[NetBehaviour] Fwd: [vlw] call deadline oct 1

Alan Sondheim sondheim at gmail.com
Tue Sep 17 00:06:19 CEST 2019

---------- Forwarded message ---------
From: Bjørn Magnhildøen <noemata at gmail.com>
Date: Mon, Sep 16, 2019 at 4:53 PM
Subject: [vlw] call deadline oct 1
To: Discussion list for VERY LARGE WORKS show <
very_large_works at lists.noemata.net>

hi all,

a reminder of the deadline for VLW, oct 1!
at which point i'll also have a website up and running for the show and to
be updated with last entries.

the call is at

also have a look at the Burrow, deadline oct 1:

The Burrow - https://h.aard.work/info - Aad Björkro <yesreply at aard.work>
The Burrow is a secondary space of the [VLW] pavilion - asking the question
of how to approach Very Large Works backwards: How do we not approach them?
Instead of turning them - could we hide under the tables? How can we
comfort those who must hide? In a strange-loop mirroring kind of way the
Burrow seeks to explore themes of austerity, erasure, borders and
self-defeat. The Burrow is a VLW-platform with its own platforms


Open call for VERY LARGE WORKS

*VERY LARGE WORKS* will be an online show, a pavilion at The Wrong
<https://thewrong.org/> art biennale (Nov 2019 - Mar 2020), organised by
Noemata <http://noemata.net/>.

You can take part by submitting questions or works related to questions. In
other words, you can participate as a curator formulating questions, as an
artist answering questions with works, or any combination of the two.

The pavilion is a reaction to bloated works, systems and structures, which
prey on the resources of the world to exhaustion. The notion of Very Large
Works stands to represent oppressive, imperialist and patriarchal
tendencies throughout history. Values still nurtured, not least in the
arts, hung up on romantic ideas of public opinion. A white-wash in many
ways - culturally, institutionally and economically.

Our goal is to make an open, collaborative and self-modifying space for
creating and curating art on the internet. We were inspired by the game
Nomic <https://en.wikipedia.org/wiki/Nomic>, where each move is a change to
the rules of the game. VLW also intends to explore if the dynamics on
expanding spaces <https://arxiv.org/abs/1701.00994>, which uses Polya's urn
with innovation triggering
could model a net-based discursive practice for the entangled pair of art
and curation.

We are looking for contributions that embody critique of the very large,
which question, invert or revert its definition, use and abuse. One pixel
is a very large work seen vertically through the layers of technology and
history. A seed. The virtual, immaterial but real. A dank meme or verse, to
mention the obvious,

*"To see a World in a Grain of Sand, And a Heaven in a Wild Flower, Hold
   Infinity in the palm of your hand And Eternity in an hour." --William Blake

ParticipateFor the show we are interested in questions, individual works,
and platforms for collaborative works.


Go to https://bblab.space/p/very_large_works and submit your details under
the correct header (*platforms/works/questions/intermissions*, and
The deadline is October 1, 2019.

*Discussion list*

You are also invited to post your contribution and take part in the VLW
discussion list. Subscribe at
http://lists.noemata.net/listinfo.cgi/very_large_works-noemata.net. The
list serves as a backbone to the project and is an integral part of it.
Have a look at the archives for issues and ideas.


   - The Body, the somatic text. Transformation to the /Body/.
   - Ability to work, ability to act. Simulation of disorder, disability.
   - Anthropocentric 'ability'. Animosity, distinction. Distinguished
   - Liberty; rightship of bodies, rightship of humanity.
   - Self-expressability: Expression: Silence.
   - Participation; Inadvertent destruction, conforming destruction.
   - Animation, embodiment. To bring life.


   - Destruction.
   - Extinction, genocide. Autogenocidal [genosuicidal?] work.
   - Inversion, subversion, perversion. Self-destruction,
   - Refusal; do nothing. Sleep. Rest to resist. Save::counter.
   - SMALL: Room, effort, memory, thought, self, life. Silence.
   - Adequacy:Completion, the inadequacy of the incomplete.
   - The Eternal Work. Eternal recurrence. Eternal persistence.
   - Classification; Ordering. Very large -> Small enough.
   - One-upmanship. Patriarchal appraisal. Masculine emasculation.
   - Overshadowing, overbearing. Silencing. Autonomous censorship.
   - Performance, competition, sports, athleticism, music.
   - Networks, scaling, congestion, latency.


   - Platform, structure, work. Platform to structure to work.
   - Code -> Text -> Structure -> Movement.
   - Data:Metadata. The Archive and Database. The Monad.
   - Encoding, formalization of movement, people, bodies, work.
   - Type theory of movement. Type theory of bodies.
   - The eternal symbol: Silence.
   - Ecology, living history. Dead lines.
   - Catching up, self-sustained growth.
   - Self-regulated bias.


