[NetBehaviour] SECOND AND FIRST (Maria Damon and Alan Sondheim)

Alan Sondheim sondheim at panix.com
Thu Nov 25 17:52:33 CET 2010


(not sure if I sent this, Alan, apologies)

SECOND AND FIRST

Maria Damon and Alan Sondheim

a re nish d .  un workable ar O e t a her s side, Lit . vak, not peason
antry but busie ness folks.  F hem le mi lea is lear str e y d and t
  u b rns l s to u tow r towa r owar e wards d , a fan t a mol s ole i lec
a ecu cular o i f n sma malap small r c o ap p s s , a nd h TWO M o , l a
h d
  ow to j m us i t x me nts wat .  ers f for examples S . Small ca p is an
A inves A t A c m A ca ent in A c t A y po a c g a ca r p a

ph is y w o h f a t a o c cc e u r r t s ai
n on k to in
d someth .  in .  g .  stt opping

topping som A et A hing A s els A st e A stopg ap is a cap and thr bells.
on cats, blocking mice in bleared unworkab

  l a e ats i a n re be as lls an caps will never catch mice. Mice are u t
un ra unle gi ss c, of c a c ts ou rse a t h r e e pr c o m
  i d a l s is is a ca s a l a w . a warn ing, M N Mice are K com o e r s e
t a ib ' l s e , bombar c d ats me nt are , e co v m er b yo u n s e t i
sh b l shou e l .  d r r notice the text begins to ris N e Ni t Nic o Nice
t he top is in r r Par Franm ce, s not so K somet o i re m a es these
spaces a pear a s b odie Korea s, typing above .  and b r r elow r r The
text s so somet i i me s s as sus sp pe ension br b i u d b g bl e ing t
dges o t s, he top wiht i c a e l l or t oth othe r
   w is j e , whil c e o n al
  n l e cting N it i s c e to t
  M re a asure l s t a s ' in s k
    t r r f o t fa he falc botto o r r bottom r r r
  r Sometimes a text is c r cr ea cra ll crash y e o d n l t y o w a a rs
text, a bl ank d et s

  fo b r ottoms, submerge cer d ebr , a

  l w r r ar b m but t

  h if r r a c co te cov x cove t cover in i g s really j th us e t se n a
se s te x l t i , k t e h en what of w o t o ha l t len , if
    a ci gar is l j e u n s t a ci r r cigar, la th c e e n th w at h
   at t o r f a t s he p s moke ,

    c ancer, p s man a p tur s ure the b ody r r ' ba 's n sub 's merged 's
o en 's own t er he p at rises r r the body of r r
  the text wo woo t wool r e ap n s

  its la o c w e n s t eem h s, N
    i ce hea , t a co n t di iction in terms, n e at h e ear n
  t by mice r r , rough i in t in o in i in it t s h e m r r t o to u tou t
touc h h , the mouth of the text r r r
  r should noti w c wo e wool r r inside, in i s its i its o p w i n d w s
i p th a in c e t s he , m outh, cl i o t t ' ti s ng the wound t s of a l
b an o
  g ve uage nes , s b a u n t d
      t b ha l t o r r w just soun d
   s too e p l oe o t w i n c r r e t s to s too r r too pretentio i u it s
it's r r d t its its its die ha r dn x e s p s h a i n l d o it s s o phi
bl c owhardness r r r r in all directions, c t l to o too t too tti too p
ng oe , ti c in , a l n l o d t irectio n at a s ll , t r r he si t l to e
too n too cin too p g r e of langua t g e e n , s N iou s, K r r Kore p a
a

  s s il d e u n ci tout ng the r r
  south, what n n no ow no, it's p r r hysical, p n pa ot pad a d b e s s t
r d a e ct u , x the e s clotting and the r r a st ab o abso p r p b in s
g , t t he h r r e ca b capp l cappi o ng o and blood the bl
   ee d i n g , t h e t rap p in g an d the l caul i ing tt r r le, / the
the r h es e
  p m on o se g and th l e obin, what does th r r that say about the body's
surging r r silence of the North resp .  onse r r t r r o surgi S ng Su
Sur an Surg d Surge t a he n d s ilen s c ea e r o g f e th e b o dy, r r
r g r r eant it's her , e , s I er t e hink ge i , s a woo

  l wonders , clot

  h alw r r ays wonderin s g, sta fo stan r e stanch x i a n m g p t l he e
s , t
    ai f n iv s e minute r r s after r r i die, what will Azure see, where
will she turn r r we all i hav i e i d t i do h e n s o e t thin b g se ba
a e bar b barr u barri t arriers g
    a t e s , filled n b k y fi a c b ti o o u n t s m o y f
    d p ea aa t r h a r r dise i i do

