[NetBehaviour] NetBehaviour Digest, Vol 741, Issue 1

Elena Jovanova elena.jovanova at gmail.com
Sat Nov 13 20:34:53 CET 2010



Elena Marcevska
www.elenamarcevska.com
Sent from my iPad

On 13.11.2010, at 13:00, netbehaviour-request at netbehaviour.org wrote:

> Send NetBehaviour mailing list submissions to
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> When replying, please edit your Subject line so it is more specific
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> 
> 
> Today's Topics:
> 
>   1. Re: Simon Biggs a revisionist of his own history? (Simon Biggs)
>   2. np ({ brad brace })
>   3. MISSION IMPOSSIBLE 1862 (info)
>   4. Media Art History 2011 - Rewire (Virtualart Editor)
>   5. Critical Art Ensemble on the import of garage	biology today.
>      (info)
>   6. INTERNATIONAL JOURNAL OF ART,	CULTURE AND DESIGN TECHNOLOGIES
>      (IJACDT) (info)
>   7. Re: Simon Biggs a revisionist of his own history? (Paul Hertz)
>   8. My Robot Collection (PAULO R. C. BARROS)
>   9. Re: Simon Biggs a revisionist of his own history? (Simon Biggs)
>  10. direct from the interior (Alan Sondheim)
>  11. R.I.P Henryk Gorecki (Fung-Lin Hall)
>  12. Remnant from the Period of Destruction (Alan Sondheim)
>  13. PLEASE (Roboslob)
>  14. Ethernet Orchestra - Distant Presence II (Roger Mills)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Fri, 12 Nov 2010 12:28:32 +0000
> From: "Simon Biggs" <s.biggs at eca.ac.uk>
> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own
> 	history?
> To: "NetBehaviour for networked distributed creativity"
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <C902E370.2B1A8%s.biggs at eca.ac.uk>
> Content-Type: text/plain;	charset="ISO-8859-1"
> 
> LOL.
> 
> There are also three other Professor Simon Biggs's, including one who is a
> nuclear scientist. Not sure if that is worse than being a member of Combat
> 18!
> 
> Best
> 
> Simon
> 
> Simon Biggs
> s.biggs at eca.ac.uk  simon at littlepig.org.uk
> Skype: simonbiggsuk
> http://www.littlepig.org.uk/
> 
> Research Professor  edinburgh college of art
> http://www.eca.ac.uk/
> Creative Interdisciplinary Research in CoLlaborative Environments
> http://www.eca.ac.uk/circle/
> Electronic Literature as a Model of Creativity and Innovation in Practice
> http://www.elmcip.net/
> Centre for Film, Performance and Media Arts
> http://www.ed.ac.uk/schools-departments/film-performance-media-arts
> 
> 
>> From: James Morris <jwm.art.net at gmail.com>
>> Reply-To: NetBehaviour for networked distributed creativity
>> <netbehaviour at netbehaviour.org>
>> Date: Fri, 12 Nov 2010 10:51:35 +0000
>> To: NetBehaviour for networked distributed creativity
>> <netbehaviour at netbehaviour.org>
>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history?
>> 
>> It turns out the situation is much worse than we thought.
>> 
>> 
> http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm>
> l
>> 
>> It turns out Simon is a member of combat 18. I'd seriously advise
>> those thinking of saying a bad word against him to exercise extreme
>> caution...
>> 
>> 
>> But don't worry I'll have a word with my political contacts and we'll
>> see if we can't get him and his type exorcised from the art world :-)
>> 
>> James.
>> 
>> 
>> 
>> On 12 November 2010 01:01, Simone Bigger <simonebigger at yahoo.co.uk> wrote:
>>> 
>>> 
>>> 
>>> is Simon Biggs a revisionist of his own history?
>>> 
>>> The website http://www.littlepig.org.uk/ has the claim "at this site since
>>> 1994".
>>> Yet this domain appears to have been registered no earlier than May 2001
>>> (see Nominet UK).
>>> 
>>> If we go wayback
>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk
>>> that date tallies.
>>> But, we also find in 2001 that claim was "since 1995".
