[NetBehaviour] dither warped

[Alan Sondheim]

dither warped

http://www.alansondheim.org/weevole.jpg
http://www.alansondheim.org/thera.mp3

The cloth itself is woven, (h)edged to keep the w/hole from
well- tempered instruments. BUT, then, bending strings,
without that, it leaves the listener unsatisfied; the tune,

the creak of pump organ pedals, the shuffling of the hand SKIP
TO the repeated rebuilding of the ISE shrine every twenty years,
for at least over a millennium, so that the wood doesn't ANGLED,
a CROSS WITHIN AN ENCLOSURE, a MAN WITH OUTSTRETCHED fields
tends in this direction; combined with a water sign, against
spruce or skin, holding and moving position, near the steward-
ship is implied,

(the sites are rectangular, pristine, exact), as a weaving of In
Montfort et.al., 10 PRINT CHR$(205.5+RND(1)); : GOTO 10, MIT,
spaces, cross-stitchings, re/marking territory in silence and
combination with another sign produces TOWN. So the mensuration
fragrance. BUT slight changes in fact made to the building each
the text of the dwelling within, tea ceremony bowls; playing
music, I look for audible breathing,

unravels. And the internalization of all of this, dwelling
within these stitched elsewise, different potentials, different
fields, each It's the irregularity that creates the armature of
handicraft, journal Complete guide to the work table, 1885. I
also have the sound of a cough or gasp, the click of keys on a
piano or bridge of one or another instrument,

it, each a different landscape, territory, horizon. the signs of
the axe on planking, ruptures and compressions on

2013, Chapter 30 REGULARITY, an account of the Jacquard loom,

mythos; and threatening unraveling: slightest pursing of the
lips. The instrument and sound always, the instruments, playing,
keep me sane - each one a fabric I play tunelessly or tunes of
length N, N being small and rarely cross-stitching, sound-
stitching -

unraveling; music stops most often somewhere near the tonic,
taking-up and putting-down of the piece literally at-hand...
time, or from time to time, and the building itself SHUTTLED
repeated. The instrument as well, a form of TENDED CLOTH,
radical 102, a SQUARE DIVIDED INTO FOUR SQUARES, a CROSS-STITCH,
the creaking of the bow and strings at the end of the stroke,

numerous examples from Godey's Lady's Book and Peterson's
clarinet, the noise of woodwind linkages, keys snapped back into
bypasses, as does 10 PRINT, the handiness of stitchwork,

>From Matthews: "Fields, land, landed property." In Japanese,
gratitude, in-dwelling in sound and movement - and

apropos Matthews' Chinese-English Dictionary T'ien: in this case
but also a sketched account of stitchwork from the young ladies
between two sites, back and forth, think of this as mensuration

the audible sound of the nails on plucked and pulled strings,
Not to mention retunings, returnings, stoppings and startings,
creek or sag, so that the cedar retains its freshness and
magazine. 10 PRINT gives an example of repetitive instructions,
the art/labor and settings involved, the choices to be made, the
land that can be flooded for rice.

Repetitive structures, given grids, equal placement of frets on
ARMS TOUCHING THE SIDES OF HIS CELL, a PLUS SIGN IN A SQUARE.

A potential huddled against the body, or the body surrounding
the position of least resistance - half-covered holes on
woodwinds, slurs, everywhere, the warp, the woof, the stitch,

the stitch, the cross-stitch, the double-cross, the half, the
bereavement of the half, the dither, the crossed-dither, the
crossed-up, crossed-out.


(thanks to Maria Damon, Luke Damrosch, solo tro sor
through Luke's comb filter Supercollider program)