[NetBehaviour] CV-17, 2020.
marc.garrett2 at gmail.com
Fri Sep 18 17:54:52 CEST 2020
It seems that people are finding certain elements in this series of
work, in relation to their own perspectives, whether it involves
locality (nation etc) and or psychologically. I think this is good
because communicates in ways beyond my own trappings. I like letting
these works present, if possible, their unforced contexts -- it comes
out in the wash (for want of a better word) ;-)
Thanks for looking.
Wishing you well.
On Fri, 18 Sep 2020 at 13:29, Alan Sondheim via NetBehaviour
<netbehaviour at lists.netbehaviour.org> wrote:
> I've liked this series, I've seen other's you've done as well of course online, reminding me of packing tape, packing strokes opening up to more of the same; also at least over the western states in what used to be the usa, now the sa, lightning in fierce storms, shattering the sky, all that against the colors of masking tape and warning signs, assembled picture frames minus image
> On Fri, Sep 18, 2020 at 6:38 AM marc garrett via NetBehaviour <netbehaviour at lists.netbehaviour.org> wrote:
>> CV-17, 2020.
>> When creating abstract works, push and pull is a term I used to know, meaning, pushing the foreground back so to level out the pictorial surface. Notice the white lines pulling it all together, connecting up with white background space.
>> However, it was Hans Hofmann who originally used the phrase. It was associated "with his signature works of the 1950s and 1960s, in which bold color planes emerge from and recede into energetic surfaces of intersecting and overlapping shapes". This collage does that, but in it's own way.
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Wishing you well.
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State Machines: Reflections & Actions at the Edge of Digital
Citizenship, Finance, & Art. Edited by Yiannis Colakides, Marc
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