[NetBehaviour] NetBehaviour Digest, Vol 947, Issue 1

Thu Jul 2 14:23:27 CEST 2020

Where are these pictures people are mentioning? Thank you!

On Thu, 2 Jul 2020 at 09:14, <netbehaviour-request at lists.netbehaviour.org>
wrote:

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> Today's Topics:
>
>    1. Conversations with Ghosts * (Alan Sondheim)
>    2. Re: 60 years ago today - music transmission across 4
>       generations of Catlows (Graziano Milano)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Wed, 1 Jul 2020 22:16:10 -0400 (EDT)
> From: Alan Sondheim <sondheim at panix.com>
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour at lists.netbehaviour.org>
> Subject: [NetBehaviour] Conversations with Ghosts *
> Message-ID: <alpine.NEB.2.22.394.2007012215580.25934 at panix3.panix.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
>
> Conversations with Ghosts *
>
> Edward Schneider, alto sax
> Alan Sondheim, viola Braguesa, Musima guitar
>
> http://www.alansondheim.org/altamusima1.jpg
> http://www.alansondheim.org/newmusima.mp3
> http://www.alansondheim.org/newbraga.mp3
> http://www.alansondheim.org/altabraga1.jpg
>
> * When was the Sound from Where?
>
> We used Zoom for discussion and listening and at my end a Zoom
> recorder; Edward used a mic feeding directly into his computer.
> Delay all over the place and we worked with it. We've played
> together a lot in the past; he's on some of our recordings. Zoom
> and Zoom are not related. I love his music and the way we relate.
> I used tricks to get the sound present. So we heard delays live
> of course, counted down out of sync at the start, he sent me .aif
> files, I converted to .wav to match mine, did an initial edit in
> Audacity and a final edit in Audition. We're happy with this. We
> also recorded playing with pithkiavlin, shakuhachi, dutar, and
> rababa; these were trickier. Hope you enjoy the music as much as
> we enjoyed making it. More most likely coming soon.
>
> --
>
> culling our interactions - amazingly Finally, album, Schneider,
> bird. music! footprint shale, Schneider records. Photographed
> spot Peggy's Cove where, 70s, fell Playing_session_with_Edward_
> Schneider_(alto_sax)_"Schneiderman seemed nearly that when he was
> asked by a young girl in the Schneider says no one is coming out,
> no humming, <k>denied Koresh Playing session with Edward
> Schneider with Edward Schneider on tenor, which brings Edward
> Schneider alto sax Edward Schneider alto sax - Edward Schneider,
> alto sax, a bit of singing! Edward Schneider, Schneider, Azure
> Carter and the sweet bird of paradise, and least one great
> review! The album, with Azure Carter, Edward Schneider, Chris
> 2014 Finally, have a new album, with Chris Diasparra and Edward
> Schneider, on 2014 Our new cd with Azure's songs and my playing,
> backed by Edward Schneider Schneider, with cover images from the
> work we've done in the Edward Schneider. I'm really happy with
> this - the music is Schneider: Cutting Board Edward Schneider,
> alto saxophone Alan Sondheim with Christopher Diasparra and
> Edward Schneider Diasparra (on tenor and baritone) and Schneider
> (on alto), who, Alan Sondheim with Christopher Diasparra & Edward
> Schneider, tenor and baritone saxes, and Edward Schneider on the
> alto sax. improv more than free jazz per se, though Schneider and
> With Chris Diasparra!, Edward Schneider!, Jackson Moore!
> Diasparra/Edward Schneider ESP-Disk' album Cutting Board and
> Schneider Edward Schneider, alto sax Schneider-Sondheim
> Apocalyptic Improvisations Sat for Frank Scha for DS Schell, for
> Schneider for Roddy Schr songs and my playing, backed by Edward
> Schneider ... 2015 I do a Schneider, and myself. The Studio was
> Michael Hamburger's, in Brooklyn. Roy Schneider Trudy Asia Asia
> Asia riscatto alante Motel session Edward Schneider
> ================== AVATARS amazingly Finally, album, Schneider,
> Edward Schneider Lynne Sachs Eric Rickstad Amir Parsa Various
> bird. music! footprint shale, Schneider records. Photographed
> spot Peggy's Cove where, 70s, fell Edward Schneider, alto; Alan
> Sondheim, guitar
>
> ___
>
>
>
> ------------------------------
>
> Message: 2
> Date: Wed, 1 Jul 2020 16:53:27 +0100
> From: Graziano Milano <grazmaster at googlemail.com>
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour at lists.netbehaviour.org>
> Cc: Edward Picot <julian.lesaux at gmail.com>
> Subject: Re: [NetBehaviour] 60 years ago today - music transmission
>         across 4 generations of Catlows
> Message-ID:
>         <
> CAL5jRUW4-f7e97294Dij3pHv9Rs26keGj_Jp3bUJh5n2GzzN5g at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Hi Ruth,
>
> My sister has all the bed sheets, table cloths, doilies, etc.. that my mum
> embroidered. Here are four of my baby aprons that she embroidered after I
> was born in May 1967. And some drawings printed on tissue paper that my mum
> embroidered to decorate the fabric of her bed sheets.