>>> 
>>> the plot thickens. wonder whats going on here then??????? is this ?just
>>> an elaborate cover for a shamefully poor website???
>>> 
>>> 
>>> 
>>> _______________________________________________
>>> NetBehaviour mailing list
>>> NetBehaviour at netbehaviour.org
>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>> 
>> 
>> 
>> 
>> -- 
>> _
>> : http://jwm-art.net/
>> -audio/image/text/code/
>> _______________________________________________
>> NetBehaviour mailing list
>> NetBehaviour at netbehaviour.org
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> 
> 
> 
> Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201
> 
> 
> 
> 
> ------------------------------
> 
> Message: 2
> Date: Fri, 12 Nov 2010 05:33:15 -0800 (PST)
> From: { brad brace } <bbrace at eskimo.com>
> Subject: [NetBehaviour] np
> To: netbehaviour at netbehaviour.org
> Message-ID: <Pine.SUN.4.58.1011120532490.15753 at eskimo.com>
> Content-Type: TEXT/PLAIN; charset=X-UNKNOWN
> 
> 
> 
> NOW PLAYING:
> ~~~ ~~~~~~~
> 
> five-hour recordings of/on the polar bear express train to moosonee, ontario:
> gateway to the canadian arctic
> 
> 
> recent compilations of grenadines (west indies) radio programming
> (parang season!)
> 
> latest release: LBOSPI recordings
> field-compilations from Lake Brule, Oil Springs and Peele Island
> ___
> ___
> ___
> 
> over 13 hours of fresh mp3 rips of long reticent monoaural, radio-drifts?, soup
> kitchens, police sirens, and forgotten film-soundtracks
> 
> 
> ---    bbs: brad brace sound                               ---
> ---    http://69.64.229.114:8000                           ---
> ---    http://bbrace.net/undisclosed.html                  ---
> 
> 
> ? strangely compelling recordings from car radio while travelling under
> high-frequency transmission lines in central california
> 
> 
> ---    bbs: brad brace sound                               ---
> ---    http://69.64.229.114:8000                           ---
> ---    http://bbrace.net/undisclosed.html                  ---
> 
> 
> [ eventually these will also be uploaded to internet archive, scrib and lulu ]
> 
> 
> The Global Islands Project:
> 
> http://www.archive.org/details/global_islands_project_island_1.0
> http://www.archive.org/details/global_islands_project_island_2.0
> http://www.archive.org/details/global_islands_project_island_3.0
> http://www.archive.org/details/global_islands_project_island_4.0
> http://www.archive.org/details/global_islands_project_island_5.0
> http://www.archive.org/details/global_islands_project_island_6.0
> 
> Global Islands Project -- ongoing series of multi-media pdf-books -- a
> pastoral, pictorial and phonic elicitation of island parameters...
> 
> http://www.bbrace.net/id.html
> http://bbrace.laughingsquid.net/id.html
> 
> 
> enjoy!  /:b
> 
> 
> 
> 
> 
> 
> ------------------------------
> 
> Message: 3
> Date: Fri, 12 Nov 2010 14:01:52 +0000
> From: info <info at furtherfield.org>
> Subject: [NetBehaviour] MISSION IMPOSSIBLE 1862
> To: netBehaviour for networked distributed creativity
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <4CDD48D0.1010704 at furtherfield.org>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> MISSION IMPOSSIBLE 1862
> 
> by Chris Ziegler
> 4 Channel-Video Installation with staged reading
> 20./21.11.2010, Muffatwerk in Munich
> 
> "An encounter between two generations of travelers to India: In an 
> interactive staged reading with a four-channel video installation for 
> performers and audience, media artist Chris Ziegler traces the life of 
> his great-great-grandfather Friedrich Ziegler, who traveled to India in 
> 1862 as a missionary."