   - Movement <- Structure <- Text <- Code.
   - Transmission: Representation: Translation.
   - Consumption: Capital: Distributed despotism.
   - Currency: Stability: Predictability: Security.
   - Gifts, non-economy. Shelter, survival.
   - Quality of life. Equality. Equity.
   - Nomadism, growth on the move.


   - Disruption - Superstructure - Void-structure.
   - Instruction, participation, collaboration, conformation.
   - Common goal: Univocal occurrence: Contained concurrence.
   - Quasi-goal, faux goal, anti-goal. Purpose; Effect; Affect.
   - Hope: Belief: Optimism: Discordance: Resolution. Action.
   - "Force for good": Negative action.
   - Costs of expression; (re: printed spam).
   - Transformation of message: Transformed communication.
   - Curation: Selection: Indexation: Categorization.
   - Outside / Inside. Emic and etic
   - Uncertainty, entropy. Randomness, chaos.
   - Virtual, immaterial, non-existent but real. Superposition,
   wave-function, all paths at once.
   - Embodiment, authenticity, persecution.
   - Perhaps there should be a section in the call for the deconstruction
   of the call?


   - Lists.
   - Lists.
   - Lists.
   - Lists.

Preliminary questionshow large?
what are the extensions of an artwork?
does it have any? did art invent the zero yet? or negative dimensions?
one mole of elephants?
what about in-between dimensions?
who told you it was visible, countable, accountable?
is a very large work still a work?
i have a very large work, is it a very large work (or what)?
is work endless work, Sisyphus?
is it perhaps too romantic, or is it just lack of imagination?
inherent lack?
isn't imagination too tacky, just imagine?
and cognition, its own?
what about a six-dimensional work with unknown extensions?
where would they fit, the very large works?
is it biodegradable?
only if we die?
isn't very large more like muscle, and work again?
largus copious?
then you have copy and number, ennumeration, infinity or cost?
as you approach lim, inf?
it certainly isn't infinite, it's most definitely finite?
what about tactility and number?
abstract numbers close at hand?
numbers and money (mcluhan)?
"The result hammered for a mountain-scene panorama measuring over 8 meters
wide and 3 meters high - The Grand Fucking Mountains (2019) - illustrates
the immense success of this new giant of painting ..."?
if you're a great artist.. a great artist makes great artworks?
now with internet we can also make VERY LARGE works?
a pixel has a location in space or on a plane, but has no extent?
is internet an abstract topological space?
could somehow musics be included, gymnastics, Simone Biles for example,
skate-boarding, downhill skiing?
the work might be an imminent action - not dance, but something pushed to
the limit?
does it imply dromodology?
If someone can hold his or her breath for ten minutes, is that a very large
are very large works also very tiny works?
what about zooming?
inside - outside, can you always zoom into and outof?
can a zoom substitute different domains of knowledge into one zoomable
large and scarce
extension of our senses, sounds ominous, numinous?
can you even trust your senses, less the extensions?
and trust your trust, judgement?
the agreeable, the beautiful, the sublime, and the good?
unknown universals for given particulars?
tasteless, what does it taste?
the strong taste of nothing?
and digestion, not the least?
your lightyear or mine?
now thoughts can be tactile-erectile?
what about lard, very lard?
two deserts - one empty, one full?
the schematas from table of judgement, delicious fruit?
duration, just imagine, no, just feel, no, just be, no, just, obdure?
could we have an hotline 'helpline'-number for anyone to call if they're
confused by the open call? i'm thinking Graham's number but that might be
too obvious?
mirror, mirror on the wall?
on both sides?
if there were anything no one would know it, and if anyone did know it, no
one could communicate?
when will art smell?
are the senses extensions at all, or rather indentations?
are there any gifts left?
exit shop to the right?

FAQQ: Is my piece a very large work?
A: No.

Q: Are you looking for artists or curators?
A: Yes.

Q: What is a very large work?
A: My knee hurts when I sit too long.

More infoMain website: http://verylarge.works
Open call: http://verylarge.works/call.html
For reference, the preliminary call: http://noemata.net/5589
Contact: mail at noemata.net
List: http://lists.noemata.net/listinfo.cgi/very_large_works-noemata.net
Main website: http://verylarge.works
Open call: http://verylarge.works/call.html


*directory http://www.alansondheim.org <http://www.alansondheim.org> tel
718-813-3285**email sondheim ut panix.com <http://panix.com>, sondheim ut
gmail.com <http://gmail.com>*
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