>
> My mum was born in 1928 and during those times in Italy her generation were
> only able to go to primary state schools from the age of 6 to 11. The
> secondary schools were private and expensive. So my grandparents, as they
> were both busy working at making and selling cakes, ice-creams, granitas,
> etc, sent my mum to the local catholic convent where the nuns were running
> embroidery workshops to a group of young girls. I remember my mum telling
> me how she really enjoyed those creative workshops. Then when I was a child
> both my older sister and my mum constantly entertained me by drawing
> together and telling me the histories of our local village.
>
> [image: MyBabyAprons_GrazMum.jpg]
> [image: BedSheetDrawing_GrazMum.jpg]
>
> On Tue, 30 Jun 2020 at 14:44, Michael Szpakowski <m at michaelszpakowski.org>
> wrote:
>
> > What a marvellous marvellous photo Ruth! Thanks for sharing it with us
> > all...
> >
> >
> > Sent from Yahoo Mail for iPhone <https://yho.com/footer0>
> >
> > On Saturday, June 27, 2020, 3:31 pm, Ruth Catlow via NetBehaviour <
> > netbehaviour at lists.netbehaviour.org> wrote:
> >
> > All the Wowzers!
> >
> > I especially love the accompanying documents. Michael I remember being
> > bowled over by The Enemy of the People when I first saw it all those
> years
> > ago.
> > Helen, Gretta, Graziano do you have photos of your family's needlework
> and
> > knitting?
> >
> > Here is the photo I mentioned.
> >
> > [image: image.png]
> >
> > Hurrah!
> > :)
> >
> >
> >
> > On Fri, Jun 26, 2020 at 9:35 AM Mark Hancock <mark at memecortex.net>
> wrote:
> >
> > I'm loving these, please keep sharing. The thing I inherited was less a
> > skill, and more an attitude. My Dad was a brickie from Birmingham who
> had a
> > love of jazz and classical music. So I grew up in a household full of
> > literature and music. That idea that no matter your 'station in life' or
> > your education, arts are there for everyone, from high to low culture (if
> > those distinctions even exist still), still drives and informs the way I
> > approach art today.
> >
> > And I'm definitely jealous of your father, Edward. I'd love to have
> > written for the British Transport films! Or GPO.
> >
> > M
> >
> > On Thu, 25 Jun 2020 at 22:51, Edward Picot via NetBehaviour <
> > netbehaviour at lists.netbehaviour.org> wrote:
> >
> > I love this thread!
> >
> > My father was Paul Le Saux, who used to write scripts for British
> > Transport Films. They made travelogues, part-documentary and part-artsy,
> > about various aspects of the railway network, and the places in Britain
> to
> > which the trains could take you.
> >
> > I always used to assume that I got my creativity from him, and he
> > certainly encouraged me to write when I was young. He died when I was six
> > years old. But actually I think I also inherited quite a lot from my
> > maternal grandfather, who was a merchant seaman, an engineer, and later a
> > foreman at the docks in Belvedere on the Thames. In his spare time he was
> > also a bellringer, and I've got some notebooks of his, in which he wrote
> > out peal-sequences for different numbers of bells.
> >
> > Edward
> >
> > On 24/06/2020 23:50, Michael Szpakowski wrote:
> >
> > I can't claim any great cultural heritage apart , on my UK side,  from an
> > intimate knowledge of the Methodist Hymn book, and the fact my mother
> late
> > into her life desperately regretted that she'd never been able to learn
> the
> > accordion, which she had *so* wanted to do instead of the piano.
> > She also only ever wrote one poem, at school, and it was clearly
> important
> > to her, this creative act, because she remembered & recited it to the end
> > of her life:
> >
> > *See the little Daisy bright*
> > *Standing there, all through the night*
> > *Pink tipped petals, golden centre*
> > *Let us go to the castle and enter.*
> >
> > Whatever frustrated creative drive she had, she later channeled into an
> > almost supernatural ability to make house plants of all varieties grow
> and
> > thrive.
> > My Dad was entirely uninterested in culture except for the Saturday pm
> ITV
> > wrestling and Cossack dancing displays. He did however love nature with a
> > passion and I inherited that.
> > As for documents -a couple of weeks ago my cousin Jaros?aw sent me a
> piece
> > of testimony from my father which must have been given in 43 or 44 & has
> > been in the Hoover collection  in the States ever since.
> > When he related this he was three years younger than my daughter is now.
> > One of my very first pieces of 'net art' (sounds quaint now) made in
> > Director, but now just a piece of video, dealt with the same subjects.