> 
> Premiere 20. November 2010, 8 PM, Muffatwerk
> Performances also on: 21st November, 6 PM und 7.30 PM
> 
> exhibition: 4 Channel-Video Installation with interactive Table,
> 11 AM - 2h before performance begins
> 
> Place: Muffatwerk, Zellstrasse 4, D 81667 Munich, Germany
> Tickets: || 12,- EUR, red. 8,- EUR
> RESERVATION and INFORMATION: cz at movingimages.de || illi at theater-pr.de
> 
> 
> Chris Ziegler
> mobile +49172 89 56 328
> http://www.movingimages.de
> 
> //||||| / |< |||  ZKM | Karlsruhe
> Center for Art and Media Karlsruhe | Germany
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> 
> ------------------------------
> 
> Message: 4
> Date: Thu, 11 Nov 2010 19:42:19 +0100
> From: "Virtualart Editor" <Virtualart.Editor at donau-uni.ac.at>
> Subject: [NetBehaviour] Media Art History 2011 - Rewire
> To: "<marc garrett" <marc.garrett at furtherfield.org>
> Message-ID: <4CDC471B020000560000AD7C at gwgwia.donau-uni.ac.at>
> Content-Type: text/plain; charset=US-ASCII
> 
> Media Art History 2011 - Rewire
> Fourth International Conference on the Histories of Media Art, Science and Technology
> Liverpool, 28th September - 1st October 2011
> Call For Papers now open - Deadline Monday,January 31st 2011
> 
> 
> Host: FACT (Foundation for Art and CreativeTechnology), Liverpool
> In collaboration with academic partners: Liverpool john Moores University, CRUMB at the University of Sunderland, the Universities of the West of Scotland and Lancaster, and the Database of Virtual Art at the dept. for Image Science.
> 
> http://www.mediaarthistory.org/
> 
> Following the success of Media Art History 05Re:fresh in Banff, Media Art History 07 Re:place in Berlin and Media ArtHistory 09 Re:live in Melbourne, Media Art History 11 Rewire will host three days of keynotes, panels and poster sessions.
> 
> 
> Media Art History 2011 - Rewire will increase the voltage and ignite key debates within the internationally distributed network of histories, which takes account of the questions surrounding documentation and methodologies, materiality, and agency. Rewire aims to up the current to illuminate the British contribution to media art, and by looking at our industrial heritage and contribution to the history of computing technologies themselves, we will open the discussion to how these contributions are manifested internationally. Considering the International scope of the histories of media art, science and technology, Rewire is also listed as part of the "McLuhan in Europe" programme, and will take place concurrently with The Asia Triennial in Manchester and Abandon Normal Devices,the North West's festival of new cinema and digital culture which returns To liverpool in September 2011.The reviewers especially welcome proposals for presentations that
> resonate thematically with these events.
> 
> We are looking for original research on:
> * The relations between art, science, technology and industry, both historically and now
> * New paradigms and alternative discourses for media art and media art history, such as, for example, craft, design, social media, or cybernetics
> * Local histories and practices of media art,including (but not limited to) Britain
> * Colonial experiences and non-Western histories of media art, science and technology
> * Media art history in relation to the biological,biomedical and ecological sciences
> * Relations between the histories of media art and those of computing and new technologies
> * Writing art history in a technologised and scientific culture, including the documentation of media art and how it is changed in a technologised and scientific culture
> * How the field of science and technology studies(STS) can offer useful models for new paradigms for art history
> 
> 
> General papers will be accepted. The conference will be delivered in a range of formats, from panel discussions to Pecha Kucha sessions and video poster presentations, as well as a small number of invite speakers. The programme will include competitively selected, peer-reviewed individual papers, panel presentations, and poster sessions, as well as a small number of invited speakers. Keynote Lectures, by internationally renowned,outstanding theoreticians and artists, will deliberate on the central themes of the conference and will include the Roy Stringer Memorial Lecture, hold annually by FACT in memory of Roy Stringer, an early pioneer of digital media,champion of multimedia industries in the North West and Liverpool, and former chair of the Board at FACT. The conference will also include dedicated forum sessions for participants to engage in more open-ended discussion and debate on relevant issues and questions.
> 
> Please submit abstracts of no more than 250 words and a short cv by Monday 31 January 2011, either in Text, RTF, Word
> or PDF formats, and clearly identify three keywords for your paper via the Call for Papers.
