ruth.catlow at furtherfield.org
Tue Jul 5 10:35:40 CEST 2016
This brings us back to the big question of whether/how we are placed as
artists to influence the attitudes that shape the decisions of citizens
(who are also voters)....
This connects back to the earlier conversations we had about
#LeftAccelerationism - where is our agency as artists.
I am still struck by my experience of meeting with the Warnayaka Art
Centre crew - and an integrated vision of culture, where image-making,
law, language and knowledge is daily renewed (and audited) by many many
many people in the community.
On 03/07/16 10:52, Joseph Young wrote:
> Thanks for starting this important thread...
> The key to this is changing the narrative and placing the blame for
> the current position squarely on our (successive) right-wing
> governments and their failed and unnecessary austerity policies.
> Whatever "European" artwork is produced has to concentrate on
> challenging the dominant narratives that have allowed UKIP et al to
> convince post industrial working class communities that the EU is to
> blame rather than their own government.
> *Joseph Young*
> *Artist : Activist : Cultural Producer*
> artofnoises.com <http://artofnoises.com>
> @artofnoises / @artsforeu
> On 3 Jul 2016, at 11:13, ruth catlow <ruth.catlow at furtherfield.org
> <mailto:ruth.catlow at furtherfield.org>> wrote:
>> Thanks Steven and Anita, for initiating this conversation.
>> I, like many people I have spoken to over the last week (including
>> our many European friends and colleagues in the UK and on the
>> continent) have found this last week very distressing.
>> The referendum promoted a narrative, supported in ALL mainstream
>> media, (not just in the UK it seems, but across Europe)... that
>> characterizes the British people, and especially the English, as
>> wannabe-again-Imperialists, and (depending on their class) either
>> dumb, uneducated and racist; or hubristic Neoliberal muppets.
>> This narrative is now amplified (and seemingly proved) by an upsurge
>> of street-level racism and hostility towards our neighbours from
>> Germany, Poland, Greece, Romania etc who have enriched our lives by
>> making theirs in the UK.
>> Before the referendum, I found myself uneasy about actually
>> campaigning for Remain in spite of my desire for pan-European
>> peoples' alliance- because I couldn't ally myself with the dominating
>> political arguments proposed by the Tories (and backed up by
>> big-business and the establishment), and didn't want to participate
>> in a process that further stamped on the dignity of people in the UK
>> who are already so disenfranchised by the effects of austerity cuts
>> (and many years of other systemic injustices). The social-liberal
>> layer in the UK is now finding its voice, but the reporting of the
>> protests reinforces the Leave-voter caricatures.
>> So I am looking for better information. Here's some
>> A UCL study has shown that the poorest 20% of British workers have
>> indeed been affected adversely by immigration...
>> [nevertheless]....Asked which of the following they considered to be
>> forces for good, a considerable proportion of leave voters expressed
>> support for multi-culturalism (29%), social liberalism (32%),
>> globalisation (49%), the green movement (38%), feminism (40%) and
>> even immigration (21%). About half of the voters, whether leave or
>> remain, felt capitalism was a force for ill rather than a force for
>> good (51%:49%).
>> Whatever we do, I think we need to build solidarity with other people
>> who are suffering the effects (and they are many) of the bank crisis
>> and resulting austerity politics.
>> On 02/07/16 19:19, Steven Ball wrote:
>>> I’m posting this to following a brief conversation with Anita McKeown, Ruth, and Marc.
>>> The ramifications for life in the UK after the EU referendum are still very unclear. Parliamentary politics is in meltdown and the direction of travel for future government seems to be further right, the economy is looking precarious, meanwhile a toxic wave of overt public racist violence is spreading across the country. It is tempting to think that we are entering a disturbingly illiberal dystopia. Artists cannot sit by or remain in a bubble while this happens, the necessity of responding to this situation is urgent, but what can we do, what are we doing?
>>> The purpose of this discussion is twofold:
>>> - Firstly and most simply to make connections, to share information about what we are doing in response as part of our practice, to share news and information of any exhibitions or opportunities to produce public responses to the current situation.
>>> - Secondly to speculate how we might produce and present work that responds to the current situation, what is the nature of that work, who does it address, and where will it be exhibited.
>>> We invite and welcome your action, thoughts, and ideas.
>>> NetBehaviour mailing list
>>> NetBehaviour at netbehaviour.org
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+44 (0) 77370 02879
Meeting calendar - http://bit.ly/1NgeLce
Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i
Furtherfield is the UK's leading organisation for art shows, labs, &
around critical questions in art and technology, since 1997
Furtherfield is a Not-for-Profit Company limited by Guarantee
registered in England and Wales under the Company No.7005205.
Registered business address: Ballard Newman, Apex House, Grand Arcade,
Tally Ho Corner, London N12 0EH.
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