[NetBehaviour] Fwd:

[Alan Sondheim]

Thinking about?
Working with Fu fa and the body, one of the things that occurs to me.
Foremost is that it has to do with physicality at the extensions of the
body in different spaces and the way that the body can be purchased in
different spaces and how that takes over from the point of view of the
camera, those spaces or else succumbs to those spaces from the absence of
the point of view of the camera which is also the point of view of the
camera period In this way, there is a kind of dialogue that goes on that's
capable of being recorded and also refers to physicality in a fundamental
way. And that is something I'm also working on in relationship to my text
and relationship to the dance here and also in terms of playing a musical
instrument and the physicality that that entails period .  It's good to be
back thinking about these things period it's better to be doing this than
to be simply escorted along the channels of digital behav, your individual
commindications without any kind of grounding in what's going on, where the
feet actually touched the Earth. Or where breath occupies and works in an
untoward ways, including exhaustion.  And even perhaps vomiting or anything
else that breath of mind and body can do in relationship to these narrow
spectrums period It's exciting as well because it's a kind of epiphany that
we are all within Within our bodies pegood as I dictate this. There are
gaps emissions and inclusions as a result of the difficulty of the voice to
speech. Just text that's occurring, as I'm talking through here period
where within our bodies as I started to say, but the bodies aren't cohering
not incoherent, but cohering to the space The Matrix.  That's it's within
which fundamentally. I think is incalculable uncalculable period it's a
space you can work in that I think is fundamental how health just as
walking down the street is more fundamental in a sense. Then writing a text
or reading a text period
Let it go with that. I just keep thinking about being back.  In Brussels or
being at Alexander plots in Berlin and watching a performance and watching
the static list of the performance and watching the mobility of the
performance and my own relationship to that in terms of sound music,
contorting another wise filming and documenting period


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