> 
> Chaired by Professor Mike Stubbs, Director ofFACT, the panels at Rewire will be led by co-chairs - Paul Brown (Sussex,Deakin), Dr. Sarah Cook (CRUMB), Colin Davies (LJMU), Dr. Charlie Gere(Lancaster), Prof.
> Andy Miah (UWS), Prof. Ed Shanken (UvA) - on areas of their own expertise, and submissions will be juried by the co-chairs together with Rewire's International Advisory Committee of leading academics,artists and industry professionals.
> 
> 
> International Advisory Committee:
> Steven BALL, Tatiana BAZZICHELLI, Stuart COMER,Sean CUBITT, Dieter DANIELS, Sara DIAMOND, Vince DZIEKAN, Charles ESCHE, SarahFISHER, Jean GAGNON, Graham HARWOOD, Erkki HUHTAMO, Nick LAMBERT, Debbi LANDER,Tapio MAKELA, Chris MEIGH-ANDREWS, Frieder NAKE, Taylor NUTTALL, StevePARTRIDGE, Christiane PAUL, Ned ROSSITER, Paul SERMON, Jinsuk SUH, BrettSTALBAUM, Julian STALLABRASS, Atau TANAKA, Andrea ZAPP
> 
> 
> 
> 
> 
> 
> 
> ------------------------------
> 
> Message: 5
> Date: Fri, 12 Nov 2010 14:16:09 +0000
> From: info <info at furtherfield.org>
> Subject: [NetBehaviour] Critical Art Ensemble on the import of garage
> 	biology today.
> To: netBehaviour for networked distributed creativity
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <4CDD4C29.3030608 at furtherfield.org>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Critical Art Ensemble on the import of garage biology today.
> 
> Steve Kurtz interviewed by Alessandro Delfanti:
> 
> The Critical Art Ensemble (CAE) is a collective of artists and activists 
> based in the USA that work on the boundaries between science, technology 
> and radical politics. In 2004 Steve Kurtz, one of the members of CAE, 
> was arrested by the FBI under the charge of bioterrorism after the 
> police found the home lab and the bacteria cultures that were used for 
> CAE projects on the politics of biotechnology. Their book Molecular 
> Invasion theorized the use of do-it-yourself biology as a tool to 
> challenge the structures of power within the biotech industry and the 
> role of biotechnology in today's capitalist societies. In this 
> interview, Kurtz explores the differences between CAE and the emergent 
> movement of garage biology -- such as the DIYbio network -- its 
> political role and its future.
> 
> http://blog.p2pfoundation.net/critical-art-ensemble-garage-biology-today/2010/11/12 
> 
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> 
> ------------------------------
> 
> Message: 6
> Date: Fri, 12 Nov 2010 14:25:42 +0000
> From: info <info at furtherfield.org>
> Subject: [NetBehaviour] INTERNATIONAL JOURNAL OF ART,	CULTURE AND
> 	DESIGN TECHNOLOGIES (IJACDT)
> To: netBehaviour for networked distributed creativity
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <4CDD4E66.9090608 at furtherfield.org>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> INTERNATIONAL JOURNAL OF ART, CULTURE AND DESIGN TECHNOLOGIES (IJACDT)
> http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032
> 
> CALL FOR PAPERS
> 
> SPECIAL ISSUE: CREATIVITY,INNOVATION AND TECHNOLOGIES CULTURES
> Full Paper due: 10 December 2010
> 
> The International Journal of Art, Culture and Design Technologies 
> (IJACDT) which is devoted to links art, design, science, and culture 
> with emerging technologies will be publishing a special issue on 
> creative and innovative processes within technologies cultures.
> In this special issue, we will aim to explore and to uncover a variety 
> of creative and innovative insights arising from academic and 
> professional perspectives.
> It is a transdisciplinary approach for understanding the cutting edge of 
> theories and practices arising from the complex research areas and their 
> impact with the technological innovation as tool of creativity. The 
> issue will include original theoretical,empirical or methodological 
> contributions related to processes,tools or methods describing the 
> project as cultural acts within the explanation of the planning as well 
> as technological,scientific and cultural references.
> We also welcome high-quality case studies that can provide guidance on 
> improving the quality of the tecnologies cultures research.
