonathon Munro Special Guests: John Wild, Olga Panades Massanet & Vincent Van Uffelen Info & downloads of past broadcasts (scroll down page): http://www.furtherfield.org/resonancefm.php Live Resonance FM broadcast: http://resonancefm.com This critically acclaimed broadcast is every Wednesday evening at 7-8pm, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change; discussing events and controversies, exhibitions, artworks and their social contexts. Until Mid-December, regular host Marc Garrett is joined by Irini Papadimitriou & Jonathon Munro. Marc will be interviewing: John Wild, is an artist, anarchitect, and psychogeographical explorer of dataspace. He studied sculpture at the Royal College of Art (MA) and received a 1st class BA honours degree from Chelsea College of Art and Design. A dialogue between Art and Politics, and a collaborative DIY ethos are Central to Wild's practice. John has collaborated with the Space Hijackers (http://www.spacehijackers.co.uk/), We Are Bad (http://wearebad.net/), Savage Messiah and is a member of the Limehouse Town Hall Boxing Club London, UK (http://the-boxing-club.blogspot.com/). Wild has gained much recognition for his work with images created by the controversial Rapiscan Secure 1000 security scanner currently in use at Heathrow. http://www.rupture.co.uk/ Irini & Jonathan will be interviewing: Olga Panades Massanet & Vincent Van Uffelen. The collaborative project Deep Media Ecologies emerged out of Olga Panad?s Massanet and Vincent Van Uffelen curiosity driven investigation of the relationships between human bodies, communication and technology. Olga carries practical and theoretical research in the field of media arts. She works as a co-editor with Furtherfield.org while she pursues a practice-based PhD at Goldsmiths. Her research project looks into assemblages of sunlight, human bodies and machines. She is particularly interested on subtle modes of communication across bodies of radically different nature. She looks at the ways in which electronic circuits, computational systems, endocrine processes and neurological happenings intermingle. The tools she develops are speculations about the undercurrents of body communication. http://virtualfirefly.wordpress.com Vincent is an artist and digital craftsman who exhibited his work in UK and abroad. He studied computer science, media studies, and cultural studies and gained thereby a sound theoretical foundation that supports now his critical research of the murky entanglement of media, computation, and matter. At present he creates: devices to act in the physical domain, probes that reveal, things that meddle with communication processes, as well as objects that provoke thoughts. http://vincentvanuffelen.com Also showcasing music and noise, providing a rolling lineup of experimental creative adventures for your amusement. http://www.furtherfield.org http://resonancefm.com From mail at peterodoherty.net Mon Nov 29 20:47:31 2010 From: mail at peterodoherty.net (Peter O'Doherty) Date: Mon, 29 Nov 2010 20:47:31 +0100 Subject: [NetBehaviour] Linux Radio. In-Reply-To: <4CF38B1C.6010405@furtherfield.org> References: <4CF38473.4080003@furtherfield.org> <4CF38690.9020902@furtherfield.org> <4CF388D4.6040703@peterodoherty.net> <4CF38B1C.6010405@furtherfield.org> Message-ID: <4CF40353.1000405@peterodoherty.net> No, neither can I. When I saw your announcement I was delighted, thinking the original radioqualia group were "broadcasting" again. Without jumping to conclusions, it seems to raise again the perennial and interesting question of "originality". Best wishes, Peter On 11/29/2010 12:14 PM, marc garrett wrote: > Hi Peter, > > Not sure, I've checked to see but cannot find any connections... > > marc > >> Is this by the same people who created "Free Radio Linux" which >> broadcast from 2002 - 04, radioqualia >> (http://www.radioqualia.net/telemetry/index.html)? >> >> Best wishes, >> Peter >> >> >> On 11/29/2010 11:55 AM, marc garrett wrote: >>> Hi James, >>> >>> I knew you'd love it - the main reason I posted it on here :-) >>> >>> marc >>> >>>> Love it! >>>> >>>> >>>> >>>> On 29 November 2010 10:46, marc garrett wrote: >>>>> Linux Radio. >>>>> >>>>> Linux Radio is an online radio station broadcasting the Linux kernel! >>>>> Each time someone visit the site, a random source file is selected and >>>>> read loudly by a virtual speaker materialized through the open source >>>>> speech synthesizer eSpeak. >>>>> >>>>> http://www.linux.fm/ >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> NetBehaviour at netbehaviour.org >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> NetBehaviour at netbehaviour.org >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> -- >> //============================= >> -> Peter O'Doherty >> -> http://www.peterodoherty.net >> -> mail at peterodoherty.net >> -> facebook: Peter-ODoherty >> //============================= >> >> >> _______________________________________________ >> NetBehaviour mailing list >> NetBehaviour at netbehaviour.org >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > _______________________________________________ > NetBehaviour mailing list > NetBehaviour at netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- //============================= -> Peter O'Doherty -> http://www.peterodoherty.net -> mail at peterodoherty.net -> facebook: Peter-ODoherty //============================= From sondheim at panix.com Tue Nov 30 07:30:16 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 30 Nov 2010 01:30:16 -0500 (EST) Subject: [NetBehaviour] Clarksberg Message-ID: Clarksberg as if it were Clarksberg 1942. as if there were a large 'oriental' population in Clarksberg. as if they were a 'swarthy' hebrew-speaking 'race.' as if they played the 'sad mournful melodies of their people.' as if there were a wire recorder and an eager collector. as if he asked my father to demonstrate his 'unusual instrument.' as if my father obliged. as if he always obliged. as if he sat on the edge of the cabin porch. as if he leaned forward and tuned his 'unusual instrument.' as if he began to play. as if the wind picked up. as if he played the 'eerie minor keys of his people.' as if he played the 'ancient tunes' remembered 'from his childhood.' as if he looked sad and thoughtful. as if he'd stop now and then and listen to the wind. as if you were in Clarksberg 1942. as if you listened in the wind. http://espdisk.com/alansondheim/langue.mp3 From sondheim at panix.com Tue Nov 30 09:42:52 2010 From: sondheim at panix.com (Alan Sondheim) Date: Tue, 30 Nov 2010 03:42:52 -0500 (EST) Subject: [NetBehaviour] * splay * (fwd) Message-ID: * splay * * gaping open * splitting wider * opening and stretching * cutting through * pulling tendons * sudden relief * splaying wider * stripping atoms * collapsing comfort * http://www.alansondheim.org/splay.mp4 * heating tissue * burning tensions * torn tendons * bruising organs * healing closure * * splitting gaping wider open * splitting and wider stretching opening cutting and * stretching gaping cutting * through * pulling relief tendons * sudden wider relief * splaying through stripping tendons atoms collapsing * comfort collapsing http://www.alansondheim.org/splay.mp4 * heating tensions tissue * burning tendons tensions * torn organs bruising tissue organs * healing closure * wider splitting open gaping * wider splitting open and and opening stretching splitting opening gaping cutting gaping through tendons pulling and relief * tendons stretching sudden relief splaying stripping stripping atoms atoms sudden collapsing comfort collapsing http://www.alansondheim.org/splay.mp4 comfort heating * tensions burning tissue tendons burning * torn heating organs tensions bruising tissue healing tissue closure organs * gaping wider * splitting wider open splitting gaping open and wider opening open stretching splitting cutting gaping through tendons tendons pulling pulling stretching relief tendons sudden splaying splaying stripping stripping and atoms collapsing atoms comfort sudden http://www.alansondheim.org/splay.mp4 heating http://www.alansondheim.org/splay.mp4 tensions heating burning * tissue burning torn organs organs bruising bruising tissue healing closure From redazione at digicult.it Tue Nov 30 11:46:57 2010 From: redazione at digicult.it (Redazione Digicult) Date: Tue, 30 Nov 2010 11:46:57 +0100 Subject: [NetBehaviour] :::DIGICULT_DIGIMAG 59 / NOVEMBER 2010_ONLINE::: Message-ID: Sorry for any crosspostings Digicult presents: Digimag 59 - November 2010 http://www.digicult.it/digimag_eng/ The November Digimag Issue is finally online. Digimag is the Digicult's project monthly magazine, which focuses on the impact of new technologies and modern sciences on art, design, culture and contemporary society. As usual, the scientific pubblication is rich of interviews, critical essays, reports of festivals and joins some of the most intriguing artists, designers, theoricians, critics like: Janne Kytt?nen/Freedom of