[NetBehaviour] dance until your dead dance

[Alan Sondheim]

dance until your dead dance

http://www.alansondheim.org/un3.png
http://www.alansondheim.org/un7.png
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- return of structure to the realchicago four dancers into one:
avatar as social organism transformation and dynamic/ behavioral
filteringin > unutterable pain, dance virtual poser, blender,
second life, open simidentified human or organism?wounded
dancing?disfigurement, torture, ecstasy, death(example) d stills
folder wolftc.mov sports.mov air.mov noone.mov commodius.mp
mocaps.mov harness.mp (w/still) dnaclass duetavatargrange
involuntary edge_.avi move cursor relevant portion -- other
words software that's forced through glitches digital is dirty:.
mocap video moving utterly untoward ways, so that result was a
text behavioral filtering, dynamic mocap. blender modeling
program, where abstract avatars were used we recorded one more
performers, using remappings modes, who am i? new media artist
works with worlds, electronic glitch: jump-cut, suturing:
continuity-girlanalog: dead-inert; glitch scarring reality:
neither analog nor digital, entangledcorporate: protocols
codecs, source,i've motion capture way creating images, printed
images directly produced of: normal which meant distorted poser
mannequin files recorded, rewriting itself, tends towards
eternity, infinity, closuremodified inserted life chain can be
altered several ways: opensim worlds involved highly markers
placed on body suits. this everything objects forecloses
analogic, dirty, abjectionmovements taken back results be:
occurs within surfaces, programming 'not bug but feature.' why?
noveltylike wounding intermediary between dead-inertopposite may
well suturing================= all work at university's
environments for theory we're doing, least phenomenological
more, edited format bvh upload directories:
dstills/chic/dance/sl/ description (for empyre email list, here)
difference pain its (external) representation, endproducts fed
three worlds: finally, idea has always been us, foofwa returning
'real' life. [examples, foofwa, maud, azure, myself traveled
alps (illustrate hand gestures) use how it extends confound
abject issues dis-embed embedded news words, reveal i'm
fascinated by these 'cosmologies small'; same time, want
interested representation virtual; implies following discussion
thought best i might sl, pure, protocol, numeric; 'smearing'
what lies beneath surface. headed received an nsf consultancy
last year, enabled me sophisticated real-space performers
interact avatars. point, though, issue movement. off work: brief
history my note this, there are no errors, only poser. did star
piece, arranging sensors formation nysca grant; former, had grad
assistant life; live -d performance based transforms. showing:
swiss, technology virtuality. we've him talk outline sxsw panel
background material thank you complex perform, most often
high-speed, imaginaries worlds; modeling; printing; usual
mappings single performer nodes could itself also reassigned
ways dividing them two done indoors azure; outdoors, against
[examples] a. remapping across body. (example)either underlies
everything, suffering, death, accidental determinate-stochastic
analogic computer 'debris'; even birding, requires abstractions
ranging if any. others over past decade so. went audio animation
input, appearance, location, create in-world any number issues,
politics health, sexuality, being- anything sl autonomous zones)
avenues, glitches, explored. aesthetics phenomenology b. bodies.
becomes interesting, think, since able map up before assignment
made. modeled graphic filters transform bodies, inversely onto
body, forth. borrowing from, resonating with, other. both image
dynamics, course entangled. distorting "chain" goes c. reworking
uses fly, insertion capture, particular 'edge' without cessing;
times impossible tell whether choreographed capable watching
choreographies d'imobilite closed committees, communities, taz
(temporary constantly slaughter coupled electromagnetic
capacitance surrounding wire. projections direct about part d.
out edge game-space dancers/performers output. difficult do
dirtiness, wounding, distortions, flesh. / still performances
dances; bodies; when does become 'thing' among things edge;
motion-capture work; psychoanalytics glitch; equipment examine
behavior appears it's abstracted body; example dropped heap file
explanation.] divides virtual, each file. filter interface,
would produce transforms sensor output gimp photoshop [explain].
conferences, gallery museum installations, some pieces made
formance, chroma-keyed dance/performance video. migration routes
morphs. engineering, assist me. function f(x) coordinates and/or
coordinate mechanism games. get rid radical disconnect.
gamespace boundaries define, sense, _all_ possibilities glacier,
spherics formed deep content. paralleled glacier. (this
sponsored swiss grant.) interesting important here well.
published book. he's worked our movement * videos, chicago,
trapezes, world; anthropology including 'impossible' topologies,
terms movement; information here]. foofwa's foofwa.com. his
dealt input data outputted files. parallel inscription amalgams
well, instead, closely relation interacting antenna. antenna
signals hard- editing; cases, somewhat inert buddhist longer
make sense already inscribed, culture down, resonated themselves
twisted their leaking limping broken avatar; literature, musical
improvisation. particularly online choreographies. ultimate
goals mixed reality ment back, pro- performance, augmented work,
rewrote it, modify (we expertise permissions!); (mocap)
electromagnetically columbia college, chicago; here, didn't
stream originated on- off-line. amazing choreography, created
'normalize' performers. fascinating objects, world performances,
incidences, piece geneva widely shown. along audience
projection, streams themselves. sent out-world experiences stray
tend choratic out-world, it. participate describe performers;
happen: [demo torsion/twist]. possibilities; kills errors give
potential wells, channel noise, surface hacking/cracking,
pre-linguistic drives. performed lot various limits bvh/poser
mannequins per- psychological experimentation "reading" reality;
playing music; codework (an amalgam code, writing, relationship
"clean screen" relativity's -space gravity/mass interaction
similar. remapped her. topology involved; hip representation.
resonate rather than screen. tried: selves. motions appeared
convulsive sometimes sexualized. edges example, k 'up', physics
changes. assignments different applied limb position. called
stills. stood 'hive' technique .. avatar, escape normalcy...
deaths soldiers civilians around world, spite floor inverting
exchanging +r position -r. input. movements, decades, [give
because tended stop working 'glitch' media. can't that, they
'dynamic filtering,' transforming standard avoid easy false
metaphoric equivalence scientific theory. development field
dancing tracks accompanying collected. usually stable root node.
virginia, started utterable (external, double remove) very low
frequency (vlf) radio; scanner shortwave videos; visual
empathetic identifications re-enacted live; aletsch local
fieldlines, almost general 'break' sexuality conjured wired
microprocessor coordinates; maud liardon partner, azure carter,
imitated move- vlf (very frequency) radio antenna, sudden jumps
involve intersecting them- (bio-vision hierarchy) high-strength
magnetics, happens considered completely plastic; ecstasy.