> 
> TYPES OF SUBMISSIONS
> - Empirical research
> - Conceptual models
> - Theory building
> - Innovative methodologies and applications
> - Case studies
> - Book reviews on selected books,textbooks or specific topics 
> dealing,with values,concepts,and applications of breakthrough 
> information science and technology.
> 
> COVERAGE
> Topics to be discussed in this journal include (but are not limited to) 
> the following:
> # Aesthetics and semantics
> # Artworks, performances, and installations
> # Creative and innovative media arts concepts and projects
> # Cultural heritage within the Web
> # Cybernetics, artificial intelligence, and cognitive-based concepts and 
> practices
> # Digital art, digital culture, net art, and digital design
> # Edutainment
> # Human-computer interaction studies and applications
> # Human issues/impacts
> # Imaginary and creative concepts and applications
> # Information visualization in art and design issues
> # Innovative Web, Web3D, and multimedia studies and applications
> # Psychology and cognition studies
> # Social and ethical issues
> # Technologies for teaching art and design
> # Virtual architecture and heritage
> # Virtual, augmented, and mixed realities in art and design
> # Visual languages
> 
> SUBMISSION OF PAPERS:
> The Authors should submit their manuscript to the Editor 
> (gianluca.mura at polimi.it) with a length between 5,500 to 8,000 words, 
> including an abstract of 100-150 words maximum that summarizes the 
> mission and objectives of the manuscript. The Manuscript should be 
> prepared following the guidelines found at: 
> http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032&DetailsType=GuidelinesForSubmission
> 
> Submitted papers should not have been previously published nor be 
> currently under consideration for publication elsewhere. A double-blind 
> review process will be employed for this special issue.
> 
> SCHEDULE
> Full Paper due: 10 December 2010
> Special Issue publication: 1st January 2011
> 
> Editor-In-Chief
> Dr.Gianluca Mura
> Politecnico di Milano University
> Italy
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> 
> ------------------------------
> 
> Message: 7
> Date: Fri, 12 Nov 2010 13:02:23 -0600
> From: Paul Hertz <ignotus at gmail.com>
> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own
> 	history?
> To: NetBehaviour for networked distributed creativity
> 	<netbehaviour at netbehaviour.org>
> Message-ID:
> 	<AANLkTin1d=Ffc9D+XJc7gBq-tw8JoOx68pBcQS5-6w9o at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file
> just busted a gusset.
> 
> -- Paul
> 
> 
> On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs <s.biggs at eca.ac.uk> wrote:
> 
>> LOL.
>> 
>> There are also three other Professor Simon Biggs's, including one who is a
>> nuclear scientist. Not sure if that is worse than being a member of Combat
>> 18!
>> 
>> Best
>> 
>> Simon
>> 
>> Simon Biggs
>> s.biggs at eca.ac.uk  simon at littlepig.org.uk
>> Skype: simonbiggsuk
>> http://www.littlepig.org.uk/
>> 
>> Research Professor  edinburgh college of art
>> http://www.eca.ac.uk/
>> Creative Interdisciplinary Research in CoLlaborative Environments
>> http://www.eca.ac.uk/circle/
>> Electronic Literature as a Model of Creativity and Innovation in Practice
>> http://www.elmcip.net/
>> Centre for Film, Performance and Media Arts
>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts
>> 
>> 
>>> From: James Morris <jwm.art.net at gmail.com>
>>> Reply-To: NetBehaviour for networked distributed creativity
>>> <netbehaviour at netbehaviour.org>
>>> Date: Fri, 12 Nov 2010 10:51:35 +0000
>>> To: NetBehaviour for networked distributed creativity
>>> <netbehaviour at netbehaviour.org>
>>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history?
>>> 
>>> It turns out the situation is much worse than we thought.
>>> 
>>> 
>> 
>> http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm
>>> 
>> l
>>> 
>>> It turns out Simon is a member of combat 18. I'd seriously advise
>>> those thinking of saying a bad word against him to exercise extreme
>>> caution...
>>> 
>>> 
>>> But don't worry I'll have a word with my political contacts and we'll
>>> see if we can't get him and his type exorcised from the art world :-)
>>> 
>>> James.
