[NetBehaviour] Furtherfield Archive. Nam June Paik – Video Philosopher. Interviewed by By Lynn Hershman Leeson.
marc.garrett at protonmail.com
Thu Sep 27 10:59:26 CEST 2018
Furtherfield Archive. Nam June Paik – Video Philosopher.
Interviewed by By Lynn Hershman Leeson.
Lynn Hershman Leeson is a renowned and accomplished artist and filmmaker in her own right. Over the last three decades she has pioneered uses of new technologies in critical investigations of issues, recognised as key to the workings of our society today. She tackles the big questions surrounding: identity in a time of consumerism; privacy in a era of surveillance; the interfacing of humans and machines; the relationship between real and virtual worlds; and growing parts of the human body from DNA samples. Last year Modern Art Oxford hosted a major solo exhibition of her work Origins of a Species, Part 2 and she has work in The Electronic Superhighway, at Whitechapel Gallery, in London at the moment. Her work has had a strong influence on many contemporary artists working with technology. Recently, ZKM in cooperation with the Deichtorhallen Hamburg / Sammlung Falckenberg exhibited the first comprehensive retrospective of Leeson’s oeuvre, and also the most recent productions of her work. In May this year a book of the same name Civic Radar, will be published, featuring a comprehensive monograph of this Feminist pioneer in the fields of film and performance art, edited by Peter Weibel.
Nam June Paik was born in 1932 Seoul, Korea and died 2006. Many in the artworld regard him as a visionary artist, thinker, and innovator. Considered the “father of video art,” his groundbreaking use of video technology blurred past distinctions between science, fine art, and popular culture to create a new visual language. Paik’s interest in exploring the human condition through the lens of technology and science has created a far-reaching legacy that may be seen in broad recognition of new media art and the growing numbers of subsequent generations of artists who now use various forms of technology in their work.
Through his progressive ideas and artworks Paik dared to imagine a future where the technological and playful innovations that we now take for granted might exist. This interview with Hershman Leeson is timely, documenting the meeting of two imaginative beings who have changed the history of work at the intersection of art and technology. The issues they discuss are as important now as they were then.
Nam June Paik, “Merce/Digital,” 1988 single-channel video sculpture with vintage television cabinets and fifteen monitors; color, silent, collection of Roselyne Chroman Swig, Copyright Nam June Paik Estate. (Image courtesy Nam June Paik Estate)
Sent with [ProtonMail](https://protonmail.com) Secure Email.
-------------- next part --------------
An HTML attachment was scrubbed...
More information about the NetBehaviour