[NetBehaviour] fear of networked creativity

[Joel Weishaus]

Hi Simon;

I wasn't aware that I made that particular link. But I do agree with 
everything you say, except for "inert" rocks, as everything moves. Some 
rocks just move very slow; while igneous rocks in a hot state of 
volcanic eruption move very fast. It is also interesting that we carry 
the DNA of almost every living, or having once lived, substance. 
Contrary to how biologists classify life, we are all of the same family.

And, yes, we've captured, enslaved animals and bred animals for our own 
use, physical and psychological. We've made them into factories, or 
"companions," neurotic to a point where and we now send them to 
psychiatrists to make them feel more comfortable in their enslavement, 
just as psychologists adjust people to a neurotic world.

This is incendiary stuff. But one job of the artist is to work the 
bellows of the alchemical fire.

-Joel


On 7/18/2014 11:41 AM, Simon Mclennan wrote:
> Cheers Joel - interesting link you made there.
>
> Mmm, on the subject of the body, the animal body - when I think about 
> how other animals (let alone human on human) are taken for granted by us,
> as if they were a piece of inert rock, literally controlled, like 
> robots, or glove puppets. As if they are animations in a game, or a 
> pair of socks -
> when I think how we take this for granted - how we exercise a power so 
> supreme over them - like gods - quite dirty, grubby gods -
> how we manipulate their bodies through selective breeding, as if 
> something like THE BIBle said it was OK to do that, that a god in the 
> sky, Jehovah, told Adam that we could do as we pleased,
> that this was OK, to use them for our pleasure and sport - for the 
> taste - the juice running down our lips , In Ur, - the joy of
> owning a certain breed of dog - tiny little legs of a sausage dog - 
> flat faced pug to look chic in the sleeves of a mandarin, or on the 
> lap of a Hollywood diva, or
> some chav from Solihull, Kensington of Quebec - how we experiment on 
> them, because we can, in cages, bred in tiny cages in China, in 
> America, for the taste of the bacon - we differentiate -
> our dogs get pride of place - a pig, as intelligent and as sociable as 
> any dog - gets bred bred bred for ever Amen and the bacon grease -
> The brutalised bodies of factory farm workers and meat workers, 
> slaughter men, underpaid and themselves brutalised to brutalise in 
> turn the chunks of living flesh
> they process through - for the profit of the owners and the 
> shareholders - mmmmm -  what bodies, what bodies, what bodies,
>
> and the war we wreak on our fellow humans, will never ever ever stop, 
> until we treat other species with the respect they deserve - that is, 
> as fellow beings on
> this "existential adventure" (Anat Pick - Creaturely Poetics)
>
> It makes me so sad, and I urge you all to think and feel this one 
> through, please please think about it,
>
> S
>
>
> On 18 Jul 2014, at 17:39, Joel Weishaus <joelweishaus at gmail.com 
> <mailto:joelweishaus at gmail.com>> wrote:
>
>> Simon;
>>
>> The bottom photo, B&W, grainy, figures zombi-like, even Butoh-like. 
>> Something timeless here, out-of-time. Art.
>>
>> -Joel
>>
>>
>> On 7/18/2014 2:10 AM, Simon Mclennan wrote:
>>> "Butoh gropes beneath the overlay of socialisation and cultural 
>>> authoritarianism for
>>> 'the body that has been robbed'...the 'fiery body', the wild inner 
>>> flame in the heart of darkness."  (Taghairm Arts)
>>>
>>> To see a collection of most of my films, and history of street painting:
>>>
>>> http://simonmclennan.blogspot.co.uk 
>>> <http://simonmclennan.blogspot.co.uk/>
>>>
>>> Simon

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