> >
> > The testimony:
> > https://bit.ly/37ZZcns
> >
> >
> > The piece:
> > https://www.youtube.com/watch?v=AYPBBYPyzxA
> >
> > cheers
> > Michael
> >
> >
> >
> >
> >
> >
> >
> > On Tuesday, June 23, 2020, 10:18:04 AM GMT+1, Ruth Catlow via
> NetBehaviour
> > <netbehaviour at lists.netbehaviour.org>
> > <netbehaviour at lists.netbehaviour.org> wrote:
> >
> >
> > Thanks Renee and Mark,
> > I too would like to hear of other's creative/skill inheritances. Nice
> idea
> > Mark... go for it.
> > <3
> >
> > On Tue, Jun 23, 2020 at 10:13 AM Mark Hancock <mark at memecortex.net>
> wrote:
> >
> > I second Ren?e's thoughts. I love that idea that playing is bringing the
> > past back in such an active and evocative way.
> >
> > I'd be interested in the creative skills and tools of the trade that
> other
> > people on the list have inherited, if I may be so bold as to high-jack
> your
> > email thread, Ruth?
> >
> > Mark
> >
> > On Tue, 23 Jun 2020 at 09:59, Renee Turner <geuzen at xs4all.nl> wrote:
> >
> > That?s beautifully moving Ruth <3  This post made my day.
> >
> > warmly,
> >
> > Ren?e
> >
> > -._.-._.-._.- R*
> >
> >
> > ****************************
> > a virtual embrace
> > wishing health & well-being to all
> >
> >
> >
> > On Jun 23, 2020, at 10:44 AM, Ruth Catlow via NetBehaviour <
> > netbehaviour at lists.netbehaviour.org> wrote:
> >
> > I have been playing my violin again since lock down and I came across
> this
> > sheet music for the second 2nd Bach Partita that I played when I was much
> > younger.
> >
> > You can see from the inscription that it was a birthday present from
> Rolf,
> > my paternal grandfather, to his father exactly 60 years ago today.
> >
> > My dad John, who was a professional cellist, has a photo from this time
> of
> > the three generations of men playing chamber music: Dad on cello, Rolf on
> > the piano, and my great grandfather, Arthur, playing the violin.
> >
> > <image.png>
> >
> > There is something very moving to me about this cultural inheritance, and
> > I wanted to share it with you all :)
> >
> > warmly
> > Ruth
> >
> > --
> > Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts
> > Lab
> > +44 (0) 77370 02879 <+44%2077370%2002879>
> >
> > *sending thanks
> > <
> https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
> in
> > advance
> >
> > *Furtherfield *disrupts and democratises art and technology through
> exhibitions,
> > labs & debate, for deep exploration, open tools & free thinking.
> > furtherfield.org <http://www.furtherfield.org/>
> >
> > *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> > technologies research hub
> > for fairer, more dynamic & connected cultural ecologies & economies now.
> > decal.is <http://www.decal.is/>
> >
> > Furtherfield is a Not-for-Profit Company Limited by Guarantee
> > Registered in England and Wales under the Company No.7005205.
> > Registered business address: Carbon Accountancy, 80-83 Long Lane, London,
> > EC1A 9ET.
> >
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> >
> >
> > --
> > Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts
> > Lab
> > +44 (0) 77370 02879 <+44%2077370%2002879>
> >
> > *sending thanks
> > <
> https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
> in
> > advance
> >
> > *Furtherfield *disrupts and democratises art and technology through
> exhibitions,
> > labs & debate, for deep exploration, open tools & free thinking.
> > furtherfield.org <http://www.furtherfield.org/>
> >
> > *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> > technologies research hub
> >
> > for fairer, more dynamic & connected cultural ecologies & economies now.
> >
> > decal.is <http://www.decal.is>
> >
> > Furtherfield is a Not-for-Profit Company Limited by Guarantee
> >
> > Registered in England and Wales under the Company No.7005205.
> >
> > Registered business address: Carbon Accountancy, 80-83 Long Lane, London,
> > EC1A 9ET.
> >
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> >
> > _______________________________________________
> > NetBehaviour mailing listNetBehaviour at lists.netbehaviour.orghttps://
> lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> >
> >
> > --
> > Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts
> > Lab
> > +44 (0) 77370 02879 <+44%2077370%2002879>
> >
> > *sending thanks
> > <
> https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
> in
> > advance
> >
> > *Furtherfield *disrupts and democratises art and technology through
> exhibitions,
> > labs & debate, for deep exploration, open tools & free thinking.
> > furtherfield.org <http://www.furtherfield.org/>
> >
> > *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> > technologies research hub
> >
> > for fairer, more dynamic & connected cultural ecologies & economies now.
> >
> > decal.is <http://www.decal.is>
> >
> > Furtherfield is a Not-for-Profit Company Limited by Guarantee
> >
> > Registered in England and Wales under the Company No.7005205.
> >
> > Registered business address: Carbon Accountancy, 80-83 Long Lane, London,
> > EC1A 9ET.
> >
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour at lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> >
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>
> End of NetBehaviour Digest, Vol 947, Issue 1
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