[NetBehaviour] call for papers and artwork- international dance congress in Karlsruhe

Johannes Birringer Johannes.Birringer at brunel.ac.uk
Fri Feb 9 23:16:16 CET 2018



Call for Papers, Panels, Posters, Artists Talks, Lecture Demonstrations,
Performances, Artworks, and Participation in the 2018 annual symposium of the Gesellschaft für Tanzforschung,

October 5-7, 2018, in Karlsruhe, Germany.


Tanz der Dinge / Things that dance

http://www.gtf-tanzforschung.de

The current wave of new materialisms has brought attention to things that move or are moved, “vibrant matter,” objects, physical phenomena, machinic or animated agents and assemblages, the labor of apparatuses and intra-actions between human and nonhuman forces – passages in the “political ecology of experience” that link new dance philosophies (Erin Manning/Brian Massumi’s Thought in the Act) with choreographic, theatrical, sonic and media installation practices, and recurrent interests in hybrid material performance and puppetry with political theories (Jane Bennett’s Vibrant Matter: A Political Ecology of Things), ethnographic and social science studies, as well as postcolonial and critical race theories (on the materiality of liquid blackness, for example, and historically specific and located sensorial experience and affect).

Materiality and myth in dance are subject to a shift in meaning which privileges "epistemic things" (Hans-Jörg Rheinberger, Experimentalsysteme und epistemische Dinge, 2006): before the object is charged with meaning, the inner dynamics of matter defines a new focal point for performance aesthetics. Object oriented, immanent philosophies of art and performance are part of this pressing concern with materials, plasticities, the lives and deaths of entities formerly known as passive objects, inanimate things, inert matter.  The synthesis of sound, rhythm, movement and materiality  returns us to a conception of choreography that recover collective, symbiotic creativity of ritual dances.

Along with the traditional morphology of objects to dance and musical instruments
the examination of danced things and choreographic / musical repurposed objects moves on to factors of artificial intelligence and sensor technologies in current dance aesthetics. Contemporary questions about the agency of objects and the forces of materialization have increasingly blurred the borders modernity had erected between the animate and the inanimate.

Reviewing current dance research and publications intensifies the impression of a vibrant neomaterial / epistemic turn, a “call of things” in dance which in turn calls for critical  reflection. The symposium addresses vibrant matter and lively materials, reconfigurations of human and inhuman forces, social choreographies and choreographjc objects, animatedness and the agencies of assemblages as a means of thinking about performance experiences and movement potentials across a range of interdisciplinary practices and theoretical discourses.

Deadline of submission: 15 March 2018. Please send original proposals (abstracts, 500 words max, please include a short CV) to the curators:
Prof. Johannes Birringer &
Dr. Josephine Fenger.
Contact: johannes.birringer at brunel.ac.uk  /
josephinefenger at googlemail.com.


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