>>> 
>>> 
>>> 
>>> On 12 November 2010 01:01, Simone Bigger <simonebigger at yahoo.co.uk>
>> wrote:
>>>> 
>>>> 
>>>> 
>>>> is Simon Biggs a revisionist of his own history?
>>>> 
>>>> The website http://www.littlepig.org.uk/ has the claim "at this site
>> since
>>>> 1994".
>>>> Yet this domain appears to have been registered no earlier than May 2001
>>>> (see Nominet UK).
>>>> 
>>>> If we go wayback
>>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk
>>>> that date tallies.
>>>> But, we also find in 2001 that claim was "since 1995".
>>>> 
>>>> the plot thickens. wonder whats going on here then??????? is this  just
>>>> an elaborate cover for a shamefully poor website???
>>>> 
>>>> 
>>>> 
>>>> _______________________________________________
>>>> NetBehaviour mailing list
>>>> NetBehaviour at netbehaviour.org
>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>> 
>>> 
>>> 
>>> 
>>> --
>>> _
>>> : http://jwm-art.net/
>>> -audio/image/text/code/
>>> _______________________________________________
>>> NetBehaviour mailing list
>>> NetBehaviour at netbehaviour.org
>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>> 
>> 
>> 
>> Edinburgh College of Art (eca) is a charity registered in Scotland, number
>> SC009201
>> 
>> 
>> _______________________________________________
>> NetBehaviour mailing list
>> NetBehaviour at netbehaviour.org
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>> 
> 
> 
> 
> -- 
> -----   |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)|   ---
> http://ignotus.com
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> ------------------------------
> 
> Message: 8
> Date: Fri, 12 Nov 2010 17:28:42 -0200
> From: "PAULO R. C. BARROS" <paulorcbarros at uol.com.br>
> Subject: [NetBehaviour] My Robot Collection
> To: "NetBehaviour for networked distributed creativity"
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <00fd01cb829f$d418d800$36a3fea9 at user7c0fd6f73e>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> 
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> 
> ------------------------------
> 
> Message: 9
> Date: Fri, 12 Nov 2010 19:46:40 +0000
> From: "Simon Biggs" <s.biggs at eca.ac.uk>
> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own
> 	history?
> To: "NetBehaviour for networked distributed creativity"
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <C9034A20.2B1FB%s.biggs at eca.ac.uk>
> Content-Type: text/plain;	charset="US-ASCII"
> 
> People always ask why littlepig? I never have an answer - so thanks to Paul,
> as now I do!
> 
> Best
> 
> Simon
> 
> 
> Simon Biggs
> s.biggs at eca.ac.uk  simon at littlepig.org.uk
> Skype: simonbiggsuk
> http://www.littlepig.org.uk/
> 
> Research Professor  edinburgh college of art
> http://www.eca.ac.uk/
> Creative Interdisciplinary Research in CoLlaborative Environments
> http://www.eca.ac.uk/circle/
> Electronic Literature as a Model of Creativity and Innovation in Practice
> http://www.elmcip.net/
> Centre for Film, Performance and Media Arts
> http://www.ed.ac.uk/schools-departments/film-performance-media-arts
> 
> 
>> From: Paul Hertz <ignotus at gmail.com>
>> Reply-To: NetBehaviour for networked distributed creativity
>> <netbehaviour at netbehaviour.org>
>> Date: Fri, 12 Nov 2010 13:02:23 -0600
>> To: NetBehaviour for networked distributed creativity
>> <netbehaviour at netbehaviour.org>
>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history?
>> 
>> Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file
>> just busted a gusset.
>> 
>> -- Paul
>> 
>> 
>> On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs <s.biggs at eca.ac.uk> wrote:
>> 
>>> LOL.
>>> 
>>> There are also three other Professor Simon Biggs's, including one who is a
>>> nuclear scientist. Not sure if that is worse than being a member of Combat
>>> 18!