Creation, Daniel Dendra/Open SimSim, Gillo Dorfles, Anders Weberg, Achim Wollscheid, Jos? Luis de Vicente, Loris Greaud, Valentina Valentini/Tv-Arts-Tv, Susa Pop/Connecting Cities, Cao Fei, Morgan Nardi, Frieze Art Fair... . . . . . . . . . . . . . . . . . . . . . . . . "...FOC was born at the same time as "digital culture". We anticipated this trend and have explored and developed 3D printing technologies since the very first days of this new phenomenon. Nevertheless you might not think of digital culture while looking at our designs. Most of them are just subtle beauties that can also be appreciated and understood by someone who has never even turned on a computer. However, the world is quickly changing and this decade has given people in various fields of life the opportunity to become the star they always wanted to be. Be it cooking, dancing, singing or becoming a video artist, through all the new talent platforms and networks, it all seems possible today. The same will also happen to our new designs, which will give the people more freedom to interact with the designs online and have their wildest dreams come true...." Janne Kytt?nen, from "Freedom of Creation. Open Design will change the world" - by Luigi Ghezzi . . . . . . . . . . . . . . . . . . . . . . . . [INTERVIEWS]: - FREEDOM OF CREATION. OPEN DESIGN WILL CHANGE THE WORLD http://www.digicult.it/digimag/article.asp?id=1934 by Luigi Ghezzi / Eng: Stefano Avola & Jessica Williams - GILLO DORFLES. AESTHETICS, ELECTRONICS AND TEXTUALITY http://www.digicult.it/digimag/article.asp?id=1924 by Pasquale Napolitano / Eng: Henriette Vittadini - DANIEL DENDRA E OPEN SIMSIM. OPEN SOURCE AND ARCHITECTURAL PRACTICE http://www.digicult.it/digimag/article.asp?id=1928 by Elena Biserna / Eng: Stefano Avola & Jessica Williams - ANDERS WEBERG. URL AND NETWORKS AS ARTWORKS http://www.digicult.it/digimag/article.asp?id=1930 by Mathias Jansson - A TASTE OF ILLUSION. THE ART OF LORIS GREAUD http://www.digicult.it/digimag/article.asp?id=1923 by Mattia Casalegno - THE CHARM OF PRECARIOUSNESS. A CONVERSATION WITH JOSE' LUIS DE VICENTE http://www.digicult.it/digimag/article.asp?id=1932 by Barbara Sansone / Eng: Andrea Cariello & Hannah Cooper - URBAN SPACE AND MOLTITUDE. ACHIM WOLLSCHEID'S WORK http://www.digicult.it/digimag/article.asp?id=1926 by Claudia Maina / Eng: Stefano Avola & Jessica Williams - SUSA POP: CONNECTING CITIES. NEW FORMATS OF URBAN COMMUNICATION http://www.digicult.it/digimag/article.asp?id=1925 by Silvia Bertolotti / Eng: Stefano Avola & Jessica Williams - TV/ARTS/TV - BEYOND THE SCREEN! AN INTERVIEW TO VALENTINA VALENTINI http://www.digicult.it/digimag/article.asp?id=1936 by Herman B. Mendolicchio - MORGAN NARDI. THE CHARM OF NEW CHOREOGRAPHY http://www.digicult.it/digimag/article.asp?id=1933 by Massimo Schiavoni / Eng: Francesca Lattanzi . . . . . . . . . . . . . . . . . . . . . . . . [IN DEPTH]: - CAO FEI: DEMOLISHING THE VIRTUAL. RMB CITY AND THE CRISIS OF ART-REALITY http://www.digicult.it/digimag/article.asp?id=1935 by Robin Peckham - WEB'S UNCONSCIOUS. WHAT DOES A TECHNICAL IMAGE SAY OF YOU? http://www.digicult.it/digimag/article.asp?id=1929 by Loretta Borrelli / Eng: Henriette Vittadini - INTERRUPTIVE SITE-SPECIFICITY. IN CONTEMPORARY DIGITAL ART http://www.digicult.it/digimag/article.asp?id=1927 by Eugenia Fratzeskou . . . . . . . . . . . . . . . . . . . . . . . . [REPORT]: - FRIEZE ART FAIR. ART TO TRANSFORM THE REALITY http://www.digicult.it/digimag/article.asp?id=1931 by Alexandra Purcaru . . . . . . . . . . . . . . . . . . . . . . . . [ATTACHMENT]: - CONNECTING LA HAVANA. CURATORIA MILITANTE, MEDIA TATTICI E LA SINDROME DI YOANI SANCHEZ http://www.digicult.it/digimag_eng/allegato.html by Lucrezia Cippitelli [COVER]: Freedom of Creation - 1597 Wall Light (D32) . . . . . . . . . . . . . . . . . . . . . . . . [THE PROJECT]: DIGICULT is an online/offline Italian platform, created to spread digital art and culture worldwide. It focuses on the impact of new technologies and modern sciences on art, design, culture and contemporary society. DIGICULT is based on participation of more than 40 professionals, representing a wide Italian Network of critics, curators and journalists in the field. DIGICULT is the editor of the magazine DIGIMAG, which focuses on some cultural and artistic issues like internet art, hacktivism, electronica, video art, audiovideo, art & science, design, new media, software art, performing art . . . . . . . . . . . . . . . . . . . . . . . . [DIRECTION & MANAGEMENT COMMITEE]: Marco Mancuso (Digicult project Director and Teacher at New Academy of Fine Arts / Naba of Milan) ; Claudia D'Alonzo (International Doctorship in Audiovisual Studies, University of Udine) ; Bertram Niessen (Researcher at Sociology Deparment of Statale University Milan - Bicocca) ; Lucrezia Cippitelli (Phd at Sapienza University Rome and Teacher at Fine Arts Academy of L'Aquila) [EIDITORIAL STAFF & TRANSLATIONS]: Luca Restifo (Technical Consultancy) ; Claudia D'Alonzo (Press Office) ; Giovanni Damiola (Web Strategies & Social Networks) ; Giuseppe Cordaro (Podcast Editing) ; Riccardo Vescovo (Graphic Design) ; Laurea Magistrale in Traduzione Specialistica, Universit? IULM di Milano (Website Translations) ; Francesca Lattanzi - Sara Cavagna - Henriette Vittadini - Andrea Cariello - Stefano Avola - Jessica Williams - Hannah Cooper (Magazine Translations) [EDITORIAL BOARD]: Tatiana Bazzichelli ; Bertram Niessen ; Teresa De Feo ; Luigi Ghezzi ; Giulia Baldi ; Domenico Quaranta ; Massimo Schiavoni ; Monica Ponzini ; Annamaria Monteverdi; Valentina Tanni ; Lucrezia Cippitelli ; Silvia Bianchi ; Claudia D'Alonzo; Barbara Sansone ; Giulia Simi ; Silvia Scaravaggi ; Alessio Galbiati ; Antonio Caronia ; Clemente Pestelli ; Donata Marletta ; Stefano Raimondi ; Loretta Borrelli ; Carla Langella ; Marco Riciputi ; Elena Gianni ; Francesco Bertocco ; Silvia Casini ; Jeremy Levine ; Serena Cangiano ; Micha Cardenas , Mark Hencock , Pasquale Napolitano ; Simona Fiore ; Zoe Romano ; Enrico Pitozzi ; Eugenia Fratzeskou ; Maria Chatzichristodoulou ; Mattia Casalegno ; Robin Peckam ; Sabina Cuccibar ; Silvia Bertolotti ; Simone Broglia ; Claudio Musso ; Elena Biserna ; Claudia Maina ; Henriette Vittadini ; Neva Pedrazzini ; Maria Chatzichristodoulou ; Felipe Zuniga ; Mathias Jansson ; Alexandra Purcaru ? . . . . . . . . . . . . . . . . . . . . . . . . The Digicult Archive: past issues, articles and interviews http://www.digicult.it/en/Archive/ The Digicult Board: http://www.digicult.it/digimag_eng/board.asp The Digicult website: www.digicult.it/en The Art-Agency Digimade: www.digicult.it/agency From marc.garrett at furtherfield.org Tue Nov 30 12:33:13 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Tue, 30 Nov 2010 11:33:13 +0000 Subject: [NetBehaviour] DIY Sound-Activated High-Speed Photography. Message-ID: <4CF4E0F9.1080708@furtherfield.org> DIY Sound-Activated High-Speed Photography. Have you ever wanted to catch the perfect photo with your SLR camera but couldn't time the shot just right? Photography enthusiast Matt Richardson brings us an instructional video (http://blog.makezine.com/archive/2010/11/how-to_arduino_high_speed_photograp.html) over at Make Magazine that shows how to use some very basic breadboarding and an Arduino Nano (http://en.wikipedia.org/wiki/Arduino) to do some high-speed flash photography that is timed by sound instead of your finger hitting the button on the camera. He pops a balloon and smashes a wine glass to show some results. His code is available on Github (https://github.com/mrichardson23/Arduino-Audio-Flash-Trigger), and you can find more of this sly hardware hacker on his YouTube channel (http://www.youtube.com/user/mrichardson23). Info from Slashot.org marc From leonardo.electronic.almanac at gmail.com Tue Nov 30 09:17:58 2010 From: leonardo.electronic.almanac at gmail.com (Lanfranco Aceti) Date: Tue, 30 Nov 2010 09:17:58 +0100 Subject: [NetBehaviour] ISEA2011 Istanbul - EXTENDED DEADLINE JANUARY 15, 2011 Message-ID: ISEA2011 Istanbul EXTENDED DEADLINE JANUARY 15, 2011 Dear Colleagues and Friends, After receiving many requests to extend the deadline we have decided to announce a new deadline January 15, 2011 for submission of presentations, art talks, panels, artworks and workshops. The submission of full papers is due on May 1, 2011. For our European colleagues and surrounding countries, please look at this link for Erasmus funding http://isea2011.sabanciuniv.edu/erasmus.html We are also looking for funding in the United States in order to facilitate students' and faculty attendance to ISEA2011 Istanbul. If you know of funding bodies in your own countries which would provide grants for attending the conference or for artists to showcase their work - ISEA2011 Istanbul will support you. ISEA2011 Istanbul will publish the conference proceedings through the Leonardo Electronic Almanac (LEA) with ISSN, ISBN and DOI (citation indexed). As always we look forward to working with you. To