[NetBehaviour] Sex Work and Consent at @transmediale
marc garrett
marc.garrett at furtherfield.org
Wed Feb 8 17:36:11 CET 2012
Hi Simon,
I remember in the 80s, a radical lefty feminist artist who was showing
strange artwork in a Brixton Gallery in 84, introduced me to Kathy
Acker's work; and lent me a copy of her book 'Blood and Guts in High
School'. I found the book not only disturbing but also liberating. A
brillaint writer, I wish there much more like her. She challenged men
and women.
What I like about her work, is how it cuts across the hypocrisy around
'self censored & imposed ideas', on human sexuality. Much of the work,
unearths, even admits, certain realisms about human sexual fantasy which
may not necessarily be acceptable in polite or conservative thought
(right across the board), but is what it is.
Of course, in respect of sex slavery - I am a humanist and believe that
people should never be made to do what they do not wish to.
I have worked with people who have experienced such situations
themselves, and it has been traumatic (personally) to work with these
individuals. Especially in some of the homeless centres I have worked in
in London. The systems in place seem designed to exploit rather than
support.
Wishing you well.
marc
> Kathy Acker's work was often sexually explicit, in print and
performance (I was a videographer for the Pussy, King of the Pirates
performance in London, with the Mekons, so "was there"), but I'd never
have considered what she did as pornographic. Pornography isn't about
sex. There is plenty of pornography that has no explicit sexual content
(much popular culture fits in this definition). I would argue that any
representation that is created with the intention of inducing a sense of
gratification at the expense of those presented in or consuming the
representation is pornographic. This is also true of any particular
activity, not just representations, so when sex involves such dynamics
it is exploitative. I can accept that sex workers and their clients
might not believe themselves to be in an exploitative relationship with
one another. However, my earlier argument was not about those directly
involved in what might be fully consensual activities but the affect of
their activities upon others. When activity is in the pubic realm then
you are going to encounter major issues. Again, this isn't just about
sex. The same dynamics can be seen in sport, the creative arts and
elsewhere. Coming back to Acker, her work often sought to highlight how
what appears to be quite normal human interactions are actually
exploitative and pornographic. I see Alan's work in the same light.
>
> best
>
> Simon
>
>
> On 8 Feb 2012, at 13:46, marc garrett wrote:
>
>> Hi Simon,
>>
>> Let's I def-agree that we do not abide sexual exploitation...
>>
>> Yet, people also need to be able to find their own sexual identities
>> beyond the restrictions of the state or moralists.
>>
>> One of the problems with sex is that is one of those things which is
>> deeper than society can 'openly' deal with - you have interesting
>> individuals crossing the borders of their sexual activities such as
>> Kathy Acker, and much of 70s French cinema, and the sexual
>> liberationists such as Tuppy Owens. Where their sexual exploration is
>> linked to their liberty and politics and they consider society as a
>> social construct limiting their particular feral discoveries...
>>
>> Pornography is exploitative because we exist in a male dominated world,
>> with men who value exploitation and its industry above the liberty for
>> others - and this goes way beyond sex itself, wars, vid-games, sport,
>> economies - pornography is such a loaded term, and usually appropriated
>> as an absolute and partial to simplistic symbols. Yet, the problem is
>> not sex - it is our lack of freedom to explore the 'feralness' of
>> ourselves, in a world contained by frameworks trapping people's 'real'
>> potential as intimate human beings at various levels - thus it creates
>> scarcity and isolation as part of the product.
>>
>> Stop men controlling everything - then we'll find new ways of
>> rediscovering things beyond literalization of our 'selves'...
>>
>> Wishing you well.
>>
>> marc
>>> The question might not only be about whether the sex workers
themselves are being exploited but that others not associated with their
activities are. For example, sexual representation of young (or young
appearing) sex workers could be leading to the sexualisation of
children. Ditto, images of women performing as subservient sexual
partners to men exploits women generally. There are loads of examples
like this. It's not just pornography - it's a concern in representation
in general (eg: Louis Malle's representation of Brooke Shields in Pretty
Baby, a great film with huge problems).
