[NetBehaviour] Close to the Machine: Code and the Mesmerism of Building a World from Scratch
Alan Sondheim
sondheim at panix.com
Sun Jul 29 18:55:06 CEST 2012
or giving an abacus a good workout (I once filled out a grant application
using one) -
On Sun, 29 Jul 2012, Simon Biggs wrote:
> Perhaps they mean 1967? But that remains much later than any dawn, into the second generation of electronic computing.
> Realistically you would have to say the dawn was closer to 1947 - but that depends on how you define a computer. It could be
> considered to have dawned far earlier. This author could benefit from some texts by Zielinski, Parrikki or Huhtamo, on media
> archeology, in their Christmas stocking this year?
> best
>
> Simon
>
>
> On 29 Jul 2012, at 11:55, Tom Keene wrote:
>
> Perhaps I'm missing something, but "dawn of computer revolution in 1997" made me double take. The beginning of
> the computer evolution in 1997! Come on, the conditions which gave rise to a computer revolution go way way back
> - its not possible to use specific dates that mark the beginning, the world doesn't work like that, there are
> many strands and trajectories of technological and human histories, the formative years of the telegraph to name
> but one, that made it inevitable that the current conditions of this technological age would take place. But
> then I haven't read the book....;)
> Tom
>
>
>
> On Thu, Jul 26, 2012 at 10:35 PM, marc <marc.garrett at furtherfield.org> wrote:
> Close to the Machine: Code and the Mesmerism of Building a World from
> Scratch
>
> by Maria Popova
>
> The sociocultural relationship between humanity and technology has been
> the subject of equal parts dystopianism, utopianism, and layered
> reflection. But what of the actual, intimate, one-on-one relationship
> between human and machine, creator and created? That?s exactly what
> software engineer Ellen Ullman explores in Close to the Machine:
> Technophilia and Its Discontents (public library) ? a fascinating look
> at the riveting dawn of computer revolution in 1997, those formative
> years of learning to translate the inexorable messiness of being human
> into elegant and organized code, examined through Ullman?s singular lens
> of being a rare woman on this largely male-driven forefront.
>
> http://www.brainpickings.org/index.php/2012/07/26/close-to-the-machine-ellen-ullman/
>
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> --
> TOM KEENE | THE ANTHILL SOCIAL
> ><> Artist. Interactive Designer. Programmer.
> ><> 07930 573 944
> ><> 47 Hardel walk, Tulse Hill, SW2 2QG
> ><> tom at theanthillsocial.co.uk
> ><> www.theanthillsocial.co.uk
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>
> Simon Biggs
> simon at littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype: simonbiggsuk
>
> s.biggs at ed.ac.uk Edinburgh College of Art, University of Edinburgh
> http://www.eca.ac.uk/circle/ http://www.elmcip.net/ http://www.movingtargets.co.uk/
> MSc by Research in Interdisciplinary Creative Practices
> http://www.ed.ac.uk/studying/postgraduate/degrees?id=656&cw_xml=details.php
>
>
>
==
blog: http://nikuko.blogspot.com/ (main blog)
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 347-383-8552
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current text http://www.alansondheim.org/rn.txt
==
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