[NetBehaviour] Working notes for coming talks in London
Alan Sondheim
sondheim at panix.com
Mon May 29 01:12:55 CEST 2017
That would be great to get together!
- Alan
On Sun, 28 May 2017, aharon wrote:
> Sure, I utterly misread with syneastisia.
> Apologies!
>
> Good to hear about your visit to london!
>
> Hopefully I will be around to visit and meet up. Currently have no idea if and when am around blighty come late june early july.
>
> Have fun!
>
> aharon
> xx
>
> May 28 2017 6:37 PM, "Alan Sondheim" <sondheim at panix.com> wrote:
>> On Sun, 28 May 2017, aharon wrote:
>>
>>> May 28 2017 3:47 AM, "Alan Sondheim" <sondheim at panix.com> wrote:
>>> hi.
>>>
>>> is there a bit of syneastisia implied?
>>> space as sound/audio as space?
>>
>> I wasn't thinking of synaesthesia; certainly not in relation to tinnitus, which pretty much appears
>> constant and directionless. But audio does gather and disseminate in space; the reverse
>> reverberation work I do is based on that.
>>
>>> the body.. define?
>>
>> That would take too long here...
>>
>>> (writing something re "mind painting" when the mind is a sensory organ > like hair, eyes, fingers
>>> and skin - as a way to go beyond the trap of > mind/body bs binary, i hope..
>>>
>>> what is your body sensation in this context?
>>
>> They're all - the senses - and the neural pathways etc. intertwined; I'm not sure how one would
>> separate them. I get 'twitches' at times which appear to come from within the brain, but was told
>> that they're actually from the surface/skin etc. area, which is interesting. Then migraines etc.
>> appear localized etc.
>>
>> I don't think that binary's operable anymore, not a clear divide?
>>
>>> london??
>>> are you crossing the pond ??
>>>
>>> when?
>>> where?
>>
>> Yes, June 29 - July 12, to Furtherfield, staying in Finsbury Park. Are you around?
>>
>> Best!, Alan
>>
>>> cheers and have fun!
>>> ahaxxx
>>>> Working notes for coming talks in London
>>>>
>>>> */ example tinnitus: gamespace/edgespace/blankspace
>>>> http://www.alansondheim.org/tinni.png
>>>> http://www.alansondheim.org/tinni.mp3 (within range)
>>>> http://www.alansondheim.org/tinni2.png end example
>>>> (i have continuous tinnitus; the frequences here are
>>>> within the range; i hear the piece in the form of
>>>> audio dreamwork, the dreaming of audio conveyances /*
>>>>
>>>> gamespace/edgespace/blankspace /
>>>> semiotic splatter /
>>>> voice and body of the philosopher /
>>>> anguish / */so many categories, terms, paralleling
>>>> Celine, "my little categories"/*
>>>>
>>>> gamespace - clean and proper space/body, containment
>>>> and at the edge, into:
>>>>
>>>> edgespace - material-epistemological transformations -
>>>> improper mappings into no-mappings
>>>> water into land
>>>> place into no-place
>>>> temporality into delay, indeterminacy
>>>> and at the no-place, into:
>>>>
>>>> blankspace - 'heere be dragonnes' -
>>>>
>>>> blankspace and the delay
>>>> 1. arctic travels - summer - supplies : _we wait_
>>>> 2. reconnoitres - recuperation - evidence _they wait for us_
>>>> 3. voice and body of the philosopher: on and off the trip
>>>> 4. slow semiotic splatter: anecdotal inflation (Mandeville,
>>>> legends, etc.)
>>>>
>>>> arctic blankspace continuously carved away as exploration
>>>> increased, legends atrophied, delays shortened.
>>>>
>>>> */And the terminal was there as the murmur of the world (Lingis)
>>>> was there, and present and neither in the background nor
>>>> foreground, but somehow aligned with the mechanism or the
>>>> membrane which contained the whole. But the machine itself was
>>>> not there. And I do not know where the machine was, but it was
>>>> not within me doing the dreaming (Sartre) but somewhere was.
>>>> Nor was it a woman or with a woman or a possession of or by the
>>>> woman./*
>>>>
>>>> machine provides the wonts.
>>>>
>>>> is it always a return to the body?
>>>>
>>>> Cumming, Sartre Critique of Dialetical Reason, '"girls working
>>>> in a factory are ruminating a vague dream," but they are at the
>>>> same time "traversed by a rhythm external to them" so "it can be
>>>> said that it is the semiautomatic machine that is dreaming
>>>> through them."' 'Similarly the girl in the factory gives herself
>>>> "to the machine," which takes possession of her work, until
>>>> finally "she discovers herself _the object of the machine."' 'It
>>>> is the machine in her which is "dreaming of caresses."'
>>>> Cambridge Companion to Sartre, ed. Christina Howells
>>>>
>>>> --> difficulty locating the quotes -
>>>>
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>>
>> New CD:- LIMIT:
>> http://www.publiceyesore.com/catalog.php?pg=3&pit=138
>> email archive http://sondheim.rupamsunyata.org
>> web http://www.alansondheim.org / cell 718-813-3285
>> current text http://www.alansondheim.org/uq.txt
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New CD:- LIMIT:
http://www.publiceyesore.com/catalog.php?pg=3&pit=138
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 718-813-3285
current text http://www.alansondheim.org/uq.txt
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