>>> 
>>> Best
>>> 
>>> Simon
>>> 
>>> Simon Biggs
>>> s.biggs at eca.ac.uk  simon at littlepig.org.uk
>>> Skype: simonbiggsuk
>>> http://www.littlepig.org.uk/
>>> 
>>> Research Professor  edinburgh college of art
>>> http://www.eca.ac.uk/
>>> Creative Interdisciplinary Research in CoLlaborative Environments
>>> http://www.eca.ac.uk/circle/
>>> Electronic Literature as a Model of Creativity and Innovation in Practice
>>> http://www.elmcip.net/
>>> Centre for Film, Performance and Media Arts
>>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts
>>> 
>>> 
>>>> From: James Morris <jwm.art.net at gmail.com>
>>>> Reply-To: NetBehaviour for networked distributed creativity
>>>> <netbehaviour at netbehaviour.org>
>>>> Date: Fri, 12 Nov 2010 10:51:35 +0000
>>>> To: NetBehaviour for networked distributed creativity
>>>> <netbehaviour at netbehaviour.org>
>>>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history?
>>>> 
>>>> It turns out the situation is much worse than we thought.
>>>> 
>>>> 
>>> 
>>> 
> http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.ht>>
> m
>>>> 
>>> l
>>>> 
>>>> It turns out Simon is a member of combat 18. I'd seriously advise
>>>> those thinking of saying a bad word against him to exercise extreme
>>>> caution...
>>>> 
>>>> 
>>>> But don't worry I'll have a word with my political contacts and we'll
>>>> see if we can't get him and his type exorcised from the art world :-)
>>>> 
>>>> James.
>>>> 
>>>> 
>>>> 
>>>> On 12 November 2010 01:01, Simone Bigger <simonebigger at yahoo.co.uk>
>>> wrote:
>>>>> 
>>>>> 
>>>>> 
>>>>> is Simon Biggs a revisionist of his own history?
>>>>> 
>>>>> The website http://www.littlepig.org.uk/ has the claim "at this site
>>> since
>>>>> 1994".
>>>>> Yet this domain appears to have been registered no earlier than May 2001
>>>>> (see Nominet UK).
>>>>> 
>>>>> If we go wayback
>>>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk
>>>>> that date tallies.
>>>>> But, we also find in 2001 that claim was "since 1995".
>>>>> 
>>>>> the plot thickens. wonder whats going on here then??????? is this  just
>>>>> an elaborate cover for a shamefully poor website???
>>>>> 
>>>>> 
>>>>> 
>>>>> _______________________________________________
>>>>> NetBehaviour mailing list
>>>>> NetBehaviour at netbehaviour.org
>>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>> 
>>>> 
>>>> 
>>>> 
>>>> --
>>>> _
>>>> : http://jwm-art.net/
>>>> -audio/image/text/code/
>>>> _______________________________________________
>>>> NetBehaviour mailing list
>>>> NetBehaviour at netbehaviour.org
>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>> 
>>> 
>>> 
>>> Edinburgh College of Art (eca) is a charity registered in Scotland, number
>>> SC009201
>>> 
>>> 
>>> _______________________________________________
>>> NetBehaviour mailing list
>>> NetBehaviour at netbehaviour.org
>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>> 
>> 
>> 
>> 
>> -- 
>> -----   |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)|   ---
>> http://ignotus.com
>> _______________________________________________
>> NetBehaviour mailing list
>> NetBehaviour at netbehaviour.org
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> 
> 
> 
> Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201
> 
> 
> 
> 
> ------------------------------
> 
> Message: 10
> Date: Fri, 12 Nov 2010 17:19:49 -0500 (EST)
> From: Alan Sondheim <sondheim at panix.com>
> Subject: [NetBehaviour] direct from the interior
> To: netbehaviour at netbehaviour.org
> Message-ID: <alpine.NEB.2.00.1011121719420.22432 at panix3.panix.com>
> Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed
> 
> 
> 
> direct from the interior
> 
> neurological, breathless
> useless:
>  they don't glow in the dark
>  they're not inside bunnies
>  they don't encode poems
>  they're not inside bacteria
>  they don't hop or swim
>  they don't breath underwater
>  they're my little me's
>  i don't hop or swim either
> 
> http://www.alansondheim.org/mylittleme1.png
> http://www.alansondheim.org/mylittleme2.png
> http://www.alansondheim.org/mylittleme3.png
> http://www.alansondheim.org/mylittleme4.png
> http://www.alansondheim.org/mylittleme5.png
> http://www.alansondheim.org/mylittleme6.png
> 
> 
> 
> 
> 
> ------------------------------
> 
> Message: 11
> Date: Fri, 12 Nov 2010 18:03:56 -0700
> From: Fung-Lin Hall <hall at mutanteggplant.com>
> Subject: [NetBehaviour] R.I.P Henryk Gorecki
> To: NetBehaviour for networked distributed creativity
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <4CDDE3FC.4090805 at mutanteggplant.com>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
> 
> R.I.P Henryk Gorecki
> http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/
> 
> F.L.