  n o thing abou p t my d eath pa r r ra a d al i all s all e, all i o ne
th e e d r t g o a do te i e
  s s , u r r p ag d agh a agha te s t my will r r r r other o i or se or
or y ur othe othes F othe a other c s e ie boo k w pa i g se e i'm good to
g r r o, as they say i r
  r i want to rema p in pa scr pas e pas aaming, pas d t e e th f ered, d u
o n o t f i u l s the last gl r r uon releases the last q r r quark and
the last pro n to r r n e es decay e s at the end o e f es est-ce an d s p
o fo a rth s r r the paws that patter out the type re r r remain and find
o i ut il ili w ilik h ilike at th is h ap t pen e s the re alw d a n y e
s ss r r togetherness but s r r epar t a te te tetrah n e e d ss on r r s
of m ha me p me a p me abo e ve n r r i ng ou K th r r tha me th ab t
above or th you tho thou
  b elo b w e o l r y o o w u below r r o i r i i above r r
  me abov y e you r r or you b el o w above and me b r r elow nev neve o
never r meeting both of us b e a l c o r w ro r r ss s o s or s or s or bo
th t h a e b lin ov e e, too r
  r much ante in the i t r r transfixed acr thrwa ward t the page r r the
speed of typing is the depth of r r
   W th Wh o Wha u What g What' h s t a - go q l Qui u ne on? r r r r parti
T articl Too ticle Too l i o t f t l t e h e p the s a he st r e str a
stro d stron i trong s for o c , e too h o m l u
  d c i h n g qu i a nf rk er s n
   o to , geth r r er just t he m r a i k g i h n t g neu a t m r o o u ns
n t a n o d f pu pr r oton a r r protons rel a g t a i t vely o st r a i b
a le in the a o r r an oratoria r r o of persuasion r r the speed of
thought is the death of typing - And r r r r my h thought smove s move
slowly and jubl mbledly r r ju m jubi my jubil ati my t on
  houugh t is i s n t i n u tia

  e my r r mine are jumbled likee the

i t i he i w n i wi e i win w c e s of w t h w e a n r e e fi v lt e e r
  r i i s ha e v e e t f ha o t r i' v v i e d e u o se
  , d r e th a e r w r o a r n
  d ging r r fra r r frames r r , breaking d "  ie "d g "dt e "dtet s "dte
i "dt s "d , "
  e "e "d i "de s "det sor "detr dering it us

"  is o o r r d er "  ing e e verything
  h , eve t h p he mer n a l the "  mos f t o r b t a he s
    ic s ump i t ght e enth o t r i r r m s e sit site r r in a man r r
uscript ju jubi th l at' a s tio n as
  is s in

  e t d r u as m pets, in a m a uscript as d ated as the four theenth ce ol
n as t t u re r r in sp a n

  last month's milk r r carton r r and then som w e who r r who went out
with last month's milk carto T n? Tru
  i Trum didn' Trump t e k t n s ow an
  i d t da c te a d - lari r r ons r r o

r a m ar may ari aybe ar a d

idn' t go

     out, actually ju

  st rem l aine la d lar , larion si e mm e
  r ing a m n e d t s tur ni n g cool nets and crumpet r r s r r you now i
no in w in th h e w S h w a hat p ' ed R s Roo com m ing men next, right?
r r ,

  wro ng r r Kind hearts and cror oronets r r h St Stra th Stray h o r med
to n p s u t a n a d ut an cr an en o d t o t
  he o dia lo c g, o r i n l e
  l ts y , O S r tr ne ay tte h s
  orn n r r otwithstanding r r r r talk: connection requested by
#######################################

K # Ytalk Error #

K # #

K # onnection from unexpected host!  #
####################################### ----- r r
----------------------------= YTalk version ..
=----------------------------- r r Message from Talk_aemon at panix.panix.com
####################################### # Ytalk Error # r r # # #
onnection from unexpected host!  # #######################################
----------------------------= YTalk version ..
=----------------------------- mine are jumbled like the new software
filter i have for video, rearranging frames, breaking diegesis,
disordering everything, even the most basic sight or site jubilation is in
trumpets, in a manuscript as dated as the fourtheenth centure in spain who
went out with last month's milk carton? i didn't know it dated - or maybe
didn't go out, actually just remained, simmering and turning cool in the
L-Shaped Room, wrong that seemed to put an end to the dialog, illy
Strayhorn notwithstanding ------- i wince whenever i see that i've used
the word "detritus" or "ephemeral" for the umpteenth time in a manuscript
that's as dated aslast month's milk carton and then some Trumpets and
clarions larinets and crumpets you know what's coming next, right? Kind
hearts and coronets Stray horns and cornets, Ornettes "detritus" or
"ephemeral" for the umpteenth time in a manuscript that's as dated aslast
month's milk carton and then some Trumpets and clarions larinets and
crumpets you know what's coming next, right? Kind hearts and coronets
Stray horns and cornets, Ornettes ?l >$ exit Script done on Wed Nov ::





More information about the NetBehaviour mailing list