>>>
>>> Of course, such exploitation is not unique to sex work. It happens
in other domains too. But there is no justification for such
exploitation, wherever it happens.
>>>
>>> This is not a moral argument but a political one. I agree with the
feminist argument that pornography and sex work are intrinsically
exploitative, not just of women but everyone involved in, exposed to and
even those totally unaware of it.
>>>
>>> best
>>>
>>> Simon
>>>
>>>
>>> On 8 Feb 2012, at 10:02, marc garrett wrote:
>>>
>>>> [Copied from the Spectre list...]
>>>>
>>>> Sex Work and Consent at @transmediale - by Dmyri Kleiner
>>>>
>>>> Transmediale 2012 is over. R15N is closed again, until the
>>>> next occasion. As usual, lots of great people at the
festival, and
>>>> lots to talk and think about.
>>>>
>>>> On Saturday I attended the discussion "Commercialising Eros" with
Jacob
>>>> Appelbaum, Zach Blas, Liad Hussein Kantorowicz, Aliya Rakhmetova and
>>>> moderated by Gaia Novati. Aliya Rakhmetova, supporter of sex workers'
>>>> right working as a co-ordinator with SWAN, gave an overview of her
>>>> organization and it's campaigns defending the rights of sex workers,
>>>> including campaigns to fight violence against sex workers. Jacob
>>>> Appelbaum went over his experience working in the IT department of
>>>> smut.com, a leading internet pornography company, which he left as a
>>>> result of his opposition to exploitive pay inequality at the company
>>>> which paid the performers far less that the executives at the company.
>>>> Liad Hussein Kantorowicz talked about her work as live erotic
performer
>>>> at a internet pornography site, and performed her job on the stage for
>>>> her online clients while the other panelists gave their presentations.
>>>> Zach Blas gave an overview of the work of the "Queer Technologies" art
>>>> collective.
>>>>
>>>> I enjoyed the presentations and discussions and applaud the panellists
>>>> for their support of sex workers. One question stuck with me, I didn't
>>>> expand upon it at the discussion, but I'd like to here.
>>>>
>>>> Several of the panelists referred to the issue of consent as a
>>>> justification for sex work and a way of arguing against legal
>>>> repressions of sex work, and against the opposition against sex work
>>>> that some feminists and other have, as well as a way to
distinguish sex
>>>> work from rape. Sex work is distinguished from rape because it is
>>>> consensual, and neither legislator nor moral campaigner has any place
>>>> interfering with what consenting adults do. Yet, this argument is
>>>> unsatisfying.
>>>>
>>>> Within the capitalist system, where workers and their families face
>>>> destitution and homelessness unless they work, no work can be truly
>>>> described as consensual. What's more the pretense of consent, is often
>>>> used as justification for exploitation and to excuse the exploitive
>>>> behaviour of employers. After all, the worker chose to accept the job.
>>>> Yet, as the cliche goes, in context this choice is not much different
>>>> than the one that a mugger gives you. "Your money or your life" is
also
>>>> a choice.
>>>>
>>>> Like all professions, there can be no doubt that many sex workers feel
>>>> empowered by their work, and take great pleasure in it. However, there
>>>> can also be no doubt, that many sex workers are directly or indirectly
>>>> coerced into doing this kind of work, and face emotional and social
>>>> trauma as a result.
>>>>
>>>> "Consent" seems to justify not only the sex-work itself, since the sex
>>>> worker consents to perform sexual services for a client, but the
>>>> conditions of the sex-workers labour as well, since the sex-workers,
>>>> like other workers, has consented to the terms of employment. Thus
while
>>>> consent may help us differentiate sex work from rape, it justifies the
>>>> economic exploitation of the sex worker at the same time, since
both the
>>>> workers relationship with the client and the employer are ultimately
>>>> consensual.