be kept abreast with all activities please sign up to our two newsletters: http://doc.gold.ac.uk/~ma701pt/isea11/lists/?p=subscribe&id=1 Please feel free to disseminate this announcement. With kind regards, -------------- next part -------------- An HTML attachment was scrubbed... URL: From marc.garrett at furtherfield.org Tue Nov 30 12:45:04 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Tue, 30 Nov 2010 11:45:04 +0000 Subject: [NetBehaviour] The internet's cyber radicals: heroes of the web changing the world. Message-ID: <4CF4E3C0.1050208@furtherfield.org> The internet's cyber radicals: heroes of the web changing the world. A generation of political activists have been transformed by new tools developed on the internet. Here, a leading net commentator profiles seven young radicals from around the world. By Aleks Krotoski. ..."In particular, there has been an explosion of technologies to circumvent censorship in countries where panic-stricken regimes have tried to stem dissident information. For example, Walid al-Saqaf developed an encryption technology called alkasir when the Yemeni government closed down his news aggregation site, YemenPortal.net. As the son of a campaigning journalist who died in mysterious circumstances, al-Saqaf felt that it was important that he use both his journalism and IT skills to get around the blockade, "because I felt it would have been a betrayal to my own profession to simply manipulate what people see". "Information freedom is essential if you're really going to live a dignified life," he argues. more... http://www.guardian.co.uk/technology/2010/nov/28/internet-radicals-world-wide-web From marc.garrett at furtherfield.org Tue Nov 30 12:57:12 2010 From: marc.garrett at furtherfield.org (marc garrett) Date: Tue, 30 Nov 2010 11:57:12 +0000 Subject: [NetBehaviour] The Art of DeTouch. Message-ID: <4CF4E698.2040201@furtherfield.org> The Art of DeTouch. The Art of DeTouch explores the manipulation of images related to the human form. Drawing photographs from existing online portfolio sites of professional re-touch artists, this application allows a user to explore precisely how the images were altered. Using Processing, an open source programming language and environment, before and after images are compared algorithmically pixel by pixel to generate visualizations of the alterations. http://detouch.org/ From info at furtherfield.org Tue Nov 30 13:00:25 2010 From: info at furtherfield.org (info) Date: Tue, 30 Nov 2010 12:00:25 +0000 Subject: [NetBehaviour] =?windows-1252?q?Richard_Stallman_=96_The_free_sof?= =?windows-1252?q?tware_movement=2E?= Message-ID: <4CF4E759.2000801@furtherfield.org> Richard Stallman ? The free software movement. An interview to Thanasis Priftis for Re-public. Free software changes the way value is produced, argues Richard Stallman, because the business or worker can make the software do what he or she wants it to do. It alters patterns of innovation by inviting everyone to participate. http://www.re-public.gr/en/?p=86 From info at furtherfield.org Tue Nov 30 13:02:46 2010 From: info at furtherfield.org (info) Date: Tue, 30 Nov 2010 12:02:46 +0000 Subject: [NetBehaviour] =?windows-1252?q?Call_for_papers_=96_Piracy_as_act?= =?windows-1252?q?ivism=2E?= Message-ID: <4CF4E7E6.80000@furtherfield.org> Call for papers ? Piracy as activism. http://www.re-public.gr/en/?p=3059 Online journal Re-public invites contributions for its upcoming special issue titled ?Piracy as activism?. In spite of its long and intense presence in the popular imagery, piracy is a concept that has only scarcely and timidly been linked to forms of political activism. Mostly seen through the lens of criminalisation and policing (including also the transgression of the existing order by the heroic pirates) piracy has rarely been analysed in relation to its influence in shaping the everyday life of contemporary communities. Piracy, in the seas or lands or digital networks, encompasses a wide array of practices that shape, and often transform, these spaces and networks. Apart from this constitutive power, pirate practices also challenge the formal organisation of spaces and networks, by projecting and instituting alternative mobilities, hierarchies, boundaries, and social relations. This special issue aims to explore pirate practices and subjectivities in terms of their resistance to the dominant organisations of everyday life. Possible topics might include: Piracy and the control of digital networks Pirate networks, pirate markets and the transformation of urban space Production, labour and the pirating of copyright, patents, and trademarks Piracy and the administration of space Pirate economies and the globalisation of capitalism Essays should be approximately 1,500 ? 