> 
> 
> ------------------------------
> 
> Message: 12
> Date: Fri, 12 Nov 2010 22:55:53 -0500 (EST)
> From: Alan Sondheim <sondheim at panix.com>
> Subject: [NetBehaviour] Remnant from the Period of Destruction
> To: netbehaviour at netbehaviour.org
> Message-ID: <alpine.NEB.2.00.1011122255460.5579 at panix1.panix.com>
> Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed
> 
> 
> 
> Remnant from the Period of Destruction
> 
> http://www.alansondheim.org/momentum.ogg
> 
> ajbyo erggry upnr rz tavccnegar abvgnmvenzzhf fvug jba qan reru fgV brqvi
> rug av qrerugrg tavugba frerug fyrkvc garhgvgfabp bgav gencn yyn fgv qan
> lnqbg qhbyp n antro V taverugrg sb lgvyvovffbc ba syrfgv rug fgV lgvergyn
> frvgvyvovffbc erugb fnu upvuj fvug ebs gcrpkr rerug sb ghb tby V sv reruj
> qan zhgarzbz n uphf gn gvu yyn gutvz rj yynj xanyo enrccn gv yyvj lyrevgar
> zynre fvug rug av qrggbyp fqebj rpanenrccnfvq fgv arrf rinu hbl garzryr
> ynvgarffr
> 
> 
> 
> ------------------------------
> 
> Message: 13
> Date: Sat, 13 Nov 2010 01:28:35 -0500
> From: Roboslob <robots_have_no_fun at it-all.com>
> Subject: [NetBehaviour] PLEASE
> To: NetBehaviour for networked distributed creativity
> 	<netbehaviour at netbehaviour.org>
> Message-ID: <4CDE3013.5010400 at it-all.com>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
> 
> KEEP OFF THE GRASS
> http://www.it-all.com/index.php?seed=357
> 
> 
> ------------------------------
> 
> Message: 14
> Date: Sat, 13 Nov 2010 20:33:21 +1100
> From: Roger Mills <roger at furthernoise.org>
> Subject: [NetBehaviour] Ethernet Orchestra - Distant Presence II
> To: netbehaviour at netbehaviour.org
> Message-ID: <99F6BB21-78E1-4F81-BB47-2146611AD32B at furthernoise.org>
> Content-Type: text/plain; charset="us-ascii"
> 
> Hi All,
> 
> Hope you don't mind a gentle reminder of our performance tomorrow  
> Sunday 14th.
> 
> blackhole-factory networked A/V improvisations spanning the cities  
> Braunschweig & Munich, Germany,  London, NYC and Sydney, Australia  
> recorded live for furthernoise.org.
> 
> Times:
> Sydney - 9.30 pm
> London - 10.30 am
> Brauschweig - 11.30 am
> New York - 5.30 am
> 
> Open in separate browser windows:
> 
> audio stream http://radio.aporee.org:8000/aporee.m3u
> visual stream http://www.visitorsstudio.org/x.html
> 
> Check times outside these regions:
> http://www.timeanddate.com/worldclock/
> 
> Further details http://ethernetorchestra.netpraxis.net/info
> 
> Roger
> -------------- next part --------------
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> 
> ------------------------------
> 
> _______________________________________________
> NetBehaviour mailing list
> NetBehaviour at netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> 
> End of NetBehaviour Digest, Vol 741, Issue 1
> ********************************************



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