>>>>
>>>> I would prefer to see a stronger line of argument that says that sex
>>>> work is a valid form of work not merely because it is consensual, but
>>>> because it is valuable. Rather then a week liberal argument based
on the
>>>> sanctity of what consulting adults to, a strong social argument that
>>>> argues that sex workers do necessary and beneficial work and should be
>>>> protected and supported.
>>>>
>>>> Like the consent argument, the value argument also differentiates
>>>> between sex work and rape, as rape clearly is not socially
valuable, but
>>>> unlike the consent argument it doesn't excuse the economic
exploitation
>>>> of sex workers, since such exploitation is not socially valuable.
>>>>
>>>> If we accept that sex work is valuable work that has a place in
society,
>>>> then we can focus on the health and well being of the sex workers
>>>> directly, and acknowledge that many of them are not empowered
consenting
>>>> workers, but rather victims of coercion, trafficking and exploitation,
>>>> often forced, unwillingly, into their work. Pretending that they have
>>>> consented to their own exploitation is both delusional and
disrespectful
>>>> when it's quite likely that the empowered sex worker who takes
pleasure
>>>> in their work is the minority within an industry that recruits most of
>>>> its workers by way of terror and desperation.
>>>>
>>>> The value argument also confronts the moral issues more directly,
since
>>>> the consent argument doesn't necessarily dispute the immorality of the
>>>> work, it only argues that nobody that is not directly involved has any
>>>> business with it. The value argument makes a much stronger social
>>>> statement: that sex work is not just a private business between
>>>> consenting adults, but a form of work that benefits society and, far
>>>> from being immoral, is a vital part of human civilization and
always has
>>>> been, despite persecutions and prohibitions. And that such persecution
>>>> and prohibition should stop, not simply because it interferes with
>>>> liberal rights, but because it is wrong and harmfull.
>>>>
>>>> First we must reject capitalist ideological notions of consent,
these do
>>>> not help sex workers, only make them responsible for their own
>>>> exploitation, and exploitation aint sexy. Once we see sex work as an
>>>> essential form of work, we can fight for the conditions of these
workers
>>>> along with those of all other workers.
>>>>
>>>> I'll be at Cafe Buchhandlung for Stammtisch tonight at 8pm or so,
I hope
>>>> some transmediale folk who are still in town will join for a drink in
>>>> celebration of a great event.
>>>>
>>>> Stammtisch is here: http://bit.ly/buchhandlung
>>>>
>>>>
>>>> --
>>>> Dmyri Kleiner
>>>> Venture Communist
>>>>
>>>> _______________________________________________
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>>>>
>>>
>>> Simon Biggs
>>> simon at littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK
skype: simonbiggsuk
>>>
>>> s.biggs at ed.ac.uk Edinburgh College of Art, University of Edinburgh
>>> http://www.eca.ac.uk/circle/ http://www.elmcip.net/
http://www.movingtargets.co.uk/
>>>
>>>
>>>
>>>
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>>
>>
>> --
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>>
>> Furtherfield - A living, breathing, thriving network
>> http://www.furtherfield.org - for art, technology and social change
since 1997
>>
>> Also - Furtherfield Gallery& Social Space:
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>>
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>
>
> Simon Biggs
> simon at littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK
skype: simonbiggsuk
>
> s.biggs at ed.ac.uk Edinburgh College of Art, University of Edinburgh
> http://www.eca.ac.uk/circle/ http://www.elmcip.net/
http://www.movingtargets.co.uk/
>
>
>
>
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--
Other Info:
Furtherfield - A living, breathing, thriving network
http://www.furtherfield.org - for art, technology and social change
since 1997
Also - Furtherfield Gallery & Social Space:
http://www.furtherfield.org/gallery
About Furtherfield:
http://www.furtherfield.org/content/about
Netbehaviour - Networked Artists List Community.
http://www.netbehaviour.org
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