1,800 words. Please submit contributions in any electronic format to e-mail: editors at re-public.gr Deadline for submissions: 15 December 2010 From erika at autonomedia.org Tue Nov 30 16:12:04 2010 From: erika at autonomedia.org (Erika Biddle) Date: Tue, 30 Nov 2010 10:12:04 -0500 Subject: [NetBehaviour] newish book from Autonomedia Message-ID: <8528CDD4-DF4F-4D9D-927C-FFB88C538F44@autonomedia.org> A belated announcement for Shannon Bell's Fast feminism (Autonomedia 2010): Fast feminism is a new-old feminism grounded in politics, performance and philosophy. It is in close proximity to feminisms of the poststructuralist variety?third-wave feminism, queer feminism, cyberfeminism and feminism 3.0. While fast feminism operates in proximity to other feminisms, its ?natural? home is in queer theory. Queer gets its meaning and its politics from its oppositional relationship to hegemonic norms. To queer something is to disrupt it, to put it under scrutiny and to attempt to change it. Fast feminism takes the hypermasculine speed of Paul Virilio and makes it feminist. It is the bastard offspring and the happy accident of speed theory. Fast feminism is a philo-porno-political practice?a pragmatic philosophy and politics?enacted by the pornographic sage who moves through the text as ?FF.? Fast feminist event sites include female ejaculation, drag-kinging, an infamous child-pornography trial, Bataillean fucking at a women?s bathhouse, posthuman-humachine seduction and sex organ tissue-engineering. FF?s philosophy is lived. Actions count. One resists with one?s body. + + + Shannon Bell is a performance philosopher who lives and writes philosophy-in-action. Her books include: Reading, Writing and Rewriting the Prostitute Body (Indiana University Press, 1994); Whore Carnival (Autonomedia, 1995); Bad Attitude/s on Trial, Brenda Cossman, Shannon Bell, Lise Gotell and Becki Ross (University of Toronto Press, 1997); New Socialisms, eds. Robert Albritton, Shannon Bell, John R. Bell and Richard Westra (Routledge, 2004); and Fast Feminism. + + + Bell is an associate professor in York University?s Political Science department, Toronto, Canada. She teaches modern and postcontemporary theory, cyberpolitics, postidentity politics, aesthetics and politics, violent philosophy and fast feminism. + + + For more information: www.fastfeminism.net and www.autonomedia.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From paulorcbarros at uol.com.br Tue Nov 30 19:53:45 2010 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Tue, 30 Nov 2010 16:53:45 -0200 Subject: [NetBehaviour] "Metacortex" at TroyArt - International Exhibition In-Reply-To: <4cf54710b9133_5f4f8f50e6c1c@weasel6.tmail> References: <4cee5a45ad4e0_7804c7c6670113@weasel11.tmail> <4cf54710b9133_5f4f8f50e6c1c@weasel6.tmail> Message-ID: <4cf54839ef691_7c3a8f50e6c1cc@weasel6.tmail> http://toymube.blogspot.com/2010/11/paulo-barros-125.html Sculpture Brazilian Museum (MuBE): http://www.mube.art.br/?Homepage TroyArt: http://www.troyart.com/ All the best, Paulo From j.thomson at ucl.ac.uk Tue Nov 30 23:28:18 2010 From: j.thomson at ucl.ac.uk (Jon Thomson) Date: Tue, 30 Nov 2010 22:28:18 +0000 Subject: [NetBehaviour] Slade School occupied by students Message-ID: You can support Slade students fighting against proposed 100% cuts to arts and humanities government funding in higher education and proposed tripling of student fees in the same breath. Sprrread the word! BLOG HERE: http://sladeoccupation.wordpress.com/?kalvis.com FACEBOOK: http://www.facebook.com/slade.occupation TWITTER: http://twitter.com/#!/SladeOccupation best wishes, Jon From info at furtherfield.org Tue Nov 30 23:51:31 2010 From: info at furtherfield.org (info) Date: Tue, 30 Nov 2010 22:51:31 +0000 Subject: [NetBehaviour] Call for Electronic Literature and Digital Art. Message-ID: <4CF57FF3.3090905@furtherfield.org> Call for Electronic Literature and Digital Art. Dear Writers and Friends, We will be holding an open reading period from December 1, 2010 - March 1, 2011 for our fourth issue of SpringGun. SpringGun is an online journal for poetry, flash fiction, digital art, electronic literature, book reviews, essays, and interviews. Past issues of our journal can be found here:http://www.springgunpress.com/journal We have published artists such as Jason Nelson, Mez Breeze, Sylvanus Shaw, Henry Gwiazda, and more. Submit now! http://springgun.submishmash.com/Submit Guidelines *Please note that all guidelines are strictly upheld. Poetry: 5 poems or 5 pages of poetry maximum Flash Fiction: stories must be 1, 000 words or less, 5 pieces maximum Book Reviews, Essays, and Interviews: 1,500 words or less, 3 pieces maximum For interdisciplinary digital art, include your contact info and a URL where we can navigate and/or view the work. If accepted you will be asked to upload your work to the SpringGun server. All published electronic literature will be added to the Electronic Literature Directory and archived. Artist/writer retains all rights. From info at furtherfield.org Tue Nov 30 23:57:33 2010 From: info at furtherfield.org (info) Date: Tue, 30 Nov 2010 22:57:33 +0000 Subject: [NetBehaviour] Hackitectura/ Workshop Talk/ Mapping the Commons, Athens. Message-ID: <4CF5815D.3060801@furtherfield.org> Hackitectura/ Workshop Talk/ Mapping the Commons, Athens. EMST National Museum of Contemporary Art, Athens Scroll down for english //////////// ???? ???? ????????? 2010 ??? Project Room ...Hackitectura ?????????????? ?? ????? ?????, ????? / Mapping the Commons, Athens ?????????: ????? ??????? ?????????? 1 ? 8 ?????????? 2010 ?????? & ???????? 8 ?????????? 2010 ???? 19.00 ???????? 9 ?????????? 2010 ? 23 ?????????? 2011 ??? ??????????????? ?? ????? ????? ??? ?????? ??????????; ??? ???????????? ? ???????? ????; ?? ???? ??????? ??? ??? ??? ????????? ?????; ?? ?????? ??????? ????????? ?????? ??????????? ??? ??? 1? ?????????? 2010 ????? ??? ??? 23 ?????????? 2011 ?? ???? ?????????????? ?? ????? ?????, ????? ??? ?????? Hackitectura ??? ??? ???????, ??? ??????? ??? ?????? ???? ???? ????????? 2010, ??????????? ??? ???????? ??? ?? Project Room ??? ???????????????? ?? ??? ???????? ?????????? ??? Bombay Sapphire gin. ? ???????? ?????????, ??? ????? ?????? ??? ??????? ??? ?????????????? ?????? ?? ????????????????? ?????????, ?? ?????????? ?? ??? ?????????????? ????? ???????????? ??? ?????????, ????????? ??? ???????? ??? ?????????????? ???????? ??? ?????? ?? ???????? ?? ??? ?????????? ???? ?????? ?? ???????? ? ???? ?commons/??????, ???? ? ??????? ???? ?? ?????????? ??????????? ????????? ??? ??? ???????????? ???? ???? ?????????? ??? ??????? ???? ???? ?????. ??????????? ????? ?? ???????? ?????? ??????? ?? ?? ???????, ? ????? ??? ??????????? ?? ?????????? ????? ??????????? ??? ?????? ?????????, ?????????? ??????????? ?????? ?????? ????? ??? ??????? ????????? ??? ??????????? ????. ?? ????? ??? ?? ????????? ??? ??? ????? ??? ??????????? ?? ?????????? ?? ??????????? ???? ???????? ???????????? ????? ??? ????? ???????????????? ?????? ??? ?? ???????????? ??? Project Room ??? ???????? ??? ??? ????????? ?? ??? ???????? ??? ??????? ??? ?? ???????????. T? ?????????? ?? ????????? ?? ?????????? ???????? ??? ????? ??? ??????? 1 ?????????? ???? 15.00 ???? ??? ?? ????? ????? ??? ??? ???? ??? ?????? 15.00 ? 17.00 ?? ??????? ???? ?? ?????? ????? ??? ??? ???? ????? ?????? ??????? ????????????, ??????? ??????? ??? ??????? ????????? ????????? ???????, ?????????-?????? ??? ?? ?????? ?????? ???????????, ?"? ????????? ??? ? ???????? ??? ?????? ??????" ????? ????????, ??? ???? ?????? ????? ??? ????????? ??????? ?????? ??????????, ??? Athens Wireless Metropolitan Network ??? ? ????? ???? 17.30 ? 19.30 ????????? ?? ???? ?? ????? ????????? ???? ?????? ??????? ???????? ??????????????, ???? ?? ??????? ??? ?????? ????? ????????, ???????? ???????????, ?? ???? ??? ??????: ?? ?????? ???????????? ?????????;? ????? ??????/ ???? ??????, ????????? ?????, ????????, ?????? ??? ?????? Errands, ?(M?????) A???????? ??????????? ?????? ???????? ???????, "?? ???? ???????????? ??' ?????????? (locative media) ??? ? ???????????? ??? ?????????? ??????????????" ??????????? ?????????: ????? ??????? ??? ??????? 8 ?????????? ???? 19.00 ?? Hackitectura ?? ???????? ??? ????? ??? ?? ???? ???? ??? ?? ???????????? ??? ??????????? ???? ?????. A????? ???? ?? ???????????????? ?? ???????? ??? ???? ?????. ?? Hackitectura ????? ???? ????????? ??????? ??? ????????????, ???????????, ??????????????? ??? ?????????? ??? ???????? ??? ???? Jos? P?rez de Lama, Sergio Moreno and Pablo de Soto ?? 1999 . ? ????? ???? ????????? ??? ???? ??????????? ??? ?? ???????????? ?????????? ????? ??? ?????????? ??? ??????? ????? ??????? ??? ?????????????? ??? ????????? ?????????. ????????????? ?? ???????? ????????? ??? ??? ??????????? ???????????? ??? ?? ?????????? ??? ????? ???????? ?????????? ?? ??? ???????? ??? ???? ??? ????????????? ???????????? ????????? ?????? ???????? ????????. ? ????? ?????? ?????? ??? ???????? ??? ???????????? ??? ??? ??????????? ?? ???????? ??????, ?? ?????????? ?????????? ??????? ??? ??? ?????????? ????? ??? ????????????? ???????. ???????????? ??????? ?????????????? ??? ?????? ????????????????? ??? ????? ??? ?????????, ???? ????????? ??? ??? ?????? ??? ?????. http://hackitectura.net/blog/ ??????? ???????? ?? ??? ???????? ?????????? ??? Bombay Sapphire gin. ///////////////////////////// ???? new commissions 2010 Hackitectura Mapping the Commons, Athens Curated by Daphne Dragona Workshop 1 ? 8 December 2010 Artists? Talk & Opening 8 December 2010, 19.00 Duration 9 December 2010 ? 23 January 2011 How can the new commons be mapped on the urban environment? How can their dynamic by located? What is their role in the life of the contemporary metropolis? The National Museum of Contemporay Art will be hosting from the 1st of December 2010 until the 23rd of January 2011 the project Mapping the Commons, Athens by the Spanish collective Hackitectura. The project is part of the EMST New Commissions 2010 for the Project Room of the museum that is kindly supported by Bombay Sapphire gin. The new project by Hackitectura, a team which is well known for its urban sociopolitical cartographies will aim to map the commons of Athens in collaboration with an interdisciplinary team of professors, researchers and students from academic institutions of the city. In particular, through a seven day workshop, the group will aim to examine what is the meaning of the commons today, what is their role in vulnerable financial periods like the one we are going through and how these elements can be located in the real and virtual space of the city. Taking into consideration the contemporary theory on the commons, the group will seek for zones of collaboration, communities producing shared resources as well as for modes of managing and organising the new commons. The gathered material will be used to form the content of an open online map and other audiovisual material which will be presented in the Project Room of the museum and on the internet, on the opportunity of the exhibition of the work that will follow. The workshop will start with roundtable discussions open to the public on Wednesday 1st December at 15.00 around the commons and the city of Athens. 15.00 ? 17.00 Session 1 From the natural commons to the new digital immaterial commons George Papanikolaou, ?Common Wealth and P2P production? Prodromos Tsiavos, ?Data-cracy and the Commons? Pavlos Hatzopoulos, "Piracy and the production of the commons? Ilias Marmaras, ?The common spaces of the virtual worlds? Kostas Karabelas, ?The action of the Athens Wireless Metropolis Network? 17.30 ? 19.30 Session 2 The city as a production space of the commons Dimitris Papalexopoulos, ?From the public to the common? Nelli Kabouri, Dimitris Parsanoglou, ?The fight of Athens: what kind of liberation would you prefer?? Tasos Sagris/ Void Network, ?Public Space, society, state and market? Errands, ?(Short) stories of an impromptu city? Dimitris Charitos, ? The locative media and the mapping of human activity? Moderation: Daphne Dragona On Wednesday the 8th of December, at 19.00 the Hackitectura will talk to the public about their work and the outcomes of their cartography in Athens. Right after the opening will take place. Hackitectura is a dynamic core of architects, artists, computer specialists and activists founded by Jos? P?rez de Lama, Sergio Moreno and Pablo de Soto in 1999. Their practice uses new technologies to create temporary spaces that can escape the formal structures of control and surveillance which are regulated by technological and political means in contemporary society. Inspired by hacker culture, they use free software and communication technologies to subvert established power structures through bottom-up organization and by creating alternative connections between disparate spaces. The group often works collaboratively, carrying out research into the effects of communication and technology on physical spaces, the formation of social networks and how these can be put to work for an activist agenda. Previous well known cartographies of the collective have taken place in Gibraltar, Asturias and Gaza. http://hackitectura.net/blog/ Free entrance With the kind support of Bombay Sapphire gin.